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Australian Heritage Places inventory details
Koroit Commercial Road Conservation Area
Source: Go to the Register of the National Estate for more information.
Identifier: 15046
Location: Commercial Rd, Koroit
Local
Government: Moyne Shire
State: VIC
Country: Australia
Statement of
Significance: The conservation area consists of a number of important public buildings and a street of relatively intact humble shopfronts and kerbline verandahs, visually punctuated by opposing bank facades. Containing a range of late nineteenth century and early twentieth century structures, the conservation area strongly evokes a sense of the town's past (Criterion E.1).
Description: Koroit is located some miles to the north of the main coastal road, the Princes Highway, and is approximately midway between Warrnambool and Port Fairy. It lies on the northern slopes of the volcanic Tower Hill, enjoying the benefits of rich soil and shelter from the weather from the Southern Ocean. The qualities of the soil have long made the district suitable to intensive cultivation, producing abundant crops of potatoes, onions and peas, usually in association with diary cattle, pigs and fat lambs. The area also once produced mustard, linseed, wheat and oats. The township of Koroit developed to serve the needs of the district. The close settlement and small holdings allowed Koroit to grow into a larger town than would normally be expected within a short distance (17km) from the regional centre, Warrnambool, and from Port Fairy which is 20km distant. The predominant green of year round cultivation and the scale of the district's holdings and buildings have led many observers to see a similarity with Irish landscapes. Commercial Road, the main street of Koroit, is a flat, straight stretch of road. This is the commercial and administrative centre of Koroit and contains a number of interesting late nineteenth and early twentieth century shops, dwellings and public buildings. The focal point of the commercial/administrative precinct is the group of public buildings near the intersection of Boundary/Commercial Road and High Street. Included are the municipal offices and the bluestone post office. The latter was built in 1872 and is of special significance through its link with author Henry Handel (Ethel) Richardson whose mother was postmistress here in 1878; Ethel's father died in Koroit in 1879 and the author used the town for the setting of the third novel in her trilogy, The Fortunes of Richard Mahony. Also included within this precinct are the courthouse (1871-72), and the state school (1878). Also of note at the intersection is the decorative Koroit Hotel with detailing showing Art Nouveau influence (especially in the verandah). Diagonally opposite is the Courthouse Inn, an interesting Edwardian weatherboard building now unlicensed but still used for accommodation. The Commercial Road shopping area runs west from this intersection, consisting primarily of single storey shops although the State Savings Bank and, directly opposite, the National Bank are exceptions. The National Bank in its present form dates from c 1872 when architect George Jobbins was commissioned to remodel the facade and to erect an additional storey. Jobbins was also commissioned to design the premises of the Colonial Bank of Australasia (now the State Savings Bank) in 1876. The design of this bank closely relates to the National Bank in Warrnambool (1868-69) designed by Lloyd Tayler, Jobbins' former employer. Though there are a number of later intrusions in the Commercial Road area, some of them unfortunate, the prevailing kerbline verandah posts and valances are still sufficient to evoke a strong sense of the town's past. This is emphasised by the town's relative isolation, being by passed by all the major district highways.
Sunday 10 July 2022 saw the Combined Emergency Services take on the Jet2 All Stars in a charity match at Hyde United’s Ewen Fields Stadium.
The game was played to raise funds for the Hyde United Community Fund which supports projects across the borough.
The Jet2 All Stars are a team made up of Coronation street, Emmerdale, Hollyoaks stars past and present and guest players.
The game was played in sweltering conditions which took their toll on both teams.
In the end, the Combined Emergency Services ran out comfortable winners.
You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.
You can access many of our services online at www.gmp.police.uk
Spring makes its own statement, so loud and clear that the gardener seems to be only one of the instruments, not the composer. ~Geoffrey B. Charlesworth
Purple crocus with texture by Clive Sax.
Pra chegar chegando!
R$ 40
Para encomendar o seu:
ferdybijoux@gmail.com
** Apenas 1 unidade disponível no momento!! **
What a #CashFlowStatement is actual?
