View allAll Photos Tagged statement.
Here comes Mavis sporting the hottest fashion look this Spring: peek-a-boo shell with faux fur trim. Work it girl!
Female River Cooter (Pseudemys concinna)
My photos can also be found at kapturedbykala.com
See more on my blog! www.starsforstreetlights.com This necklace is from my February 2013 For the Makers box.
Ms Kathryn Brown,President/CEO of the Internet Society (ISOC) speaking at the WSIS+10 High-Level Policy Statements: Session One
© ITU/R.Farrell
The closing statements in the case The Prosecutor v. Paul Gicheru took place on 27 June 2022 at 9:30 (The Hague time) at the seat of the International Criminal Court (“ICC” or the “Court”) in The Hague, The Netherlands.
File name: 08_02_002566
Box label: Parks: Public Garden
Title: Public Gard[en]
Alternative title: Public Garden
Creator/Contributor:
Date issued:
Date created:
Physical description: 1 photographic print ; 7 1/4 x 9 1/4 in.
Genre: Photographic prints
Subjects: Parks
Notes:
Provenance:
Statement of responsibility:
Location: Boston Public Library, Print Department
Rights: Rights status not evaluated.
One video still from each "Life is Drag" video portrait (performance documentation).
lifeisdrag.com
ARTIST STATEMENT:
I create bodies of work that explore subjects such as gender, artifice, and spectacle. Utilizing processes ranging from directorial to curatorial to anthropological, I showcase exuberantly irrepressible personalities who revel in challenging clichés associated with constructs such "masculinity" and "femininity". A sampling of subjects include Girls Girls Girls (the world's first and only all-female Mötley Crüe tribute band), Tazzie Colomb (the world's longest competing female bodybuilder), and LACTIC Incorporated (an avant-garde clothing brand that takes the detritus of corporate life and reinterprets it into one-of-a-kind structural garments that challenge the polarization of gender).
With this current and ongoing project "Life is Drag", I am documenting the most innovative and singular performers of the currently exploding international alt-drag and neo-burlesque scenes. I am 3 years into this project, and so far have created 250+ portraits. These are created in my studio as well as during residencies - in New York City (The Cell Theater, Bushwig), Pittsburgh (The Kelly Strayhorn Theater, Blue Moon Bar, Bloomfield Garden Club), and New England (3S Artspace).
This project began in early 2019 in my studio in Brooklyn, when I collaborated with a local visual artist by the name of Untitled Queen - a deeply beloved, highly respected, and uniquely visionary performer and conduit within the NYC drag scene who uses drag as a part and extension of her artistic process. I then worked with selected performers from Ohio and Kentucky in conjunction with a mid-career retrospective in my hometown of Cincinnati in the spring of 2019, and in January and February of 2020, I worked with 20+ New England-based drag artists as part of a residency and exhibition at 3S Artspace in Portsmouth, New Hampshire.
From the autumn of 2020 until the summer of 2021, I was an artist in residence at The Cell Theatre in the Chelsea neighborhood of NYC, where I expanded the project in the midst of the pandemic to also include neo-burlesque performers and performance artists whose work deals specifically with gender performativity. Most recently was a residency in my hometown of Cincinnati, Ohio - which included creating video portraits of performers from the drag haus ODD Presents, members of the neo-burlesque troop Smoke & Queers, and other alt-drag and burlesque artists from the tri-state area. This residency also included an exhibition featuring this ever-growing archive, as well as multiple live performance events.
My long-term goal is to continue to do a series of such residencies nationally and internationally, which will allow me to create a comprehensive archive of video portraits of drag, burlesque and performance artists from a wide range of locations, backgrounds, cultures, and ages. Each portrait includes video of the artist performing (lip-synching, singing, telling stories, reciting monologues, dancing, etc.) in addition to interview documentation, and will live online as well as in galleries and unexpected places in between. "Life is Drag" has so far been exhibited at such venues as the the Carnegie Museum of Art and Bunker Projects (PA), Satellite Art Club, Bushwig and The Cell (NYC), 3S Artspace (NH), and the Weston Art Gallery (OH).
