View allAll Photos Tagged statement.
A model seen in the Steampunk Fashion Show at Phoenix Comicon. If anyone knows the name of the designer or model, please tag or comment so I can give the proper credit. This image was shot handheld from across the room with a telephoto lens.
What is Steampunk fashion? Check here for one of many websites featuring clothing and costumes of the combination of sci-fi, fantasy and even Victorian styles.
Mission Statement is a sweet hardcore band from Virginia Beach, this is a new t-shirt that they had printed. Check them out here: www.myspace.com/mission757statement
I caught these young men in typical elegant, understated Osaka fashion during my morning walk to the train station. Minami Senba, Osaka.
Caption: The Faith and Life Committee is reporting. From the left: Helmut Harder, Elke Huebert, Hugo Zorilla, Claude Baecher.
Citation: Mennonite World Conference. Twelfth Mennonite World Conference, 1990, Winnipeg, Canada. Slides by T. Klassen; Script by John Dyck. X-9 Box 52 Folder 4 Slide 128. Mennonite Church USA Archives - Goshen. Goshen, Indiana.
More corporate rubbish on the Novus Solutions van seen at Bangor University. The company has lots more nonsense on its website:
Mission Statement /
Our mission is to continually exceed expectations through quality, safely delivered by a professional, experienced well trained workforce.
Our Vision /
Our vision is to be recognised nationally as the contractor of choice for all building and maintenance needs, delivering bespoke client focused solutions together with unrivalled customer service and client satisfaction.
Perhaps a few more superlatives would not go amiss!
Oslo Humanitarian Conference on Nigeria and the Lake Chad Region on 24 February. Opening statement by Norway's Foreign Minister Børge Brende (host and co-organiser).
Photo: MFA/Oslo / Ken Opprann
Hopefully, my photos uploaded this evening will reach My Contacts. Apparently, yesterday's four images didn't show.
Saw this beautiful fungus on a walk this morning at Mallard Point, Fish Creek Park. Just love the bright orange colour and the texture. Growing on an old log.
Doorstep statement by NATO Secretary General Jens Stoltenberg prior to the Informal meeting of European Union Defence Ministers in Riga
Policy Statements - ITU PP-18
H.E. Mr Abdi Youssouf Sougueh, Minister, Ministry of Communications, responsible of Posts and Telecommunications, Djibouti
©ITU/P.Barrera
The act of creativity is cathartic.
As one of my seniors said, "one must only be human, before he/she is an artist."
Being human, we are made to feel. Yet we are taught the value of control from an early age, we are expected to keep undesired emotions in, waiting for them to blow over, rather than to let them blow up.
My works begin with a visceral emotion. I hope to create a visual voice to inner thoughts and feeling, making up for the times where words have failed and other expressions have been restrained.
I started my IB art journey detached, choosing what I deemed safe subject matter: trees, butterflies, flowers, cats; devoid of emotion, nothing messy and complicated. I was lost, the first few months were spent stumbling, scared, clumsy and directionless. Yet now my works are very personal, perhaps more personal than I ever intended them to be. My friend and photographer, Nicole Wu, and her self-portraits were a huge influence. She showed me how to turn emotions into inspiration. It made me realize that was what I wanted to do in my works; to fulfill my need for cathartic expression, for reaching out and looking inwards, connecting with minds, touching thoughts, understanding psyches. Other artists that have heavily influenced my works are Cesar Del Valle, for his incredible interactive hyper-realistic illustrations and Alan Coulson, for his wonderfully expressive portraits.
The mediums I use are simple, 50-cent biro pens, charcoal pencils and acrylic paint, all monochrome. This way there are no colors to seduce the eye, the essence of scenery, objects and people become more visible. Emotion is emphasized by contrast, light, shadow, form and lines.
“I want people to feel what I’m doing, not just see what I’m drawing.”
4 tiered statement wedding cake.
Bottom tier is a dummy cake, decorated with diamante
Chocolate mud cake covered in black fondant, with quilting design and cachous
Caramel mud with black and pink stripes
Red velvet top tier with black royal icing stencil
1537 Lakeview Street, Kelowna, BC.
Statement of Significance:
Description of Historic Place:
The Davies House is a two-storey, wood-frame Edwardian era residence with a front gabled roof. The house is located mid-block on a steeply sloping site on a short residential street in Kelowna's Glenmore neighbourhood. With its west facing aspect and location on a sloped site, this house has good distant views to the west.
