View allAll Photos Tagged statement.
This window display in the Chelsea neighborhood of New York city makes a strong statement about gay rights.
Copyright 2009, Amy Strycula
We can define it as a #financial #report prepared to provide detailed #information about the cash that moved inwards to or outwards from the respective company's account. goo.gl/3MU6zn
Model Ellen Hancock wears Corrugated and Chased Copper Cuffs along with 4" patinated Red and Turquoise Brass Earrings by San Francisco jewelry designer John S. Brana. www.johnsbrana.com
Photographer: Rachel Schwarz
Öl är hälsa, hälsa ofta. The Swedish word Hälsa means both Health and Greetings. Two teenagers driving an EPA-tractor and holding up the little traffic that it was with the top speed of 30 km/h. The kid driving the Volvo was having a conversation with a guy on a motorcycle. Either discussing the statement or the speed.
Statement by NATO Secretary General Jens Stoltenberg on NATO support to assist with the refugee and migrant crisis
Net Zero Needs Nuclear Power, Shared Presentations Stage 3, an IAEA Statement Event at the United Nations Climate Change Conference UNCCC held at the Expo City Dubai, United Arab Emirates. Blue Zone, 1 December 2023
Photo Credit: Dean Calma / IAEA
Tissington Hall, historical seat of the FitzHerbert family. Francis FitzHerbert's Jacobean building dates from 1609, and remains at the heart of the family's 2,000-acre estate in the White Peak area of Derbyshire's Peak District National Park.
Statement distributed by BSU affirming that the Administration violated student rights
Title: Statement distributed by BSU
Date: 1969-03-01
Original Collection: RG 102 Student Affairs
Restrictions: Permission to use must be obtained from the OSU Archives.
RG102_09090120_miltondispute1969_bsustatement.tif
Shop for Dresses online at www.Shoppersfeed.com. Make a stunning style statement in this evening dress from R&M Richards, featuring a sexy keyhole design, beaded empire waist and sultry slit-front skirt.
Jimmy Dickens
Hillbilly singers never will come any hillbilly-er than Little Jimmy Dickens. Indeed, as he put it himself on one early hit record, he’s “a plain old ... cornbread lovin’ country boy,” from the toes of his loudly colored cowboy boots to the top of his head, just 4’11” later.
The current generation of country fans will recognize Jimmy from his frequent guest spots in the videos of Brad Paisley, but the truth is that Jimmy first gained national exposure nearly half a century ago. None other than Roy Acuff first introduced him to the old Ryman Auditorium stage all the way back in 1948, and Dickens has been wowing Opry audiences pretty much ever since—longer than any other current cast member—with his flamboyant rhinestone-studded outfits, wild novelty hits, and country humor.
Jimmy was the oldest of 13 children born to a West Virginia farmer. He started singing on radio station WOLS in nearby Beckley while attending the University of West Virginia, opening his program “crowing like a rooster.” Even though Jimmy had to walk to and from the station, he set his sights on an entertainment career that would eventually find him spreading his brand of “Hillbilly Fever” all around the world.
Literally. Jimmy has made 13 trips to Europe, and he twice entertained the troops in Vietnam. In 1964, Jimmy became the first country artist to completely circle the globe on a world tour. That same year, he released “May the Bird of Paradise Fly Up Your Nose.” The single topped the country charts, even went to No. 15 on the pop charts, and Jimmy found himself on several network shows, including The Tonight Show with Johnny Carson.
Of course, by then, Jimmy had been a beloved figure among the country faithful for years. He’d had a string of down-home novelty hits, including “A-Sleeping at the Foot of the Bed,” “Out Behind the Barn,” and “Take an Old Cold Tater (And Wait),” the song that prompted Hank Williams to dub his diminutive friend “Tater.” Jimmy is also a master of the recitation and a ballad singer so expert that it once prompted no less than George Jones to honor his friend with the tribute album Like the Dickens!
Jimmy joined the Country Music Hall of Fame in 1983, and in 1996 he and his wife Mona celebrated their 25th anniversary by renewing their marriage vows on the very Opry stage where Dickens still shows the world that “I may be little....but I’m loud!”
