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occupythefarm.org/category/c27-statements/
"On Saturday, May 11th, Occupy the Farm peacefully marched onto the Gill Tract to challenge the UC’s renewed plans for private, commercial development of this public agricultural resource, replacing 5-foot high weeds with thousands of squash, kale, basil, corn, lettuce and tomato plants, and even flowers.
Rather than recognizing this as an opportunity to position itself on the cutting edge of urban agriculture and participatory research, the University raided the farm on Monday, May 13, at 4:30 a.m. and violently arrested four peaceful farmers, three of whom were held for more than 60 hours before being released without charge. The University then ploughed over the farm that morning, destroying thousands of starts that, if nurtured, would have provided sustenance to local communities.
“This land has been vacant for years,” said an Occupy the Farm member, Matthew McHale, “the UC only destroyed the crops because it’s afraid that if the community sees what an amazing asset this would be as a community farm, they would refuse to let it be paved over.”
In protest of the UC’s actions, more than eighty farmers and community members re-converged on Monday afternoon for a rally, then marched back onto the farm to replant the field and recover some of the starts they had planted over the weekend. The University plowed the farm again Tuesday morning.
Since Occupy the Farm first planted on the Gill tract in April 2012, the group has organized at least 10 public forums focused on the Gill Tract as an asset to community-driven participatory research. The UC Berkeley administration has consistently failed to attend, despite being invited repeatedly. Students on campus however, support turning the land into an urban farm; last Spring the Associated Students of the University of California Senate unanimously passed a resolution in support of Occupy the Farm."
Inviting and Stunning-Statement Of Distinction You will not want to leave once you step inside this like new, Colonial style 4-bedroom/3-bath home located in the Citrus Walk neighbourhood in Ventura.You'll enjoy an elegant living room with wood-burning fireplace, luxurious dining room with spacious butler's pantry leads the way to stunning chef's kitchen complete with granite counter tops galore.You will not run out of counter space in this kitchen!Grand open floor plan features high ceilings, plantation shutters,crown molding and stunning wood floors. This home even has a bedroom and full bath on the first floor.The master suite includes a luxurious spa tub, large separate shower and private water closet.You won't believe the closet space! Walk in closets in all 3 upstairs bedrooms!Looking for more storage space...check out the 3 car garage!Professionally landscaped and fully fenced yard. Your friends will adore being invited to parties at this entertainer's dream!
Statement von Bundesfinanzminister Olaf Scholz, SPD, vor Beginn der Sitzung des ECOFIN Rat in Berlin. Copyright: BMF/Thomas Koehler/photothek
Statements und Podiumsdiskussion: "Aufstiegsorientierung und soziale Sicherung: Komplementäre Ansätze oder Widerspruch?"
v.l.n.r.: Prof. Jörg Althammer, Trevor Phillips, Prof. Barbara John, Armin Laschet, Ralf Fücks
Foto: CC-BY-SA Stephan Röhl / www.boell.de
The First Minister's virtual statement to Scottish Parliament on COVID 19 at St. Andrew's House, Edinburgh.
Statements und Podiumsdiskussion: "Aufstiegsorientierung und soziale Sicherung: Komplementäre Ansätze oder Widerspruch"
v.l.n.r.: Prof. Jörg Althammer, Trevor Phillips, Prof. Barbara John, Armin Laschet, Ralf Fücks
Foto: CC-BY-SA Stephan Röhl / www.boell.de
Media statement:
More than 400 residents from across NSW gathered outside AGL Energy's head office in North Sydney this morning to demand an end to AGL's controversial coal seam gas projects in Gloucester and Camden.
The residents, many who had travelled together by bus from Gloucester, were joined by concerned Sydneysiders and members of GetUp. Today marks the 100th consecutive week of community protests at AGL's head office demanding an end to CSG in NSW.
GetUp’s Better Power Campaign Director Lily Dempster, who is leading the organisation’s call for consumers to turn their backs on energy retailers still investing in dirty energy, said it was disappointing that CEO Andrew Vesey had refused an invitation from Groundswell Gloucester to address the gathering today.