Heritage Value:
The Davies House is significant as a demonstration of Kelowna's first phase of residential expansion, and reflects the city's development as the population and economic base increased due to significant growth in the fruit industry. It was built in 1912 for John Henry Davies (1875-1922), who worked in real estate and the fruit industry. He was later in partnership with W.C. Duggan as Duggan and Davies, fruit packers and shippers.
Built in 1912, the value of the Davies House is additionally associated with its Edwardian era architecture. Though re-cladded in stucco with some modern Craftsman style embellishments, the lines and proportions of the house reference its original Arts and Crafts architecture. This comfortable and modest house exemplifies the architecture of Kelowna's middle class residents during the early years of the twentieth century.
Source: City of Kelowna, Planning Department, File No. 6800-02
Character-Defining Elements:
Key elements that define the heritage character of the Davies House include its:
- mid-block location on a steeply sloped site, with western orientation and distant views to the west;
- residential form, scale and massing, as expressed by its two-storey plus basement height and rectangular plan;
- front gabled roof with side gabled dormer and boxed eaves;
- wood-frame construction and concrete foundation;
- exterior details, such as projecting bays on the main floor, glazed wooden front door and two brick chimneys (one internal and one external);
- irregular fenestration, such as 6-over-1 and 4-over-1 double-hung wooden-sash windows, and a fixed 20-pane window at entry; and
- associated landscape features such as mature trees.
A statement from the London Borough of Hounslow:
I understand that the water main 'burst' was in fact caused by the separation of a joint in the section of the main that runs across the canal bridge. When Thames Water 'relined' their mains last year, they did no work to the short section of the main across the bridge as this section had been completely replaced around 8 years ago. It is on this section of relatively new main that a joint has failed.
Thames Water has engaged a specialist contractor who will probably have to manufacture a new joint section to be put in place and I'm afraid we are still probably looking at a complete closure of the road for at least a week because of the damage that has been caused to the road structure.
Variable message signs have been ordered that will be placed at locations such as on Twickenham Road and Kew Bridge to alert motorists to the closure and diversion signing is being put in place, but congestion this evening is likely to be bad although it should ease somewhat tomorrow as drivers become aware of the closure.
We are working with TfL on signal timings at key junctions to try to mitigate as far as possible the impacts of the displaced traffic but, as has been discussed during the previous closures, this is a particularly problematic part of the Borough in terms of the availability of alternative routes for diverted traffic.
(01-02-2012)
A building that makes the grandest of imperial statements, this is officially part of the Government Offices Great George Street (GOGGS) complex, viewed from Parliament Street, London SW1. This segment is also known as 100 Parliament Street (100PS).
GOGGS was designed in 1898 by John Brydon, who drew inspiration from Inigo Jones’ unfulfilled design for a new Westminster Palace of the 1630s. After Brydon’s death, John Tanner completed the work in 1917, albeit diluting some of his predecessor’s original vision. The main 100PS occupants are HM Revenue & Customs, relocating there from Somerset House in 2004. The Department for Culture, Media and Sport is also based here.
GOGGS is Grade II Listed, having been praised by the Victorian Society as “an early monument of the Edwardian Baroque Revival”.
Judaica ・/jü-ˈdā-ə-kə/ plural noun
things pertaining to Jewish life and customs, especially when of a historical, literary, or artistic nature.
Judaica is a space for work by Jewish creators to be considered within a Jewish lens. The term ‘Jewish creators’ acknowledges the vast diversity of Jewish backgrounds and experiences and is open to anyone who identifies as Jewish regardless of their personal practices and belief systems. Judaica is a space for both overtly and covertly Jewish art. That is, both art that codes itself as Jewish through the use of easily recognizable imagery and symbols, and art that is not explicitly recognizable as Jewish but contains ideas or themes that relate to the creator’s Jewish identity. Judaica aims to combat the room-of-silence phenomena by creating a space explicitly for creators to have their work talked about within a Jewish context. Without any preconceived notions of what the self-identified Jewish artist has to be or look like, Judaica aims to amplify the voices of Jewish artists and to be the first step in a larger conversation connecting Jewish art-makers in the RISD and Brown communities.
Mr Børge Brende, Minister of Foreign Affairs of Norway (host and co-organiser) held the opening statement on 24 February.