Keystone, South Dakota
Additional Documentation Accepted 3/20/2014
Reference Number: 66000718
Mount Rushmore National Memorial Historic District is nationally significant under National Register Criteria A, B, C, and D as a designed historic landscape that dramatically focuses attention one of America's and greatest and most enduring monuments the Shrine of Democracy sculpture. The work represents -American cultural values between 1927 and 1941. - The massive sculpture of four United States presidents, carved from the resilient granite of Mount Rushmore in South Dakota's Black Hills quickly achieved international renown as it emerged during the 1930s, and is a work of art that has become a beloved American icon. In fact, few places in the United States are more closely associated with American concepts of freedom and democracy than Mount Rushmore. The Shrine of Democracy reflects a tumultuous era in American history. First conceived during a period of economic prosperity and national pride, work on the sculpture spanned years of devastating financial decline during the Great Depression, and the darkening clouds of war in Europe. Federal support allowed for the completion of the Memorial, further supporting the artist's message of American strength. The Shrine of Democracy sculpture is also significant as the most recognized work of master artist Gutzon Borglum. The sculpture is an accomplished creation imbued with Borglum's personal belief in the superiority of American art and his nationalistic outlook. Borglum was highly influential in the site selection and content of the Memorial, including the idea of presenting a heroic statement recognizing America's influence and power, monumentality, patriotism, and self-determinism.
Statement by H.E. Ambassador Jaime Victor Badillo Ledda, Permanent Representative of the Republic of the Philippines to the OPCW at the 22nd Session of the Conference of States Parties to the Chemical Weapons Convention.
The Conference is held at the World Forum, The Hague, the Netherlands, from 27 November to 1 December 2017.
Statement: Uses ordinary materials in a common place way, clearly categorized from our everyday point of view.
#Cash #Flow #Statement #Preparation is must to do kind of thing as far as #business is concerned. Some people take it as a liability while, for many other it is just like doing the anatomy of their #business.
STATEMENT FROM MUSICIAN, COMPOSER & RECORDING ARTIST- SAMI YUSUF
سلام علیکم
اخیرا در بسیاری از سایتها و فورومها اخباری درباره اینکه البوم جدید بزودی منتشر می شود . این اخبار برای خیلی از افراد امیدوار کننده بوده درحالی که متاسفانه واقعیت ندارد.به احترام تمام هواداران وحامیانم احساس می کنم مجبورم بی پرده تاخیر طولانی مدت در انتشار البوم جدیدم را توضیح دهم.
در سال گذشته با کمپانی اویکنینگ منتشر کننده البوم های قبلی ام مشاجره ونزاع داشتیم.تلاشهای فراوانی کردم که موضوعاتی که باعث اختلافات بین من وانها شده است را دوستانه حل کنم اما نشد.و تنها راه باقی مانده-که نمی خواستم به کار ببرم -اقدام قانونی از طریق دادگاه است.و این پروسه شروع شده است وتنها می توانم دعا کنم که سریعا حل شود.
دراین حال خبررسیده است که البومی با ساخته های جدید من بزودی منتشر خواهد شد. واین اخبار بشدت مرا نگران واشفته کرده است ونمی دانم این اخبار از کجا منتشر می شود.
اویکنینگ ,به عنوان مثال, تنها درمالکیت خود معدودی دموی از اهنگهای ناقص که من بر روی انها کار کرده ام را دارند,که بدون استثنا ,همه انها ناقص و در حال مراحل ابتدایی تکمیل هستند .و از نظر موسیقیایی وشعر تنها طرحی ابتدایی از انچه می خواهم با حس وحال درونی و موسیقای ام برای حامیان با بصیرت خود منتشر کنم ,است .بنابراین روشن است که این البوم شامل هر اهنگی بدون خواسته و تایید من در فروشگاه ها قرار خواهد گرفت .
تنها می توانم دعا کنم در اینده ای نه چندان دور قادر خواهم بود که البوم جدیدم را با حس وحال درونی(و رضایت ) خودم و حامیانم منتشر کنم و ان را با اشعار وموسیقی معنوی و امیدوارکننده ارائه کنم
خداوند به همه شما خیر دهدو به ترور و تخریب که در فلسطین وهرجای دیگر روی می دهد پایان دهد-امین
سامی یوسف
www.arabia.msn.com/Entertainment/Music/InternationalNews/...
www.youtube.com/watch?v=izfSOfWBqFQ
Monokuma's entire face and body split equally down the center into two sides. It resembles the Yin-Yang symbol of which there's a balance between good and bad. Sometimes, Monokuma will show his good side in regular conversation but will turn to his bad side when he's angry, merciless, or ruthless.