“People from all walks of life have gathered outside of AGL today and over the past 100 weeks to show the community finds the threats of coal seam gas to our agricultural land, our precious water resources and our communities simply unacceptable,” she said.
“It’s risky business for communities such as Gloucester and Camden, and it’s increasingly risky business for investors too.
“The company is currently reviewing its coal seam gas investments and has a prime opportunity to get out of harmful coal seam gas projects for good.
“We know one of the most effective ways of placing pressure is through consumer action. If you are an AGL customer you're in a powerful position to help pressure this company to get out of CSG and start supporting cleaner, safer renewable energy instead," she said.
Professor Rufus Clarke is a former AGL customer who has switched power provider through the Better Power campaign.
“In April this year my wife and I became aware of the influence that companies like AGL have on public policy, for example in Prime Minister Abbott’s reneging on his pre-election promise not to cut the Renewable Energy Target, and his persistent attacks on the renewable energy industry.
“Ecological responsibility cuts no ice with these companies; the only thing they understand is losing market share. So we switched to Powershop for our electricity supply. We are paying no more per kilowatt hour than we were with AGL.
“I urge others to do as we have done, to switch their energy supplies away from those who pollute the atmosphere and the aquifers – it’s the only message that the companies that pollute, and their shareholders, will understand,” Prof Clarke said.
To date the Better Power campaign has switched 12,000 customers from AGL and other big polluting companies including EnergyAustralia and Origin Energy.
The statue at left by Pablo Machioli was placed at the site of the memorial to Robert E Lee and Stonewall Jackson in Baltimore's Wyman Park as a protest statement, and subsequently suffered significant damage that the police say was the result of vandalism. I've added to this image a depiction of two Baltimore Ravens players that were kneeling during the playing of the National Anthem at last Sunday's football game. The statue of Lee and Jackson was removed from its pedestal and was put into storage by the City some weeks ago.
13 June 2022 – Discussions and votes in plenary on Council statements.
The 2022 LWF Council meeting takes place in Geneva on 9-14 June. The theme of the Council is “In Christ all things hold together” (Colossians 1:9-20). The LWF Council meets yearly and is the highest authority of the LWF between assemblies. It consists of the President, the Chairperson of the Finance Committee, and 48 members from LWF member churches in seven regions. Photo: LWF/S. Gallay
Image Available for purchase from www.ballaratheritage.com.au
VHR Statement of Significance
What is significant?
The trustees for Melbourne's new public library were appointed in July 1853 and on 3 July the following year the foundation stone for the first section of building was laid. Opened in 1856, this building was the first of many constructed on the site to accommodate four institutions over a period of time. These included the Public Library, the National Gallery of Victoria, the Industrial and Technological Museum and the Natural History Museum.
The Chairman of Trustees, lawyer Redmond Barry, was the prime founder of the institution and the aspiration of the trustees was to create one great centre of learning. Initially a competition was held for the design of the library and this was won by Joseph Reed. The first building constructed comprised an entrance hall and upstairs reading room. By 1865 wings had been added to the north and south of the original building, extending the Queen's Hall reading room on the first floor, and in 1870 the portico was added to the front facade.
The National Gallery of Victoria began its association with the site in 1861 when a gallery was opened to display works of art in the south wing of the library. Various buildings and wings were added to display additional artworks in 1874 and again in 1887 and 1892. Despite the continual searching for another site, the National Gallery shared the library site until 1968 when it moved to the new gallery building in St Kilda Road.
The 1866-67 Intercolonial Exhibition, held at the library site led to the opening of the Industrial and Technological Museum on this site in 1870, with many of the exhibits forming the core of the collection. In 1899 the contents of the National Museum, formerly the Natural History Museum, were transferred from the University of Melbourne to the library site. The Museum of Victoria remained at the site until its relocation c2000. At this time the library became the sole occupant of the seven acre site.