Photo: MFA/Oslo / Ken Opprann
One video still from each "Life is Drag" video portrait (performance documentation).
lifeisdrag.com
ARTIST STATEMENT:
I create bodies of work that explore subjects such as gender, artifice, and spectacle. Utilizing processes ranging from directorial to curatorial to anthropological, I showcase exuberantly irrepressible personalities who revel in challenging clichés associated with constructs such "masculinity" and "femininity". A sampling of subjects include Girls Girls Girls (the world's first and only all-female Mötley Crüe tribute band), Tazzie Colomb (the world's longest competing female bodybuilder), and LACTIC Incorporated (an avant-garde clothing brand that takes the detritus of corporate life and reinterprets it into one-of-a-kind structural garments that challenge the polarization of gender).
With this current and ongoing project "Life is Drag", I am documenting the most innovative and singular performers of the currently exploding international alt-drag and neo-burlesque scenes. I am 3 years into this project, and so far have created 250+ portraits. These are created in my studio as well as during residencies - in New York City (The Cell Theater, Bushwig), Pittsburgh (The Kelly Strayhorn Theater, Blue Moon Bar, Bloomfield Garden Club), and New England (3S Artspace).
This project began in early 2019 in my studio in Brooklyn, when I collaborated with a local visual artist by the name of Untitled Queen - a deeply beloved, highly respected, and uniquely visionary performer and conduit within the NYC drag scene who uses drag as a part and extension of her artistic process. I then worked with selected performers from Ohio and Kentucky in conjunction with a mid-career retrospective in my hometown of Cincinnati in the spring of 2019, and in January and February of 2020, I worked with 20+ New England-based drag artists as part of a residency and exhibition at 3S Artspace in Portsmouth, New Hampshire.
From the autumn of 2020 until the summer of 2021, I was an artist in residence at The Cell Theatre in the Chelsea neighborhood of NYC, where I expanded the project in the midst of the pandemic to also include neo-burlesque performers and performance artists whose work deals specifically with gender performativity. Most recently was a residency in my hometown of Cincinnati, Ohio - which included creating video portraits of performers from the drag haus ODD Presents, members of the neo-burlesque troop Smoke & Queers, and other alt-drag and burlesque artists from the tri-state area. This residency also included an exhibition featuring this ever-growing archive, as well as multiple live performance events.
My long-term goal is to continue to do a series of such residencies nationally and internationally, which will allow me to create a comprehensive archive of video portraits of drag, burlesque and performance artists from a wide range of locations, backgrounds, cultures, and ages. Each portrait includes video of the artist performing (lip-synching, singing, telling stories, reciting monologues, dancing, etc.) in addition to interview documentation, and will live online as well as in galleries and unexpected places in between. "Life is Drag" has so far been exhibited at such venues as the the Carnegie Museum of Art and Bunker Projects (PA), Satellite Art Club, Bushwig and The Cell (NYC), 3S Artspace (NH), and the Weston Art Gallery (OH).
I believe this project is innovative and important in that it is treating and respecting "drag" (defined as broadly and inclusively as possible) as a proper art form – recognizing it as an extremely vital and valid style of performance art, and every bit as deserving of the deference reserved for more traditional classical art forms like painting and sculpture. Drag is painting and sculpture and performance all at once - and quite often also activism, education, protest, therapy, resistance, catharsis, comedy, tragedy, enlightenment, inspiration - or some combination of the above - to those who practice it, and also to those who experience it as an observer. This project is about celebrating this experimental and expansive form of art and its wide range of practitioners and manifestations. It is about creating a record - an archive - of these brilliant but ephemeral performances, from dive bars to art galleries, city streets to grand theater stages. It is about trying to properly document and share these wildly diverse acts and profound stories that will surely open minds and capture hearts.
Shoulder to Shoulder Campaign Joint Statement Against Extremism of All Kinds
Find the full copy of the joint statement released today, March 10, 2011, directly following the Peter King Hearings in DC. Read More visit: www.isna.net/articles/News/Shoulder-to-Shoulder-Campaign-...
Svensker er fine og så har de så søt dialekt. Dette er uten tvil det feteste stille statementet som er i Oslo i dag. På en rivingstomt i nhærheten av Blitz.
Oslo Humanitarian Conference on Nigeria and the Lake Chad Region on 24 February. Opening statement by Norway's Foreign Minister Børge Brende (host and co-organiser).
Photo: MFA/Oslo / Ken Opprann
Just one of three pop up window displays at The Larder on a theme of communication and expression. Created by local documentary photographer Garry Cook at the Recent "Making a Mark" event organised by Oxheys Mill Studios on Preston Flagmarket.