I believe this project is innovative and important in that it is treating and respecting "drag" (defined as broadly and inclusively as possible) as a proper art form – recognizing it as an extremely vital and valid style of performance art, and every bit as deserving of the deference reserved for more traditional classical art forms like painting and sculpture. Drag is painting and sculpture and performance all at once - and quite often also activism, education, protest, therapy, resistance, catharsis, comedy, tragedy, enlightenment, inspiration - or some combination of the above - to those who practice it, and also to those who experience it as an observer. This project is about celebrating this experimental and expansive form of art and its wide range of practitioners and manifestations. It is about creating a record - an archive - of these brilliant but ephemeral performances, from dive bars to art galleries, city streets to grand theater stages. It is about trying to properly document and share these wildly diverse acts and profound stories that will surely open minds and capture hearts.
This morning, checking my latest bank statement, I opened the file to remove a page but pulled open the bottom ring and not one of the centre rings. That ring closed on my finger, where you see the piece of wood in this re-enactment.
Were I a more dedicated photographer, I would have got my 'phone, lying on the table beside me, and snapped the moment. However, my only thought was to open the file and extract my finger – it was very painful 😟
One video still from each "Life is Drag" video portrait (performance documentation).
lifeisdrag.com
ARTIST STATEMENT:
I create bodies of work that explore subjects such as gender, artifice, and spectacle. Utilizing processes ranging from directorial to curatorial to anthropological, I showcase exuberantly irrepressible personalities who revel in challenging clichés associated with constructs such "masculinity" and "femininity". A sampling of subjects include Girls Girls Girls (the world's first and only all-female Mötley Crüe tribute band), Tazzie Colomb (the world's longest competing female bodybuilder), and LACTIC Incorporated (an avant-garde clothing brand that takes the detritus of corporate life and reinterprets it into one-of-a-kind structural garments that challenge the polarization of gender).
With this current and ongoing project "Life is Drag", I am documenting the most innovative and singular performers of the currently exploding international alt-drag and neo-burlesque scenes. I am 3 years into this project, and so far have created 250+ portraits. These are created in my studio as well as during residencies - in New York City (The Cell Theater, Bushwig), Pittsburgh (The Kelly Strayhorn Theater, Blue Moon Bar, Bloomfield Garden Club), and New England (3S Artspace).
This project began in early 2019 in my studio in Brooklyn, when I collaborated with a local visual artist by the name of Untitled Queen - a deeply beloved, highly respected, and uniquely visionary performer and conduit within the NYC drag scene who uses drag as a part and extension of her artistic process. I then worked with selected performers from Ohio and Kentucky in conjunction with a mid-career retrospective in my hometown of Cincinnati in the spring of 2019, and in January and February of 2020, I worked with 20+ New England-based drag artists as part of a residency and exhibition at 3S Artspace in Portsmouth, New Hampshire.
From the autumn of 2020 until the summer of 2021, I was an artist in residence at The Cell Theatre in the Chelsea neighborhood of NYC, where I expanded the project in the midst of the pandemic to also include neo-burlesque performers and performance artists whose work deals specifically with gender performativity. Most recently was a residency in my hometown of Cincinnati, Ohio - which included creating video portraits of performers from the drag haus ODD Presents, members of the neo-burlesque troop Smoke & Queers, and other alt-drag and burlesque artists from the tri-state area. This residency also included an exhibition featuring this ever-growing archive, as well as multiple live performance events.
My long-term goal is to continue to do a series of such residencies nationally and internationally, which will allow me to create a comprehensive archive of video portraits of drag, burlesque and performance artists from a wide range of locations, backgrounds, cultures, and ages. Each portrait includes video of the artist performing (lip-synching, singing, telling stories, reciting monologues, dancing, etc.) in addition to interview documentation, and will live online as well as in galleries and unexpected places in between. "Life is Drag" has so far been exhibited at such venues as the the Carnegie Museum of Art and Bunker Projects (PA), Satellite Art Club, Bushwig and The Cell (NYC), 3S Artspace (NH), and the Weston Art Gallery (OH).
I believe this project is innovative and important in that it is treating and respecting "drag" (defined as broadly and inclusively as possible) as a proper art form – recognizing it as an extremely vital and valid style of performance art, and every bit as deserving of the deference reserved for more traditional classical art forms like painting and sculpture. Drag is painting and sculpture and performance all at once - and quite often also activism, education, protest, therapy, resistance, catharsis, comedy, tragedy, enlightenment, inspiration - or some combination of the above - to those who practice it, and also to those who experience it as an observer. This project is about celebrating this experimental and expansive form of art and its wide range of practitioners and manifestations. It is about creating a record - an archive - of these brilliant but ephemeral performances, from dive bars to art galleries, city streets to grand theater stages. It is about trying to properly document and share these wildly diverse acts and profound stories that will surely open minds and capture hearts.
cute & little blog | petite fashion | maternity baby bump pregnant | the limited grey cardigan, gap maternity ombre knit, citizens of humanity maternity jeans, crystal cluster statement necklace, handbag heaven evelyn lock satchel | fall outfit | third trimester 29 weeks
A new free crochet pattern offered by Stitch Diva Studios in our very own glistening Studio Silk.