Construction of buildings on the library site was almost continuous from 1854 until the construction of the La Trobe Library in the 1960s. Joseph Reed, or his subsequent firms and their descendents, was responsible for the design of a number of building phases, including the initial building, the international exhibition spaces in 1866, the portico in 1870, the various halls constructed for the museum and gallery from 1874 to 1906 and the domed reading room in 1913. Work undertaken in the 1920s-40s was undertaken by Irwin and Stevenson and later work by the Public Works Department.
The main Swanston Street facade of the library is built of sandstone in an English Palladian manner, with central Corinthian portico and flanking wings which terminate in projecting pavilions. A giant order, supporting an entablature and balustrading, runs across the undulating, two storey facade. The classical character continues in the interior of the Queen's Hall reading room, which was designed with a central space encircled by galleried aisles, delineated by a giant Ionic order colonnade.
The need for additional library space led to the construction of a large domed reading room, completedin 1913, to designs by Bates, Smart and Peebles, descendents of Joseph Reed's architectural firm. This octagonal building was built by J. W. and D. A. Swanson, using the English Truscon company for their structural detail. This included the first major local use of the Kahn Bar system of reinforcing. It resulted in the construction of the largest reinforced concrete dome in the world at the time, spanning 35.5 metres.
Other significant additions on the site include the Baldwin Spencer Hall, Russell Street in 1906 to create additional museum space and designed by Reed, Smart and Tappin in a flat stripped classical style; Bindon Hall, Little Lonsdale Street, designed by Irwin and Stevenson in 1927, and the La Trobe Library designed by the Public Works Department in 1961 and completed in 1965, in a minimalist manner with direct reference to the original Swanston Street facade in its represented trabeated system.
The first section of the library to be built was set well back from Swanston Street, forming a forecourt at the front of the building. Despite many alterations since the 1850s, particularly in 1939 when the diagonal entrances were added to the central stairs, the formality of the forecourt has been retained. Integral to the design of the forecourt are statues which have been added over time, including Sir Redmond Barry by 1887 (with gasoliers placed either side in 1891), St George and the Dragon, Joan of Arc and Driver and Wipers, which was relocated to the Shrine of Remembrance in 1998.
Two murals by significant Australian artists were acquired by the library in the 1920s. War, by H. Septimus Power, was installed over the entrance to Queen's Hall in 1924 and Peace after Victory, by renowned artist Napier Waller, was installed over the old entrance to the domed reading room in 1929.
Redevelopment of the State Library began in 1990 with the entire site being refurbished for library use.
How is it significant?
The State Library of Victoria buildings are of historical, architectural, scientific (technical) and aesthetic importance to the State of Victoria.
Why is it significant?
The State Library of Victoria is of historical significance as the principal educational and cultural centre for the people of Victoria for more than 150 years. The early buildings are of significance as the first purpose built, free public library in Australia and one of the first in the world. Successive buildings are of importance as the first homes of the National Gallery of Victoria and the Museum of Victoria.
The State Library of Victoria is of historical significance for its associations with its visionary founder, Sir Redmond Barry, who established one of the great library collections of the world before his death in 1880, and its associations with Bernard Hall, the influential Director of the National Gallery of Victoria from 1891-1934, and Sir Baldwin Spencer, the first Director of the Museum of Victoria.
The State Library of Victoria is of architectural significance as the first major building by prolific Melbourne architect Joseph Reed, and as an early example of public architecture in Victoria. Queen's Hall is of particular note for its elaborate interior and as an early example in library design.
The State Library of Victoria is of scientific (technical) significance for the early and innovative use of reinforced concrete construction used in the domed building to create the largest dome in the world at the time of construction.
The State Library of Victoria is of aesthetic significance for its forecourt which provided the public setting to Melbourne's first cultural institution. Despite many alterations since its inception, it retains its formal approach to the building. The array of sculptures and plantings add to the aesthetic landscape.
The State Library of Victoria is of aesthetic significance for its murals by H. Septimus Power, official war artist with the Australian Imperial Force from 1917, and Napier Waller, a leading neo-classical mural painter of the Inter-War period. The works are two of Melbourne's major murals and key works of Australian art of the 1920s.
