View allAll Photos Tagged stage_design
stand-builders-berlin; event-agency-berlin; event-production; large-format-printing; digital-printing; stand-build; berlin-promotional-agency; event-staff; promotional-models; hostesses; set-build; stage-design; contractors; Germany; Hamburg; event-prints
Marius Manole – STEVE
Antoaneta Cojocaru – HELEN
Bogdan Dumitrescu – JERKS
Mihai Cuciumeanu – EMERSON
Iulian Postelnicu – PECA
Rodica Ioana Ionescu - STAMOS
Stage design: Mihai Pacurar
Video: Ioan Cocan
DJ Yann LeBlay
Choreography: Ramona Barbulescu
Theatre director: Carmen Lidia Vidu
“I Hate Helen is not a play! But it surely is something that announces the art form of the next decades. So why don’t you take a look?” Cristina Rusiecki
For how long can you really feel you are not alone?
What about your love life?
And when does the hatred begin?
“I Hate Helen is not a play, or to put it in a better way, it is not only a play. It is more like a movie, a Cartoon Networkly cartoon, a music; it sweats urban legend (snuff is just an example) it is underground and anti-underground at the same time and it is a savoury parody.
These elements, if considered separately, are successful, but if considered together, plus the actors’ performance, they are simply unheard-of and I must say very joyful. It a mixture of multimedia, a chaos finally aligned by the thread of the parody created by the media discourse.” (Sonia Lodi )
Stage design for the first and third act of Tchaikovsky's "Swan Lake" in Serbian National Theatre in Novi Sad.
Designed by the renowned serbian scenographer Miodrag Tabački.
Photograph taken by Filip Petronijević.
Scenografija za prvi i treći čin "Labudovog jezera" P.I. Čajkovskog u Srpskom narodnom pozorištu, Novi Sad.
Scenografiju uradio poznati srpski scenograf Miodrag Tabački.
Fotografisao Filip Petronijević.
Cleint: MOJO
Stage Design: 250K
Video Design: Eyesupply
Light Design: Wonderwolf
Head-Production: MOJO
Decor Prodcution: 250K
Video Production: Eyesupply / PRG
Show Director: 250K
Video Operator: Eyesupply
Light Operator: Ten Feet
Light: Flashlight
Video: PRG
Stagehands: Enschede Ploeg
Pictures: Eyesupply
Architecture / Stage Design / Music workshop;
interior design by Stephan Zimmerli / Ueli Frischknecht / Vassily Laffineur (within building by Le Corbusier, 1924-1927);
wooden structures made by Ueli Frischknecht in Chur (Graubünden, Switzerland); October 2009
n.d.
165 mm (h) x 120 mm (w)
4 figures (3 male and 1 woman) reclining in Eastern dress. One man wearing elaborate head-dress of peacock feathers
Marius Manole – STEVE
Antoaneta Cojocaru – HELEN
Bogdan Dumitrescu – JERKS
Mihai Cuciumeanu – EMERSON
Iulian Postelnicu – PECA
Rodica Ioana Ionescu - STAMOS
Stage design: Mihai Pacurar
Video: Ioan Cocan
DJ Yann LeBlay
Choreography: Ramona Barbulescu
Theatre director: Carmen Lidia Vidu
“I Hate Helen is not a play! But it surely is something that announces the art form of the next decades. So why don’t you take a look?” Cristina Rusiecki
For how long can you really feel you are not alone?
What about your love life?
And when does the hatred begin?
“I Hate Helen is not a play, or to put it in a better way, it is not only a play. It is more like a movie, a Cartoon Networkly cartoon, a music; it sweats urban legend (snuff is just an example) it is underground and anti-underground at the same time and it is a savoury parody.
These elements, if considered separately, are successful, but if considered together, plus the actors’ performance, they are simply unheard-of and I must say very joyful. It a mixture of multimedia, a chaos finally aligned by the thread of the parody created by the media discourse.” (Sonia Lodi )
Client: Alda events / Armin van Buuren
Stage Design: 250K
Visuals & Operating: Eyesupply.tv
Pictures: Eyesupply.tv
Marius Manole – STEVE
Antoaneta Cojocaru – HELEN
Bogdan Dumitrescu – JERKS
Mihai Cuciumeanu – EMERSON
Iulian Postelnicu – PECA
Rodica Ioana Ionescu - STAMOS
Stage design: Mihai Pacurar
Video: Ioan Cocan
DJ Yann LeBlay
Choreography: Ramona Barbulescu
Theatre director: Carmen Lidia Vidu
“I Hate Helen is not a play! But it surely is something that announces the art form of the next decades. So why don’t you take a look?” Cristina Rusiecki
For how long can you really feel you are not alone?
