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Troels Kirk's impressive On30 Coast Line Railroad layout includes some impressive, deep scenes, such as this view of the town of Convers. An industrial area occupies the foreground, while the main street is in the distance.
Troels is our guest on Episode 46.
I've added several different random color schemes to Structure Synth.
The image demonstrates the use of the 'color random' operator, for different color pools:
set colorpool randomhue
set colorpool randomrgb
set colorpool greyscale
set colorpool list:orange,white,white,white,white,white,white,grey
set colorpool image:filename.PNG
These schemes are described in more details on my Syntopia blog.
This update necessitated a few changes to the underlying random number generator system: the Eisenstein Engine in Structure Synth is now powered by two independent Mersenne Twister streams. And not only does that sound sexy - it also ensures that structures made from a specific random seed can be reproduced on different platforms.
"Bridge 1"
STRUCTURES is a series of generative art pieces the explores the constructions of our world by taking photographs of man-made and natural structures and placing them into a new structure. This process semi-randomly fragments and rearranges the photographs into a grid of my design. I'll often run the images through this process several times, using various grid structures along the way.
Programs used: Lightroom, Photoshop, Processing
Structure Synth terminates the recursion if the number of objects is greater than the given threshold ('set maxobjects ...') or if the recursion depth becomes greater than the maximum depth ('set maxdepth ...'). It is also possible to set a maxdepth for an individual rule ('rule R1 maxdepth 5').
I've added two new rules for controlling the termination.
'set minsize {size}' and 'set maxsize {size}' allows you to specify how large or small a given object can be before terminating. The 'size' parameter refers to the length of the diagonal of a unit cube in the current local state. (The initial coordinate frame goes from (0,0,0) to (1,1,1) and hence has a diagonal length of sqrt(3)~1.7). It is possible to specify both a mix and a min size. The termination criteria only stops the current branch - if other branches are still within a valid range, the will be continued.
This is very useful for preventing Structure Synth from creating boxes which cannot be seen anyway or from growing without bounds.
The image shows the same structure at three different minimum size tresholds.
Example script (requires a post-version 0.9 of Structure Synth!):
set minsize 0.8 // or 0.4, or 0.2
set maxdepth 600
set background #333
{ h 30 sat 0.2 h -67 b 0.8 } spiral
rule spiral w 100 {
box2
{ y 0.4 rx 90 hue 1 s 0.995 b 0.999 } spiral
}
rule spiral w 100 {
box2
{ y 0.4 rx 90 hue -1 rz -90 s 0.995 b 0.999 } spiral
}
rule spiral w 100 {
box2
{ y 0.4 rx 90 hue 0 rz 90 s 0.995 b 0.995 } spiral
}
rule spiral w 3 {
{ rz 5 s 1 1 1 } spiral
{ ry 4 h 3 s 1 1 1 } spiral
}
rule box2 {
{ s 1 5 1 } box
}
rule box2 {
{ s 5 1 1 } box
}
rule box2 {
}
The Witch House (also called the Jonathan Corwin House), was the home of Judge Jonathan Corwin and is the only structure still standing in Salem, Massachusetts with direct ties to the Salem witch trials of 1692. The house was bought by Judge Corwin in 1675, when he was 24 years old, and he lived there for more than forty years. Corwin is buried in the nearby Broad Street Cemetery. The house remained in the Corwin family until the mid-19th century. The Witch House is located at 310 Essex Street, at the cross streets of North & Summer in the Chestnut Street District of Salem.
As a local magistrate and civic leader, Corwin was called upon to investigate the claims of diabolical activity when a surge of witchcraft accusations arose in Salem and neighboring communities. He took the place of Judge Nathaniel Saltonstall, who resigned after the execution of Bridget Bishop. Corwin served on the Court of Oyer and Terminer, which ultimately sent nineteen to the gallows. All nineteen refused to admit to witchcraft and maintained their innocence.
It's nice when you come to Milan to take a lot of pictures and you find the one of the day in your flat!
Yaxchilán, Structure 33
Yaxchilan is an ancient Maya city located on the bank of the Usumacinta River in what is now the state of Chiapas, Mexico. In the Late Classic Period, Yaxchilan was one of the most powerful Maya states along the course of the Usumacinta, with Piedras Negras as its major rival. Architectural styles in subordinate sites in the Usumacinta region demonstrate clear differences that mark a clear boundary between the two kingdoms.
Yaxchilan was a large center, important throughout the Classic era, and the dominant power of the Usumacinta River area. It dominated such smaller sites as Bonampak, and had a long rivalry with Piedras Negras and at least for a time with Tikal; it was a rival of Palenque, with which Yaxchilan warred in 654.
The site is particularly known for its well-preserved sculptured stone lintels set above the doorways of the main structures. These lintels, together with the stelae erected before the major buildings, contain hieroglyphic texts describing the dynastic history of the city.
Structure 33, in the Central Acropolis, has been described as a masterpiece in stone and was probably dedicated in 756 by Bird Jaguar IV. The structure overlooks the plaza and the river and would have been prominent to river traffic in the 8th century. It has plain lower walls with three doorways, each of the which supports a well preserved lintel (Yaxchilan Lintels 1 to 3). In the centre of the back wall of the structure, opposite the central doorway, is a niche containing the headless sculpture of a human figure, probably Bird Jaguar IV himself. The roof of the structure is largely intact, including a sloped roof supporting a frieze and a well preserved roof comb. There are niches in both the roof comb and the frieze, the niche in the roof comb contains the remains of a sculpted figure. Tennons on both roof sections once supported stucco decoration. Leading up to the front of Structure 33 from the plaza is a stairway, the top step of which is sculpted, this step is known as Hieroglyphic Stairway 2.
(source: en.wikipedia.org/wiki/Yaxchilan)
It was perched on a structure higher than we were and never moved as we walked by. This is an uncropped full frame shot.
There are eight of these things set back from the road on US 41 about ten miles north of Dunnellon FL. I think they're some kind of silage storage (grain maybe?) and quite old and also bigger than they look (If that door on structure one were open you could drive a truck into it).
// Produced by Structure Synth V 0.4
// (http://structuresynth.sf.net/)
set maxdepth 600
set background #f94
{ h 30 sat 0.7 } spiral
{ ry 180 h 30 sat 0.7 } spiral
rule spiral w 100 {
box
{ y 0.4 rx 5 hue 1 s 0.995 b 0.999 } spiral
}
rule spiral w 100 {
box
{ y 0.4 rx 5 hue -1 rz -5 s 0.995 b 0.999 } spiral
}
rule spiral w 100 {
box
{ y 0.4 rx 5 hue 0 rz 5 s 0.995 b 0.995 } spiral
}
rule spiral w 3 {
{ rx 15 } spiral
{ ry 180 h 3 } spiral
}
Фото начала реконструкции ЦУМа, Киев 2013.
Photo of beginning of Central Universal Shop in Kiev. 2013.
"Reflections"
STRUCTURES is a series of generative art pieces the explores the constructions of our world by taking photographs of man-made and natural structures and placing them into a new structure. This process semi-randomly fragments and rearranges the photographs into a grid of my design. I'll often run the images through this process several times, using various grid structures along the way.
Programs used: Lightroom, Photoshop, Processing
Gwalior Fort (Hindi: ग्वालियर क़िला Gwalior Qila) is an 8th-century hill fort near Gwalior, Madhya Pradesh, central India. The fort consists of a defensive structure and two main palaces, Gurjari Mahal and Man Mandir, built by Man Singh Tomar. The fort has been controlled by a number of different rulers over time. The Gurjari Mahal palace was built for Queen Mrignayani. It is now an archaeological museum.
ETYMOLOGY
The word Gwalior is derived from one of the Hindu words for saint, Gwalipa.
TOPOGRAPHY
The fort is built on an outcrop of Vindhyan sandstone on a solitary, rocky, long, thin, steep hill called Gopachal. The geology of the Gwalior range rock formations is ochre coloured sandstone covered with basalt. There is a horizontal strata, 104 m at its highest point (length 2.4 km and average width 910 m.The stratum forms a near perpendicular precipice. A small river, the Swarnrekha, flows close to the palace.