[Online Data Upgrade Project 2008]
Year Construction Started 1854
Architect / Designer Bates Peebles & Smart; Reed, Joseph
Architectural Style Victorian Period (1851-1901) Academic Classical
Image available for purchase from www.ballaratheritage.com.au
Victorian Heritage Register information
Statement of Significance
What is significant?
The Tower Hill State Game Reserve is an area of approximately 6.2 sq km, 3 km inland from the coast between Warrnambool and Port Fairy managed by Parks Victoria since 1997. The Reserve consists of a volcanic crater of nested maar type bounded by the encircling crater rim that forms a highly visible landmark in the surrounding plain. The crater, filled by a lake and series of islands, themselves volcanic cones, was formed at least 30,000 years ago when a hot rising basaltic magma came into contact with the subterranean water table. The violent explosion that followed created the funnel-shaped crater (later filled by a lake) and the islands. Artefacts found in the volcanic ash layers show that Aboriginal people were living in the area at the time of the eruption. The Warrnambool area was a rich source of foods for the Koroitgundidj people, whose descendants retain special links with this country.
The first confirmed European sighting of Tower Hill crater was by French explorers sailing with Captain Baudin aboard the Geographe in 1802 who named the crater 'Peak of Reconnaissance'. Throughout the 19th century sailors used Tower Hill as a landmark for entering the harbours of Port Fairy (Belfast) and Warrnambool. The name Tower Hill came into common usage in the 1840s. The crater formation, noted by early European settlers for the beauty of its vegetation was memorialised in the landscape painting of Eugene von Guerard in 1855.
By the late 1850s substantial amounts of forest had been cleared in and around the crater. In 1866 when the crater and inner rim were temporarily reserved for public recreation, the Acclimatisation Society of Victoria was appointed the Committee of Management (1866-1869). The Society had formed in 1861 with the aim of introducing exotic plants and animals to suitable parts of the colony and accordingly introduced goats, pheasants and rabbits to Tower Hill. In 1873 the area was permanently reserved for public purposes and in 1892 in an attempt to halt the environmental damage to the crater Tower Hill Reserve became the first National Park to be declared in Victoria. It remained under the control of Koroit Council which permitted clearing of native vegetation, grazing and the quarrying of scoria to continue. By the 1930s the landscape was bare and little wildlife remained.
In the mid-20th century lobbying by the local community concerned about environmental degradation at Tower Hill along with general recognition of the declining numbers of game birds in Victoria led to the crater being declared a State Game Reserve in 1961, one of a number established across the State at this time as wildlife refuges. The contained nature of the crater site meant it could be readily adapted to a scientifically designed habitat management program.
In 1962 Robin Boyd was commissioned to design a Natural History Centre on the main island at Tower Hill, completed in 1969. This early example of an interpretive centre was to provide the public with information about the restoration of the Tower Hill environment and the wildlife and habitats of the State's Reserves and to be a centre of study for wildlife management. Boyd, a hero of the conservation movement, designed a simple stone circular structure with sloping roof mirroring the volcanic island hilltops, sitting in harmony with the landscape. The circular glazed pavilion is a timber construction with a cill height stone skirt and wide eaves. At the centre of the open internal space is a central hollow stone column which supports the roof and is crowned by a skylight reminiscent of the core of the volcano that gave rise to the landscape. Laminated timber rafters, arranged radially, span from the hollow stone core to the outer ring of window and project to form deep eaves.
As early as 1958 local community groups established experimental plots of native trees at Tower Hill. Following designation as a State Game Reserve serious efforts began to replicate the original vegetation using von Guerard's (1855) painting as a guide to replanting using botanists to identify the plant species. By 1981 school children,, naturalists and other volunteers had planted 250 000 trees and shrubs at Tower Hill and removed non-native species and weeds and feral animals. Native animal species including koalas, wombats, emus and echidnas have also been successfully reintroduced to Tower Hill through reinstatement of habitat. The replanting program was the first of its kind in Victoria and provided a model for the national Landcare movement, established in Victoria in the 1980s.
How is it significant?
Tower Hill State Game Reserve is of aesthetic, historic, scientific, social and architectural significance to the State of Victoria
Why is it significant?
