View allAll Photos Tagged specific
Mirror is a site specific installation by international artist Jaume Plensa. Mirror features two 10 foot tall figures positioned in conversation with each other. up close, their physical forms are an intermingling of white coated marine steel letters from many alphabets. Viewers are provided with an entry point to each figure, where they can,physically walk inside the sculpture. One of the new public art works celebrating Rice University's centennial.
twistylane.blogspot.com/2012/05/my-world-public-art-mirro...
Noro yarns are well known for their gorgeous colourways, and these Silk Garden examples are no exception. I went to the yarn shop today for something quite specific and somehow came out with these (and another ball of yarn) as well.
Yarn loveliness aside, in a small way it'll go toward helping the Japanese economy (in the very long run). But for the moment, we can all help in a more significant way by giving a little bit of yarn/beer/chocolate money to one of the many good causes making a difference in Japan (and New Zealand, Haiti, many other parts of the world) at the moment.
Some organisations you may like to support:
Médecins Sans Frontières If you're a knitter you may also like to participate in Knitters Without Borders
Franco Menicagli
A CHI NON PIACE GUARDARE IL CIELO?
(allestimento)
Installazione site specific per il Cortile di Palazzo Strozzi (16.10-16.11.2014)
© photo Mario Guidi
“The Warfield Passages” ©1999 exterior wall mural, acrylic paint, photo and silkscreen collage on concrete,12 panels with a total length of 90 feet by eight feet tall. 28 Taylor Street; stage door and side exit of The Warfield Theater, side wall of the Warfield Building at 988 Market Street. Funded by the City of San Francisco’s Neighborhood Beautification Fund; Sponsored by the Mural Resource Center
This mural was designed and painted to be experienced while in motion, particularly as viewed by pedestrians. It is specific to its site because it reflects (figuratively and historically) the immediate area. The design is anchored by the theme of the history of the Warfield Theater, which opened in 1922 as a movie palace and went on to become a Vaudeville theater, and currently is a concert hall for contemporary music. Reading from left to right, the panels follow a time line, starting with a reference to the first moving images of a person (made by Edweard Muybridge, who was commissioned by Leland Stanford of Palo Alto), and moving through other cultural historical references to movies and performers from the era or who appeared at the Warfield. Most of the panels contain portraits of local people who posed for the mural. One of the panels is the view up Taylor Street, as it is seen from that point, imagined as it may have appeared in the early 20’s when the building was constructed. Near the right end of the mural another panel is painted from the viewer’s perspective, showing the intersection of Taylor, Golden Gate and Market as it looks today. Local legend has it that there was a speakeasy in the basement; one panel is painted as a tribute to that, using actual Art Deco imagery copied from photos I took of the basement walls.
A further tour to Fourvière, Lyon, France for a specific visit of l'Antiquaille on October 20, 2022. I did also a new Kodak Tri-X film with my Zorki-4K camera and its Jupiter-8 1:2 f=50 mm normal lens.
The Zorki was loaded with the Kodak Tri-X (TX) exposed for 400 ISO using a Minolta Autometer III lightmeter fitted with a 10° viewfinder for selective measuring privileging the shadows. After exposure the film was processed at 20°C using Tetenal Ultrafin developer at dilution 1+10 for 9min.
Saint-Just, October 20, 2022
Rue des Farges
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
After several films, and the range finder adjusted, I found the Zorki-4K very pleasant to use. The camera is clearly very reliable and the film smoothly advanced and rewound. I equipped the lens with a FOCA UV-protection filter (Made in France) and the hood of my Focaflex. All views are presented either framed or full-size.
About the camera :
This camera was manufactured in 1977 by KMZ company ( Красногорский механический завод, Krasnogorskiy Mechanicheskiy Zavod) located in the Moscow region. KMZ also manufactured the ZENIT SLR's among many other productions. Zorki 4K was produced between 1972 to 1978 and the previous Zorki models were inspired by the Leica II since 1949. This model 'Made in USSR" is branded in roman characters, intentionally for exportation. Other Zorki 4K were also branded in Cyrillic as "Зоркий". Zorki 4K was sold basically either with this Jupiter-8 lens 1:2 f=50mm or the Industar lens1:3.5 f=50mm. The Jupiter-8 is a Sonnar Zeiss optical formula and fits to the Zorki body using the screwing M39 Leica mount.
Its was sold to me in August 2022 from Austria with its original ever-ready leather bag, a front lens cap and a small shade hood accessory Minolta D42KA. The shade hood and filter of my Focaflex also fit to the Jupiter lens (Leica standard 42 mm filter)
John Carney of the New Orleans Saints and his wife Holly join the Sport Specific Performance team on the red carpet at the 20th annual Charlie Joiner Celebrity Golf Classic. Along with talking golf, football, and life, we discussed the all natural GOLF STRENGTH and GOLF FOCUS supplements with the Pro Bowl Kicker.
