View allAll Photos Tagged statement.
University of Texas Austin - Blanton Museum
Austin, Tx; USA
For some of the stories behind the photos, check out www.monkboughtlunch.com
Net Zero Needs Nuclear Power, Shared Presentations Stage 3, an IAEA Statement Event at the United Nations Climate Change Conference UNCCC held at the Expo City Dubai, United Arab Emirates. Blue Zone, 1 December 2023
Photo Credit: Dean Calma / IAEA
What a #CashFlowStatement is actual?
CashFlowStatement or statement of cash is one of the four most typical financial statements while the three others are,
Income Statement
Statement of financial position
Statement of changes in equity
Statement by H.E Sh. Rana bint Isa AlKhalifa, Undersecretary, Ministry of Foreign Affairs of the Kingdom of Bahrain to the OPCW at the 22nd Session of the Conference of States Parties to the Chemical Weapons Convention.
The Conference is held at the World Forum, The Hague, the Netherlands, from 27 November to 1 December 2017.
VHD:.
Statement of Significance.
.
B Listed - Regional Significance.
.
STATEMENT OF SIGNIFICANCE.
.
'Suma Park', formely known as Frankfurt-on Sea, was erected in the 1880s for prominent stud breeder and horse racing entrepreneur James Wilson of St Albans, Whittington. The large single storey dichromatic brick villa in stylistically similar to St Albans homestead of 1873-78 by J.T,Conlon,a Melbourne Architect who most likely designed Frankfurt-on-Sea. Stephen E. Bailey gave the name Suma Park to Wilson's racing establishment after the family property at Orange in N.S.W. 'Suma Park' is a distinctive late Victorian Villa with significant historical associations with Wilson and later Bailey, both prominent racing men. An earlier weatherboard cottage and barn survive..
.
Reference.
.
W. R. Brownhill, The History of Geelong and Corio Bay, Wilke and Co, Melbourne, 1955 pp.327, 377, 523..
.
Geelong Historical Society Investigator Vol 17, No 1, 1982, p.30..
.
Lorraine Huddle, 'James T. Conlon Architect' Dept of Architecture Research Report, University of melbourne, 1979.
.
- See more at: vhd.heritagecouncil.vic.gov.au/places/21688#sthash.ReAobY...
IAEA Director General Yukiya Amano addresses delegates at the 60th IAEA General Conference. IAEA, Vienna, Austria, 26 September 2016.
Photo Credit: Dean Calma / IAEA
Statement of intent;
ARPS, Conceptual and Contemporary :
It’s all about Me
By looking attentively at old and smeared walls, or stones and veined marble of various colours, you may fancy that you see in them several compositions, landscapes, battles, figures in quick motion, strange countenances ... ~Leonardo da Vinci
The use of symmetrical inkblots is often associated with, and was used in, psychiatric analysis (Rorsarch being one of many to use this technique).
I have combined the above ideas in an exercise of self examination and what this might mean regarding my ‘self’ or ‘inner psyche' within the world space I occupy.
I have discovered representations of my place in the cosmos, myself at the crossroads of a decision, places where I am part of the ‘big picture’, places where I am simply in transition from one state of mind to another. In some I am meditative. Faces, animal and human, are to be found within the symmetries.
I have included two instances of the same photograph, they represent the 'Yin and Yang', light and dark of life that here I have shown to be existing symbiotically within the original photograph.
These and many other aspects of what I consider makes up ‘me’ are to be found within the images I have produced.
The hood and mask are metaphors of times in my life when I have tended to be 'a little backward at coming forward', shy. Reticent to push myself to the front, all the while believing that I could contribute more.
All of the imagery is processed by me and derived from photographs taken by me.
All of the original photographs are available as camera RAW files.
Statement distributed by BSU affirming that the Administration violated student rights
Title: Statement distributed by BSU
Date: 1969-03-01
Original Collection: RG 102 Student Affairs
Restrictions: Permission to use must be obtained from the OSU Archives.
RG102_09090120_miltondispute1969_bsustatement.tif
Statement by H.E. Ambassador Jaime Victor Badillo Ledda, Permanent Representative of the Republic of the Philippines to the OPCW at the 22nd Session of the Conference of States Parties to the Chemical Weapons Convention.
The Conference is held at the World Forum, The Hague, the Netherlands, from 27 November to 1 December 2017.
Check out my latest post on VENUSTAS about statement necklaces!
venustasblog.weebly.com/1/post/2013/08/statement-necklace...
#Cash #Flow #Statement #Preparation is must to do kind of thing as far as #business is concerned. Some people take it as a liability while, for many other it is just like doing the anatomy of their #business.
www.youtube.com/watch?v=izfSOfWBqFQ
Monokuma's entire face and body split equally down the center into two sides. It resembles the Yin-Yang symbol of which there's a balance between good and bad. Sometimes, Monokuma will show his good side in regular conversation but will turn to his bad side when he's angry, merciless, or ruthless.