RULERS
Legend tells that Suraj Sen Kachwaha, chieftain of the nearby Silhonia village was on a hunting trip. He came upon the hermit, Gwalipa (Galava) who gave the chieftain healing water from the Surajkund reservoir. In gratitude for the healing of leprosy, the chieftain founded Gwalior, naming it after Gwalipa. The earliest record of the fort is 525 AD where it is mentioned in an inscription in the temple of the Hun) emperor, Mihirakula (510 AD). Near the fort is an 875 AD Chaturbhuj temple associated with Telika Mandir.
PAL DYNASTY OF KACHAWAHA
The Pal dynasty of 86 kings ruled for 989 years. It began with Budha Pal and concluded with Suraj Pal. Budha Pal's son was Tej Karan (1127 - 1128). Gwalipa prophesied that the Pal dynasty would continue while the patronym, Pal was kept. Tej Keran married the daughter of Ran Mul, ruler of Amber (Jaipur) and received a valuable dowry. Tej Keran was offered the reign of Amber as long as he made it his residence. He did so, leaving Gwalior under Ram Deva Pratihar.
GUJARA-PRATIHARA DYNASTY
The Gurjara-Pratihar dynasty at Gwalior included Pramal Dev, Salam Dev, Bikram Dev, Ratan Dev, Shobhang Dev, Narsinh Dev and Pramal Dev.
TURKIC CONQUEST
In 1023 AD, Mahmud of Ghazni unsuccessfully attacked the fort. In 1196 AD, after a long siege, Qutubuddin Aibak, first Turkic sultan of Delhi took the fort, ruling till 1211 AD. In 1231 AD, the fort taken by Iltumish, Turkic sultan of Delhi. Under attack from Timurlane, Narasingh Rao, a Jaina chieftain captured the fort.
TOMAR RULERS
The Rajput Tomara clan ruled Gwalior from 1398 (when Pramal Dev captured the fort from a Muslim ruler) to 1518 (when Vikramaditya was defeated by Ibrahim lodhi).
Pramal Dev (Ver Singh, Bir Sing Deo) 1375.
Uddhharan Dev (brother of Pramal Dev).
Lakshman Dev Tomar
Viramdev 1400 (son of Virsingh Dev).
Ganapati Dev Tomar 1419.
Dugarendra (Dungar) Singh 1424.
Kirti Singh Tomar 1454.
Mangal Dev (younger son of Kirti Singh).
Kalyanmalla Tomar 1479.
Man Singh Tomar 1486 - 1516 (builder of the Man mandir).
Vikramaditya Tomar 1516.
Ramshah Tomar 1526.
Salivahan Tomar 1576.
SURI DYNASTY
In 1519, Ibrahim Lodi took the fort. After his death, control passed to the Mughal emperor Babur. Barber's son, Humayun, was defeated by Sher Shah Suri. After Suri's death in 1540, his son, Islam Shah, moved power from Delhi to Gwalior for strategic reasons. After the death of Islam Shah in 1553, his incumbent, Adil Shah Suri, appointed the Hindu warrior, Hemu (Hem Chandra Vikramaditya) as manager of Gwalior. From 1553 - 1556, Hemu attacked Adil Shah Suri and others from the fort.
MUGHAL DYNASTY
When the Mughal leader, Akbar captured the fort, he made it a prison for political prisoners. For example, Kamran, Akbar's cousin was held and executed at the fort. Aurangzeb's brother, Murad and nephews Suleman and Sepher Shikoh were also executed at the fort. The killings took place in the Man Madir palace.
RANA JAT DYNASTY
The Jats of Gohad occupied the fort on three occasions between 1740 and 1783. (Maharaja Bhim Singh Rana 1740 - 1756; Maharaja Chhatra Singh Rana 1761 - 1767; and Maharaja Chhatra Singh Rana 1780 - 1783).
MARATHA RULE
In 1779, the Scindia clan of the Maratha Empire stationed a garrison at the fort however, it was taken by the East India Company. In 1784, the Marathas under Mahadji Sinde, recovered the fort. There were frequent changes in the control of the fort between the Scindias and the British between 1808 and 1844. In January 1844, after the battle of Maharajpur, the fort was occupied by the Marathas as protectorate of the British government.
REBELLION OF 1857
On 1 June 1858, Rani Lakshmi Bai led a rebellion. The Central India Field Force, under General Hugh Rose, besieged the fort. Bai died on 17 June 1858.
STRUCTURES
The fort and its premises are well maintained and house many historic monuments including palaces, temples and water tanks. There are eleven temples to Gautama Buddha and the tirthankaras of Jainism. There are also a number of palaces (mahal) including the Man mandir, the Gujari, the Jahangir, the Karan, and the Shah Jahan. The fort covers an area of 3 square kilometres and rises 11 m. Its rampart is built around the edge of the hill, connected by six bastions or towers. The profile of the fort has an irregular appearance due to the undulating ground beneath. On the southern side are 21 temples cut into the rock with intricately carved tirthankaras. One, Pārśva, the 23rd local saint, is 12 m high.
There are two gates; one on the northeast side with a long access ramp and the other on the southwest. The main entrance is the ornate Elephant gate (Hathi Pul). The other is the Badalgarh Gate. The Man Mandir palace or citadel is located at the northeast end of the fort. It was built in the 1400s and refurbished in 1648. The water tanks or reservoirs of the fort could provide water to a 15,000 strong garrison, the number required to secure the fort.
MAN MANDIR PALACE
The Man mandir palace was built by the King of Tomar Dynasty - Maharaja Man Singh.It is a big palace with wonderful architecture,and beautiful art work done on its front as well as some interior walls.
HATHI POL
The Hathi Pol gate (or Hathiya Paur), located on the southeast, leads to the Man mandir palace. It is the last of a series of seven gates. It is named for a life-sized statue of an elephant (hathi) that once adorned the gate. The gate was built in stone with cylindrical towers crowned with cupola domes. Carved parapets link the domes.
GUJARI MAHAL MUSEUM
Gujari Mahal was built by Raja Man Singh for his wife Mrignayani, a Gujar princess. She demanded a separate palace for herself with a regular water supply through an aqueduct from the nearby Rai River. The palace has been converted into an archaeological museum. Rare artefacts at the museum include Hindu and Jain sculptures dated to the 1st and 2nd centuries BC; miniature statue of Salabhanjika; Terracotta items and replicas of frescoes seen in the Bagh Caves.
TELI KA MANDIR
The Teli-ka mandir (the oilman’s temple or oil pressers' temple) is a Brahmanical sanctuary built in the 8th (or perhaps the 11th century) and was refurbished between 1881 and 1883. It is the oldest part of the fort and has a blend of south and north Indian architectural styles. Within the rectangular structure is a shrine with no pillared pavilions (mandapa) and a Buddhist barrel-vaulted roof on a Hindu mandir. Buddhist architectural elements are found in the Chitya type hall and torana decorations at the entrance. There is a masonry tower in the nagari architectural style with a barrel vaulted roof 25 metres in height. The niches in the outer walls once housed statues but now have gavakshas (horse shoe arch) ventilator openings in the north Indian style. The gavaksha has been compared to the trefoil, a honeycomb design with a series of receding pointed arches within an arch. The entrance door has a torana or archway with sculpted images of river goddesses, romantic couples, foliation decoration and a Garuda. Diamond and lotus designs are seen on the horizontal band at the top of the arch indicating an influence from the Buddhist period. The vertical bands on either side of the door are decorated in a simple fashion with figures that are now badly damaged. Above the door are a small grouping of discs representing the finial (damalaka) of an Indo-Aryan Shikhara. The temple was originally dedicated to Vishnu, but later converted to the worship of Siva.