What about your love life?
And when does the hatred begin?
“I Hate Helen is not a play, or to put it in a better way, it is not only a play. It is more like a movie, a Cartoon Networkly cartoon, a music; it sweats urban legend (snuff is just an example) it is underground and anti-underground at the same time and it is a savoury parody.
These elements, if considered separately, are successful, but if considered together, plus the actors’ performance, they are simply unheard-of and I must say very joyful. It a mixture of multimedia, a chaos finally aligned by the thread of the parody created by the media discourse.” (Sonia Lodi )
Client: Alda events / Armin van Buuren
Stage Design: 250K
Visuals & Operating: Eyesupply.tv
Pictures: Eyesupply.tv
In my opinion, PiSENLAV's performance was pretty good despite the poor stage design. Someone who designed the stage seriously messed up the band dynamic. It made all the lead singers look like they were performing solo acts. In addition, all of the artists that participated paced around in huge circles and squinted off to the back right corner of the stage where the band was crammed into a small area.
Kate Lozano is the lead singer of PiSENLAV (pronounced peace 'n' love), a popular Filipino alternative pop rock band, who performed at the 2009 UST Freshmen Welcome Walk Concert on July 24, 2009.
© 2009 Ashley D. Cristal, All Rights Reserved. Use of this photograph in ANY form is NOT permitted without permission from the author.
Client: Alda events / Armin van Buuren
Stage Design: 250K
Visuals & Operating: Eyesupply.tv
Pictures: Eyesupply.tv
Cher at Ceasar's, Las Vegas 2008 show. Stage design by Jeremy Railton and Entertainment Design Corporation.
Jamie Vartan
United Kingdom
Set design
Misterman
Enda Walsh
Black Box Theatre (Galway), St Anne's Warehouse (New York),
National Theatre, London (Lyttleton)
June 2011 - April 2012
Landmark Productions, Galway Arts Festival & National Theatre, London
IUGTE Conference "Theatre Between Tradition and Contemporaneity" - annual international multidisciplinary conference researching the Bridge between Tradition and Contemporaneity in performing arts - Theatre - Dance - Music - Visual & Multimedia Art - Arts administration - Stage Design & Technology.
Date: 19th to 21st March 2010
Venue: Dewan Sri Pinang
Tel: 04-8291924
Organizer: Chokyi Gyaltsen Centre
Ever since 1999, Musical On Stage Productions has been creating history in Malaysia by producing three full-length musicals namely Siddhartha, Above Full Moon and Jewel of Tibet.
Siddhartha – The Musical received overwhelming responses and rave reviews from its premiere in Kuala Lumpur 1999, as well as when it toured Singapore, South Africa, Kuala Lumpur and Indonesia.
Over a hundred thousand viewers have been deeply moved and inspired by the poetic depiction of the sojourn of Prince Siddhartha in ancient India, who gave up prestige and wealth to go in search of the truth in life. He eventually became one of the greatest men in time.
Siddhartha – The Musical is essentially an Eastern story re-told and presented in Western musical style. Gathering a cast of award-winning actors and dancers, the musical also features a powerful and touching music score, combining classical, new-age and ethnic elements, dynamic and captivating dance choreography, vibrantly coloured stage design and lavish costumes coupled with advanced animation effects, Siddhartha artistic and entertainment value.
Cher at Ceasar's, Las Vegas 2008 show. Stage design by Jeremy Railton and Entertainment Design Corporation.
The Dillinger Escape Plan - Option Paralysis tour - Europe, winter 2010
Stage design by TremensS/ExperiensS
Shot by Sophie Mari
Morton Feldman: composer
Joan La Barbara: singer
Martin Bauer: director
Minou Maguna/Benton-C Bainbridge: video and stage design
1872 saw Johann Ritter von Herbeck at the Milan Scala Verdi's AIDA and acquired these novelty immediately for Vienna. On 29 April 1874, the Vienna premiere took place, who was granted a great success. In June 1875, already under director Jauner, Verdi himself came to Vienna to conduct two performances of AIDA, and his Requiem. Emperor Francis Joseph, in principle not a declared opera lover attended several of these performances and gave Verdi the highest Austrian Order of Civil Merit. AIDA - Stage design by Carlo Brioschi (left), Giuseppe Verdi (right).
(further pictures and information you can get by going to the end of page!)