His right side is white in color and has the classic teddy bear expression. His left side is black in color and has a red slash for an eye and an evil, stretched grin. Although he is entirely split into two opposite sides, the only parts of Monokuma that aren't affected by the split are his muzzle and belly area; which both remain white. He also has a large and obvious bellybutton on the lower part of his belly. His bulging navel has an X mark on it.
4102 West 16th Avenue, Vancouver, BC.
Statement of Significance
Description of Historic Place:
Queen Elizabeth Elementary School is a complex of buildings comprised of: a one two-storey English vernacular building from 1940; two one-storey Modern buildings from 1957; one one-storey building from 1964; open asphalt playing areas; a formal driveway; and mature planting beds. It is in the residential neighbourhood of Point Grey, and is adjacent to a large, open playing field and Pacific Spirit Regional Park.
Heritage Value:
Queen Elizabeth Elementary School is important for its cultural and aesthetic significance, particularly for the contrasting building styles of the 1940 building and of its post-war additions that responded differently to the pedagogy of their times.
Built over a period of 25 years, the school is culturally important as the embodiment of changes in educational values. The 1940 building represents the then-new philosophy that schools should be child-centered and functional – it was considered to be the first of its type built in the province, unique for its English cottage-type design and its full-size gymnasium, auditorium and dressing room facilities. The 1957 and 1964 additions reflect a more systematized, practical, scientific, and more democratic approach to education and reflect the intention to provide clean and efficient spaces that embodied the ideals of social mobility and equality. It is indicative of the significant change in cultural attitudes between the early 1940s and the 1950s that, while the official opening of the 1940 building was presided over by then Premier T.D. Pattullo, the official opening of the 1957 buildings was presided over by the city health officer.
The school site’s cultural significance also lies in its representation of how, after 1940, the Vancouver School Board architects accepted the Modernist cause and its potential for standardizing school designs. Compared to the 1940 building that is from an earlier stylistic era, the 1957 and 1964 Modern buildings signify the chance to begin anew, partly by rejecting stylistic historicism and ornamental symbolism. It is this obvious difference in design outlook that offers present day observers such a valuable commentary on the history of school design over the pre- and post-World War Two era.
Other important cultural values of this school are the combined memories and experiences of past students and teachers, the continued use of this site as a school complex from 1940 to the current day, and the continued use of its name: 'Queen Elizabeth Elementary School'.
Aesthetically, Queen Elizabeth Elementary School is important for its juxtaposition of two design idioms, and for highlighting how little the Modernist building makes reference to the original outstanding school building, conveying the cultural predisposition at that time to leave the old world behind. The school contributes significantly to the streetscape and to the neighbourhood as it is on a rise in the land and overlooks both a large open sports field and Pacific Spirit Regional Park to the south and west.
Source: City of Vancouver Heritage Planning Department
Character-Defining Elements:
The character-defining elements of Queen Elizabeth Elementary School include:
Siting, Context and Landscape
- The orientation of the 1940 building to the 1957 and 1964 buildings
- The relationship of all of the buildings to their site and to 16th Avenue and Camosun Street
- The relationship of all of the buildings to the large open playing field to the west
- Continued use as a school
Architectural Qualities
- Contrasting design idioms between 1940 building and later post-World War II additions
Architectural elements of the 1940 building:
- Informal, picturesque assemblage of wings
- Brick facing at base of walls, wood, and stucco, all in an essentially domestic idiom
- The two front entrances differentiated from rest of building through their twinning, and their flanking of the formal vehicular roundabout and pedestrian entry paths
- Polygonal forms and turret-like roofs of front entrances
- Window and door designs
- Reverse board-and-batten cladding
- Faux half-timbering
Architectural elements of the 1957 and 1964 buildings:
- Simple shed roof construction
- Bank of wood windows with alternating top and bottom opening lites
- Use of reverse board-and-batten siding which is a simple rendering of a detail found on the 1940 structure at its front entrances
- Typical covered play area with glulam/steel post structure
Landscape elements
- Covered play area of the 1957 structure
626 Blanshard Street, Victoria, BC.
Statement of Significance:
Description of Historic Place:
The Church of Our Lord is a Carpenter Gothic style wooden church with a separate annex called the Cridge Memorial Hall, located on the corner of Humbolt and Blanshard Streets.
Heritage Value:
The Church of Our Lord is a testament to the founding of the Reformed Episcopal Church in Canada, one of the pioneering religious denominations in the city of Victoria. It is notable that this church founded by Reverend Edward Cridge, the first Bishop of the Reformed Episcopal Church in Canada and an instrumental figure in the city's religious growth since 1855. Established in 1874 under the auspices of the Church Missionary Society of England, and connected to the Reformed Episcopal Church of the United States, the presence of the Reformed Episcopal Church on the Canadian west coast indicates the early growth of this denomination in North America. Built in 1876 subsequent to a schism of the nearby Anglican Church of England, this church is representative of the early religious diversification of Victoria.
