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Victorian Heritage Database:.
`Statement of Significance.
Last updated on - June 18, 2008.
The Old Shell Corner Building, completed to a design of A & K Henderson in 1933 at 163-169 William Street, is.
of both architectural and historical significance. As the headquarters building of the Shell Company in Australia.
for some 25 years and the first to be specifically constructed for them in Victoria, it provides a vital link in both.
Australia's and Victoria's industrial history. The building is one of the finest remaining examples of a small.
collection of the restrained Commercial Gothic style of buildings in the central city area. Externally the building.
remains intact and is particularly notable for its fine detail, iron work and facade. Internally it pioneered some.
features that later became common interior design practice, such as ducting and self-contained telephone and.
Report generated 22/03/17.
heating facilities..
Classified: 31/05/1990.
Demolished 1991'.
A complete interior and exterior decoration project, divided into three lines of surfaces, all different statements of the combination of matter and design.
Twelve seductive finishes, as soft to the touch as they are to the eye, transformed into soft coconut mats, textures engraved with a diamond tip, matt metal or slabs in a single colour in damier motifs.
Un progetto completo per la decorazione d'interni ed esterni, articolato in tre gamme di superfici, differenti declinazioni del binomio materia-design.
Dodici sensuali finiture che, al tatto come allo sguardo, diventano morbide stuoie in fibra di cocco, texture incise a punta di diamante, metallo satinato o lastre monocromatiche in motivi damier.
The upswept petaldo is all the rage this autumn! Taken with the 80-400 lens and two extension tubes on tripod, 17 September 2006.
Found this whilst digging thru the rubble that is my studio. A while ago I was taking images from the newspapers and altering them. This one was suggesting that supposed "leaders" make "important" statements but it might not always be the case. Unfinished. Acrylic on cardboard.
We are always looking for new places to visit. Once my wife heard that Game of Thrones was filmed on Malta it was not a matter of if, but when we went. We spent the first few days in Valletta, the capitol of Malta, getting our bearings and playing tourist. Valletta is a really nice city with a lot of history and hills - and decent Gelato too!
I took these photos in May 2018.
Panel Discussion at the German Mission for the Celebration of the International Criminal Court's (ICC) first 10 Years, 4 June 2012
Speakers and Panelists:
Mr Luis Moreno Ocampo
Ms Fatou Bensouda
H.E. Ambassador Tiina Intelmann
H.E. Ambassador Stephen J. Rapp
Mr William Pace
Prof Jennifer Trahan
Ambassador Wittig's opening remarks are here:
www.new-york-un.diplo.de/Vertretung/newyorkvn/en/__pr/spe...
Spring makes its own statement, so loud and clear that the gardener seems to be only one of the instruments, not the composer. ~ Geoffrey B. Charlesworth
File name: 08_02_004242
Box label: Boston Public Library: Exterior
Title: Boston Public Library, Copley Sq.
Alternative title:
Creator/Contributor: Coolidge, Baldwin, 1845-1928 (photographer)
Date issued:
Date created: 1895-1916 (approximate)
Physical description: 1 photographic print ; 10 x 12 in.
Genre: Photographic prints
Subjects: Boston Public Library; Public libraries
Notes: Number on image: 10246; Image dated: Before 1916
Provenance:
Statement of responsibility: Baldwin Coolidge
Location: Boston Public Library, Print Department
Rights: Rights status not evaluated.
entered into the nova student show, empress!! wish me luck
UPDATE: I won! Juror's award and props in the Juror's statement! Thank you, Emily!
Statement by H.E. Ambassador Martin Sørby, Permanent Representative of the Kingdom of Norway to the OPCW at the 22nd Session of the Conference of States Parties to the Chemical Weapons Convention.
The Conference is held at the World Forum, The Hague, the Netherlands, from 27 November to 1 December 2017.
Says: "Foucault is gay"
Graffitti Njalsgade
Michel Foucault (French pronunciation: [miʃɛl fuko]) (15 October 1926 – 25 June 1984) was a French philosopher and historian. He held a chair at the Collège de France with the title "History of Systems of Thought," and also taught at the University of California, Berkeley.