Tower Hill State Game Reserve is of aesthetic significance, being an inspirational landscape, recognised for the beauty and uniqueness of its geological form and natural vegetation from first European exploration and settlement of the region.
Tower Hill State Game Reserve is a cultural landscape of historical significance in reflecting more than a century of changing attitudes to landscape in its evolving status and the character of its environment.
Tower Hill State Game Reserve is of historical significance as an iconic and inspirational landscape, noted for its geological form and the beauty of its natural vegetation from first European exploration and settlement of the region, memorialised in Eugene von Guerard's 1855 painting of Tower Hill crater and island. It was this iconic beauty that environmentalists sought to reinstate through their replanting of native vegetation, the species having initially been identified initially from the detail of von Guerard's painting.
Tower Hill State Game Reserve is of historical significance as the earliest and an outstanding example of community programs to reinstate native vegetation and re-create native habitat on cleared and degraded land. Skills developed in the course of this work, and subsequently applied in other parts of the country include an understanding of the importance of using species indigenous to the local area, requirements for re-introduction of native fauna, and awareness of the need for re-establishment of understorey species.
Tower Hill State Game Reserve is of social significance for the ongoing role of the local community and community groups in the reinstatement of natural habitats in the Reserve.
Tower Hill State Game Reserve is of scientific (geological) significance as an example of a nested maar, a specific type of volcanic crater that formed at least 30 000 years ago when hot rising basaltic magma came into contact with the subterranean water table resulting in a series of phreatic explosions that created the funnel-shaped crater (later filled by a lake) coupled with late stage scoria cone development of the islands seen today.
Policy Statements ITU PP-18
H.E. Mr Anour Maarouf, Minister of Communication Technologies and Digital Economy, Tunisia
©ITU/R.Maniego
wall covered with posters of candidates for a local election - afternoon - Bagong Silang, Manila, The Philippines
Got stuck with some spaceships, so I have to switch off with some fun-building. He is reading directives at the moment.
Miniature cherries handsculpted by me. I hope to get a friend to model them for me, tried them on myself and I really love how they look!
♥
Available in the store!
12294 Harris Road, Pitt Meadows, BC.
Statement of Significance:
Description of Historic Place:
The Pitt Meadows General Store and Post Office is a two-storey Foursquare house, altered on the ground floor to accommodate a store, with later shed roof additions on three sides. Located on the east side of Harris Road, the historic commercial centre of the District of Pitt Meadows, this building is adjacent to a grouping of Pitt Meadows' most significant heritage sites.
Heritage Value:
The heritage value of the Pitt Meadows General Store and Post Office is associated with the earliest development of the original town centre of Pitt Meadows. This building is a landmark component of the Harris Road historic grouping, dating from the time when Pitt Meadows was developing rapidly as an agricultural town and Harris Road was its commercial, administrative and community centre. This location was close to the Canadian Pacific Railway, enabling the store to receive imported goods for resale.
The building is historically significant as Pitt Meadows' first General Store and Post Office, and its growth and development mirrors that of the community. The post office was located in the wing on the south side of the building. The Struthers family took over the business in 1921 and the building was used as a general store up until 1931, when they built a larger new store just to the south. This building remained a residence for some members of the family, and a storage facility for the new store. The Post Office continued to operate out of the building, with William Struthers as Post Master until 1944, when Robert Thorburn became the new Post Master and set up in a separate building at the corner of McMyn and Harris Roads.
Additionally, the Pitt Meadows General Store and Post Office is significant for its architectural evolution, from a two-storey Foursquare house to a general store and residence. In 1908, the partially constructed building was moved on log rollers from Herring Road to its present site, using a team of horses. The building evolved through utilitarian additions necessitated by the growth of the business. It has retained many exterior features that demonstrate its evolution, such as the recessed entrance and plate glass storefront windows from the 1908 conversion. Much of the interior spatial configuration has remained intact, including many interior finishes.