CashFlowStatement or statement of cash is one of the four most typical financial statements while the three others are,
Income Statement
Statement of financial position
Statement of changes in equity
Artist's statement for my solo show in the Buntrock Commons at St. Olaf College, shown from March 19th until April 10th, 2009. Work was produced during the month of January, 2009, as the final project in a month-long course Advanced Drawing course I took.
These handmade pillows are the perfect statement for any couch (or chair).
Price: $28
Perfect for: homeowners, decor nuts
Hoot + Louise
109 G. E. Patterson Avenue
Memphis, TN 38103
The Anais table Lamp is a stylish decorative item that will match any and each style. It comes with a HUD that gives you a huge variety of options both for the texture and the colour. Check picks for a complete idea.
The lights can be turned on/off with just a touch whether by clicking on the hat or the bulb or even both for more intense lighting.
marketplace.secondlife.com/p/STATEMENTT-ID-Anais-table-La...
Here and there small towns and big cities make their own display or host a traveling set of crosses, in which each marker represents 100 or 1000 aborted fetuses, for example. This is a powerful and persisting visual statement. Does the opposing position have something equally visible, though: something to show how life is different for the woman thus impacted?
Government Digital Service Executive Director Stephen Foreshew-Cain speaking to GDS team about the 2015 Spending Review.
L-R Megan Davis, June Oscar, Pat Anderson, Sally Scales, Irene Davey. Pat is holding the Uluru statement with coolamon given to her by the Anangu community
Net Zero Needs Nuclear Power, Shared Presentations Stage 3, an IAEA Statement Event at the United Nations Climate Change Conference UNCCC held at the Expo City Dubai, United Arab Emirates. Blue Zone, 1 December 2023
Photo Credit: Dean Calma / IAEA
Singapore Ministry of Foreign Affairs Press Statement: State Visit of President of the Republic of Indonesia Dr Susilo Bambang Yudhoyono, 2 to 4 September 2014
President of the Republic of Indonesia, Dr Susilo Bambang Yudhoyono, will make a State Visit to Singapore from 2 to 4 September 2014 at the invitation of President Tony Tan Keng Yam. President Yudhoyono will be accompanied by his wife Ibu Ani Bambang Yudhoyono, and a high-level delegation.
There will be an official Welcome Ceremony in honour of President Yudhoyono at the Istana on 3 September. Following that, President Yudhoyono will have separate meetings with President Tan and Prime Minister Lee Hsien Loong. Prime Minister Lee will host President Yudhoyono and his delegation to lunch, while President Tan and Mrs Tan will host a State Banquet in honour of President Yudhoyono and Ibu Ani the same day. Emeritus Senior Minister Goh Chok Tong will call on President Yudhoyono on 4 September 2014.
During the visit, President Tan will confer the Order of Temasek (First Class) on President Yudhoyono in a ceremony at the Istana. The Order of Temasek (First Class) is Singapore’s highest honour for foreign leaders. It is being conferred on President Yudhoyono for his positive contributions to the relationship between Singapore and Indonesia during his ten years in office.
President Yudhoyono and Prime Minister Lee will also witness the signing of the Treaty between the Republic of Indonesia and the Republic of Singapore relating to the Delimitation of the Territorial Seas of the Two Countries in the Eastern Part of the Strait of Singapore on 3 September 2014.
President Yudhoyono last made a State Visit to Singapore in 2005.
This is the 12th image in the series called "Faceless Identity" The project is an investigation into the relationship between identity, time and distance.
This is the Artist Statement for "Faceless Identity"'
I have always been interested in portraits that do not conform to the norm. My photographic work always consists of capturing a live moment, but with my knowledge and extended research I have created a new direction of work with a personal perspective.
One of the main topics explored through this project is identity and time. To explore whether a character or personality can be captured during a period of time. The character throughout this project is myself, adding a personal view of how I can change over time. Each selection of images were taken over different days. I look different on each day, which shows how my identity has changed.
The triptych also expresses the factor between identity and time. The three images show the difference of identity over a small amount of time. The project in total shows the difference of identity over a long period. The difference between clothes, hair and even mood makes each image different in expressing identity.