Make a statement with some inexpensive flat decorative marbles, basic crochet skills and some pretty yarn.
This project is fast enough for you to make a few of these very trendy statement necklace pieces - explore using more or fewer marbles or varying the configuration of the stones for your very own creation!
Monitoring your bank statement is the best way of knowing if someone is attempting to use your money.
Bill Posters, Gary Glitter, Paul Gadd - i don't care what his name is, as long as he will be prosecuted
Ive lived in the same house for the past 18 years, and in doing do it's become an integral part of who I am. So much so that when I close my eyes to think about the happiest moments of my childhood, I remember birthdays, barbecues, foreign movie nights, and life-changing conversation with my parents and grandparents; moments that would define my values in life. When I open my eyes, not much has changed. I live and work out of the same room, I clean the same stairs that I ate 25 cent ice pops on after every snow storm, we garden in the same backyard that I had all my summer birthday barbecues at, and now I share my favorite Disney movies with my baby sister in the living room that I use to watch VHS and DVD movies of Scooby Doo and Power Rangers. My house hasn’t changed but a lot of me has; So for this project project I wanted to document the setting of so many of my favorite memories and the many more memories to come.
Press Statement by Ministry of Foreign Affairs, Singapore: State Visit of the Governor-General of New Zealand Lieutenant General The Right Honourable Sir Jerry Mateparae and Lady Janine Mateparae, 6 to 8 July 2015
The Governor-General of New Zealand, Lieutenant General The Right Honourable Sir Jerry Mateparae will make a State Visit to Singapore from 6 to 8 July 2015 at the invitation of President Tony Tan Keng Yam. Governor-General Mataparae will be accompanied by his wife Lady Janine Mateparae and officials from the New Zealand Government House and the Ministry of Foreign Affairs and Trade.
An official welcome ceremony will be held for Governor-General Mateparae on 7 July, following which he will have separate meetings with President Tan and Prime Minister Lee Hsien Loong. President Tan and Mrs Tan will host a State Banquet in honour of Governor-General Mateparae and Lady Janine that evening.
During the course of Governor-General Mateparae’s visit to Singapore, he will be accompanied by Deputy Prime Minister Teo Chee Hean on a tour of the Treelodge@Punggol, HDB’s first Eco-Precinct. Deputy Prime Minister Teo will host Governor-General Mateparae to lunch after the tour. Minister for Defence Dr Ng Eng Hen will also host Governor-General Mateparae to lunch to reaffirm the close and long-standing defence ties between Singapore and New Zealand. Governor-General Mateparae will be accompanied by Minister for Health Gan Kim Yong to the KK Women’s and Children’s Hospital (KKH) to view ongoing collaboration between Singapore and New Zealand at the Neurodevelopment Research Centre under A*STAR’s Singapore Institute for Clinical Sciences.
Governor-General Mateparae and Lady Janine will attend an orchid-naming and tree-planting ceremony at the Singapore Botanic Gardens on 7 July.
Governor-General Mateparae’s visit underscores the excellent ties between Singapore and New Zealand as both countries commemorate the 50th anniversary of the establishment of diplomatic relations this year. There is close cooperation in the fields of trade and investment, defence, and the people-to-people sectors.
. . . . .
MINISTRY OF FOREIGN AFFAIRS
SINGAPORE
5 JULY 2015
Chair, Numan Kurtulmus, Deputy Prime Minister, Turkey
Official Statements Session
Day 1, 14 March 2015
Marcia Derse, Featured Artist
Textile Design
Bio and Artist Statement
Derse was born in Heidelberg, Germany and grew up in Sylvania, Ohio as one of four girls. “The sound of the sewing machine saturated the house and I would watch my mother out of the corner of my eye while she fashioned new clothes for us. I would sit near her table coloring from the large box of crayons or cutting paper into the shapes of the perfect outfits I was hoping for.”
