View allAll Photos Tagged stage_design
Stage design model (1931) by Antonín Heythum,
for Shakespeare's The Merchant of Venice,
Veletržni Palác, Prague.
VISUAL COMPOSER PERFORMANCE
I perform my music with my interactive stage design.
It is best to experience my performance live.
I use Ableton Live with an M-Audio Microphone & Keyboard, and the keys of my MacBook Pro to make my tracks.
For this video, I am using an instrumental, but I am also a recording artist.
I make my music, write the lyrics, record my vocals, mix and master my albums.
I then create all the visuals.
I create every single aspect of my work to give you a spherical 4 dimensional experience of my Art.
To create the interactive animation, I write code in Processing (Open Source Programming Language based on Java).
In this video, my hands are controlling the visuals. For this, I use the Leap Motion sensor.
I use a Processing Library by onformative (a studio for generative design based in Berlin) called LeapMotionForProcessing to animate my visuals using Leap Motion.
The animation follows my hand movements in real-time and on key with accurate precision.
The visual is an animation within an animation with symmetry, which makes it a bit more challenging to control, making it even more fun.
Some of the visuals are generated by the music's decibel levels.
The main drive behind my work is PLAY. Play leads to fun, which leads to joy. Following our joy is the driving force in my life, and I want to share it with others. This is why I create interactive installations where people and children of different races and religions get to play and have loads of fun in a magical environment.
The VISUAL COMPOSER PERFORMANCE is a emotional piece with a dark track I made to expose the pain I feel everyday trying to survive in society. I perceive that the social system is set up by certain people to their benefit, while it is handicapping many others for whom it does not fit. I also see that many are unhappy with their jobs. Physicians and lawyers have high rates of suicide according to reports I have read. This is a time for us to question everything, and create a new social ecosystem that benefits all. Including the animals going instinct. I understand the Survival of The Fittest approach, but it does not have to be this way. I understand that nature is very violent and brutal, such as humans, but I also see a greater reality than this animalistic self-destroying one. It takes heart and courage to do what you love all day and all night all of the time forever. If you are willing to die for what you perceive as your purpose, then you are a Freedom Fighter… or simply, an Artist.
Thank you for watching this video and possibly sharing it.
Love Universal to All
Unity In Diversity
WillpowerStudios.com
Client: Alda events / Armin van Buuren
Stage Design: 250K
Visuals & Operating: Eyesupply.tv
Pictures: Eyesupply.tv
Peter McKinnon with three of the research assistants on the project. Left to right: Amelia Kerrigan, Laura Andrew, Mckinnon, Amelia Taverner.
VISUAL COMPOSER PERFORMANCE
I perform my music with my interactive stage design.
It is best to experience my performance live.
I use Ableton Live with an M-Audio Microphone & Keyboard, and the keys of my MacBook Pro to make my tracks.
For this video, I am using an instrumental, but I am also a recording artist.
I make my music, write the lyrics, record my vocals, mix and master my albums.
I then create all the visuals.
I create every single aspect of my work to give you a spherical 4 dimensional experience of my Art.
To create the interactive animation, I write code in Processing (Open Source Programming Language based on Java).
In this video, my hands are controlling the visuals. For this, I use the Leap Motion sensor.
I use a Processing Library by onformative (a studio for generative design based in Berlin) called LeapMotionForProcessing to animate my visuals using Leap Motion.
The animation follows my hand movements in real-time and on key with accurate precision.
The visual is an animation within an animation with symmetry, which makes it a bit more challenging to control, making it even more fun.
Some of the visuals are generated by the music's decibel levels.
The main drive behind my work is PLAY. Play leads to fun, which leads to joy. Following our joy is the driving force in my life, and I want to share it with others. This is why I create interactive installations where people and children of different races and religions get to play and have loads of fun in a magical environment.
