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The Good Woman of Setzuan
(Der gute Mensch von Sezuan)
Yan Long (China)
Set & Costume Design
When The Good Woman of Setzuan, written by a German, was staged in China, it did not appear either to be like German versions or a traditionally oriented Chinese version, but was an unfamiliar, alien, fresh, and thought-provoking production, beyond the imagination of many in the audience. At the time, it was unique
Images posted with permission by editors
ROSMAN, NC (January 19, 2015): On Monday night, January 19, Rosman High School celebrated its 50th annual Miss Bengal pageant. There couldn't be a better night for celebrating passionate students and future leaders in our schools.
Martin Luther King, Jr. said, “The function of education is to teach one to think intensively and to think critically. Intelligence plus character — that is the goal of true education.”
Rosman High School offers numerous programs targeting character education, both as part the curriculum and through clubs and service opportunities. The 50-year history of the Miss Bengal Pageant is one way Rosman High has reinforced the importance of character. The pageant has long taken place on the Monday night of semester break (with a Saturday snow date) for a variety of reasons.
Participants are evaluated on their talent, poise, future plans, and comportment: many of the things colleges and employers look for in our graduates, and their future students or employees.
This year's participants were:
Abby Buchanan ('18)
Blakely Owen ('16)
Madison Gingrich ('15)
Emma Henderson ('18)
Alexandria Galloway ('16)
Olivia Bishop ('16)
Robin Crowe ('17)
Jacey Voris ('15)
Claire Harris ('15)
Cassidy Knye ('16)
Madison Allen ('18)
Megan Brightwell ('16)
Shaylon Combs ('16)
Carli Batson ('15)
Hayleigh Mann ('15)
These highly-committed students, and many attendees, keep very busy schedules with school and extracurriculars, so the night is kept free for this special event, and tickets sell out weeks in advance.
The opening introduction and crowning were performed by Miss Bengal 2014, senior Hannah Reese. Former “Bengal” winners Loretta Sanders, Emily Reese Jones, Missy West, and Ashley Harris all emceed portions of the evening, from interviews and school dress, to the talent and evening gown competitions. Past winners Ashleigh Jamerson (Bengal ’12) and Hannah Reese performed talent at the intermissions as well.
RHS principal Donivan Edwards noted that, with a teacher workday scheduled before and after, students and staff had the run of the stage and school, setting up the elaborate stage design. Tammy Hall, teacher and pageant organizer, further explained how “Bengal” fits into Rosman High’s vision for character:
“I truly believe that Bengal is a very positive activity for the young women at Rosman High School. Bengal promotes community service, it builds character and confidence, and it allows students to reflect on who they are and what is important to them. The girls get to form relationships with people that they may not normally get to spend time with and they get to share their talent with everyone. Additionally, it provides a scholarship to the winner if they further their education after high school.
“I believe that Bengal does exactly what Mr. King was talking about in the quote mentioned above.”
The panel of judges included Dustin Cox, Jeremy Gibbs, Melody Gorman, Judy Edwards, and Tammy Reeves Duffy.
On the same night, RHS students also led the way during MLK activities centered around Brevard College. Rosman Middle and High chorus teacher Grayson Barton shared that Anna Carrillo (RHS ’16) and Casey Mesaeh (RHS ’15) both sang at Brevard College's MLK Celebration on Monday, January 19, at the Porter Center: “It was a big performance for them, and they both did an outstanding job!”