GARUDA MONUMENT
Close to the Teli ka Mandir temple is the Garuda monument, dedicated to Vishnu, is the highest in the fort. It has a mixture of Muslim and Indian architecture. The word Teli comes from the Hindu word Taali a bell used in worship.
SAAS-BAHU TEMPLE
In 1093, the Pal Kachawaha rulers built two temples to Vishnu. The temples are pyramidal in shape, built of red sandstone with several stories of beams and pillars but no arches.
KAM MAHAL
The Karn mahal is another significant monument at Gwalior Fort. The Karn mahal was built by the second king of the Tomar dynasty, Kirti Singh. He was also known as Karn Singh, hence the name of the palace.
VIKRAM MAHAL
The Vikram mahal (also known as the Vikram mandir, as it once hosted a temple of Shiva) was built by Vikramaditya Singh, the elder son of Maharaja Mansingh.He was a devotee of Shiva. The temple was destroyed during Mughal period but now has been re-established in the front open space of the Vikram mahal.
CHHATRI OF BHIM SINGH RANA
This chhatri (cupola or domed shaped pavilion) was built as a memorial to Bhim Singh Rana (1707-1756), a ruler of Gohad state. It was built by his successor, Chhatra Singh. Bhim Singh occupied Gwalior fort in 1740 when the Mughal Satrap, Ali Khan, surrendered. In 1754, Bhim Singh built a bhimtal (a lake) as a monument at the fort. Chhatra Singh built the memorial chhatri near the bhimtal. Every year, the Jat Samaj Kalyan council (parishad) of Gwalior organises a fair on Rama Navami, in honor of Bhim Singh Rana.
OTHER MONUMENTS
There are several other monuments built inside the fort area. These include: the Scindia School (an exclusive school for the sons of Indian princes and nobles)that was founded by Madho Rao Scindia in 1897; and the Gurdwara Data Bandi, a memorial to the sixth Sikh, Guru Hargobind.
WIKIPEDIA
Free photos. Set 14.
Use it freely in personal and commercial projects.
CC-License
Photos: Anthony Clochard / wuipdesign.github.io
Details of a pigeon's wing as it balances on one of our feeders trying to get at some seeds. Primary and secondary wing feathers are clearly seen along with the covert feathers underneath. These are surprisingly delicate structures and it's not often we get the chance to get a good look at them like this
An arson fire at the Texas Governor's Mansion reported at 1:45 AM on July 8th destroyed this historic structure. Fortunately, the historic contents and memorabilia normally in the mansion had been removed when a $10 million (US) renovation began last year.
At about 1:45 AM on Sunday, July 8, 2008, the Austin Fire Department received a report of a structure fire at the Texas Governor's Mansion at 11th and Colorado in downtown Austin. First arriving companies reported heavy fire showing, and ultimately went to four alarms with over 100 firefighters at the scene. An interior attack was cut short when a partial roof collapse occurred, and at one point, four master streams were in operation, one on each side of the historic structure. No injuries have been reported as of time of this writing. The fire is under investigation by the State Fire Marshal's Office, US Alcohol, Tobacco, and Firearms, and Texas DPS; Paul Maldonado, a spokesman for the State Fire Marshal's Office states that as the lead investigative agency, arson is suspected. No damage figures are currently available.
The Governor's Mansion, first occupied in 1856, has been home to every Texas governor since. A $10 million restoration project has been underway for about a year; Governor Rick Perry and his wife Anita have been living in a rented home during the reconstruction. The Governor and his wife were at a conference in Europe at the time of the fire.
At about 1:45 AM on Sunday, July 8, 2008, the Austin Fire Department received a report of a structure fire at the Texas Governor's Mansion at 11th and Colorado in downtown Austin. First arriving companies reported heavy fire showing, and ultimately went to four alarms with over 100 firefighters at the scene. An interior attack was cut short when a partial roof collapse occurred, and at one point, four master streams were in operation, one on each side of the historic structure. No injuries have been reported as of time of this writing. The fire is under investigation by the State Fire Marshal's Office, US Alcohol, Tobacco, and Firearms, and Texas DPS; Paul Maldonado, a spokesman for the State Fire Marshal's Office states that as the lead investigative agency, arson is suspected. No damage figures are currently available.
The Governor's Mansion, first occupied in 1856, has been home to every Texas governor since. A $10 million restoration project has been underway for about a year; Governor Rick Perry and his wife Anita have been living in a rented home during the reconstruction. The Governor and his wife were at a conference in Europe at the time of the fire.
Construction worker at his work.
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Usage: Free for personal, non-profit or commercial. License: Creative Commons Attribution-ShareAlike. Credit: Budi Nusyirwan (Bukrie) - stock.bukrie.org.
When I was editing the shots from patrixbourne last week, I read that the Flemish glass there was second only to that at Temple Ewell, which is what I was in Temple Ewell this morning.
I guess, once Temple Ewell was a separate village from Dover, situated at the pace where the Dour rises. It flows down a valley into the parish of River then into Dover. In its seven miles, there were many mills on the river, all bar one have now closed, including the one in Temple Ewell.
The main London road, the A2, used to pass through the village before going on to Lydden then up the down to where it runs now. It must have been a noisy and busy place for a while, but although the main road is still there, it is fairly quiet.
Ss. Peter and Paul is on the other side of the valley from the main road, the village has narrow streets, so narrow parking is impossible, so I park the car, grab the cameras and walk down to the river then up the other side where i can see the square tower of the church.
Certainly, the church itself was barely worth the effort of climbing the hill, but I was her to see the glass, which I can tell you was worth it.
In fact, I have been here before, many years ago before the church project began, so this was like visiting it for the first time.
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In a strange position, oddly isolated from the main road and pretty valley below. The church is a severe structure of Norman origin, over-restored in 1870 by Talbot Bury, whose work in Bath stone can only be described as unfortunate. The east window is by Martin Travers - Comper's pupil - but is not a good example of his work. However, the church contains fine good examples of Swiss glass comparable to the windows at Patrixbourne. Probably the best is the Flight into Egypt. One only wishes for more splashes of colour to enliven this otherwise plain church.
www.kentchurches.info/church.asp?p=Temple+Ewell
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Temple Ewell comes from the Anglian word ‘æwell’ meaning a ‘river source’, with the Middle English prefix ‘temple’ as a ‘temple; usually in allusion to properties of the Knights Templar’ - the Knights Templar possessed the site from the 12th century. The Domesday Book chronicles Temple Ewell as Etwelle or Ewelle.
Temple Ewell parish church is a Grade: II listed building, dedicated to Saint Peter and Saint Paul. The Templars built the church in the 12th century with additions in the following 100 years. Following the Templars suppression in 1312, the Knights Hospitaller took over the manor and made improvements to the church. In 1603, Joseph Hatch cast and hung, one of his first bells, in the Temple Ewell church, and completed a ring of three in 1610. Despite the sale of two bells, the first Hatch bell remains. In 1800, Edward Hasted, in his topographical survey described the church as ‘an antient building, consisting of only one isle and a chancel, having a low square tower at the west end.’ The architect Talbot Bury carried out extensive restoration in 1870.
www.kentpast.co.uk/temple_ewell.html
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EWELL,
WRITTEN in Domesday, both Ewelle and Etwelle, lies in the valley the next parish southward from Whitfield, alias Bewsfield, taking its name from the water or spring rising in it. It was antiently known likewise by the name of Temple Ewell, from the knights templars possessing the manor of it. The manor of Patrixborne claims over the farm of Waterend, in this parish. A borsholder for this parish is chosen at the court leet of the hundred.
EWELL is situated about three miles westward from Dover, in a like unfertile country as that last described, the soil of it being for the most part a hard chalk, the rest of it a cludgy unproductive red earth, mixed with quantities of sharp flint stones. The village of Ewell, with the church, is situated in the large and capacious valley which extends to the land's end at Dover, the high London road leading through it. The houses in this village are little more than cottages, being most of them but meanly built of flint, and a great part of them in a very ruinous condition, and it is far from being pleasantly situated.