The Church of our Lord is also valued for its atypical architectural style and is the oldest church in Victoria. Designed by architect John Teague, its simplistic vertical lines, steep gable roof, and board-and-batten siding distinguish it from the elaborate masonry churches nearby. The wood form of the Carpenter Gothic style is an excellent example of the adaptation of the classic Gothic style to suit local building materials. In keeping with the beliefs of religious revivals, this style was used for churches across North America. Located on property donated by James Douglas, this freestanding building is one of the few remaining wooden structures of this style and era intact in BC. It is a significant historic landmark on the outskirts of the Old Town District.
Additionally, the replacement of an original Sunday School annex by the Cridge Memorial Hall (1929), designed by notable architects Samuel Maclure and Hubert Savage, reflects the continued growth of the church's congregation.
Source: City of Victoria Planning and Development Department
Character-Defining Elements:
The character defining elements of the Church of Our Lord include:
- the prominent location of this free-standing building at the corner of Blanshard and Humbolt Streets;
- the Carpenter Gothic Style elements which act as distinguishing features, such as the board-and-batten siding, vertical buttress piers, bell tower, rose window, and steep gable roof; semi-octagonal window over the apse;
- key interior features relating to John Teague's design, found in spatial configurations, pointed arch windows, leaded and stained glass windows, decorative elements, hammer beam ceiling, authentic woodwork and paneling;
- Cridge Memorial Hall, with design details reflective of the church.
Statement by H.E. Ambassador Eduardo RodrÃguez Veltzé, Permanent Representative of the Plurinational State of Bolivia to the OPCW at the 22nd Session of the Conference of States Parties to the Chemical Weapons Convention.
The Conference is held at the World Forum, The Hague, the Netherlands, from 27 November to 1 December 2017.
Signs alongside the entrances to the dressing rooms - home to the right, away to the left - at the Boldon Colliery Welfare Ground, home to Boldon Community Association Football Club.
Captured before a 4-0 win for the in-form Villa over Northern League Second Division rivals Blyth Town. A fifth consecutive victory saw Boldon climb to sixth place in the table.
After securing promotion at the end of last season, Boldon, founder members of the Wearside League in 1892, are making their Northern League debut this 2021-22 campaign.
Match statistics
Boldon Community Association versus Blyth Town
Northern League, Division Two (3pm kick-off)
Admission: £5. Programme: £1 (20 pages). Attendance: 76. Boldon Community Association 4 Blyth Town 0 (half-time 3-0). Scoring sequence: 1-0 (Harvey Neary, 15mins), 2-0 (Levi Collins, 30mins), 3-0 (Levi Collins, 43mins), 4-0 (Oscar Taylor, 68mins). Note: Boldon goalkeeper Andy Hunter dived to his left to save a 57th-minute Adam Johnson penalty.
Design Statement
Our response to the project brief is to propose galleries that enhance the flow of spaces within the existing Art Gallery and Museum and unify the visitor experience. At street level, our proposal welcomes the public by creating a new pedestrian link between Clarence Street and Chester Walk, the journey through inviting informal exhibition opportunities and direct access to a proposed cafe and shop in the adjacent Hugh Casson building. Stairs rise dramatically to link bridges connecting new and existing gallery spaces creating a void that allows for larger art installations. Administration accommodation is moved to occupy a reconfigured number 51. Galleries, adjacent storage rooms and workshops are stacked above the open ground floor, in a thermally massive structure to maximise thermal stability. Natural light is allowed at the ends of each gallery with passive solar shading louvres to control heat gain. These also provide on site power generation by incorporating the latest high concentration photovoltaic cells. Using ground source heat pumps to assist in cooling coupled with the building fabric’s thermal mass, allows the thermal flywheel effect to reduce demand for expensive climate control. Naturally ventilated circulation reduces the requirement for critical temperature control to sensitive galleries, art storage and workshops.
We have proposed to locally source materials from within a maximum 50 mile radius of the site, the majority within 25 miles. Inspired by Arts and Crafts, materials are natural, self-finished and durable so that expensive future maintenance is minimised with detailing describing honestly their construction and assembly.
Cheltenham Art Gallery and Museum
Building for a new future
You have to be 100% dependent on your glasses to understand what this 15 years relationship means... Identity, style, personal statement, perseption - you name it. Whatever state they're in - they have been defining me for the last two decades.
Artist Statement
Nearly thirty years ago I was introduced to pottery making and I am still drawn to clay. The ability of this material to be shaped and hold that shape through the ceramic process is large part of the allure for me. To take a lump of clay in its random configuration and manipulate it into a useable object is amazing. The transformation of the material by fire in terms of its physical characteristics and color and texture is perhaps what I find most profoundly exciting.
My forms are often manipulated from thrown parts. I have been changing many of my forms to make the finished vessels more sculpturally active yet reflective of utilitarian objects from a variety of vessel making crafts, form clay to glass and fine metal craft. My color is derived from sources of iron stains applied on base glazes before firing. These materials then blend and flow naturally in the firing process, leaving a record of the atmospheric movement in the kiln. The result is a carefully designed form with chance color and texture created by the combination of materials and heat during the firing process.