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The Dillinger Escape Plan - Option Paralysis tour - Europe, winter 2010
Stage design by TremensS/ExperiensS
Shot by Sophie Mari
Stage design, costume, interactive media design, and print design for the Steinfuß Theatre. The play staged the critical text “Geschichte meiner Einschätzung am Anfang des Dritten Jahrtausends” by German musician and poet PeterLicht. The concept is about three different boxes, through which the audience moves from scenery to scenery. We set up a pool made of styrodur, a cardboard structure, and a site fence with woven paper strips. Then there was a video projection and a remote controlled moon.
With Aline Otte, Yakub Yayla, Bianca Barabas, Duy An Tran, and others.
Director: Adelheid Schulz
17.-24.5. 2012, Stuttgart
Marius Manole – STEVE
Antoaneta Cojocaru – HELEN
Bogdan Dumitrescu – JERKS
Mihai Cuciumeanu – EMERSON
Iulian Postelnicu – PECA
Rodica Ioana Ionescu - STAMOS
Stage design: Mihai Pacurar
Video: Ioan Cocan
DJ Yann LeBlay
Choreography: Ramona Barbulescu
Theatre director: Carmen Lidia Vidu
“I Hate Helen is not a play! But it surely is something that announces the art form of the next decades. So why don’t you take a look?” Cristina Rusiecki
For how long can you really feel you are not alone?
What about your love life?
And when does the hatred begin?
“I Hate Helen is not a play, or to put it in a better way, it is not only a play. It is more like a movie, a Cartoon Networkly cartoon, a music; it sweats urban legend (snuff is just an example) it is underground and anti-underground at the same time and it is a savoury parody.
These elements, if considered separately, are successful, but if considered together, plus the actors’ performance, they are simply unheard-of and I must say very joyful. It a mixture of multimedia, a chaos finally aligned by the thread of the parody created by the media discourse.” (Sonia Lodi )
Morton Feldman: composer
Joan La Barbara: singer
Martin Bauer: director
Minou Maguna/Benton-C Bainbridge: video and stage design
Stage design, costume, interactive media design, and print design for the Steinfuß Theatre. The play staged the critical text “Geschichte meiner Einschätzung am Anfang des Dritten Jahrtausends” by German musician and poet PeterLicht. The concept is about three different boxes, through which the audience moves from scenery to scenery. We set up a pool made of styrodur, a cardboard structure, and a site fence with woven paper strips. Then there was a video projection and a remote controlled moon.
With Aline Otte, Yakub Yayla, Bianca Barabas, Duy An Tran, and others.
Director: Adelheid Schulz
17.-24.5. 2012, Stuttgart
Pencil, watercolour, gouache and black ink on paper; 18.5х23.5 cm.
***
Мстислав Добужинский «Сценический дизайн для «Пиковой дамы»», 1925
Village Green 2014 art and music festival took place at Chalkwell Hall on Saturday 12 July 11am-10pm.
Around 22,000 people enjoyed a fantastic atmosphere at Village Green in the sunshine yesterday. Among the 22,000 were:
1000’s of under 11s enjoying the mechanical, fire breathing dragon- the smallest nightclub in the world, the Miniscule of Sound, the Insect Circus and loads more attractions on site.
1000’s of teenagers gathered at the new Youth Village stage – designed and curated by Southend school pupils it boasted a packed programme that kept our younger festival goers entertained all day until 8pm
600 arts, crafts, vintage and food traders
900 artists performing on 11 stages
140 volunteers
100 production crew
With something on site for all ages – families were kept entertained all day – the atmosphere was friendly and fantastic across the day – and even the small downpour of rain during the headliner, Beth Orton didn’t dampen spirits.
A really great day!
The fantastic line up of artists and musicians included Beth Orton, Eddi Reader (Fairground Attraction); Dan le Sac vs Scroobius Pip; New York ska band, The Slackers; from London Man Like Me; Youth Club, Shlomo; Danny and the Champions of the Worlds; Kathryn Williams; Eight Rounds Rapid; and hot tips to go global in the very near future, The Hosts!
Alongside, we had an exciting exchange with four visual artists from Shanghai; a wide range of comedy, cabaret, live art, literature, film and a whole host of extraordinary outdoor arts, installations, workshops and performances.