Distance is also an important factor of the project. Depending on the distance of the viewer, the images takes on a different form due to the motion blur. Details are clear close up and the overall shape is visible further away. This expresses a difference in portrayal of identity depending on the distance of a person.
This project has been one of my most personal to date. Photographing myself over a long period has been an intimate experience. Creating a personal project has explored my own identity through photographic form.
I have taken inspiration from Alejandro Guijarro with his exploration of pixilation and audience visibility. Having an image take on a different form due to distance hugely inspired my thought process throughout this project, which influenced the use of a fast shutter speed through my self-portraits.
The future holds more self-portrait projects. My goals of expressing my identity photographically have been successful. After this effective project involving myself, I look forward to exploring myself photographically hereafter.
I will begin (slowly) to post a series of photos taken at Seattle's Fremont Solstice Parade (the most liberating and most fun parade in the world) and Fremont Fair, starting with the statement here I saw posted in a car.
"Seattle Art Car Blowout" is the 3rd largest art car show in the US.
This is now my new personal statement.
Fragile
by Erik Brede
Photo manipulation / photoart / conceptual political statement made from a nude portrait of a woman.
40x40cm Printed on Hahnemühle Fine Art Baryta 325gsm archival, museum grade paper with Epson Inkjet 11880 and 9 color K3 pigment inks, that ensure even the smallest details are visible and the colors appear freshly printed, even after 100 years. Limited Edition of 50. The print include a white border to allow for future matting and framing.
Big prints on exclusive, ready to hang Brushed Aluminium and other material available from www.erikbrede.com. Sign up for exclusive deals.
My artwork is checked by hand, given a protective cover and placed in art-secure packaging before delivering to the art shipping professionals at UPS, FedEx or DHL straight from the laboratory within 5 to 10 business days.
A signed certificate of authenticity, certificate hologram tamper with CoA#, and a label signed by artist, which can be affixed to back of the artwork, is mailed to buyer as soon as the artwork is delivered and accepted. The price will increase as prints become unavailable.
www.contemporary-artists.co.uk/paintings/fragile/
#art #painting #artists
Statement of text on the plaque:-
OFFICER'S QUARTERS (LOG)
This log and frame officer's quarters was among the first buildings constructed at Fort Bridger in 1858. The log section of this cabin measures 41' x 33' with the rear addition of frame construction measuring 22.5' x 22'. It stood first in a row of six such cabins for officers and their families. Now it and the 1884 Commanding Officer's Quarters at the end of the boardwalk are the only buildings that remain along 'Officer's Row'.
In the frontier army, a newly-arrived officer could evict and assume the quarters of a man directly beneath him - a process known as 'ranking-out', dreaded by officer's wives. It often started a chain reaction that left the youngest second lieutenant pitching a tent for himself and his wife.
By the late 1880's the building served as a bachelor officer's quarters and has been refurnished to show the contrasting lifestyles of an older captain and a young first lieutenant. Divided by a hallway, each officer has a private bedroom and parlor. They share a dining room and kitchen, which is usually the working area of a maid who is provided a small room next to the kitchen for her sleeping quarters.
After the turn of the century the rest of the log officer's quarters, and many other wooden buildings were sold at public auction and carted off to become parts of local ranges and homesteads. This building was occupied and remained a private residence until the 1930's and, consequently, was left at Fort Bridger.
Artist Statement
These images are works in the process being refined for eventual showing..
The images in this Flickr set will be part of a NoMa photo group project I'm involved in. The NoMa (North Manhattan) Photo Group is a dynamic group of talented community minded artists who support each other and promote the work they are doing. For images of the NoMa Photo Group please check out this exciting Flickr group. See: www.flickr.com/groups/manhattanville/pool/
We are documenting the Manhattanville area (Broadway between 125th St. and 137th St. in Manhattan) that will be razed to make way for the octopus expansion of Columbia University. There are of course issues relating to the displacement of a poor and working class neighborhood that may be priced-out of the existing rental housing market through the use of QUESTIONABLE (unconstitutional) eminent domain maneuvers.