The VISUAL COMPOSER PERFORMANCE is a emotional piece with a dark track I made to expose the pain I feel everyday trying to survive in society. I perceive that the social system is set up by certain people to their benefit, while it is handicapping many others for whom it does not fit. I also see that many are unhappy with their jobs. Physicians and lawyers have high rates of suicide according to reports I have read. This is a time for us to question everything, and create a new social ecosystem that benefits all. Including the animals going instinct. I understand the Survival of The Fittest approach, but it does not have to be this way. I understand that nature is very violent and brutal, such as humans, but I also see a greater reality than this animalistic self-destroying one. It takes heart and courage to do what you love all day and all night all of the time forever. If you are willing to die for what you perceive as your purpose, then you are a Freedom Fighter… or simply, an Artist.
Thank you for watching this video and possibly sharing it.
Love Universal to All
Unity In Diversity
WillpowerStudios.com
Visuals and stage design by DEFRAME Collective, at Mammoth techno stage, Source on Ice 2011
pictures and cropping/color correction by Leon Lubberdink and Jessica Dreu
CARMEN
stage design
Carmen - Georges Bizet
Seebühne - open air
Bregenz
Vorarlberg
Austria
Nikon FE2
Nikkor 105mm f/2.5 AiS
Kodak 200
Film Nr. 970355
Bild Nr. 20
20180606
low-res-scan
Photographer Karen Stuke created a beautiful opera house stage design now on display in the “Berlin Through My Lens” Exhibition. Throughout the city, residents have been discussing the subject of the public financing Berlin opera houses. She used a red Kolo Havana photo box for the model base of a proposed opera house to be built in the working class district of Berlin-Wedding. Her model includes a well-designed floor plan, lights and a background displaying her unique pinhole photographs.
Karen’s passion for opera and theater started at a young age, leading her to become an influential stage and theater photographer. She believes that theater is an art form and her cause is to keep the play alive long after the curtain falls. She developed the idea of a camera obscura theater photograph, combining multiple exposures into one single photograph, to capture the essence of the play.
Karen’s work is on display at Monochrom, Ackerstrasse 23-26, one of five fine retailers participating in the three-week walking tour celebrating Berlin’s creative community.
For more information on this project: koloist.com/index.php/2009/11/23/karen-stuke-s-opera-stag...
Cast your vote of support at ideas.lego.com/projects/9d05e07c-9a39-4fe0-ab29-053467156a5b
Prince. Innovator, cultural icon, and uncompromising pioneer of musical freedom and creativity, Prince sold over 100 million albums worldwide in his 39-year career. Perhaps no single person defines music as much as this first-ballot Rock n' Roll Hall of Fame inductee. Incomparable singer and multi-instrumentalist in the studio, the phrase "produced, arranged, composed and performed by Prince" appeared on 39 ground-breaking albums during his lifetime, including Purple Rain, 1999, Diamonds And Pearls, Musicology and many more. At the same time, he contributed songwriting and musical performances - often uncredited - to dozens of albums by other artists. But Prince was also a live act like no other. With bands including the Revolution, the New Power Generation, and 3rdEyeGirl, Prince toured worldwide from 1979-2016, playing intense high energy arena shows, often followed by lengthy spontaneous small club 'aftershows.'
Ever an uncompromising visionary, Prince used an unpronounceable symbol as an album title in 1992 before taking it as his own name from 1993-2000. The symbol became as synonymous with Prince as the swoosh is with Nike. A Prince symbol LEGO set will allow fans around the world to honor the music and legacy of Prince while finding inspiration and drive for their own creative passions.
This set represents three forms of Prince's symbol, affording a multitude of display and play opportunities:
Wall Art. Using the new LEGO Art hanging system, Prince's symbol makes the perfect conversation piece on the wall of any living room, office, or music space. Let Prince's music and creative freedom inspire you on a daily basis in whatever you are building in your life. This 16.4" x 14.1" model includes 654 pieces.
