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STATEMENT FROM MUSICIAN, COMPOSER & RECORDING ARTIST- SAMI YUSUF
Assalamu alaikom,
A number of announcements have appeared recently on various websites and forums, stating that I am about to release a new album. I realize that this will be welcome news for many people, but unfortunately it is not true. Out of respect for my many supporters I feel compelled to set the record straight and explain the reason for my prolonged delay in releasing a new album.
For the past year, I have been in dispute with the company that has released my previous albums, Awakening Records. I have tried to make every effort to resolve the numerous issues that are the cause of my dissatisfaction with them, but to no avail. The only remaining solution, and one that I do not undertake lightly, is to seek legal redress through the courts. This process has now begun and we can only pray for a swift resolution.
Meanwhile, it has been reported that an album of new material by me will shortly be released. This news is extremely disturbing to me. I do not know from where these reports are emanating. Awakening, for example, only have in their possession a few incomplete demos of some of the songs that I have been working on. Without exception, all of these are unfinished and in an extremely early stage of development. Either musically or in their lyrics they only represent a sketch of what I would wish to release for my discerning supporters and for my own musical, artistic and spiritual satisfaction. I therefore wish to make it perfectly clear that an album comprised of any such recordings could only be put on to the market against my wishes and without my specific approval.
I can only pray that in the not too distant future I will be free to release the album of my new songs that will be completed to my total satisfaction and that of my supporters and represent my musical and lyrical hopes and aspirations for us all.
God bless you ALL
Sami
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This is the statement of Romine Builders Drywall service. We used this picture to embedd in surveymonkey so people could read it and then answer the survey questions.
Statement of significance from Southern Grampians Heritage Study - Heritage Matters Pty Ltd
What is significant?
The Byaduk Swimming Pool, located on the Penshurst-Byaduk Road is a concrete swimming pool constructed by a committee of local people in the 1930s. It was the first swimming pool ever constructed in the Shire of Southern Grampians, and at the time was considered to be quite an engineering feat. The creek nearby was diverted and dammed and used to fill and clean the pool be moving through it, and the whole structure was dug by hand. People came from long distances, and sometimes from larger towns such as Hamilton to use the pool. The Pool is no longer used, but provided a focus for entertainment to the children and families of the district every Summer for over 50 years. The Byaduk Swimming Pool complex consists of an inground concrete swimming pool with timber diving board, separate male and female changing rooms, an covered seating area, and a kiosk. No architect, engineer or specific builder was used in the construction of the structure. The pool is remarkably intact, despite being overgrown and weed infested.
How is it significant?
The Byaduk Swimming Pool complex is of architectural, historical and social significance to the Southern Grampians Shire.
Why is it significant?
The Byaduk Swimming Pool complex is architecturally significant as a rare intact example of a rural swimming pool complex designed the early 1930s. It is of further architectural significance as an excellent example of a hand dug swimming pool, and for its use of engineering intelligence, which diverted the local creek through the strucutre to both fill and clean it. The pool is of historical significance as an example of a small community co-operating to build a substantial structure for the benefit of all in the community. Of further historical significance is the pool's representation of the social movement toward health and wellbeing, popular in the late 1920s and early 1930s. It is socially significant as an important meeting place for the Byaduk community for over fifty years.
Annual Council delegates read the statement read the statement on church policy, procedures, and resolution of disagreements in the light of recent union actions on ministerial ordination, Tuesday, October 16. [photo: Ansel Oliver]
by bpNichol.
nothing is known of this & the copy i have is perhaps only fragments: this unpunctured front cover printed 2 colours & 2 sheets staple-punctured top left, both printed purple, all print by spirit duplicator ("Ditto"). the 3 poems included on those 2 sheets are Fragment, Prologue: 1335 Comox Avenue & Blues on Green, suggesting it's a very early classroom handout, somewhen probably in 1967. cover unID'd & unknown & almost certainly not by bp.
Sound & Vision - The Bristol Show 2015
NAC S1 preamplifier and NAP S1 mono power amplifiers, with Focal Stella Utopia loudspeakers.
Each mono power amplifier uses a huge 4000VA transformer to power speakers with precisely 746W (into 8 ohms).
Photographer: SHAMAYIM
Model: Rose @ FORD
Wardrobe Stylist: Quela Renee
Wardrobe Assistant: Rachel Pollen
Makeup: Elisabet Mascorro
Hair: Nico Doniele
___________________________
Jewelry by Charles Albert
One Piece by Yotam Solomon
Downtown Brooklyn
Founded in 1883, the New York and New Jersey Telephone and Telegraph Company served the ever-increasing populations of Long Island, Staten Island and northern New Jersey.
The fast growth of the city and the company created the need for a large headquarters building for this local service provider of the Bell system.
This elaborate and elegantly designed Beaux- Arts style building served as a major statement of the company’s expansion in the area, providing offices and telephone switching in the heart of Brooklyn’s expanding business district.
The company installed and maintained telephone wires and provided telephone service to more than 16,000 subscribers in 1897 when this building was constructed. Designed by leading Brooklyn architect Rudolphe L. Daus, the building’s distinctive ornamentation establishes a strong presence on this busy street corner. Daus drew on his classical French training to create a dramatic structure, epitomized by the rounded corner accented by an elaborate cartouche and a deep, projecting cornice. These design features are balanced by oversized arches resting on engaged columns and broad rustication of the lower floors.