His right side is white in color and has the classic teddy bear expression. His left side is black in color and has a red slash for an eye and an evil, stretched grin. Although he is entirely split into two opposite sides, the only parts of Monokuma that aren't affected by the split are his muzzle and belly area; which both remain white. He also has a large and obvious bellybutton on the lower part of his belly. His bulging navel has an X mark on it.
4102 West 16th Avenue, Vancouver, BC.
Statement of Significance
Description of Historic Place:
Queen Elizabeth Elementary School is a complex of buildings comprised of: a one two-storey English vernacular building from 1940; two one-storey Modern buildings from 1957; one one-storey building from 1964; open asphalt playing areas; a formal driveway; and mature planting beds. It is in the residential neighbourhood of Point Grey, and is adjacent to a large, open playing field and Pacific Spirit Regional Park.
Heritage Value:
Queen Elizabeth Elementary School is important for its cultural and aesthetic significance, particularly for the contrasting building styles of the 1940 building and of its post-war additions that responded differently to the pedagogy of their times.
Built over a period of 25 years, the school is culturally important as the embodiment of changes in educational values. The 1940 building represents the then-new philosophy that schools should be child-centered and functional – it was considered to be the first of its type built in the province, unique for its English cottage-type design and its full-size gymnasium, auditorium and dressing room facilities. The 1957 and 1964 additions reflect a more systematized, practical, scientific, and more democratic approach to education and reflect the intention to provide clean and efficient spaces that embodied the ideals of social mobility and equality. It is indicative of the significant change in cultural attitudes between the early 1940s and the 1950s that, while the official opening of the 1940 building was presided over by then Premier T.D. Pattullo, the official opening of the 1957 buildings was presided over by the city health officer.
The school site’s cultural significance also lies in its representation of how, after 1940, the Vancouver School Board architects accepted the Modernist cause and its potential for standardizing school designs. Compared to the 1940 building that is from an earlier stylistic era, the 1957 and 1964 Modern buildings signify the chance to begin anew, partly by rejecting stylistic historicism and ornamental symbolism. It is this obvious difference in design outlook that offers present day observers such a valuable commentary on the history of school design over the pre- and post-World War Two era.
Other important cultural values of this school are the combined memories and experiences of past students and teachers, the continued use of this site as a school complex from 1940 to the current day, and the continued use of its name: 'Queen Elizabeth Elementary School'.
Aesthetically, Queen Elizabeth Elementary School is important for its juxtaposition of two design idioms, and for highlighting how little the Modernist building makes reference to the original outstanding school building, conveying the cultural predisposition at that time to leave the old world behind. The school contributes significantly to the streetscape and to the neighbourhood as it is on a rise in the land and overlooks both a large open sports field and Pacific Spirit Regional Park to the south and west.
Source: City of Vancouver Heritage Planning Department
Character-Defining Elements:
The character-defining elements of Queen Elizabeth Elementary School include:
Siting, Context and Landscape
- The orientation of the 1940 building to the 1957 and 1964 buildings
- The relationship of all of the buildings to their site and to 16th Avenue and Camosun Street
- The relationship of all of the buildings to the large open playing field to the west
- Continued use as a school
Architectural Qualities
- Contrasting design idioms between 1940 building and later post-World War II additions
Architectural elements of the 1940 building:
- Informal, picturesque assemblage of wings
- Brick facing at base of walls, wood, and stucco, all in an essentially domestic idiom
- The two front entrances differentiated from rest of building through their twinning, and their flanking of the formal vehicular roundabout and pedestrian entry paths
- Polygonal forms and turret-like roofs of front entrances
- Window and door designs
- Reverse board-and-batten cladding
- Faux half-timbering
Architectural elements of the 1957 and 1964 buildings:
- Simple shed roof construction
- Bank of wood windows with alternating top and bottom opening lites
- Use of reverse board-and-batten siding which is a simple rendering of a detail found on the 1940 structure at its front entrances
- Typical covered play area with glulam/steel post structure
Landscape elements
- Covered play area of the 1957 structure
Check out my latest post on VENUSTAS about statement necklaces!
venustasblog.weebly.com/1/post/2013/08/statement-necklace...