Concert Stage. For his legendary Super Bowl XVI Half-Time Show in 2007, Prince performed on a stage in the shape of his symbol for the first time, before using the same stage design over the next several years - often using a gold stage, as on his record-breaking sold-out 21 Nights in London residency at the O2 Arena, the Welcome 2 America and Welcome 2 Australia tours, and his 21 Nights in Los Angeles residency. The set includes a full live line-up based on various eras of his New Power Generation band - including Prince in his trademark purple.* Also included are some stage props and anachronistic additions that provide fun nods to his full career - including a crystal ball, from his 1987 Sign O' The Times tour, and a dove symbolizing his #1 song When Doves Cry. Included with the purple piano, which Prince used for DJ-like 'sampler sets,' and which also represents his final one-man Piano & A Microphone Tour, is a tile printed with the phrase "2 many hits..." - a phrase concert-goers heard Prince say almost every night. A variety of Prince's many guitars and other instruments are also included in this 16.4" x 14.1" 948-piece model.
Symbol Guitar. Built by luthier Jerry Auerswald in 1993, the symbol guitar turned Prince's iconic name into the instrument he used the most. Also built in white and black versions, as well as in his trademark purple (an instrument he named "Habibi"), the gold version represented here is the only one to survive Prince's climactic guitar-flips as he threw the instrument to his guitar technician at the end of a show-stopping solo. The gold symbol guitar is now on display in Prince's musical home turned inspirational museum, Paisley Park Studios, in Chanhassen, Minnesota. This 19" x 14.1" 870-piece LEGO recreation is a perfect piece to display or to hold and 'play' using the variety of printed guitar picks as you listen to Prince's vast catalogue.
The symbol is synonymous with Prince and his inspiration of others. Get inspired to find your own muse and explore your own creativity with the Prince Symbol 3-in-1 set! After all, what could better symbolize music in a LEGO form?
*Please note that Prince's hair and clothing styles changed regularly, and there are several iconic looks that could be used in this set, including the Afro hairstyle that bookended his career; additional hairpieces and/or torsos could be included in the set to represent different eras.
Roots International School & College Askari XI Iftar Dinner...
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@a2zevents
Follow us on Instagram @DclassyClicks and @a2zevents
Call us for details and bookings
0321-4268177
0324-4921459
0332-4219910
0303-4219910
#Corporate_Events #Roots_International_School #Iftar_Dinner #School_Events #University_Events #College_Events #School_Party #Educational_Events #Media_Wall #Corporate_Stage_Design
VISUAL COMPOSER PERFORMANCE
I perform my music with my interactive stage design.
It is best to experience my performance live.
I use Ableton Live with an M-Audio Microphone & Keyboard, and the keys of my MacBook Pro to make my tracks.
For this video, I am using an instrumental, but I am also a recording artist.
I make my music, write the lyrics, record my vocals, mix and master my albums.
I then create all the visuals.
I create every single aspect of my work to give you a spherical 4 dimensional experience of my Art.
To create the interactive animation, I write code in Processing (Open Source Programming Language based on Java).
In this video, my hands are controlling the visuals. For this, I use the Leap Motion sensor.
I use a Processing Library by onformative (a studio for generative design based in Berlin) called LeapMotionForProcessing to animate my visuals using Leap Motion.
The animation follows my hand movements in real-time and on key with accurate precision.
The visual is an animation within an animation with symmetry, which makes it a bit more challenging to control, making it even more fun.
Some of the visuals are generated by the music's decibel levels.
The main drive behind my work is PLAY. Play leads to fun, which leads to joy. Following our joy is the driving force in my life, and I want to share it with others. This is why I create interactive installations where people and children of different races and religions get to play and have loads of fun in a magical environment.
The VISUAL COMPOSER PERFORMANCE is a emotional piece with a dark track I made to expose the pain I feel everyday trying to survive in society. I perceive that the social system is set up by certain people to their benefit, while it is handicapping many others for whom it does not fit. I also see that many are unhappy with their jobs. Physicians and lawyers have high rates of suicide according to reports I have read. This is a time for us to question everything, and create a new social ecosystem that benefits all. Including the animals going instinct. I understand the Survival of The Fittest approach, but it does not have to be this way. I understand that nature is very violent and brutal, such as humans, but I also see a greater reality than this animalistic self-destroying one. It takes heart and courage to do what you love all day and all night all of the time forever. If you are willing to die for what you perceive as your purpose, then you are a Freedom Fighter… or simply, an Artist.
