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Chinese folk dance first appeared over 5000 years ago and is a by-product of long historical development and profound artistic culture. Its origin lies mainly in the movements and dance reflecting people's daily life, festival activities and customs.
Dynamic Yunnan is a grand, original ethnic dance musical. It fuses beauty of Yunnan ethnic minorities dance and songs with the power of modern stage exhibition. Through the artistic director's reorganization and recreation of the essence of traditional songs and dance with the most classic style of folk dance, the richness of the culture of Yunnan minorities is born again on stage with startling effects.
An extraordinary sense of "Impression of Yunnan" (Yunnan Yingxiang) is brought to the audience through the exhibition of the clashed effect between the classic and original ethnic songs and dance and modern dance choreography. This is the first production produced, directed and choreographed by the famous dancer, Yang Liping.
Original characteristics of ethnic folk songs and dances
Real costumes and actual ways of life of the minorities of Yunnan province
Real bullheads, Tibetan praying stones (Mani stone) and Buddhist praying wheels on stage
Performed by 68 drums with the original ethnic beats and rhythms. Decorated with more than 120 unique masks in Yunnan minorities style
Around 100% of the performers are genuine Yunnan ethnic minorities who left their villages to participate in the troupe
Dynamic Yunnan's lighting, music and stage design together created a 3-dimensional, imaginative and surreal stage setting for the audience.
IUGTE Conference "Theatre Between Tradition and Contemporaneity" - annual international multidisciplinary conference researching the Bridge between Tradition and Contemporaneity in performing arts - Theatre - Dance - Music - Visual & Multimedia Art - Arts administration - Stage Design & Technology.
stage design
in Bregenz, Austria, Lake Constance, Seebühne,
Opera : "André Chénier" - Umberto Giordano
webcam:
www.bregenzerfestspiele.com/de/webca
Nikkor 85mm f/1.4 AI-s
Customized Flexible LED Video Curtain Screen
Pitch: 50mm
size: 4m x7.2m
Protection level: IP65
pixels: RGB 5050 SMD LED
Taken by: Fisher Dakota
contact info: yuchao622@hotmail.com
All rights reserved.
This is the first of two message series on the holy spirit. We are trying to get a cohesive look with the design and our stage design. We are following this for inspiriation with our stage design: www.churchstagedesignideas.com/2012/03/28/tape-burst/
Any thoughts on how I could better bring the stage design and title design together?
2017 World Stage Design
June 29 - July 9, 2017
Taipei National University of the Arts, Taipei, Taiwan
Photo by OISTAT Headquarters
#Engagement Event with VIP #Decoration and #Stage #Design in BAHRIA Town SHERAN WALA FARMHOUSE
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Call us for details and bookings +92-321-4268177 +92-324-4921459 +92-333-4645869
PK Office: -M-23 Siddiq Trade Center, Main Boulevard Gulberg II, Lahore, Pakistan
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#Engagement #Engagement_Event #royal_wedding #royalDecoration #vipstage #vip_stage_design #stage_decor #vipDecor #vip_decoration #flowerDecor #FlowerDecoration #wedding_decor #best_weddings_planners_in_Lahore #Pakistan_Best_Weddings_Caterers #Pakistan_Best_Events_Planners #Weddings_Planners #Pakistan_Best_Weddings_Planners #Best_Weddings_Setups #Best_Mehndi_Setup #Designers #Best_Barat_Walima_Setup #Best_Functions_and_Parties_Decorators #Best_Events_Designers_and_Caterers_in_Lahore #acrylic_chairs #props #props_for_bride, #props_for_couple #props_for_photoshoot
Cher at Ceasar's, Las Vegas 2008 show. Stage design by Jeremy Railton and Entertainment Design Corporation.
Cast your vote of support at ideas.lego.com/projects/9d05e07c-9a39-4fe0-ab29-053467156a5b
Prince. Innovator, cultural icon, and uncompromising pioneer of musical freedom and creativity, Prince sold over 100 million albums worldwide in his 39-year career. Perhaps no single person defines music as much as this first-ballot Rock n' Roll Hall of Fame inductee. Incomparable singer and multi-instrumentalist in the studio, the phrase "produced, arranged, composed and performed by Prince" appeared on 39 ground-breaking albums during his lifetime, including Purple Rain, 1999, Diamonds And Pearls, Musicology and many more. At the same time, he contributed songwriting and musical performances - often uncredited - to dozens of albums by other artists. But Prince was also a live act like no other. With bands including the Revolution, the New Power Generation, and 3rdEyeGirl, Prince toured worldwide from 1979-2016, playing intense high energy arena shows, often followed by lengthy spontaneous small club 'aftershows.'