The New York and New Jersey Telephone Company Building occupies an almost square site at the corner of Willoughby and Lawrence Streets in downtown Brooklyn. Eight stories tall, it is faced with light tan brick, limestone and terra cotta and terminates in a broadly projecting copper cornice. The two street facades are almost identical, each having three bays, with an additional bay located at the rounded corner where the two sides join together. Most of the bays (except where there are building entrances) hold three, paired windows. The main entrance to the building is in the easternmost bay of the Willoughby Street façade, and the Lawrence Street façade has an altered service entrance on the ground floor of the central bay. All the windows have been changed to 1/1 double-hung aluminum sash. Stone cornices divide the building horizontally above the first, fourth and sixth stories.
There is an additional narrow service bay to the east of the building’s main entrance on Willoughby Street, slightly recessed from the main plane of the building. The façade treatment of this additional section is very plain, with unadorned single window openings and plain brick facing, except for a continuation of the stone cornices above the first, fourth and sixth stories. A plain, non-historic service door is located at the ground floor of this section.
The ground story is faced with rusticated stone which has been given a cement coating. On Lawrence Street, the central bay has a metal stoop leading to a pair of replacement metal doors surrounded by cement infill. The rest of the ground story windows are partially covered by deep fabric awnings. The central window of the corner bay has been replaced by a glass door, reached by cement stairs with modern metal railings. The flanking windows have fixed, single-pane sash. The double-height, main entrance to the building is located in the eastern bay on Willoughby Street. It consists of a large, rounded, deeply-set archway which is framed by a full entablature. Its cornice is engraved with the words, “Telephone Company.” The side piers, which support this cornice, are adorned with terra-cotta ornament in the form of early telephones with intertwined wires and ear pieces. Above each of the capitals of these piers is a spread-wing eagle perched on an embellished medallion. The rounded archway is fronted by moldings and a keystone with a head. Its reveal is coffered and it is supported by double columns with Corinthian capitals. Within the arch, the rectangular door opening is surrounded by a wide molding ornamented with emblems related to telephones, such as wires, early receivers and earpieces. A triangular pediment rises above the doorway, within the arch.
Stone cornices are located below the second and above the fourth stories, which are faced with brick laid to suggest rustication. Each bay has three paired windows with continuous stone sills, and lintels formed by flat brick arches. Above the fourth story, the wide stone cornice is punctuated by ornate terracotta medallions mounted between each bay. At the rounded corner bay, this cornice projects slightly and is carried on paired brackets. The fifth and sixth stories are linked by double-height, engaged columns set on stone bases. The center window of the fifth story is topped by a triangular pediment supported by smaller columns. Above the sixth story, another deep cornice rings the building, recessed slightly within -5 - each bay and projecting between them. Each bay of the seventh story holds a large rounded arch with moldings and an elaborate terra cotta keystone. Tripartite window are set within each arch. The rounded corner bay at this level is pierced by a large oculus window enhanced by ornate terra-cotta ornament including a head, volutes and foliage. The original sash has been replaced by a fixed single-pane sash. At the top story, each bay has three paired, rectangular windows set between short brick pilasters, with no openings in the corner bay. A deep, projecting copper cornice enhanced by brackets and moldings creates a strong finishing element for the façade.
There is a narrow service bay located to the east of the main section of the building on Willoughby Street. It is set back slightly from the main plane of the building and has a narrow entrance at the ground story. Although the cornices continue as on the rest of the façade, the bay is generally unornamented, with a single window opening on each floor.
On the northern elevation, the wall which overlooks the short building to the north is faced by plain, unfenestrated brick. The other elevations are not visible from the street.
- From the 2004 NYCLPC Landmark Designation Report
And that statement is I'm back! Once abundant, there have been almost no egrets at Aquatic Park since the big oil spill in the bay. Now they are starting to return.
ILO Africa 2023:Seminar findings,
Conclusions and Way
Forward: presentation
and discussion of draft
Practitioners’ Statement
Garbage Art Wall Collage made with dumpster-rescued 1/8" plywood, gesso, and tissue. Diver #2's artist's statement run-on sentences, typed on a dumpster-rescued 1940's typewriter. 6" x 8"
Greenpeace activist Jessica Miller reads a statement in front of the U.S. District Court in Rapid City, South Dakota, January 4, 2010, following a sentencing hearing for Miller and 10 other Greenpeace activists. Defense Attorney Timothy Rensch represented the activists charged with climbing Mount Rushmore. The group was sentenced to serve community service except for Matt Leonard who was sentenced to two days in jail. Shown are from left, Cy Wagoner, Noah Mace, Mary Sweeters, Joe Smyth, Matt Leonard, Jessica Miller, Simran McKenna, Basil Tsimoyianis, Madeline Gardner, and Brian Jenkins.
1) Buy an expensive SUV
2) Accessorize it like this ?
The vehicle was in front of me one morning on my way into work.
Wenn du nach einer Möglichkeit suchst, dein Streetstyle-Spiel auf den neuesten Stand zu bringen, dann ist das Tragen von Statement Pants definitiv ein lustiger Weg. Selbst wenn Sie etwas wirklich einfaches wie ein einfaches weißes T-Stück tragen, können Sie bezaubernd und fabelhaft aus...
coolideen.com/2018/08/10/fabulous-statement-hosen-zu-trag...
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