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Customized Flexible LED Video Curtain Screen
Pitch: 50mm
size: 4m x7.2m
Protection level: IP65
pixels: RGB 5050 SMD LED
Taken by: Fisher Dakota
contact info: yuchao622@hotmail.com
All rights reserved.
Customized Flexible LED Video Curtain Screen
Pitch: 50mm
size: 4m x7.2m
Protection level: IP65
pixels: RGB 5050 SMD LED
Taken by: Fisher Dakota
contact info: yuchao622@hotmail.com
All rights reserved.
This is the first of two message series on the holy spirit. We are trying to get a cohesive look with the design and our stage design. We are following this for inspiriation with our stage design: www.churchstagedesignideas.com/2012/03/28/tape-burst/
Any thoughts on how I could better bring the stage design and title design together?
This piece, is a prototype for a pop-up stage design I created for a live DJ performance, whereby the DJ would be positioned on a raised platform among the triangles. Using vvvv and After Effects, I wanted to create a structure which would be transformed according to the music using projection mapping.
To learn more about my work, you can find me on the following-
YouTube- www.youtube.com/channel/UCw8iE0bukXPg-6Gwq4zlHsQ
Vimeo- vimeo.com/popupprojections
@clarisseodell on Twitter
Stage Jobs Pro- Clarisse O'Dell www.stagejobspro.com
Cast your vote of support at ideas.lego.com/projects/9d05e07c-9a39-4fe0-ab29-053467156a5b
Prince. Innovator, cultural icon, and uncompromising pioneer of musical freedom and creativity, Prince sold over 100 million albums worldwide in his 39-year career. Perhaps no single person defines music as much as this first-ballot Rock n' Roll Hall of Fame inductee. Incomparable singer and multi-instrumentalist in the studio, the phrase "produced, arranged, composed and performed by Prince" appeared on 39 ground-breaking albums during his lifetime, including Purple Rain, 1999, Diamonds And Pearls, Musicology and many more. At the same time, he contributed songwriting and musical performances - often uncredited - to dozens of albums by other artists. But Prince was also a live act like no other. With bands including the Revolution, the New Power Generation, and 3rdEyeGirl, Prince toured worldwide from 1979-2016, playing intense high energy arena shows, often followed by lengthy spontaneous small club 'aftershows.'
Ever an uncompromising visionary, Prince used an unpronounceable symbol as an album title in 1992 before taking it as his own name from 1993-2000. The symbol became as synonymous with Prince as the swoosh is with Nike. A Prince symbol LEGO set will allow fans around the world to honor the music and legacy of Prince while finding inspiration and drive for their own creative passions.
This set represents three forms of Prince's symbol, affording a multitude of display and play opportunities:
Wall Art. Using the new LEGO Art hanging system, Prince's symbol makes the perfect conversation piece on the wall of any living room, office, or music space. Let Prince's music and creative freedom inspire you on a daily basis in whatever you are building in your life. This 16.4" x 14.1" model includes 654 pieces.
Concert Stage. For his legendary Super Bowl XVI Half-Time Show in 2007, Prince performed on a stage in the shape of his symbol for the first time, before using the same stage design over the next several years - often using a gold stage, as on his record-breaking sold-out 21 Nights in London residency at the O2 Arena, the Welcome 2 America and Welcome 2 Australia tours, and his 21 Nights in Los Angeles residency. The set includes a full live line-up based on various eras of his New Power Generation band - including Prince in his trademark purple.* Also included are some stage props and anachronistic additions that provide fun nods to his full career - including a crystal ball, from his 1987 Sign O' The Times tour, and a dove symbolizing his #1 song When Doves Cry. Included with the purple piano, which Prince used for DJ-like 'sampler sets,' and which also represents his final one-man Piano & A Microphone Tour, is a tile printed with the phrase "2 many hits..." - a phrase concert-goers heard Prince say almost every night. A variety of Prince's many guitars and other instruments are also included in this 16.4" x 14.1" 948-piece model.
Symbol Guitar. Built by luthier Jerry Auerswald in 1993, the symbol guitar turned Prince's iconic name into the instrument he used the most. Also built in white and black versions, as well as in his trademark purple (an instrument he named "Habibi"), the gold version represented here is the only one to survive Prince's climactic guitar-flips as he threw the instrument to his guitar technician at the end of a show-stopping solo. The gold symbol guitar is now on display in Prince's musical home turned inspirational museum, Paisley Park Studios, in Chanhassen, Minnesota. This 19" x 14.1" 870-piece LEGO recreation is a perfect piece to display or to hold and 'play' using the variety of printed guitar picks as you listen to Prince's vast catalogue.
The symbol is synonymous with Prince and his inspiration of others. Get inspired to find your own muse and explore your own creativity with the Prince Symbol 3-in-1 set! After all, what could better symbolize music in a LEGO form?
*Please note that Prince's hair and clothing styles changed regularly, and there are several iconic looks that could be used in this set, including the Afro hairstyle that bookended his career; additional hairpieces and/or torsos could be included in the set to represent different eras.