Ever an uncompromising visionary, Prince used an unpronounceable symbol as an album title in 1992 before taking it as his own name from 1993-2000. The symbol became as synonymous with Prince as the swoosh is with Nike. A Prince symbol LEGO set will allow fans around the world to honor the music and legacy of Prince while finding inspiration and drive for their own creative passions.
This set represents three forms of Prince's symbol, affording a multitude of display and play opportunities:
Wall Art. Using the new LEGO Art hanging system, Prince's symbol makes the perfect conversation piece on the wall of any living room, office, or music space. Let Prince's music and creative freedom inspire you on a daily basis in whatever you are building in your life. This 16.4" x 14.1" model includes 654 pieces.
Concert Stage. For his legendary Super Bowl XVI Half-Time Show in 2007, Prince performed on a stage in the shape of his symbol for the first time, before using the same stage design over the next several years - often using a gold stage, as on his record-breaking sold-out 21 Nights in London residency at the O2 Arena, the Welcome 2 America and Welcome 2 Australia tours, and his 21 Nights in Los Angeles residency. The set includes a full live line-up based on various eras of his New Power Generation band - including Prince in his trademark purple.* Also included are some stage props and anachronistic additions that provide fun nods to his full career - including a crystal ball, from his 1987 Sign O' The Times tour, and a dove symbolizing his #1 song When Doves Cry. Included with the purple piano, which Prince used for DJ-like 'sampler sets,' and which also represents his final one-man Piano & A Microphone Tour, is a tile printed with the phrase "2 many hits..." - a phrase concert-goers heard Prince say almost every night. A variety of Prince's many guitars and other instruments are also included in this 16.4" x 14.1" 948-piece model.
Symbol Guitar. Built by luthier Jerry Auerswald in 1993, the symbol guitar turned Prince's iconic name into the instrument he used the most. Also built in white and black versions, as well as in his trademark purple (an instrument he named "Habibi"), the gold version represented here is the only one to survive Prince's climactic guitar-flips as he threw the instrument to his guitar technician at the end of a show-stopping solo. The gold symbol guitar is now on display in Prince's musical home turned inspirational museum, Paisley Park Studios, in Chanhassen, Minnesota. This 19" x 14.1" 870-piece LEGO recreation is a perfect piece to display or to hold and 'play' using the variety of printed guitar picks as you listen to Prince's vast catalogue.
The symbol is synonymous with Prince and his inspiration of others. Get inspired to find your own muse and explore your own creativity with the Prince Symbol 3-in-1 set! After all, what could better symbolize music in a LEGO form?
*Please note that Prince's hair and clothing styles changed regularly, and there are several iconic looks that could be used in this set, including the Afro hairstyle that bookended his career; additional hairpieces and/or torsos could be included in the set to represent different eras.
Wael Shawky
curated by Carolyn Christov-Bakargiev and Marcella Beccaria
On view from November 3, 2016 – February 5, 2017
Inauguration: November 2, 2016
The retrospective of Wael Shawky (Alexandria, Egypt, 1971), held at the Castello di Rivoli, presents a series of film works, sculptures, and new wooden high-reliefs inspired by the Crusades and narrated from an Arab rather than a European point of view.
The artist transforms the space of the Manica Lunga, whose walls have been painted blue, into a spectacular stage design. The exhibition itinerary starts with the new wooden reliefs, and then unfolds across a construction inside of which Cabaret Crusades: The Horror Show File (2010) is screened, to continue with a garden with twenty-six sculptures on display. Another construction that calls to mind a minaret hosts Cabaret Crusades: The Path to Cairo (2012). The exhibition continues with a series of photographs of marionettes and ends with the third video in the trilogy, The Secrets of Karbala (2015). “Visitors – writes Marcella Beccaria – are swept off into the distant past, the echoes of which are nonetheless recognizable in our unstable present of Middle Eastern wars and new uncertainties.”
Inspired by Medieval Islamic sources like Usama Ibn Munqidh and Ibn al-Qalànisi—as well as The Crusades through Arab Eyes (1983) by the Lebanese historian Amin Maalouf—Cabaret Crusades lingers upon the history of the Church’s military campaigns in the Holy Land. The artist begins his story with the first Crusades, from 1096 to 1099, staged in the first chapter of the Cabaret Crusades: The Horror Show File. It then continues with the history of the events between the First and Second Crusade, covering the years between 1099 and 1145, represented in Cabaret Crusades: The Path to Cairo. These works bypass the more traditional notions regarding the clash of civilizations between the Western world and Islamic cultures. The use of marionettes instead of real actors allows the trilogy to be magical in tone and seemingly different from the violent and macabre subject described. Shawky used antique marionettes of the eighteenth century from the Lupi Collection in Turin for the first film and custom-made ceramic ones for the second work.