Basurama. Abierto x Obras. Del 16 de septiembre 2016 al 8 de enero 2017.
Agostamiento es una intervención site-specific que ha realizado el colectivo artístico madrileño Basurama para el programa Abierto x Obras y que tiene lugar en la antigua cámara frigorífica del que fue el matadero de Legazpi. Basurama propone un paisaje interior extraído de la plantación de 7000 girasoles que ha cultivado junto a los vecinos y vecinas de la Gran Vía del Sureste, en el Ensanche de Vallecas. Un espacio público imposible que, en palabras de Basurama, “invita a charlar y a comer pipas, mirando hacia el futuro desde lo más oscuro”.
El “bulevar central" abandonado de esta avenida -un descampado de 350 metros de largo y 30 de ancho- es uno de los muchos restos que la explosión de la burbuja inmobiliaria ha dejado en nuestra ciudad. Un paisaje urbano desolador e inquietante, que se propone y se reinventa como paisaje agrícola, para convertirse en un espacio productivo y de encuentro. Entre esos restos de ciudad nueva, viven personas que han decidido hacerse cargo de sus vidas y de sus barrios, gestionando sus espacios públicos. En tiempo de agostamiento, el ciclo de vida e inflorescencia abre un inmenso espacio de vida por construir y compartir.
Basurama es un colectivo dedicado a la investigación, creación y producción cultural y medioambiental fundado en 2001. Su área de estudio y actuación se centra en los procesos productivos, la generación de desechos que estos implican y las posibilidades creativas que suscitan estas coyunturas contemporáneas.
También pretende establecer una plataforma para que entren en contacto y trabajen juntos personajes del entramado social que ocupan lugares muy diferentes y sin embargo no están muy alejados, considerándose también como un nodo creativo- espacio de encuentro. Ha realizado más de 100 proyectos en los cinco continentes, tiene su base en Madrid y una oficina permanente en Milán y Bilbao.
Abierto x Obras, en Matadero Madrid, es un programa de intervenciones site specific que invita a artistas a realizar una pieza de nueva producción incentivando el carácter experimental de la creación contemporánea a través de planteamientos que exploran la relación entre el arte y el lugar que lo acoge, la antigua cámara frigorífica del Matadero. Una sala de más de 800 metros cuadrados que todavía conserva su aspecto original y las huellas de un incendio sucedido en los años 90. Un espacio característico por su estructura diáfana de arcos volados y columnas. Desde 2007, Abierto x Obras ha acogido las intervenciones de artistas como Daniel Canogar, Jannis Kounnellis, Román Signer, Carlos Garaicoa, Fernando Sánchez Castillo, Jordi Colomer, Los Carpinteros, Cristina Lucas, Eugenio Ampudia o Darya von Berner, entre otros.
Westbound U.S. 22 Southbound Ohio 60 Southbound Ohio 93 Eastbound Ohio 146 to be specific. This is a weird area!, I like it though.
This is in downtown Zanesville. This day I was trying to follow U.S. 22 down to the Sheetz station in South Zanesville because I wanted to see if they had any interesting flavors of potato chips for sale.
Wow yon bldg is old: The Muskingum County Auditor website says it's from 1890, but I looked at the Library of Congress's digitized Sanborn fire insurance maps and I see it was already here by 1886, which is the earliest year such maps are available online.
-----------------------
In downtown Zanesville, Ohio, on November 28th, 2020, the side of a building at the southwest corner of Main Street (U.S. Route 40) and South 7th Street (U.S. Route 22 and Ohio state routes 60, 93, and 146).