Rafael Mariano Grossi, IAEA Director General, delivers his opening statement at the 1672nd Board of Governors meeting held at the IAEA headquarters in Vienna, Austria. 5 June 2023
Photo Credit: Dean Calma / IAEA
Press Statement by Ministry of Foreign Affairs, Singapore: State Visit of the Governor-General of New Zealand Lieutenant General The Right Honourable Sir Jerry Mateparae and Lady Janine Mateparae, 6 to 8 July 2015
The Governor-General of New Zealand, Lieutenant General The Right Honourable Sir Jerry Mateparae will make a State Visit to Singapore from 6 to 8 July 2015 at the invitation of President Tony Tan Keng Yam. Governor-General Mataparae will be accompanied by his wife Lady Janine Mateparae and officials from the New Zealand Government House and the Ministry of Foreign Affairs and Trade.
An official welcome ceremony will be held for Governor-General Mateparae on 7 July, following which he will have separate meetings with President Tan and Prime Minister Lee Hsien Loong. President Tan and Mrs Tan will host a State Banquet in honour of Governor-General Mateparae and Lady Janine that evening.
During the course of Governor-General Mateparae’s visit to Singapore, he will be accompanied by Deputy Prime Minister Teo Chee Hean on a tour of the Treelodge@Punggol, HDB’s first Eco-Precinct. Deputy Prime Minister Teo will host Governor-General Mateparae to lunch after the tour. Minister for Defence Dr Ng Eng Hen will also host Governor-General Mateparae to lunch to reaffirm the close and long-standing defence ties between Singapore and New Zealand. Governor-General Mateparae will be accompanied by Minister for Health Gan Kim Yong to the KK Women’s and Children’s Hospital (KKH) to view ongoing collaboration between Singapore and New Zealand at the Neurodevelopment Research Centre under A*STAR’s Singapore Institute for Clinical Sciences.
Governor-General Mateparae and Lady Janine will attend an orchid-naming and tree-planting ceremony at the Singapore Botanic Gardens on 7 July.
Governor-General Mateparae’s visit underscores the excellent ties between Singapore and New Zealand as both countries commemorate the 50th anniversary of the establishment of diplomatic relations this year. There is close cooperation in the fields of trade and investment, defence, and the people-to-people sectors.
. . . . .
MINISTRY OF FOREIGN AFFAIRS
SINGAPORE
5 JULY 2015
I noticed that my hubby and I both had on t-shirts with a message, so I had to get a photo :)
His says "Move it or Lose it"...mine says "Good Life".
Press Statement by Ministry of Foreign Affairs, Singapore: State Visit of the Governor-General of New Zealand Lieutenant General The Right Honourable Sir Jerry Mateparae and Lady Janine Mateparae, 6 to 8 July 2015
The Governor-General of New Zealand, Lieutenant General The Right Honourable Sir Jerry Mateparae will make a State Visit to Singapore from 6 to 8 July 2015 at the invitation of President Tony Tan Keng Yam. Governor-General Mataparae will be accompanied by his wife Lady Janine Mateparae and officials from the New Zealand Government House and the Ministry of Foreign Affairs and Trade.
An official welcome ceremony will be held for Governor-General Mateparae on 7 July, following which he will have separate meetings with President Tan and Prime Minister Lee Hsien Loong. President Tan and Mrs Tan will host a State Banquet in honour of Governor-General Mateparae and Lady Janine that evening.
During the course of Governor-General Mateparae’s visit to Singapore, he will be accompanied by Deputy Prime Minister Teo Chee Hean on a tour of the Treelodge@Punggol, HDB’s first Eco-Precinct. Deputy Prime Minister Teo will host Governor-General Mateparae to lunch after the tour. Minister for Defence Dr Ng Eng Hen will also host Governor-General Mateparae to lunch to reaffirm the close and long-standing defence ties between Singapore and New Zealand. Governor-General Mateparae will be accompanied by Minister for Health Gan Kim Yong to the KK Women’s and Children’s Hospital (KKH) to view ongoing collaboration between Singapore and New Zealand at the Neurodevelopment Research Centre under A*STAR’s Singapore Institute for Clinical Sciences.
Governor-General Mateparae and Lady Janine will attend an orchid-naming and tree-planting ceremony at the Singapore Botanic Gardens on 7 July.
Governor-General Mateparae’s visit underscores the excellent ties between Singapore and New Zealand as both countries commemorate the 50th anniversary of the establishment of diplomatic relations this year. There is close cooperation in the fields of trade and investment, defence, and the people-to-people sectors.
. . . . .
MINISTRY OF FOREIGN AFFAIRS
SINGAPORE
5 JULY 2015