The head of the river Dour rises in this valley, at the western boundary of the parish, and a little below Casney-court takes in another stream of it, the head of which rises about two miles higher southward, at the hamlet of Drelingore, in Alkham. This stream turns a corn-mill here near the church, and then flows on from hence eastward into the sea at Dover, a part of this stream, which is a kind of nailbourne rises from some springs in a meadow at Drelingore, which in very wet and windy weather increase to the height of ten feet, and run through the lands to the head of the river Dour, at Chilton, commonly beginning in February and ending in March or April, at which time the wells of fifteen or sixteen fathom depth are full; and the country people entertain a notion that this water has a subterraneous communication with the waters called the Liddon spouts, in the cliffs at Hougham, at least four miles from hence, of which further mention will be made below. Leland, in his Itinerary, vol. vii. p. 127, writes thus of this river: "As concerning the river of Dovar, it has no long course from no spring or hedde notable, that descendith to that botom. The principel hed as they say, is at a place cawled Ewelle, and that is not past a iii or iiii myles fro Dovar. There is also a great spring at a place cawled .......... and that ones in a vj or vij yeres brasted owt so abundantly that a great part of the water cummeth into Dovar streme, but els yt renneth yn to the se bytwyxt Dovar and Folchestan but nearer to Folchestan that ys to say withyn a ii myles of yt. Surely the hedde standeth so that it might with no great cost be brought to run away into Dovar streme."
The hills rise here on each side very high and mountainous, and the vales between them are very deep and hollow; the hills are almost wholly uninclosed, some of them arable, and the others covered with greenswerd, having furzes and broom interspersed on them at different intervals. These stupendous hills, in comparison of what the traveller has been used to in his journey hither, raise both his pleasure and admiration, the prospects on both sides being beautifully romantic and singular; and they are terminated by the town of Dover, its castle, and the sea, and beyond all, the Bologne hills on the coast of France.
In the valley, at the western part of this parish, on each side of the London road, are the two farms of Great and Little Waterend, so called from the end or rise of the river Dour. Close behind the latter, on the hill, there seems to be a line of breast works thrown up, and a large mount or barrow above them, which was opened lately, but nothing was found in it, and there are many other barrows, or tumuli, scattered about on the different hills in the neighbourhood of Dover. On the hill on the left side, about a mile from the village, is the court-lodge of the manor, called the Temple farm, situated near the scite of the antient mansion of the knights of that order, the remains of the buildings having been destroyed about sixty years ago. Some have doubted, whether this was not the house where king John resigned his crown to Pandulph, the pope's legate, A. D. 1213, on account of the pardon of archbishop Langton, which was one effect of that meeting being dated at the temple of Ewell, (fn. 1) whilst others have conjectured that this was done at Dover; but the templars had no house there. Others again have placed it at the house of the commandry of the templars, at Swingfield, where, or at this mansion of Ewell, it certainly was. Which of them is was is left to the reader's option. (fn. 2) At no great distance from hence is Archers-court; and still further, Old Park hill, so called from its having once been the park, belonging to the temple here. On this hill, is the house sitted up by Dr. Osborne, which being white, is a distinguished object between the break of these lofty hills to the adjacent country, over which, the British channel, and the coast of France, it has a most extensive prospect. On the other side of the village this parish extends again up the hills; on them is a common, called, from the barrenness of the soil, Scotland common; and a little further, to another large one, called Ewell Minnis, where it joins to Alkham, in a wild and dreary country.
AT THE TIME of taking the survey of Domesday, the bishop of Baieux held the greatest part of this parish, as appears by the following entry, under the general title of his lands in it:
In Beusherg hundred. Hugo holds Ewelle of the bishop. It was taxed at three sulings. The arable land is . . . . . In demesne there is one carucate, and fifteen villeins, with twelve borderers, having two carucates. There are two mills of forty-six shillings, and four acres of meadow. Wood for the pannage of four hogs. In the time of king Edward the Consessor, it was worth twelve pounds, and yet afterwards one hundred shillings, now ten pounds, and yet it pays twelve pounds and twelve shillings. Edric de Alkam held it of king Edward.
Of this manor, Hugo de Montfort holds seventeen acres of land, and one denne and an half, which is valued at seven shillings.
And a little further, under the same possessions:
The same Ralph (de Curbespine) holds Ewelle. It was taxed at three sulings. The arable land is . . . . . In demesne there is one carucate, and five villeins, with four borderers, having two carucates. There is wood for the pannage of ten hogs. Of this manor, a certain knight holds one suling of Ralph, and there he has one carucate, with three borderers.
The whole manor, in the time of king Edward the Consessor, was worth twelve pounds, and afterwards twenty shillings, now forty shillings, and yet what Ralph has pays four pounds. Hugo de Montfort has the chief seat of the manor, and there are five mills and an half of six pounds. Molleue held it of king Edward.
And again, in the same survey, under the title of the land of Hugh de Montfort, is the following entry:
In Estry lath, in Beusberge hundred. Hugo de Montfort himself holds Etwelle. Molleue held it. It was taxed at three sulings, and now for one suling.
The arable land is one carucate, and there it is in demesne, and nineteen borderers, having one carucate. There is a church, and four mills and an half of four pounds and seventeen shillings and four pence, and four acres of meadow. In the time of king Edward the Consessor, it was worth eleven pounds, and afterwards four pounds, now eight pounds.
Four years after taking of this survey, the bishop was disgraced, and all his possessions were confiscated as were those above-mentioned of Hugh de Montfort, on the exile of his grandson Robert, in the next reign of king William Rufus, so that the whole of the lands above described, became at those periods escheats to the crown.
They comprehended most probably the greatest part of this parish, as well as that of River adjoining. In this parish they constituted the superior manor in it, afterwards called THE MANOR OF EWELL, alias TEMPLE EWELL, which was at the time of taking the survey of Domesday, in the tenure of Hugh de Montfort, and after its becoming an escheat to the crown as before-mentioned, was granted to William the king's brother, and William Peverelle, who gave it in alms to the knights templars, as may be seen by the inquisition taken of their possessions in 1185, now in the king's remembrancer's office; which gift was afterwards increased in this and the adjoining parishes, by the donation of several others. (fn. 3)
The knights templars, who bore for their arms, Gules, a plain cross, argent, (fn. 4) were most probably first instituted in England, at the latter end of Henry I.'s reign, or the very beginning of that of king Stephen, by whose successor, king Henry II. they were much caressed, and their possessions, though in so short a time, were increased to a large revenue; but at length in the early part of king Edward II.'s reign, their over-great wealth and power had so corrupted their morals, and the vicious lives which they most of them led, had so entirely estranged the king's favor, as well as of the nobles and nation in general from them, that for the peace and safety of the realm, it was found necessary wholly to put an end to them; accordingly, being accused of various crimes, their persons were every where seized and imprisoned, and their lands and goods confiscated, which were seized on by the king and other lords as escheats, the judges affirming that by the laws of the land they might warrantably hold them; and the whole order of them was dissolved in the 6th year of that reign, anno 1312, in a general council held at Vienna by pope Clement V. who immediately afterwards conferred their lands and effects on the knights hospitallers of St. John of Jerusalem, which the king confirmed next year, and an act passed anno 17 Edward II. by which the king, nobles, and others, assembled in parliament, granted that their lands and effects should be assigned, according to the will of the donors, to other men of religion, that they might be charitably disposed of to godly uses, and as such there were by it wholly given to the knights hospitallers; who thus becoming possessed of this manor, which from the long possession of the former owners, had acquired the name of Temple Ewell, continued in the possession of it till the general dissolution of their order in king Henry VIII.'s reign, when this manor, among the rest of the possessions of it, was surrendered into the king's hands, and was confirmed to him and his heirs by the general words of the act of the 32d year of that reign; and although the order of knights hospitallers was restored by letters patent of 4 and 5 Philip and Mary, and many of their antient manors and possessions given to them. Yet their re-establishment seems never to have taken place; and on the accession of queen Elizabeth, two years afterwards, it was wholly annihilated.