Thank you for watching this video and possibly sharing it.
Love Universal to All
Unity In Diversity
WillpowerStudios.com
Client: Alda events / Armin van Buuren
Stage Design: 250K
Visuals & Operating: Eyesupply.tv
Pictures: Eyesupply.tv
IUGTE Conference "Theatre Between Tradition and Contemporaneity" - annual international multidisciplinary conference researching the Bridge between Tradition and Contemporaneity in performing arts - Theatre - Dance - Music - Visual & Multimedia Art - Arts administration - Stage Design & Technology.
Stage design, costume, interactive media design, and print design for the Steinfuß Theatre. The play staged the critical text “Geschichte meiner Einschätzung am Anfang des Dritten Jahrtausends” by German musician and poet PeterLicht. The concept is about three different boxes, through which the audience moves from scenery to scenery. We set up a pool made of styrodur, a cardboard structure, and a site fence with woven paper strips. Then there was a video projection and a remote controlled moon.
With Aline Otte, Yakub Yayla, Bianca Barabas, Duy An Tran, and others.
Director: Adelheid Schulz
17.-24.5. 2012, Stuttgart
VISUAL COMPOSER PERFORMANCE
I perform my music with my interactive stage design.
It is best to experience my performance live.
I use Ableton Live with an M-Audio Microphone & Keyboard, and the keys of my MacBook Pro to make my tracks.
For this video, I am using an instrumental, but I am also a recording artist.
I make my music, write the lyrics, record my vocals, mix and master my albums.
I then create all the visuals.
I create every single aspect of my work to give you a spherical 4 dimensional experience of my Art.
To create the interactive animation, I write code in Processing (Open Source Programming Language based on Java).
In this video, my hands are controlling the visuals. For this, I use the Leap Motion sensor.
I use a Processing Library by onformative (a studio for generative design based in Berlin) called LeapMotionForProcessing to animate my visuals using Leap Motion.
The animation follows my hand movements in real-time and on key with accurate precision.
The visual is an animation within an animation with symmetry, which makes it a bit more challenging to control, making it even more fun.
Some of the visuals are generated by the music's decibel levels.
The main drive behind my work is PLAY. Play leads to fun, which leads to joy. Following our joy is the driving force in my life, and I want to share it with others. This is why I create interactive installations where people and children of different races and religions get to play and have loads of fun in a magical environment.
The VISUAL COMPOSER PERFORMANCE is a emotional piece with a dark track I made to expose the pain I feel everyday trying to survive in society. I perceive that the social system is set up by certain people to their benefit, while it is handicapping many others for whom it does not fit. I also see that many are unhappy with their jobs. Physicians and lawyers have high rates of suicide according to reports I have read. This is a time for us to question everything, and create a new social ecosystem that benefits all. Including the animals going instinct. I understand the Survival of The Fittest approach, but it does not have to be this way. I understand that nature is very violent and brutal, such as humans, but I also see a greater reality than this animalistic self-destroying one. It takes heart and courage to do what you love all day and all night all of the time forever. If you are willing to die for what you perceive as your purpose, then you are a Freedom Fighter… or simply, an Artist.
Thank you for watching this video and possibly sharing it.
Love Universal to All
Unity In Diversity
WillpowerStudios.com
Architecture / Stage Design / Music workshop;
interior design by Stephan Zimmerli / Ueli Frischknecht / Vassily Laffineur (within building by Le Corbusier, 1924-1927);
wooden structures made by Ueli Frischknecht in Chur (Graubünden, Switzerland); October 2009
Architecture / Stage Design / Music workshop;
interior design by Stephan Zimmerli / Ueli Frischknecht / Vassily Laffineur (within building by Le Corbusier, 1924-1927);
wooden structures made by Ueli Frischknecht in Chur (Graubünden, Switzerland); October 2009