#Engagement Event with VIP #Decoration and #Stage #Design in BAHRIA Town SHERAN WALA FARMHOUSE
Follow us on Instagram @a2zevents and @DclassyClicks
Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan
Visit Our Pages: - www.a2zeventssolutions.com ,, www.a2zeventssolutionz.com, www.dclassyclicks.com
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Stage design, costume, interactive media design, and print design for the Steinfuß Theatre. The play staged the critical text “Geschichte meiner Einschätzung am Anfang des Dritten Jahrtausends” by German musician and poet PeterLicht. The concept is about three different boxes, through which the audience moves from scenery to scenery. We set up a pool made of styrodur, a cardboard structure, and a site fence with woven paper strips. Then there was a video projection and a remote controlled moon.
With Aline Otte, Yakub Yayla, Bianca Barabas, Duy An Tran, and others.
Director: Adelheid Schulz
17.-24.5. 2012, Stuttgart
Cher at Ceasar's, Las Vegas 2008 show. Stage design by Jeremy Railton and Entertainment Design Corporation.
This is a stage design for Malyalam Star Nite Show as per the Event Manager's Concept. Made in Maya & Photoshop for Texturing.
Stage design, costume, interactive media design, and print design for the Steinfuß Theatre. The play staged the critical text “Geschichte meiner Einschätzung am Anfang des Dritten Jahrtausends” by German musician and poet PeterLicht. The concept is about three different boxes, through which the audience moves from scenery to scenery. We set up a pool made of styrodur, a cardboard structure, and a site fence with woven paper strips. Then there was a video projection and a remote controlled moon.
With Aline Otte, Yakub Yayla, Bianca Barabas, Duy An Tran, and others.
Director: Adelheid Schulz
17.-24.5. 2012, Stuttgart
Stage design for Fall Focus sermon series at Garden Way Church. Set and poster design by Kelly Baum and Kris Carter.
Photos by David Sharp
'07 Stage design of our yearly "VBS" style kids program called PowerQuest.
This was put together by our Kids production team.
Kids went wild.
and a third pic from our shooting. more about read in the bitches pic I.
my outfit is a gift from linden janus, the designer and owner from rawdolls slurl.com/secondlife/Schreckhorn/9/91/38
look at those great boots, the belt, the cuff. great stuff. the sexy pants are not to buy in the moment, i hope he will finish them soon and will sell them - they are great :).
stage design and concept: beolas whitfield for [kusshon] slurl.com/secondlife/Strata/80/208/903
the bitches are: thea denja (you see her at the keyboards), tamsin congrejo (behind the drums), lano ling and me.
Morton Feldman: composer
Joan La Barbara: singer
Martin Bauer: director
Minou Maguna/Benton-C Bainbridge: video and stage design
stage design
Bregenz - Vorarlberg - Austria
Festspiele
Bodensee - Lake Constance
35mm filmphotography
Nikon FE2
Nikkor 105mm f/2.5 ais
Kodak
digitized with X-T2
Homer Flynn
Moleshow Stage Design Original Art
11 x 17 inches
1982
Pen and ink on vellum
Designed by Hardy Fox
Creative director went this route... she could visualize the stage design better through this idea. This is pretty close to final after adjustments from the creative director.
Marius Manole – STEVE
Antoaneta Cojocaru – HELEN
Bogdan Dumitrescu – JERKS
Mihai Cuciumeanu – EMERSON
Iulian Postelnicu – PECA
Rodica Ioana Ionescu - STAMOS
Stage design: Mihai Pacurar
Video: Ioan Cocan
DJ Yann LeBlay
Choreography: Ramona Barbulescu
Theatre director: Carmen Lidia Vidu
“I Hate Helen is not a play! But it surely is something that announces the art form of the next decades. So why don’t you take a look?” Cristina Rusiecki
For how long can you really feel you are not alone?
What about your love life?
And when does the hatred begin?
“I Hate Helen is not a play, or to put it in a better way, it is not only a play. It is more like a movie, a Cartoon Networkly cartoon, a music; it sweats urban legend (snuff is just an example) it is underground and anti-underground at the same time and it is a savoury parody.
These elements, if considered separately, are successful, but if considered together, plus the actors’ performance, they are simply unheard-of and I must say very joyful. It a mixture of multimedia, a chaos finally aligned by the thread of the parody created by the media discourse.” (Sonia Lodi )
Client: Alda events / Armin van Buuren
Stage Design: 250K
Visuals & Operating: Eyesupply.tv
Pictures: Eyesupply.tv
Model of the stage design for Leoš Janáček's Jenůfa at Malmö Opera House
In the workshop of Leslie Travers
The Pullens Estate was developed by builder James Pullen from 1886.
The estate originally comprised of 684 dwellings in 12 blocks, with 4 yards containing 106 workshops. The estate suffered bomb-damage during the Blitz, with the remaining buildings protected from demolition in the 80s due to protests by the Residents' Association and squatters.