The manor of Temple Ewell, with the appropriation and advowson of the vicarage appendant, after the dissolution of the order of knights hospitallers, in king Henry the VIIIth.'s reign, remained in the hands of the crown, till king Edward VI. in his 5th year, granted them to Edward, lord Clinton and Saye, lord high admiral, and of his privy council, to hold in capite, (fn. 5) and he within a few months afterwards reconveyed them to the crown, where they staid but till the next year, when the king granted them to Sir William Cavendish, to hold in like manner, who the same year alienated them to Sir Richard Sackville, chancellor of the court of augmentations, who in the beginning of queen Elizabeth's reign alienated them to Winifred, marchioness of Winchester, and she in the 24th year of it joined with other trustees in the sale of them to Thomas Digge and William Boys, who quickly afterwards passed them away to John Daniell, whose two daughters and coheirs carried them in marriage to John Mabb and William Wiseman, who at the latter end of that reign joined in the sale of them to Mr. Robert Bromley, mercer, of London, and he about the beginning of king James I.'s reign, passed them away by sale to William Angell, of London, clerk of the acatery to that king, whose ancestor resided in Northamptonshire in king Henry the VIIth.'s reign, and bore for his arms, Or, five lozenges in fess, azure, surmounted of a bendlet, gules; and in his descendants, resident at Crowhurst, in Surry, for many successive generations, (fn. 6) they continued down to John Angell, esq. who was of Stockwell, in Middlesex, and died possessed of them in 1784, unmarried, and by his will devised them to Mr. Benedict Brown, his next heirgeneral, in default of lineal male issue, from his greatgrandfather William Angell, esq. of Crowhurst, subject to which proviso, Mr. Brown soon afterwards alienated this manor of Ewell, alias Temple Ewell, with the rectory impropriate, and the advowson of the vicarage appendant, to William Osborne, esq. of London, M. D. who at times resides here at Old Park-place, a house which he has sitted up and enlarged for that purpose on this estate, and he is the present possessor of them. A court leet and court baron is held for this manor.
THERE IS a portion of tithes arsing from ninety acres of land in Coldred, payable to the lords of Temple Ewell manor. (fn. 7)
THE MANOR OF TEMPLE, alias BOSWELL BANKS, and DOWNE, called in the survey of Domesday, Brochestelle, and in other records, Brostall, lies in the southern part of this parish, and partly in the adjoining one of Swingfield. In the reign of the Conqueror it was part of the possessions of the bishop of Baieux, under the general title of whose possessions it is thus entered in that survey:
Herfrid holds of Hugo, Brochestele, and it is of the fee of the bishop. It was taxed at one suling. The arable land is . . . . In demesne there is one carucate and two servants. In the time of king Edward the Consessor, it was worth sixty shillings, and afterwards sixty, now forty. When Herbert received it three yoke, now two yoke. Ulnod held it of king Edward.
And further on: The same Ralph (de Curbespine) holds of the bishop one yoke in Brochestele, which Molleue held of king Edward; and there is one villein paying thirty pence.
Four years after taking this survey, the bishop of Baieux fell under the king's displeasure, and all his lands and possessions were confiscated; after which, it appears by an inquisition taken anno 1434, (fn. 8) to have been held by Sir Robert de Clottingham, who gave this manor of Brosthall, with its appurtenances in Swynfelde, to the knights templars, on whose suppression it came into the hands of the knights hospitallers, with whom it continued till their dissolution in the 32d year of king Henry VIII. when it came to the crown, where it staid, till it was at length granted by queen Elizabeth to Stokes, of Waterend, in this parish, in which name it continued, till it was alienated in the same reign to Harvey, from which name in king Charles I.'s reign, it was conveyed by sale to Capt. Temple, of Dover; who was possessed of it in the beginning of the next reign of king Charles II. after which it passed by sale to Freeman, of this parish, who was succeeded in it by his son, and he sold it to Capt. Fagg, of Updown, near Eastry, and he alienated it about the year 1777 to Mr. Henry Belsey, who died possessed of it in 1792, and his eldest son Mr. William Belsey, is now entitled to it. There is no court held for this manor.
There are no parochial charities. The poor constantly relieved are not more than two or three, and casually as many.
THIS PARISH is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Dover.
The church, which is dedicated to St. Peter and St. Paul, is an antient building, consisting of only one isle and a chancel, having a low square tower at the west end. In it was formerly this coat of arms, Vert, two bendlets, argent, on a chief, gules, three mullets, argent. It has at present nothing worth further notice in it.
¶This church was always appendant to the manor. It was very early appropriated to the order of knights templars, after whose dissolution it was given, with the advowson of the vicarage to the knights hospitallers, and on their suppression, passed with the manor as an appendage to it, in like manner as has been already fully mentioned before, through a succession of owners, to William Osborne, esq. of London, M. D. who is the present owner of the impropriation and advowson of the vicarage of this church, appendant to the manor of Temple Ewell.
In 1588 here were communicants one hundred and twelve, and it was valued at fifteen pounds. It is valued in the king's books at 6l. 13s. 4d. and the yearly tenths at 13s. 4d. It is now of the yearly certified value of 13l. 10s. 8d.
In the register of the archdeacon's court is a return and terrier of the glebe and profits of this vicarage, made in 1616, by which it appears to have consisted of a vicarage-house, with a garden adjoining to it. That there were belonging to it all manner of tithes, excepting those of corn, viz. hay, wood, lambs, wool, calves, and colts, fruits of trees, &c. That there were certain parcels of lands, called Hamstalles, in the whole about six acres and an half, that ever had paid the tithe of corn to the vicar as his due.