© 2015, Transylvania County Schools. All rights reserved.
photo by Claire Shovelton
Nadine Benjamin - BEAM - Everybody Can Stand In Their Own Light
Sat 26 & Sun 27 June, 5pm Britten Studio, Snape Maltings
Nadine Benjamin lead artist, co-dramaturg, composer, soprano
Darren Abrahams director, co-dramaturg, trauma specialist
Jan Rautio music director, arranger, keyboards, electronics
Decus Ensemble:
Uchenna Ngwe oboe (leader), Sarah Daramy-Williams violin, Samara Ginsberg cello
Gerrard Martin movement director, assistant director
Ellie Thompson video design
Callum Macdonald lighting design
Sarah Jane Booth costume and stage design
Claire Shovelton senior producer
Fay Jennett producer/EDI specialist
Helen Ashman stage manager
Craig White production manager
Teresa Karcher lead artist liaison
BEAM Research & Development
Mikhail Karakis visuals consultant
Sara Cowman stage manager
骨支撐了身體，而我們倚靠什麼支撐著生活？
骨 / 驫舞劇場 / 2008
Bones / HORSE / 2008
編舞：陳武康、楊育鳴、鄭宗龍、蘇威嘉、周書毅
舞者：周書毅
服裝設計：高端人
舞台設計：黃日俊
攝影：陳長志
Choreography：Chen Wu-Kang、Yang Yu-Min、Cheng Tsung-Lung、Su Wei-Chia、Chou Shu-
Yi Dancer：Chou Shu-Yi
Costume Design：Koh Jordan
Stage Design：Huang Jih-Chun
Photo：Chen Chang-Chih
Strassentheaterstück [street theater];
Stage design by Andrea Bittermann;
Musik by Stefan Weihrauch;
Dress design by Beatrice Oettinger;
Admiralbrücke, Kreuzberg, Berlin,
August 9th, 2013;
© co broerse
Architecture / Stage Design / Music workshop;
interior design by Stephan Zimmerli / Ueli Frischknecht / Vassily Laffineur (within building by Le Corbusier, 1924-1927);
wooden structures made by Ueli Frischknecht in Chur (Graubünden, Switzerland); October 2009
Sharmila Biswas (Kolkata) - Odissi - 19 October 2010 (Tuesday)
A leading dancer and choreographer of Odissi, Sharmila Biswas was initiated by Kalavati Devi and Guru Bipin Singh at Children’s Little Theatre, Calcutta. She, then, came under the tutelage of the doyen of Odissi, Guru Kelucharan Mohapatra at the Padatik Dance Centre. Sharmila learnt abhinaya with Kalanidhi Narayanan. Her interest in the origins of Odissi led her to study the vocabularies of Oriya creative arts, including the life and works of the Maharis. She has also trained in several folk and tribal dance and music traditions of the state. Sharmila attended in 1990 the Young Choreographers' Workshop organized by the American Dance Festival where she interacted with eminent choreographers of world repute. Sharmila’s choreography reflects her strong groundwork in the traditional movement skills of India. Proficient equally in classical Odissi and experimental choreographic work, her originality in composition, technique and stage design allows her to explore and create new forms of expression. Variously honoured, Sharmila is the founder chairperson of the Odissi Vision and Movement Centre that promotes Indian dance and music through research, training and performances.
Presentation
The four-part presentation ABAHANI commences with Abahan. Abahan, or Invocation, traditionally seeks to invite the divine to bless the performance. Each dance style has evolved its own gestural and musical expressions for this ritual. Abahan explores these expressions in Odissi. The next piece, Gativilas, is inspired by a Sanskrit verse commonly chanted by rural mridanga players of Orissa. It describes the attributes of an ideal performer, comparing her gait, stance, energy and expressions with those of different animals. Katha Surpanakha, done in the kathakar style, portrays the many contrasting emotions that exist simultaneously in a person. Here, the dancer moves away from the grossness of Surpanakha’s appearance and mind, and attempts to create a more convincing character – her absolute focus on Rama when she sees him, her volatile reactions after, the life-changing realization that follows, and, finally, the grief of rejection. The music for this segment draws on the popular styles of Coastal Orissa and well-known medieval texts, such as Baidihesa Bilasa by Kavisurya Upendra Bhanja and Bichitra Ramayan by Biswanath Khuntia. The fourth and final piece is Murchhana that highlights the special features of Odissi mridanga, and the form of Odissi dance that emerges when accompanied by it.
Villa Rufolo (1270) is the place where Richard Wagner was inspired for the stage design of his opera 'Parsifal'.