The Dillinger Escape Plan - Option Paralysis tour - Europe, winter 2010
Stage design by TremensS/ExperiensS
Shot by Sophie Mari
2017 World Stage Design
July 6, 2017
Taipei National University of the Arts, Taipei, Taiwan
Photo by OISTAT Headquarters
Flight of a scratch-built two-stage design. I believe this flight used two black powder F15 motors. Long burn time!
The upper stage disappeared into an oat field.
IUGTE Conference "Theatre Between Tradition and Contemporaneity" - annual international multidisciplinary conference researching the Bridge between Tradition and Contemporaneity in performing arts - Theatre - Dance - Music - Visual & Multimedia Art - Arts administration - Stage Design & Technology.
Cher at Ceasar's, Las Vegas 2008 show. Stage design by Jeremy Railton and Entertainment Design Corporation.
Cher at Ceasar's, Las Vegas 2008 show. Stage design by Jeremy Railton and Entertainment Design Corporation.
Marius Manole – STEVE
Antoaneta Cojocaru – HELEN
Bogdan Dumitrescu – JERKS
Mihai Cuciumeanu – EMERSON
Iulian Postelnicu – PECA
Rodica Ioana Ionescu - STAMOS
Stage design: Mihai Pacurar
Video: Ioan Cocan
DJ Yann LeBlay
Choreography: Ramona Barbulescu
Theatre director: Carmen Lidia Vidu
“I Hate Helen is not a play! But it surely is something that announces the art form of the next decades. So why don’t you take a look?” Cristina Rusiecki
For how long can you really feel you are not alone?
What about your love life?
And when does the hatred begin?
“I Hate Helen is not a play, or to put it in a better way, it is not only a play. It is more like a movie, a Cartoon Networkly cartoon, a music; it sweats urban legend (snuff is just an example) it is underground and anti-underground at the same time and it is a savoury parody.
These elements, if considered separately, are successful, but if considered together, plus the actors’ performance, they are simply unheard-of and I must say very joyful. It a mixture of multimedia, a chaos finally aligned by the thread of the parody created by the media discourse.” (Sonia Lodi )
Architecture / Stage Design / Music workshop;
interior design by Stephan Zimmerli / Ueli Frischknecht / Vassily Laffineur (within building by Le Corbusier, 1924-1927);
wooden structures made by Ueli Frischknecht in Chur (Graubünden, Switzerland); October 2009
Cher at Ceasar's, Las Vegas 2008 show. Stage design by Jeremy Railton and Entertainment Design Corporation.
Architecture / Stage Design / Music workshop;
interior design by Stephan Zimmerli / Ueli Frischknecht / Vassily Laffineur (within building by Le Corbusier, 1924-1927);
wooden structures made by Ueli Frischknecht in Chur (Graubünden, Switzerland); October 2009
Stage design, costume, interactive media design, and print design for the Steinfuß Theatre. The play staged the critical text “Geschichte meiner Einschätzung am Anfang des Dritten Jahrtausends” by German musician and poet PeterLicht. The concept is about three different boxes, through which the audience moves from scenery to scenery. We set up a pool made of styrodur, a cardboard structure, and a site fence with woven paper strips. Then there was a video projection and a remote controlled moon.
With Aline Otte, Yakub Yayla, Bianca Barabas, Duy An Tran, and others.
Director: Adelheid Schulz
17.-24.5. 2012, Stuttgart
AQUARIUM
Produced by Imagination Stage/Designed by Lyngo Theatre Company
TUE-SAT 8-12 FEB / $10 / SHOWS AT 10:30AM & 11:45AM / ALL AGES / BALLROOM
Be a part of a magical world with gentle music, beautiful puppets and props. Along the way, every child and some of the grown-ups, too, will have a chance to get in the act. Please note that children must be accompanied by an adult and everyone, regardless of age, requires a ticket.