INSTALAÇÕES | INSTALLATIONS
Ali Miharbi - Movie Mirrors - Estados Unidos | United States
Anne Save de Beaurecueil + Franklin Lee / Equipe SUBdV (Victor Sardenberg, André Romitelli, Lucas de Sardi & Fabrício G. de Oliveira) - High Low - Brasil | Brazil
Annica Cuppetelli & Cristobal Mendoza - Nervous Structure - Estados Unidos | United States
Ben Jack - Elucidating Feedback - Nova Zelândia | New Zealand
Eric Siu - in collaboration with the member of Ishikawa Komuro Laboratory, University of Tokyo, Yoshihiro Watanabe, Ohno Hiroaki & Takeoka Hideki - Body Hack 1.0 - Japão | Japan
Hye Yeon Nam - Please Smile - Estados Unidos | United States
Joon Y. Moon - Augmented Shadow - Coréia do Sul | South Korea
Julian Palacz - algorithmic search for Love - Áustria | Austria
Juliana Mori - timeLandscape - wool rhythms - Brasil | Brazil
Karina Smigla-Bobinski - ADA - analoge interactive kinetic sculpture - Polônia e Alemanha | Poland and Germany
Kimchi & Chips - Link - Reino Unido | United Kingdom
Kimchi & Chips - Journey: Seoul - Reino Unido | United Kingdom
Lars Lundehave Hansen - Spiderbytes - Alemanha | Germany
Lawrence Malstaf - Nemo Observatorium 02002 - Bélgica | Belgium
Matt Roberts - Waves - Estados Unidos | United States
Ryoichi Kurokawa - rheo: 5 horizons - Bélgica | Belgium
Yujiro Kabutoya & Kazushi Mukaiyama - IJIROS - Japão | Japan
HIPERSÔNICA | HYPERSONICA PERFORMANCE
Alfredo Ciannameo - Ionesis - sonic plasma - Holanda | Netherlands
André Rangel, Anne-Kathrin Siegel & Fernando Alçada - SynDyn - Portugal | Portugal
Eduardo Nespoli, Projeto Aquarpa (Thiago Salas Gomes, Lucas Almeida, Flavio Jacon de Vasconcelos & Leandro Pereira Souza) - Mnemorfoses - Brasil | Brazil
Eduardo Patrício - Zin - Brasil | Brazil
Euphorie - França | France
Giuliano Obici - Concerto para Lanhouse - Brasil | Brazil
Nicolas Maigret - Pure Data read as pure data - França | France
HIPERSÔNICA | HYPERSONICA SCREENING
Alison Clifford & Graeme Truslove - Substratum - Reino Unido | United Kingdom
Fernando Velázquez - auto-retrato - Brasil | Brazil
Fernando Velázquez - the mindscapes suite - Brasil | Brazil
Jaap: Harriet Payer & Jorge Esquivelzeta - Cyberspace Photsynthesis - México | Mexico
Jaap: Harriet Payer & Jorge Esquivelzeta - Dog's Eye View - México | Mexico
Paul O Donoghue aka Ocusonic - Phasing Waves - Irlanda | Ireland
Warsaw Electronic Festival 2010: Przemyslaw Moskal - Digital Sculptures for Analog Sounds - Estados Unidos | United States
HIPERSÔNICA PARTICIPANTES | HYPERSONICA PARTICIPANTS
Alvaro X - Dead in DUMP - Brasil | Brazil
Bernhard Loibner - Unidentified Musical Subject - Áustria | Austria
Claudio Parodi - The things that are missing - Itália | Italy
CLEBER GAZANA | SIMPLE.NORMAL - F. WILL I DREAM? - Brasil | Brazil
DANIEL GAZANA - NOSOCÔMIO - Brasil | Brazil
Joaquin Cofreces - Hamoni Lapude Anan ( "we used to make canoes" in yaghan language) - Argentina | Argentina
The Tiny Orchestra - Time Wounds All Heels - Canadá | Canada
Juan Pablo Amato - Duo Encaprichado en alisar rugosidades mentales - Argentina | Argentina
Mauro Ceolin - Spore's Ytubesoundscape and his wildlife - Itália | Italy
Panayiotis KOKORAS - Magic - Grécia | Greece
FaoBeat - Beat'nTime / Lift'nBeat - Brasil | Brazil
Philip Mantione - Fabrics - Estados Unidos | United States
Music For Installations - Braindamage - Bélgica | Belgium
RINALDO SANTOS - MUSICONTOS - Brasil | Brazil
Sergio Cajado - Constatações Urbanas - Passado, Presente e Futuro - Brasil | Brazil
Sergio Granada Moreno - Digital Rainbow (2009) - Colombia | Colombia
Sol Rezza - Preguntas - Questions - México | Mexico
MÍDIA ARTE | MEDIA ART
A. Bill Miller - gridSol-precomps - Estados Unidos | United States
A. Bill Miller - gridSol-altar1 - Estados Unidos | United States
Aaron Oldenburg - After - Estados Unidos | United States
Agam (A.) Andreas - La Resocialista Internacional - Holanda | Netherlands
alan bigelow - This Is Not A Poem - Estados Unidos | United States
Alcione Godoy, Camillo Louvise, Bruno Azzolini, Rafael Araujo, Rodolfo Rossi, Marina Maia & Vinicius Nakamura - Hipercepção - Brasil | Brazil
Alex Hetherington - Linda Fratianne - Reino Unido | United Kingdom
Anders Weberg - P2P ART - The aesthetics of ephemerality - Suécia | Sweden
Anders Weberg - JE SUIS PÈRE ET MON PÈRE EST PÈRE I'm a Father and my Father is a Father - Suécia | Sweden
Anders Weberg - Expose Yourself - Suécia | Sweden
Anstey/Pape: Josephine Anstey & Dave Pape - Mrs. Squandertime - Estados Unidos | United States
Balam Soto - Self Portrait Videos - Estados Unidos | United States
Bárbara de Azevedo - VIDEO ESTADO SIMULACRO CINEMATOGRÁFICO - Brasil | Brazil
Ben Baker-Smith - Infinite Glitch - Estados Unidos | United States
Brit Bunkley - Pardox of Plenty - Nova Zelândia | New Zealand
Brit Bunkley - Up River Blues - Nova Zelândia | New Zealand
Brit Bunkley - Springfield Paradox - Nova Zelândia | New Zealand
Bruno Xavier, Fabiane Zambon, Felipe van Deursen, Frederico Di Giacomo & Kleyson Barbosa (Equipe principal) | Ana Freitas, Ana Prado, André Sirangelo, Alisson Lima, André Maciel, Alexandre Versignassi, Dalton Soares, Daniel Apolinario, Douglas Kawazu, Emiliano Urbim, Érica Georgino, Leandro Spett, Gil Beyruth, Gustavo Frota, Marina Motomura, Maurício Horta, Rafael Kenski, Renata Aguiar & Simone Yamamoto (Parceiros e colaboradores) - Newsgames da Superinteressante - Brasil | Brazil
charly.gr - peronismo (spam) - Argentina | Argentina
charly.gr - Joan - Argentina | Argentina
Chen, I-Chun - Measuring Distance Between the Self and Others - Taiwan | Taiwan
chiara passa - the virtual prigione - Itália | Italy
Christopher Otto - PXLPNT - Estados Unidos | United States
Cleber Gazana / Daniel Gazana - UNTITLED - Brasil | Brazil
Daniel Duda - Araucaria angustifolia - Brasil | Brazil
David Muth - 1 C A a 01x - Reino Unido | United Kingdom
David Sullivan - Fugitive Emissions - Estados Unidos | United States
Doron Golan - Waking Quad - Israel | Israel
Douglas de Paula - Interfaces Predatórias / Plundering Interfaces - Brasil | Brazil
Elétrico: Ludmila Pimentel, Carolina Frinhani & Bruna Spoladore - Experimento de Corpo - Brasil | Brazil
Grupo Vertigem: Juliana Rodrigues, Natalia Santana & Ygor Ferreira - Downtown 2.0 - Brasil | Brazil
Jarbas Agnelli - Birds on the Wires - Brasil | Brazil
Jason Nelson - Sydney's Sibera - Austrália | Australia
Jessica Barness - Common Sounds: Positive Elements, Negative Spaces - Estados Unidos | United States
Joana Moll & Heliodoro Santos - THE TEXAS BORDER - Espanha | Spain
jody zellen - Lines of Life - Estados Unidos | United States
Jorn Ebner - (L'ultimo turista) - Alemanha | Germany
jtwine - ONSPEED - Estados Unidos | United States
Kenji Kojima - RGB Music News - Estados Unidos | United States
kinema ikon: calin man - kinema ikon - Romênia | Romania
Leyla Rodriguez & Cristian Straub - Isle Of Lox "The face" - Alemanha | Germany
Luca Holland - rain.html - Reino Unido | United Kingdom
