View allAll Photos Tagged statement.
Lotus flower leather asymmetric statement necklace.
Color: blue, silver, green
Material: leather, beads.
Size:
19 inches long (49 cm)
Statement of purpose:
Stung Treng Women's Development Center is a Cambodian based humanitarian NGO focusing on developing life skills that assist in breaking the cycle of poverty and illiteracy for vulnerable people, especially women, in Stung Treng Province. The projects are developed to empower and support, whilst providing knowledge and skills that have a long term benefit.
Artist's statement. It reads:
Throughout my life, I have always been interested in photography. Until recently, I had been mostly an "armchair photographer" of sorts, reading about cameras and photographic techniques, but never investing in any equipment to actively pursue the art. When the chance came to take a class in black and white photography in my studies at Carnegie Mellon University, I enrolled immediately. Taking the course gave me a reason to bite the bullet and dive straight into the world of photography. One requirement of the class was a portfolio of twenty 8x10 prints, which are presented here.
The majority of the prints in this portfolio are images of the abandoned Donora Southern Railroad, a victim of the collapse of the steel industry in southwestern Pennsylvania. The first five photographs present a study of a large pile of decaying railroad ties. The sequence examines order and disorder, as well as the interaction between nature and its reclamation of these objects that were once part of nature themselves.
The five prints that follow explore two abandoned tunnels on the railroad. They investigate the interaction between light and the aged concrete surfaces of the structure. Related to the tunnel images is the next sequence of five prints documenting debris strewn about inside the tunnels. Again, the focus here is the interaction of light and shadow with the subject and its surroundings.
The other five images in this portfolio are of different subject matter. Two prints are abstractions of a sidewalk. Prominent lines divide the images into geometric shapes. Also, the textures and tones in the photographs provide additional means of differentiating the shapes. The final three photographs are self-portraiture. They show me machining, one of my favorite pastimes, on an old Pratt and Whitney lathe. The images are printed full frame to give an antique appearance, as the process of machining by hand has become somewhat of a lost art since the advent of computer controlled milling.
Overall, there is a thought that binds all of the photographs in this portfolio together: taking what is otherwise dirty, gritty, and mundane and finding something clean and powerful. Each image reflects this idea.
This portfolio is presented as a final requirement to complete Black and White Photography I, taught by instructor Jamie Gruzska.
Richard Pantaleo
May 2008
This original paperwork is the former property of Harold Payne Hardman-Manchester United Director & future Charman 1951-1965
During the year 2020, which should have been a time of 20/20 vision, our faces were hidden by masks, except for eyes, on which we learned to focus. What messages do these eyes, young and old, unadorned and transformed, animate and inanimate, say to you?
After your cash flows and retained #cash is one of the most critical #parameters. Now after knowing the basics let us move on to some additional benefits.
Artist’s statement, George Adams
Currently the main ideas that underpin my work are all linked by being influenced and directed by primary research. One area of art I’m interested in is portraiture, and a part of this which is growing in importance for me, is to explore the character and emotional state and history of the subject in interview and discussion, as part of producing the work. Thus the finished work is much more revealing of the sitter than just a portrait. This direct use of the subject’s emotions and character as a main influence on the work greatly improves its impact and relevance and adds depth to the finished work. My works based on emotions also vary greatly. Some attempt to directly portray an emotion through painting; others try to show the subject’s emotional connection to other factors such as environments and other people. For example I have completed a piece which shows the subject’s emotional link to large bodies of water.
I am very interested in people, their motivations, experiences and states of mind. It is evident in my more traditional portraiture and life drawing. Also, when I produce collaborative work with other artists, other people tend to play quite a significant role in my work.
Another influence on my work is an eagerness to experiment with surfaces on which to paint. These range from roof tiles to discarded boards and corrugated metal. In this way, the surface used for the work can also reveal or highlight a characteristic or personality trait of the interviewee. For example, if they were very concerned about the environment, painting directly onto wood may be interesting.
The use of different surfaces can also engage the subject more in the creative process. This idea of getting people interested and therefore involved in art, and my work in particular, is something that I would like to improve and develop in future pieces. This aspect is recognised and well developed at the University of Brighton. Schemes such as the community university partnership program (CUPP) aid the local community and provide opportunities for both students and community members, with projects like On our doorsteps, already being run.
A key area of my work that I am keen to advance is to further develop the concepts behind my art, so I can evolve and refine the underlying meaning so as to further increase the impact, distinctiveness and relevance of my work.
Midnight Bloom.
This large, statement, flower pendant has been handmade in (925) Sterling Silver. It has a high polished finish, with an oxidized background and scratch finish flowers to add contrast.
The pendant is 32mm in diameter, just over 2mm thick and is hanging from a 1.8mm x 16” long, Sterling Silver Omega cable.
It has been hallmarked in Edinburgh, Scotland and has my own unique sponsors mark.
NOTE: I will happily attach an extender chain to lengthen if required. Please contact me with your request.
All jewellery is ready to gift in a pretty, black card, gift box with a bright pink satin ribbon, tied in a neat little bow.
Perfect as a gift…or a great little treat to yourself!
You can browse the rest of my shop here: www.etsy.com/shop/NFergusonJewellery
Ahead of the EU Council on 7 March, EP President Martin Schulz held a meeting with Ahmet Davutoğlu, Prime Minisiter of Turkey.
Watch the arrival, roundtable and extracts of the press point: audiovisual.europarl.europa.eu/Assetdetail.aspx?id=702483...
This photo is copyright free, but must be credited: © European Union 2016 - European Parliament. (Attribution-NonCommercial-NoDerivs Creative Commons license). If you need high resolution files do not hesitate to contact us. Please do not forget to send the link or a copy of the publication to us: photobookings(AT)europarl.europa.eu
Income Tax Ordinance 2001: Notice can not be issued after 180 days for incomplete return.
For more detail Visit www.projexonisb.com/
#Cash #flow #statement #preparation is an integral and important part of financial management. There is an alternate name for such #statement as well, and that is, #statement of cash flows.
Inspired by a Cgtuts.com tutorial this was the outcome of last night. Around 3 hours of Modo and another 2-3 Hours of Photoshop and After Effects this was finally the result. I hope you like it.