Additionally, the site is now valued for its interpretive and educational value as an integral part of the Pitt Meadows Museum and Archives, and demonstrates the value that the District of Pitt Meadows places on its heritage. From the mid 1990s the building remained unoccupied and in disrepair until the District of Pitt Meadows purchased the property in late in 1997, and undertook its restoration. In June 1998, the Pitt Meadows Heritage and Museum Society moved in and the building became the home of the Pitt Meadows Museum and Archives.
Source: Department of Development Services, District of Pitt Meadows
Character-Defining Elements:
Key elements that define the heritage character of the Pitt Meadows General Store and Post Office include its:
- location on Harris Road, adjacent to the CPR right-of-way
- relationship with the historic Hoffmann and Son Shop and House, which is located across Harris Road
- form, scale and massing, as expressed by its two-storey height and regular Foursquare plan with a rear two-storey addition and one-storey side extensions
- hipped roof with cedar shingles and shed roof extensions
- wood-frame construction with bevelled wooden siding and concrete foundation
- additional architectural details, such as recessed front entrance with double doors and plate glass windows, cantilevered canopy over entry, and internal red-brick chimney
- fenestration with double-hung 2-over-2 and 6-over-6 wooden sash windows, some with upper sash horns, and double-hung 1-over-1 wooden sash in the rear extension
- interior configuration with ground floor retail space, residential rooms to south side and upstairs, and kitchen at rear
- interior features, including wooden interior elements such as wainscoting, tongue-and-groove cladding and floors, and fireplace with glazed tile chimneypiece
In einem Presse-Statement erläutert Christian Lindner im Berliner Thomas-Dehler-Haus die Steuerentwicklung in Deutschland.
Das Foto steht zur Verwendung auf den Webseiten der FDP-Bundespartei, der FDP-Bundestagsfraktion und der Gliederungen der FDP rechtefrei zur Verfügung. Die Verwendung zu anderen als hier genannten Zwecken bedarf der ausdrücklichen Zustimmung der FDP oder des liberal Verlages.
© Kowalke
Press Statement by Ministry of Foreign Affairs, Singapore: State Visit of the Governor-General of New Zealand Lieutenant General The Right Honourable Sir Jerry Mateparae and Lady Janine Mateparae, 6 to 8 July 2015
The Governor-General of New Zealand, Lieutenant General The Right Honourable Sir Jerry Mateparae will make a State Visit to Singapore from 6 to 8 July 2015 at the invitation of President Tony Tan Keng Yam. Governor-General Mataparae will be accompanied by his wife Lady Janine Mateparae and officials from the New Zealand Government House and the Ministry of Foreign Affairs and Trade.
An official welcome ceremony will be held for Governor-General Mateparae on 7 July, following which he will have separate meetings with President Tan and Prime Minister Lee Hsien Loong. President Tan and Mrs Tan will host a State Banquet in honour of Governor-General Mateparae and Lady Janine that evening.
During the course of Governor-General Mateparae’s visit to Singapore, he will be accompanied by Deputy Prime Minister Teo Chee Hean on a tour of the Treelodge@Punggol, HDB’s first Eco-Precinct. Deputy Prime Minister Teo will host Governor-General Mateparae to lunch after the tour. Minister for Defence Dr Ng Eng Hen will also host Governor-General Mateparae to lunch to reaffirm the close and long-standing defence ties between Singapore and New Zealand. Governor-General Mateparae will be accompanied by Minister for Health Gan Kim Yong to the KK Women’s and Children’s Hospital (KKH) to view ongoing collaboration between Singapore and New Zealand at the Neurodevelopment Research Centre under A*STAR’s Singapore Institute for Clinical Sciences.
Governor-General Mateparae and Lady Janine will attend an orchid-naming and tree-planting ceremony at the Singapore Botanic Gardens on 7 July.
Governor-General Mateparae’s visit underscores the excellent ties between Singapore and New Zealand as both countries commemorate the 50th anniversary of the establishment of diplomatic relations this year. There is close cooperation in the fields of trade and investment, defence, and the people-to-people sectors.
. . . . .
MINISTRY OF FOREIGN AFFAIRS
SINGAPORE
5 JULY 2015
Not sure exactly what the statement is, but he's certainly making it at the Lake GEorge Polar Plunge