Luis Henrique Rodrigues - Internet Series - Brasil | Brazil
Luiz Gustavo Ferreira Zanotello - N.A.V.E - Brasil | Brazil
MALYSSE - THE BIOPERVERSITY PROJECT #1 - Brasil | Brazil
Matt Frieburghaus - Song - Estados Unidos | United States
mchrbn - Afghan War Diary - Suíça | Switzerland
Members: Aymeric Mansoux, Dave Griffiths and Marloes de Valk - Naked on Pluto - Holanda | Netherlands
Michael Takeo Magruder - Data Flower (Prototype I) - Reino Unido | United Kingdom
Nagasaki Archive Committee: Hidenori Watanave, Tomoyuki Torisu, Ryo Osera & others - Nagasaki Archive - Japão | Japan
Nanette Wylde - MettaVerse - Estados Unidos | United States
Nicholas Economos - Apophenia - Estados Unidos | United States
Nicholas Knouf - Journal of Journal Performance Studies (JJPS) - Estados Unidos | United States
Nurit Bar-Shai - FUJI spaces and other places - Estados Unidos | United States
Osvaldo cibils- everything breathes - Itália | Italy
Owen Eric Wood - Return - Canadá | Canada
Paolo Cirio - Drowning NYC - Reino Unido | United Kingdom
Quayola - Strata Series - Bélgica | Belgium
rachelmauricio - [[o]] - Brasil | Brazil
rachelmauricio - 3Y - Brasil | Brazil
rachelmauricio - ldj8jbl - Brasil | Brazil
Rayelle Niemann & Erik Dettwiler - www.citysharing.ch - Suíça | Switzerland
Remco Roes - Everything in between - Bélgica | Belgium
rage - Impermanência Formal - Brasil | Brazil
Representa Corisco: Vj Eletroman - Representa Corisco - Espanha | Spain
Richard J O'Callaghan - 'thechildrenswar' - Reino Unido | United Kingdom
Rodrigo Mello - Faces - Brasil | Brazil
Rosa Menkman - Collapse of PAL - Holanda | Netherlands
Santiago Ortiz - Impure - Espanha | Spain
seryozha kOtsun - Synesthesiograph - Rússia | Russia
Stuart Pound - Green Water Dragon - Reino Unido | United Kingdom
Stuart Pound - Time Code - Reino Unido | United Kingdom
TAMURA YUICHIRO - NIGHTLESS - Japão | Japan
TOMMY PALLOTTA: Submarine Channel - Collapsus: The Energy Risk Conspiracy - Holanda | Netherlands
Vladimir Todorovic - The Snail on the Slope - Singapura | Singapore
Vladimir Todorovic - Silica-esc - Singapura | Singapore
MAQUINEMA | MACHINIMA
André Lopes aka spyvspy aeon - Clockwork - Brasil e Portugal | Brazil and Portugal
André Lopes aka spyvspy aeon & slimgirlfat - MooN - Brasil e Portugal | Brazil and Portugal
Bernard Capitaine aka Iono Allen - Fears - França | France
Bernard Capitaine aka Iono Allen - Fusion - França | France
BobE Schism - Love Is Sometimes Colder Than Ice - Reino Unido | United Kingdom
C.-D. Schulz aka Rohan Fermi - 9 - Alemanha | Germany
C.-D. Schulz aka Rohan Fermi - Order in chaos - Alemanha | Germany
Chat Noir Studios: Sherwin Liu & Kate Lee - Death in Venice - Estados Unidos | United States
Chat Noir Studios: Sherwin Liu & Kate Lee - Incubus - Estados Unidos | United States
David Griffiths aka nebogeo - Missile Command - Finlândia | Finland
Evan Meaney - The Well of Representation - Estados Unidos | United States
Gottfried Haider - Hidden in plain sight - Áustria | Austria
Harrison Heller aka Nefarious Guy & Amorphous Blob Productions - Clockwise: Part 1 - Estados Unidos | United States
Harrison Heller aka Nefarious Guy & Amorphous Blob Productions - Stop, Rewind - Estados Unidos | United States
Henry Gwiazda - history - Estados Unidos | United States
Henry Gwiazda - infectious - Estados Unidos | United States
Iain Friar aka IceAxe - Trichophagia - Reino Unido | United Kingdom
Jun Falkenstein, Ben Covi, Brad Mitchell & Pete Terrill - The Lake - Estados Unidos | United States
Kerria Seabrooke & Paul Jannicola - Tiny Nation - Estados Unidos | United States
LES RICHES DOUANIERS: Gilles RICHARD & Fabrice ZOLL - The Lonely Migrant - França | France
Nonsense Studio: Drozhzhin, TimaGoofy, ultraviolet, ElGrandeBigB, Radiated & Takuhatsu - Johnny Cash - God's gonna cut you down - Finlândia | Finland
Pierre Gaudillere, Thomas Van Lissum, Oliver Delbos, Audrey Le Roy & Jonnathan Mutton - Unheimliche - França | France
Piotr Kopik - Psychosomatic rebuilders animation #002 - Polônia | Polland
Piotr Kopik - Psychosomatic rebuilders emoticons machinima - Polônia | Polland
Pooky Amsterdam, Draxtor Despres & Samuel's Dream - I'm Too Busy To Date Your Avatar! - Estados Unidos | United States
Saskia Boddeke aka Rose Borchovski - Lost in counting - Holanda | Netherlands
Saskia Boddeke aka Rose Borchovski - WHY IS THERE SOMETHING? Part 5: Greek Myth, The Battle of the Gods - Holanda | Netherlands
Saskia Boddeke aka Rose Borchovski - WHY IS THERE SOMETHING? Part 6: Israel Myth, The punishment - Holanda | Netherlands
Tom Jantol - Dear Fairy - Croácia | Croatia
Tom Jantol - Duel (Part) - Croácia | Croatia
Tom Jantol - The Remake - Croácia | Croatia
Tony Bannan aka ammopreviz - Selfish Gene - Austrália | Australia
Trace Sanderson aka Lainy Voom - Ctrl-Alt-Del - Reino Unido | United Kingdom
Trace Sanderson aka Lainy Voom - Dagon - HP Lovecraft - Reino Unido | United Kingdom
Tutsy Navarathna - My familiar dream - Índia | India
DOCUMENTA
Garry Shepherd – Global Shuffle - Austrália | Australia
Jim Haverkamp e Brett Ingram – Armor of God – Estados Unidos | United States
Khaled D. Ramadan – Psychic-Dentity - Dinamarca | Denmark
Lucius C. Kuert – Project 798, New Art In New China – China | China
Teilo Vallacott e J.A. Molinari – Altered_Egos – Reino Unido | United Kingdom
Vincenzo Lombardo – The VEP Project – Itália | Italy
Watch Mojo - A História do Daft Punk – Canadá | Canada
FILE ANIMA+
8-Bits Team: Valere Amirault, Jean Delaunay, Sarah Laufer & Benjamin Mattern - 8-Bits - França | France
Alan Becker - Animator Vs Animation - Estados Unidos | United States
Alessandro Novelli - The Alphabet - Itália | Italy
Alexander Gellner - 1 Minute Puberty - Alemanha | Germany
Andrew Huang - The Gloaming - Estados Unidos | United States
Ben Thomas & Leo Bridle - Train of Thought - Inglaterra | England
Birdo Studio: Luciana Eguti & Paulo Muppet - Bonequinha do Papai - Brasil | Brazil
Birdo Studio: Luciana Eguti & Paulo Muppet - Caixa - Brasil | Brazil
Birdo Studio: Luciana Eguti, Paulo Muppet & Allan Sieber - Animadores - Brasil | Brazil
Birdo Studio: Luciana Eguti, Paulo Muppet & Jimmy Leroy - Pequeno Cidadão - Brasil | Brazil
Brendan Angelides & Cyriak Harris - Eskmo - Estados Unidos | United States
Christopher Alender - Eye of The Storm - Estados Unidos | United States
Coala Filmes: Cesar Cabral - Dossiê Rê Bordosa - Brasil | Brazil
Dante Zaballa & Matias Vigliano - The Head - Argentina | Argentina
David O’Reilly - Please Say Something - Irlanda e Alemanha | Ireland and Germany
David O’Reilly - The External World - Irlanda e Alemanha | Ireland and Germany
David Wilson - Japanese Popstars “Let Go” - Inglaterra | England
Dominik Käser, Martin-Sebastian Senn, Mario Deuss, Niloy J. Mitra & Mark Pauly - Silhouettes of Jazz - Estados Unidos | United States
Esteban Diácono - Ólafur Arnalds - Ljósið - Argentina | Argentina