Foucault is best known for his critical studies of social institutions, most notably psychiatry, medicine, the human sciences, and the prison system, as well as for his work on the history of human sexuality. Foucault's work on power, and the relationships among power, knowledge, and discourse has been widely discussed. In the 1960s Foucault was often associated with the structuralist movement. Foucault later distanced himself from structuralism. While Foucault is typically characterized as a post-structuralist and postmodernist, he personally rejected the postmodernist and post-structuralist labels, preferring to classify his thought as a critical history of modernity, rooted in Kant.[1]
clearaudio Statement Turntable/Statement TT1 Tangential Tonearm/Goldfinger Statement Cartridge
Well what can I say...this was totally amazing. Thanks to Adrian and Villip at Audio Excellence in Markham for letting us listen. The problem is I am ruined for life, nothing I will ever have will compare to this. I guess there is always the hope of a lottery win. For more info follow the link below.
www.audioexcellence.ca/single-post/2017/04/13/clearaudio-...
n November and December, our Artist of the Month is Debbie Snow of Conway. Below is her Artist's Statement:
"Just call me “5.” That is the designation given to me by my autistic son, Ian. He is my muse and the catalyst that launched me into the world of watercolor painting 8 years ago. Because of his disability and the need to always be near and watching him I started playing with his Crayola paints at our kitchen table and my curiosity and passion grew from there. It amazed me that he could get such beautiful color combinations and designs from a child’s paint box and I set out to try my hand at reproducing some of his amazing blends. Of course it was impossible to copy what he had done because he was, and is, totally uninhibited. But observing him gave me a leg up to start my own watercolor paintings where I strive to be somewhat controlled yet as free with color and uninhibited as my son. I’m hardly there yet, but I’m on the path and enjoying the process as well as the product.
My first introduction to art came from my mother who went back to school for an art degree when I was in high school. The rare bits of formal art theory and techniques appearing in my artwork are from discussions of classwork she shared with me as she worked toward her degree. Since I began painting, my formal art education has come primarily through practice and reading, supplemented by my attendance at an ongoing class with a good friend and accomplished artist. I also took a weeklong workshop with Don Andrews that was really inspiring and instructive. Because my schedule is so restricted and my free time quite limited, I cannot devote the time I’d like to painting, but I keep at it in hopes that someday I’ll have more time for art. My husband and I also own a screen printing and embroidery business of which we are the sole proprietors and sole workers too!
My formal higher education is still unfinished, but for three years I pursued a dual major in mathematics and English. My first love has always been writing, but with the nature of our son’s disability, coherent, orderly thought in our household is noticeably lacking. Sometimes I think we’re living “Through the Looking Glass.” So, I figured if I can’t paint with words, I’ll paint with paint.
I live in Conway with my husband, our middle son and our cat Jack, with frequent visits from our other two children living in Boston and New York."
Archbishop Diarmuid Martin and Archbishop Eamon Martin speaking to media following publication of Bishops' Conference statement 'Marriage is important - Reflect before you change it', on 10 March 2015.
Pic: Brenda Drumm, Catholic Communications Office
Model Ellen Hancock wears Fold Formed Copper Earrings by San Francisco jewelry designer John S. Brana. www.johnsbrana.com
Photographer: Rachel Schwarz
Model: Ellen Hancock
An Artist´s Statement
By
Filip Haglund
In my work of art I address the problems society suffers from the most, but shows most resilience to resolve. The modern religious benevolent despotism, the narrow-mindedness of ideologies, the conflicts it results in, and their reluctance to acknowledge obvious problems like the global warming. Consequently the religion´s and ideologists intentional and unintentional oppression of mankind. I argue for the recognition of a correlation between moral theory and science. My artistry illuminate the necessity of an objective moral truth, as a foundation for the sincerely free and equal human beings. I choose art as my medium since art has a capacity to affect people in an unique way and the freedom of art makes it the ultimate social criticism.
During my foundation course at Nyckelviksskolan I developed a technical knowledge and investigative approaches to sculpture as a medium. Something I was able to experiment with on a larger scale during my work as set designer for Stockholm Operastudio’s production of Tjajkovskij´s Eugen Onegin. It gave me the opportunity to work with large installations and lighting design, which is reflected in my current work. In order to develop my historically, theoretically and critically informed approaches to art making I have taken courses in art history at Stockholm University and courses in architectural history and international contemporary architecture at the Royal Institute of Technology´s School of Architecture in Stockholm. Since my art is strongly related to our society its been in my interest to emphasize this more theoretical part of my creativity, hence, at present I am taking a course in PPE (Philosophy, Politics and Economics) at Stockholm University. This has given me a greater understanding of society´s construction, its problems and possible solutions, which lays the foundation of my art making. These theories, I whish to anchor and find expression for through continued artistic studies.