She now creates lines of fabrics that begin with a blank canvas: a bolt of muslin, fabric dyes, and the primary colors in silkscreen paints. “I draw my palette from the seasons or my travels. Each new texture is something tactile found in my environment. Anything that catches my eye outdoors or in my studio becomes an artist’s tool: pine cones, spoons, brushes, homemade stamps and bamboo pens.”
She has designed 11 collections with more to come in the fall of 2013. The Gerta collection was the first, and the other collections include Stream Line, Third in Line, Shoreline, Line 5, Nouveau Chic, Necessities, Lines, Petites, Modern Textures and Basketweave.
Construction Date(s)
1911/01/01
Statement of Significance
Description of Historic Place
Situated on the north side of the Ottawa Gardens subdivision, the Stephens Residence is an imposing two and one-half storey plus basement masonry house. The site is heavily landscaped, and the interior of the house is in substantially original condition.
Heritage Value
The Stephens Residence is valued as a part of the Ottawa Gardens subdivision, designed to attract affluent and prominent families to the North Shore of Burrard Inlet. Planning and development was initiated in 1906 by the North Vancouver Land and Improvement Company. Prestige was guaranteed through minimum construction cost standards and restrictions on buildings and landscaping. Ottawa Gardens is now part of a rectilinear system of boulevards and parks known as North Vancouver's "Green Necklace," which also includes Grand Boulevard, Victoria Park and Mahon Park.
This residence is valued for is association with its architects Alexander S.W. MacKay and John W. MacKay. This was one of the first known local commissions for A.S.W. MacKay (born 1878), who is best known for his later partnership with Henry Blackadder (partnership active 1912-1927). This house was designed for Thomas J. Stephens, at the time an employee at the Leckie Shoe Company.
The Stephens Residence is valued for its unusual use of concrete block as both structural and cladding material. These blocks had just become commercially available and were rarely seen in residential applications, although their advantage as a fireproof material was well recognized. The house is also valued architecturally, as an Edwardian home built on a grand scale. Set close to the front of its lot amid other prominent homes in Ottawa Gardens, the house was built on an elevated base supported by a concrete block retaining wall.
Source: Heritage Planning Files, City of North Vancouver
Character-Defining Elements
Key elements that define the heritage character of the Stephens Residence include its:
- boxy form, imposing scale and irregular massing
- location in Ottawa Gardens
- hipped roof with broad, projecting roof lines and central dormer
- smooth concrete block cladding, with rough-cast quoining
- curved two-storey front projecting bay with hip roof
- open front verandah with square columns
- second floor porch over entry
- brick chimneys
- double-hung 1-over-1 wooden-sash windows
- ornamental stained glass
- original interior features including fireplaces, light fixtures, staircase, wood floors, wooden trim, maid call system in den and master bedroom, and original Leckie Store vault in basement
- concrete block and wrought iron wall at the front of the property
- mature plantings including rhododendrons, hollies, conifers and a laurel hedge
Ravi Kahlon, MLA for Delta North and Minister of Jobs, Economic Recovery and Innovation, issues a statement in honour of the proclamation declaring November as Sikh Nation Blood Donation Month.
Learn more: news.gov.bc.ca/25655
Please see the attached current credit balance a statement will be forwarded to you shortly by post.
Regards
Paul
Paul Barnett
Credit Agent
0208 781 2891 (Direct)
0208 781 2840 (Group)
0208 781 2913 (Fax)
Bausch + Lomb
106 London Road
Kingston Upon Thames
Surrey, KT2 6TN
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Tonner Signature Statement Head on Tulabelle Body
Outfit: meg fashion doll
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Bruce Ralston, Minister of Energy, Mines and Low Carbon Innovation, is representing British Columbia at the Energy and Mines Ministers’ Conference (EMMC) between July 6 and 8 in St. John’s, Nfld., and has released the following statement to advance B.C.’s priorities
Shot this going to a flea market. SE stands for the municipal of "Segeberg" in Germany. The letter and numbers to complete the awesomeness are vanity.
Needless to say that it wasn't a hot chick, but an old hag that left the car.
Panasonic DMC-GF3 on Schneider Kreuznach Curtagon 2.8/35, 1/400 sec., ISO160, f2.8
14th Dalai Lama of Tibet reads a statement of the Tibetan government in exile celebrating his 75th birthday on July 6, 2010 at his exile base in Dharamsala, India