The Secrets of Karbala is the final chapter in the trilogy and uses glass marionettes from Murano. These glass marionettes blend human and non-human animal traits and the memory of ancient African masks. The work also mentions the Battle of Kerbela (680), the main and tragic event that ultimately led to the division between Shiites and Sunnis even today. The story ends with the capture of Constantinople by the Crusaders in 1204.
The trilogy treats the issue of history and human events overwhelmed by ambition and rivalry, by betrayal and violence.C
This is a stage design for Malyalam Star Nite Show as per the Event Manager's Concept. Made in Maya & Photoshop for Texturing.
Stage design for Fall Focus sermon series at Garden Way Church. Set and poster design by Kelly Baum and Kris Carter.
Photos by David Sharp
'07 Stage design of our yearly "VBS" style kids program called PowerQuest.
This was put together by our Kids production team.
Kids went wild.
Morton Feldman: composer
Joan La Barbara: singer
Martin Bauer: director
Minou Maguna/Benton-C Bainbridge: video and stage design
Homer Flynn
Moleshow Stage Design Original Art
11 x 17 inches
1982
Pen and ink on vellum
Designed by Hardy Fox
Visuals and stage design by DEFRAME Collective, at Mammoth techno stage, Source on Ice 2011
pictures and cropping/color correction by Leon Lubberdink and Jessica Dreu
Pencil, watercolour, gouache and black ink on paper; 18.5х23.5 cm.
***
Мстислав Добужинский «Сценический дизайн для «Пиковой дамы»», 1925
Stage design, costume, interactive media design, and print design for the Steinfuß Theatre. The play staged the critical text “Geschichte meiner Einschätzung am Anfang des Dritten Jahrtausends” by German musician and poet PeterLicht. The concept is about three different boxes, through which the audience moves from scenery to scenery. We set up a pool made of styrodur, a cardboard structure, and a site fence with woven paper strips. Then there was a video projection and a remote controlled moon.
With Aline Otte, Yakub Yayla, Bianca Barabas, Duy An Tran, and others.
Director: Adelheid Schulz
17.-24.5. 2012, Stuttgart
Photographer Karen Stuke created a beautiful opera house stage design now on display in the “Berlin Through My Lens” Exhibition. Throughout the city, residents have been discussing the subject of the public financing Berlin opera houses. She used a red Kolo Havana photo box for the model base of a proposed opera house to be built in the working class district of Berlin-Wedding. Her model includes a well-designed floor plan, lights and a background displaying her unique pinhole photographs.
Karen’s passion for opera and theater started at a young age, leading her to become an influential stage and theater photographer. She believes that theater is an art form and her cause is to keep the play alive long after the curtain falls. She developed the idea of a camera obscura theater photograph, combining multiple exposures into one single photograph, to capture the essence of the play.
Karen’s work is on display at Monochrom, Ackerstrasse 23-26, one of five fine retailers participating in the three-week walking tour celebrating Berlin’s creative community.
For more on this project: koloist.com/index.php/2009/11/23/karen-stuke-s-opera-stag...
Marius Manole – STEVE
Antoaneta Cojocaru – HELEN
Bogdan Dumitrescu – JERKS
Mihai Cuciumeanu – EMERSON
Iulian Postelnicu – PECA
Rodica Ioana Ionescu - STAMOS
Stage design: Mihai Pacurar
Video: Ioan Cocan
DJ Yann LeBlay
Choreography: Ramona Barbulescu
Theatre director: Carmen Lidia Vidu
“I Hate Helen is not a play! But it surely is something that announces the art form of the next decades. So why don’t you take a look?” Cristina Rusiecki
For how long can you really feel you are not alone?
What about your love life?
And when does the hatred begin?
“I Hate Helen is not a play, or to put it in a better way, it is not only a play. It is more like a movie, a Cartoon Networkly cartoon, a music; it sweats urban legend (snuff is just an example) it is underground and anti-underground at the same time and it is a savoury parody.
These elements, if considered separately, are successful, but if considered together, plus the actors’ performance, they are simply unheard-of and I must say very joyful. It a mixture of multimedia, a chaos finally aligned by the thread of the parody created by the media discourse.” (Sonia Lodi )
Cher at Ceasar's, Las Vegas 2008 show. Stage design by Jeremy Railton and Entertainment Design Corporation.
Client: Alda events / Armin van Buuren
Stage Design: 250K
Visuals & Operating: Eyesupply.tv
Pictures: Eyesupply.tv
Model of the stage design for Leoš Janáček's Jenůfa at Malmö Opera House
In the workshop of Leslie Travers
The Pullens Estate was developed by builder James Pullen from 1886.
The estate originally comprised of 684 dwellings in 12 blocks, with 4 yards containing 106 workshops. The estate suffered bomb-damage during the Blitz, with the remaining buildings protected from demolition in the 80s due to protests by the Residents' Association and squatters.