The arts have always had a close relationship to philosophy. In my work of art I argue for the acknowledgement of the correlation between normative ethics, metaethics and science as a foundation for tomorrow´s society. A society in which art bears a responsibility, through its pioneering, to set an agenda for tomorrow. Art should explore itself, by formulating the ideas of society and the Camberwell College of Arts is a platform for creativity, with the means to explore and define society.
Let me begin by manifesting the existence of an objective moral truth and objective moral values. This truth and these values can be tested against empirical science, but not at the expense of moral-and-value theory. I define empirical science (naturalism) as a science within physiology, where a person's physical condition can be measured, in order to document and understand the human emotions. It is this sort of naturalism that asserts a moral truth, unlike a hypothetic idealized man made or theistic constitution. Morals can be reduced to semantic value judgment and ontological fact-value, which implies the existence of empirically measurable objective values and cognitive values. Consequently value judgement is incompatible with a moral converging towards God.
In my portfolio I am trying to illustrate society´s reluctance to solve its obvious issues, passively awaiting the helping hand of God. The form of moral values which I describe is a sort of objective realism, not religious idealism. Thus creating a coherence between moral and empirical science. This requires the objectivity of rational thinkers making rational choices. I define rational thinkers as individuals with an order of preference that acknowledges the correlation between naturalism (empiricism) and objective moral values (ethical non-naturalism). The scientists rarely approach the moral discussions and most proponents of morals have declared science and moral as incommensurable, or that the first merely describes the second. This discussions affects the fundament of society and it is therefore an essential question for the arts to approach. I describe this in my work of art through contrasting moods, mediums and expressions, displaying the imbalance in nature and society. I isolate conditions, highlights them with symbolism, in a portrayal of an objective commitment against distorted ideologies.
We must make assumptions of theoretical value, in accepting the supervenience of moral and empirical science, objective moral realism and naturalism. This is a trans scientific point of view, laying a new foundation for society, making it an important subject for the arts to investigate. According to me, art is an Utopia, equivalent of freedom. The liberty of art, its rejection of diminishing rules, makes art trans scientific, with the capacity of moving through the layers of society. And sculpture in particularly, since its 3D, 4D and cross-dimensional pathways, makes it the ultimate free medium of expression. With sculpture as my medium, I may begin to articulate and visualise my thesis of objective naturalistic moral realism. In attending a higher education in fine art, I aim to develop my theses, and through an open dialogue with the College´s staff, explore new ways of expressing them.
Though I was approaching with sadness at the loss of the Occupy camps I saw two men carrying very big black & white flags through the sidewalks between the two parks.
I was very happy to see them and hope more will do the same.
Another message from the artist James De La Vega, written on the sidewalk. This one is a bit more difficult to see in the photo. It reads, "Slavery has yet to perish -De La Vega" - it's a message I haven't seen from him before, and it's uncharacteristically grim. Many of his more recent messages have seemed that way.
I came upon this one when it was fresh. I had walked down this way a few hours earlier, and it had been devoid of messages. Setting up this shot had the usual challenges of framing, but I also wanted to incorporate something that would give a feel for the city environment that the message was in. I was pleased with a few that included joggers and bikers near the message, but then I saw a dog walker who had just gone to a water fountain with his dog. (At this particular fountain, there was an additional fountain near the bottom for the dog to drink from and splash in.) They began to walk in the direction of the message, and the rest was a matter of timing.
While I do not intend for this to be a statement equating pets with slavery, it seemed rather fitting to have this unenthusiastic-looking dog getting tugged along on a leash, stepping over the chalk words.
A guy at a Black Lives Matter protest, outside the White House. His sign says "I'm not: dumb, lazy, or dangerous." Pennsylvania Ave NW, Washington, DC.
Tutorial #1 from Rachel Denbow's summer art journal class.
I feel like I was trying to hard on this, the composition feels a little off to me and normally that's something that comes pretty naturally. Sometimes when I work on something I feel like is "for real" (i.e., not just messing around) I lose the spirit of the work.