Statement: Interested in the commercial and the manufactured aspect of the world and how people see and relate to art. Influenced by classical sculpture, model figurine, a garden ornament, and the idea of public space.
Design Statement
Our response to the project brief is to propose galleries that enhance the flow of spaces within the existing Art Gallery and Museum and unify the visitor experience. At street level, our proposal welcomes the public by creating a new pedestrian link between Clarence Street and Chester Walk, the journey through inviting informal exhibition opportunities and direct access to a proposed cafe and shop in the adjacent Hugh Casson building. Stairs rise dramatically to link bridges connecting new and existing gallery spaces creating a void that allows for larger art installations. Administration accommodation is moved to occupy a reconfigured number 51. Galleries, adjacent storage rooms and workshops are stacked above the open ground floor, in a thermally massive structure to maximise thermal stability. Natural light is allowed at the ends of each gallery with passive solar shading louvres to control heat gain. These also provide on site power generation by incorporating the latest high concentration photovoltaic cells. Using ground source heat pumps to assist in cooling coupled with the building fabric’s thermal mass, allows the thermal flywheel effect to reduce demand for expensive climate control. Naturally ventilated circulation reduces the requirement for critical temperature control to sensitive galleries, art storage and workshops.
We have proposed to locally source materials from within a maximum 50 mile radius of the site, the majority within 25 miles. Inspired by Arts and Crafts, materials are natural, self-finished and durable so that expensive future maintenance is minimised with detailing describing honestly their construction and assembly.
Cheltenham Art Gallery and Museum
Building for a new future
5634 182nd Street, Surrey, BC
Statement of Significance
Description of Historic Place
Situated behind a mature laurel hedge, the Robert D. MacKenzie House is a one and one-half storey, wood-frame residence, featuring a side gabled roof with a prominent front gabled dormer and rounded front porch roof. This house is located near Highway 10, mid-block on the east side of 182 Street amidst a cluster of interwar suburban houses of a similar quality, age and scale in an area to the east of Cloverdale's town centre.
Heritage Value
The Robert D. MacKenzie House is valued as part of an enclave of suburban homes, built during the 1920s and 1930s in east Cloverdale. A number of the town's more prominent citizens relocated to this street, drawn to its semi-rural estate character. The development of a high quality subdivision, with many of the homes built during the time of the Great Depression, was an indication that the drop in the cost of labour and material after 1929 was a boon for those with financial resources.
The house is valued for its associations with Robert Dougal Stuart MacKenzie (1871-1925), who was active in school, community, municipal, and provincial affairs, and served as municipal reeve from 1921 to 1923. MacKenzie operated a successful twenty-eight hectare farm, which afforded this substantial home after his retirement in 1918. His widow owned this property until 1931.
Built in the 1920s, the Robert D. MacKenzie House is valued as a good example of the vernacular Period Revival styles that were popular at the time of its construction. It has been well-maintained and has survived in largely original condition. Notably, the house featured an internal garage that was incorporated into the above-ground basement. This early garage distinguishes this residence as a thoroughly modern and characteristically suburban residence of the period.
Source: Heritage Planning Files, City of Surrey
Character-Defining Elements
Key elements that define the heritage character of the Robert D. MacKenzie House include its:
- location amidst a grouping of high quality suburban houses of a similar age, scale and character
- form, scale and massing as expressed by its one and one-half storey height plus above-ground basement and regular, rectangular plan
- steeply pitched, side gabled roof with large, front gabled dormer, rear shed roof dormer, closed eaves, and cornice returns on side elevations
- concrete foundation and wood-frame construction
- exterior features such as the front door with geometric patterned, multi-paned glazing, open front entry porch with curved roof supported by tapered square columns and internal basement garage with hinged, double doors, each with multi-paned glazing
- regular, symmetrical fenestration such as: double-assembly, double-hung wooden-sash windows with geometric, multi-pane upper sashes over a single-pane lower sash; triple-assembly wooden-sash windows with segmental arched, fixed centre section and double-hung windows with multi-pane upper sash to each side; and double-hung windows on the side elevations
- internal red brick chimney
- associated landscape features such as mature hedges and trees
- Canada's Historic Places