CalArts Bulletin Student Profile photos. Pictured: Qadriyyah Shamsid-Deen
CIA-20080306-0276
Photo by Scott Groller
© CalArts 2008
Sharmila Biswas (Kolkata) - Odissi - 19 October 2010 (Tuesday)
A leading dancer and choreographer of Odissi, Sharmila Biswas was initiated by Kalavati Devi and Guru Bipin Singh at Children’s Little Theatre, Calcutta. She, then, came under the tutelage of the doyen of Odissi, Guru Kelucharan Mohapatra at the Padatik Dance Centre. Sharmila learnt abhinaya with Kalanidhi Narayanan. Her interest in the origins of Odissi led her to study the vocabularies of Oriya creative arts, including the life and works of the Maharis. She has also trained in several folk and tribal dance and music traditions of the state. Sharmila attended in 1990 the Young Choreographers' Workshop organized by the American Dance Festival where she interacted with eminent choreographers of world repute. Sharmila’s choreography reflects her strong groundwork in the traditional movement skills of India. Proficient equally in classical Odissi and experimental choreographic work, her originality in composition, technique and stage design allows her to explore and create new forms of expression. Variously honoured, Sharmila is the founder chairperson of the Odissi Vision and Movement Centre that promotes Indian dance and music through research, training and performances.
Presentation
The four-part presentation ABAHANI commences with Abahan. Abahan, or Invocation, traditionally seeks to invite the divine to bless the performance. Each dance style has evolved its own gestural and musical expressions for this ritual. Abahan explores these expressions in Odissi. The next piece, Gativilas, is inspired by a Sanskrit verse commonly chanted by rural mridanga players of Orissa. It describes the attributes of an ideal performer, comparing her gait, stance, energy and expressions with those of different animals. Katha Surpanakha, done in the kathakar style, portrays the many contrasting emotions that exist simultaneously in a person. Here, the dancer moves away from the grossness of Surpanakha’s appearance and mind, and attempts to create a more convincing character – her absolute focus on Rama when she sees him, her volatile reactions after, the life-changing realization that follows, and, finally, the grief of rejection. The music for this segment draws on the popular styles of Coastal Orissa and well-known medieval texts, such as Baidihesa Bilasa by Kavisurya Upendra Bhanja and Bichitra Ramayan by Biswanath Khuntia. The fourth and final piece is Murchhana that highlights the special features of Odissi mridanga, and the form of Odissi dance that emerges when accompanied by it.
Architecture / Stage Design / Music workshop;
interior design by Stephan Zimmerli / Ueli Frischknecht / Vassily Laffineur (within building by Le Corbusier, 1924-1927);
wooden structures made by Ueli Frischknecht in Chur (Graubünden, Switzerland); October 2009
Client: Alda events / Armin van Buuren
Stage Design: 250K
Visuals & Operating: Eyesupply.tv
Pictures: Eyesupply.tv
Cher at Ceasar's, Las Vegas 2008 show. Stage design by Jeremy Railton and Entertainment Design Corporation.
Customized Flexible LED Video Curtain Screen
Pitch: 50mm
size: 4m x7.2m
Protection level: IP65
pixels: RGB 5050 SMD LED
Taken by: Fisher Dakota
contact info: yuchao622@hotmail.com
All rights reserved.
Photographer Karen Stuke created a beautiful opera house stage design now on display in the “Berlin Through My Lens” Exhibition. Throughout the city, residents have been discussing the subject of the public financing Berlin opera houses. She used a red Kolo Havana photo box for the model base of a proposed opera house to be built in the working class district of Berlin-Wedding. Her model includes a well-designed floor plan, lights and a background displaying her unique pinhole photographs.
Karen’s passion for opera and theater started at a young age, leading her to become an influential stage and theater photographer. She believes that theater is an art form and her cause is to keep the play alive long after the curtain falls. She developed the idea of a camera obscura theater photograph, combining multiple exposures into one single photograph, to capture the essence of the play.
Karen’s work is on display at Monochrom, Ackerstrasse 23-26, one of five fine retailers participating in the three-week walking tour celebrating Berlin’s creative community.
For more on this project: koloist.com/index.php/2009/11/23/karen-stuke-s-opera-stag...
Title: Festival Designs by Inigo Jones: An Exhibition of Drawings for Scenery and Costumes for the Court Masques of James I and Charles I
Author: Thomas S. Wragg
Publication: International Exhibitions Foundation
Publication Date: 1966
Book Description: White paperback with 117 black and white plate illustrations by Inigo Jones.
Call Number: NC 115 .J65