Projection screens for moving blue skies, astro-turf frame, really big plastic flowers, and a river of red cherries.
Completed 1998. 2 watts per channel.
Tube rectification. 2 stage design, with 6SL7 input tube and 45 output tube. All DC on filaments. headphone jack and volume control on top panel. This was designed to fit into a standard office cubicle enclosed bookshelf so I could listen to headphones at work. It turned out to do a very good job driving various speakers. I used it with Klipsch La Scalas, Lowther Fidelios, Altec Model 19s and some other high sensitivity units. Two watts is more power than you would think.
Stage design, costume, interactive media design, and print design for the Steinfuß Theatre. The play staged the critical text “Geschichte meiner Einschätzung am Anfang des Dritten Jahrtausends” by German musician and poet PeterLicht. The concept is about three different boxes, through which the audience moves from scenery to scenery. We set up a pool made of styrodur, a cardboard structure, and a site fence with woven paper strips. Then there was a video projection and a remote controlled moon.
With Aline Otte, Yakub Yayla, Bianca Barabas, Duy An Tran, and others.
Director: Adelheid Schulz
17.-24.5. 2012, Stuttgart
Stage design, costume, interactive media design, and print design for the Steinfuß Theatre. The play staged the critical text “Geschichte meiner Einschätzung am Anfang des Dritten Jahrtausends” by German musician and poet PeterLicht. The concept is about three different boxes, through which the audience moves from scenery to scenery. We set up a pool made of styrodur, a cardboard structure, and a site fence with woven paper strips. Then there was a video projection and a remote controlled moon.
With Aline Otte, Yakub Yayla, Bianca Barabas, Duy An Tran, and others.
Director: Adelheid Schulz
17.-24.5. 2012, Stuttgart
#Engagement Event with VIP #Decoration and #Stage #Design in BAHRIA Town SHERAN WALA FARMHOUSE
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VISUAL COMPOSER PERFORMANCE
I perform my music with my interactive stage design.
It is best to experience my performance live.
I use Ableton Live with an M-Audio Microphone & Keyboard, and the keys of my MacBook Pro to make my tracks.
For this video, I am using an instrumental, but I am also a recording artist.
I make my music, write the lyrics, record my vocals, mix and master my albums.
I then create all the visuals.
I create every single aspect of my work to give you a spherical 4 dimensional experience of my Art.
To create the interactive animation, I write code in Processing (Open Source Programming Language based on Java).
In this video, my hands are controlling the visuals. For this, I use the Leap Motion sensor.
I use a Processing Library by onformative (a studio for generative design based in Berlin) called LeapMotionForProcessing to animate my visuals using Leap Motion.
The animation follows my hand movements in real-time and on key with accurate precision.
The visual is an animation within an animation with symmetry, which makes it a bit more challenging to control, making it even more fun.
Some of the visuals are generated by the music's decibel levels.
The main drive behind my work is PLAY. Play leads to fun, which leads to joy. Following our joy is the driving force in my life, and I want to share it with others. This is why I create interactive installations where people and children of different races and religions get to play and have loads of fun in a magical environment.
The VISUAL COMPOSER PERFORMANCE is a emotional piece with a dark track I made to expose the pain I feel everyday trying to survive in society. I perceive that the social system is set up by certain people to their benefit, while it is handicapping many others for whom it does not fit. I also see that many are unhappy with their jobs. Physicians and lawyers have high rates of suicide according to reports I have read. This is a time for us to question everything, and create a new social ecosystem that benefits all. Including the animals going instinct. I understand the Survival of The Fittest approach, but it does not have to be this way. I understand that nature is very violent and brutal, such as humans, but I also see a greater reality than this animalistic self-destroying one. It takes heart and courage to do what you love all day and all night all of the time forever. If you are willing to die for what you perceive as your purpose, then you are a Freedom Fighter… or simply, an Artist.
Thank you for watching this video and possibly sharing it.
Love Universal to All
Unity In Diversity
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