Vienna State Opera
Vienna State Opera, 2012
Vienna State Opera in the evening twilight
The Vienna State Opera was the first major building on the Vienna ring road and was on 25 May 1869 opened with Mozart's "Don Juan" in the presence of Emperor Franz Joseph and Empress Elisabeth. The Vienna State Opera is now considered one of the most important opera houses in the world with the largest repertoire. From the Orchestra of the Vienna State Opera, the Vienna Philharmonic are recruited.
History
The Vienna State Opera was planned by August of Sicardsburg and Eduard van der Nüll. The architects, however, were heavily criticized for the building, so that van der Nüll committed suicide and shortly afterwards died of Sicardsburg of a stroke.
The official opening took place on 25 May 1869 with Mozart's "Don Juan". Gradually, the popularity of the Staatsoper rose, under the director Gustav Mahler it obtained a first climax.
At the time of the Second World War, the State Opera suffered enormously. From 1938 to 1945 many employees were persecuted, expelled and murdered. In addition, many pieces were not allowed to be performed anymore. Finally, shortly before end of war the building was massively destroyed by bombing. On 5 November 1955, the opera was re-opened with a performance of Beethoven's "Fidelio".
Architecture
The historical part of the front at the ring road could be preserved from the original building from 1869. The rear, wider part contains the stage, in the narrow front part the auditorium is housed. Eye-catching are the different roof shapes and the loggia, which should emphasize the public character.
Sideways of the central entrance are the portraits of the two architects. Significant is also the ceiling painting "Fortuna, dispersing her gifts" in the stairwell. The seven statues by Josef Gasser represent the liberal arts (architecture, sculpture, poetry, dance, art of music, drama and painting). In the historic tract is located the tea room, which together with the Hoffestloge (Court Ceremonial Lodge) was reserved the Court.
Directors after the reopening
Karl Böhm
Herbert von Karajan
Herbert von Karajan/Walter Erich Schäfer
Herbert von Karajan/Egon Hilbert
Egon Hilbert
Heinrich Reif-Gintl
Rudolf Gamsjäger
Egon Seefehlner
Lorin Maazel
Egon Seefehlner
Claus Helmut Drese
Eberhard Waechter
Ioan Holender:
Dominique Meyer
Opera Ball
Once a year, the State Opera becomes the most famous and most solemn ballroom in the world. The Opera Ball is the highlight of the ball season in Vienna and has a great international significance. Many celebrities from all over the world travel to Vienna to celebrate the ball of the artists.
Women wear a long evening dress, men are appearing in tails. Tickets are available from € 250, for a seat in the box must be reckoned with over € 10,000. The highlight of the ball is the Marching In of the Jungdamen- and Jungherrenkommitees (female and male debutants' committee).
Staatsopernmuseum (Museum of the Vienna State Opera)
In Staatsopernmuseum the history of the house from 1869 to 2009 is documented. On display are costumes, stage settings, and important events such as premieres and first performances. The exhibition focuses specifically on the singers. At three information terminals casts and stage settings on all performances since 1955 can be retrieved.
Staatsopernmuseum, Hanuschgasse 3, 1010 Vienna
Cher at Ceasar's, Las Vegas 2008 show. Stage design by Jeremy Railton and Entertainment Design Corporation.
Architecture / Stage Design / Music workshop;
interior design by Stephan Zimmerli / Ueli Frischknecht / Vassily Laffineur (within building by Le Corbusier, 1924-1927);
wooden structures made by Ueli Frischknecht in Chur (Graubünden, Switzerland); October 2009
Marius Manole – STEVE
Antoaneta Cojocaru – HELEN
Bogdan Dumitrescu – JERKS
Mihai Cuciumeanu – EMERSON
Iulian Postelnicu – PECA
Rodica Ioana Ionescu - STAMOS
Stage design: Mihai Pacurar
Video: Ioan Cocan
DJ Yann LeBlay
Choreography: Ramona Barbulescu
Theatre director: Carmen Lidia Vidu
“I Hate Helen is not a play! But it surely is something that announces the art form of the next decades. So why don’t you take a look?” Cristina Rusiecki
For how long can you really feel you are not alone?
What about your love life?
And when does the hatred begin?
“I Hate Helen is not a play, or to put it in a better way, it is not only a play. It is more like a movie, a Cartoon Networkly cartoon, a music; it sweats urban legend (snuff is just an example) it is underground and anti-underground at the same time and it is a savoury parody.
These elements, if considered separately, are successful, but if considered together, plus the actors’ performance, they are simply unheard-of and I must say very joyful. It a mixture of multimedia, a chaos finally aligned by the thread of the parody created by the media discourse.” (Sonia Lodi )