The legal concept of eminent domain allows the government and municipalities to take over and raze properties that are partially “blighted”, in order to transfer their sites to private institutions such as Columbia University. Community advocates and protesters argue that this approach to urban redevelopment favors wealthy redevelopers and private institutions at the expense of poor and working class residents, and encourages profligate municipal expenditures and tax variances in support of dubious or marginal benefit to the existing community.
“Terrain Vague” is a French term used by Spanish architect and critic Ignasi de Solà-Morales to describe ambiguous, unresolved, and marginalized spaces in the urban landscape. Terrain vague refers to sites that are often ignored in the mainstream discourse on architecture and design, such as industrial wastelands and monotonous suburban developments.
Solà-Morales notes that photographers and architects address terrain vague in differing ways. The photographer sees these spaces as places that are imbued with a storied past. Architects, however, approach these spaces as problems to be solved through design. Solà-Morales asks:
What is to be done with these enormous voids, with their imprecise limits and vague definition? Art's reaction . . . is to preserve these alternative, strange spaces. . . . Architecture's destiny [by contrast] has always been colonization, the imposing of limits, order, and form, the introduction into strange space of the elements of identity necessary to make it recognizable, identical, universal. The voids, imprecise limits and ambiguities typical of “vague terraine” conjure visions of a species of twilight zone. Rather than being submitted for entertainment and approval by Rod Serling, the haphazard spaces of discontinuous improbabilty of Manhattanville are being submitted for exploitative redevelopment.
True to Solà-Moraleshas' observation, as a group of photographers, we have chosen to address “terrain vague” by documenting aspects of a neighborhood community that will soon disappear into the mist of NYC history. The Manhattanville community has historically given sustenance and a sense of place to a succession of working-class poor but soon will give way to trendy gentrification. The proposed draconian development project is occurring in the context of an insular university institution that has continually expanded at the expense of its surrounding minority neighbors. Understandably, this has resulted in a significant amount of conflict dating back to at least the 1960's.
I found the proliferation of advertising signs in the ManhatanviIle community to be visually oppressive and amplified my own sensation of “terraine vague.” On some level I felt the huge advertising signs were selling “solutions” and “fixes” for manufactured needs that could not be openly discussed.
The intrusive messages seemed to overwhelm\ and diminish the legitimacy of signs calling for urgent action such as: “Halt Columbia University's abuses of eminent domain!”
Some billboards pictured self indulgent, self-satisfied role models enticing as they flaunt their wealth, fame, lifestyle and accomplishments. As if to say….I got mine,….and you? They insinuate to pedestrians what cannot legitimately be articulated or promised in words.
These corporate mercenaries of popular culture model poses and attitudes, that dangle an antidote to the toxic powerlessness and soul sickness of poverty.....quickly, effortlessly, magically….. Without the bother of self-awareness or struggle for social justice.
“Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don't need.” ~From the movie Fight Club, based on the novel by Chuck Palahniuk
It is no wonder to me that the mixed messaging of political advertising and policy makers, etc., keep voters confused and easily misdirected, by so-called "wedge issuues", that appeal on the basis of low self esteem driven uncertainty and fear. Induced mass low self esteem is an interesting phenomenon that drives passive consumption of ideas, values, decision-making......and, yes, let's not forget.....material consumption!
Check out “Happiness: Lessons From a New Science”, by Richard Layard who exposes a paradox at the heart of our lives. Most of us want more income so we can consume more.
Mind control, anyone?
For me, the ideas that drive this photographic essay are connected to the vagaries of urban space usage and how the meaning of community is distorted, misdirected and shaped to fit the purposes of the power elite.
This art project hopes to bring attention to these ideas and inequities. It is expected that this work will result in an exhibition at sometime at the begining of 2008.
1009-366-20
This farmer in Potter County, PA is making his political stance known for the coming election.
Council and Commission statements on Preparations for the European Council meeting (23-24 June 2011) during the EP's June session held in Brussels.
www.europarl.europa.eu/en/headlines/
© European Union 2011 PE-EP/Pietro Naj-Oleari.