Fábio Yamagi & Denis Kamioka ‘Cisma’ - Photocopy Romance - Brasil | Brazil
Fernando Sanches - Xixi no Banho - Brasil | Brazil
Gabrielle Lissot, Pierre Lippens, Laurent Jaffier & Nicolas Deprez - Tous Des Monstres (All Monsters) - França | France
Guilherme Marcondes - Tyger - Brasil | Brazil
Guillermo Madoz - Head Honcho - Argentina | Argentina
Hi-Sim - Jump - Inglaterra | England
Home de Caramel - Alone Together - Espanha | Spain
Jasmin Lai - Brave - Estados Unidos e Tailândia | United States and Thailand
Jason Wishnow - Oedipus - Inglaterra | England
Jean-Paul Frenay - Artificial Paradise, Inc - Bélgica e França | Belgium and France
Joanna Lurie - Tree’s Migration - França | France
Joaquin Baldwin - Sebastian's Voodoo - Estados Unidos | United States
Joaquin Baldwin - The Windmill Farmer - Estados Unidos | United States
Ken Turner - TIM - Canadá | Canada
Lee Tao - Seedling - Canadá / Canada
Lemeh42 - Wool & Water - Itália / Italy
Leszek Plichta - Dreammaker - Polônia e Alemanha | Polland and Germany
Malcolm Sutherland - Bout - Canadá | Canada
Malcolm Sutherland - Umbra - Canadá | Canada
Marc Silver - There Are No Others - Inglaterra | England
Marlies van der wel - Protest Flatness - Holanda | Netherlands
Martin Piana - LUMI - Argentina | Argentina
Martin Woutisseth - Stanley Kubrick, a filmography - França | France
Matatoro Team: Mauro Carraro, Raphaël Calamote & Jérémy Pasquet - Matatoro - França | France
Matthias Hoegg - August - Inglaterra | England
Matthias Hoegg - Thrusday - Inglaterra | England
Max Hattler - SPIN - Inglaterra | England
Meindbender Animation Studio - The Pirate - Suécia | Sweden
Michael Paul Young - The Interpretation - Estados Unidos | United States
Michal Socha - Chick - Polônia | Polland
Michal Socha - Koncert - Polônia | Polland
Mr McFly - Baseball - França | France
MUSCLEBEAVER: Tobias Knipf & Andreas Kronbeck - How your money works - Alemanha | Germany
Napatsawan Chirayukool - What makes your day? - Tailândia e Inglaterra | Thailand and England
Pahnl - Nowhere near here - Inglaterra | England
Peppermelon TV - Advanced Beauty - Inglaterra e Estados Unidos | England and Unites States
Peppermelon TV - First - Inglaterra e Estados Unidos | England and Unites States
Peppermelon TV - Target - Friends with you - Inglaterra e Estados Unidos | England and Unites States
Robert Seidel - Vellum - Alemanha | Germany
Rogier van der Zwaag Nobody Beats The Drum - Grindin - Holanda | Netherlands
Ross Phillips - 5 Second Projects ( Ballons) - Inglaterra | England
Ross Phillips - 5 Second Projects ( Reverse) - Inglaterra | England
Sasha Belyaev - The Rite of Youth - Letônia | Latvia
Scott Pagano - Pororoca - Estados Unidos | United States
Scott Pagano - Trust In The 'M' Machine - Estados Unidos | United States
Serene Teh - Parkour - Cingapura | Singapore
Stephen Irwin - Black Dog's Progress - Inglaterra | England
Stephen Irwin - Horse Glue - Inglaterra | England
Sylvain Marc - Cocotte Minute - França | France
Sylvain Marc - Fertilizer Soup - França | France
Tanya Aydostian - L'autre - França | France
Taylor Price - Hunt - Canadá e Estados Unidos | Canada and United States
Treat Studios - E4 - Inglaterra | England
Veronika Obertová - Viliam - Eslováquia | Slovakia
Wesley Rodrigues - Pinga com Saquê - Brasil | Brazil
Zach Cohen - The Chair Not Taken - Itália | Italy
Andrew Ruhemann & Shaun Tan - The Lost Thing - Austrália / Australia
Animatório - Neomorphus - Brasil | Brazil
Bertrand Bey & Pierre Ducos - La Détente - França | France
Birdo Studio: Luciana Eguti, Paulo Muppet & Amir Admoni - Monkey Joy - Brasil | Brazil
Coala Filmes: Cesar Cabral - Tempestade - Brasil | Brazil
Fábio Yamaji - O Divino, de repente - Brasil | Brazil
Max Loubaresse, Marc Bouyer & Anthony Vivien - Salesman Pete - França | France
GAMES
Adam Saltsman & Danny Baranowsky - Canabalt - Estados Unidos | United States
Alex May & Rudolf Kremers - Eufloria - Reino Unido
| United Kingdom
Alexander Bruce - Hazard: The Journey of Life - Austrália | Australia
Binary Tweed - Clover: a Curious Tale - Reino Unido | United Kingdom
Cats in the Sky - Cargo Delivery - Brasil | Brazil
Christoffer Hedborg - Toys - Suécia | Sweden
Colibri Games - The Tiny Bang Story - Rússia | Russia
Edmund McMillen & Tommy Refenes - Super Meat Boy - Estados Unidos | United States
ENJMIN - Paper Plane - França | France
Evan Blaster - Infinite Blank - Estados Unidos | United States
Frictional Games - Amnesia: The Dark Decent - Suécia | Sweden
Gaijin Games - BIT TRIP BEAT - Estados Unidos | United States
Kiaran Ritchie, Jasmine Ritchie & Francisco Furtado - Beep Game - Canadá | Canada
Mark Essen - "Nidhogg" - Estados Unidos | United States
Mediatronic - Monsters Probably Stole My Princess - Reino Unido | United Kingdom
Nicklas Nygren - Saira - Suécia | Sweden
Paolo Pedercini / Molleindustria - "Every Day The Same Dream" - Estados Unidos e Itália | United States and Italy
Richard E Flanagan / Phosfiend Systems - FRACT - Canadá | Canada
Spaces of Play - Spirits - Alemanha | Germany
State of Play Games - Lume - Reino Unido | United Kingdom
Tales of Tales - The Path - Bélgica | Belgium
FILE TABLET
Aircord: Toshiyuki Hashimoto, Masato Tsutsui & Koichiro Mori – REFLECTION – Japão | Japan
Alex Komarov & Sergey Rachok – ACCORDION – Estados Unidos e Rússia | United States and Russia
Cruz-Diez Foundation - CRUZ-DIEZ "INTERACTIVE CHROMATIC RANDOM EXPERIENCE" – Venezuela | Venezuela
Fingerlab: Antoine Lepoutre & Aurélien Potier – MULTIPONG – França | France
Jason Waters – SPIROGROW – Estados Unidos | United States
Jay Silver & Eric Rosenbaum - SINGING FINGERS – Estados Unidos | United States
Nate Murray & TJ Fuller - IPAD GAME FOR CATS - Estados Unidos | United States
Pavel Doichev - ART IN MOTION – Estados Unidos | United States
Pavel Doichev - LINE ART – Estados Unidos | United StatesPavel Doichev – TESLA – Estados Unidos | United States
Rob Fielding – MUGICIAN – Estados Unidos | United States
RunSwimFly - Richard Harrison – GLOOP - Austrália | Australia
Scott Snibbe – ANTOGRAPH (ou MYRMEGRAPH) – Estados Unidos | United States
Scott Snibbe – BUBBLE HARP – Estados Unidos | United States
Scott Snibbe – GRAVILUX – Estados Unidos | United States
Scott Snibbe – OSCILLOSCOOP – Estados Unidos | United States
Scott Snibbe – TRIPOLAR – Estados Unidos | United States
Smule - MAGIC FIDDLE – Estados Unidos | United States
Spaces of Play: Mattias Ljungstrom, Marek Plichta, Andreas Zecher & Martin Strak – SPIRITS – Alemanha | Germany
Ted Davis - TEXT2IMAGE – Estados Unidos | United States
Typotheque / Resolume - DANCE WRITER – Estados Unidos | United States
WORKSHOP
Workshop Fiesp - AA School: Franklin Lee, Robert Stuart Smith (Kokkugia), Anne Save de Beaurecueil (SUBdV), Sandro Tubertini (Environmental Engineering Agency, BDSP), Thiago Mundim, Ernesto Bueno, Arthur Mamou-Mani, Arya Safavi, Yoojin Kim & Victor Sardenberg
Parametric Architecture - Reino Unido | United Kingdom