-----------------------
Getty Thesaurus of Geographic Names terms:
• Muskingum (county) (1002701)
• Zanesville (7014658)
Art & Architecture Thesaurus terms:
• abandoned buildings (300008055)
• architectural ornament (300378995)
• brick (clay material) (300010463)
• brick red (color) (300311462)
• circles (plane figures) (300055627)
• commercial buildings (300005147)
• cornices (300001788)
• lampposts (300101536)
• lintels (spanning elements) (300003161)
• oblique views (300015503)
• oriented strand board (300380238)
• plywood (300012849)
• shadows (300056036)
• side views (300264743)
• traffic signs (300211849)
Wikidata items:
• 28 November 2020 (Q57396995)
• 19th-century architecture (Q69595903)
• 22 (Q712488)
• 60 (Q79998)
• 93 (Q31118)
• 146 (Q720721)
• Appalachian Ohio (Q14234625)
• boarding up (Q4931416)
• Columbus–Marion–Zanesville, OH Combined Statistical Area (Q100701198)
• concurrency (Q5159092)
• Congress Lands East of Scioto River (Q5160803)
• highway shield (Q5759965)
• November 28 (Q3017)
• November 2020 (Q38575003)
• Ohio State Route 60 (Q2390219)
• Ohio State Route 93 (Q2491850)
• Ohio State Route 146 (Q2491983)
• Ohio state routes (Q96348143)
• state highway (Q1788582)
• streetlight (Q503958)
• Treaty of Greenville (Q767317)
• United States Numbered Highway System (Q408192)
• U.S. Route 22 (Q408121)
• U.S. Route 40 (Q409496)
• vacant building (Q56056305)
Abierto x Obras. Matadero Madrid. Del 15 de septiembre 2017 al 8 de enero 2018.
Matadero Madrid presenta Los Afijos, una intervención site specific que ha realizado Juan López (Cantabria, 1979) para el programa Abierto x Obras, que tiene lugar en la antigua cámara frigorífica del que fue el matadero de Legazpi. La propuesta del artista plantea una intervención escultórica sobre la arquitectura como forma de resistencia contra lo establecido.
Los afijos son secuencias lingüísticas que se anteponen, se posponen o se insertan en una palabra para modificar su significado. Esta intervención, realizada específicamente para el programa Abierto x Obras de Matadero Madrid, trabaja con la relación entre escritura y arquitectura, entre signo y significado, entre escultura y collage. En un mundo hipercomunicado, poblado de signos creados por una élite intelectual y/o social, López juega con la posibilidad de alumbrar nuevos significados, nuevos espacios y otros regímenes de lo sensible, a partir de la creación de renovados signos, que además componen otros espacios. Así pues, se resignifica el discurso a la vez que se resignifica la arquitectura y por tanto nuestra manera de relacionarnos en este espacio.
Desde sus obras tempranas de intervención en el espacio urbano, el trabajo de Juan López busca desvelar otros modos de percibir el lugar como hipótesis para otras relaciones sociales fuera de la normatividad impuesta por el poder. En su obra, y mediante el recurso de la metáfora, quiebra y recompone los vínculos entre estos tres elementos: ciudad, subjetividad y poder.
Juan López ha expuesto en numerosas galerías, centros de arte, ferias y museos nacionales e internacionales como La Casa Encendida, MUSAC, Centro de Arte Laboral, Fundación Joan Miró, La Panera, O.K. Centrum Tokyo Wonder Site o Den Frie. Además, ha recibido diversos premios y becas como Hegnspl-Award Byens Hegn, Generaciones 2013, Premio ABC de Arte, Beca Fundación Marcelino Botín o Muestra de Arte INJUVE.
Abierto x Obras, en Matadero Madrid, es un programa de intervenciones site specific que invita a artistas a realizar una pieza de nueva producción incentivando el carácter experimental de la creación contemporánea a través de planteamientos que exploran la relación entre el arte y el lugar que lo acoge, la antigua cámara frigorífica del Matadero.
Uchee is a site-specific work, assembled in situ. The brushstrokes sit one in front of the other and are made of polymer and pigment on aluminum. Donald Martiny is a local abstract artist. Martiny studied at the School of the Visual Arts, The Art Students League in New York, New York University and the Pennsylvania Academy of Fine Arts. His museum exhibitions include the FWMoA, Courtauld Institute of Art, Alden B Dow Museum of Art, Falmouth Museum, and the Cameron Art Museum. Martiny’s work is represented by galleries in Europe, the US and Australia and is collected internationally. His work has been featured in the Huffington Post, NPR, Philadelphia Inquirer, VOGUE LIVING | Australia, New American Paintings | South, Decor Magazine, Hong Kong Tatler and Woven Tale Press.
In 2015 Martiny received a commission from the Durst Organization to create two monumental paintings that are permanently installed in the lobby of One World Trade Center in New York City.
The Final Day of Racing At Brands Hatch for The Superprix Weekend and After a Really Busy and Scattered Set Of Races The Previous day it was time to see which of the Drivers could Brave the Circuit One Last Time and Take Home Either a Championship Win or a Victory in their Specific Race.
Lets Get Straight to the Results.
Classic Formula Ford/Historic Formula 3 (Race 2 Result)
Classic Formula Ford and Historic Formula 3 Were up First and it was Time to see who could be The one to take the Checkered Flag First when they crossed the Line.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with a Lap Time of 1:39.257 and a Top Speed of 86.59mph. A Fantastic Victory Cameron Showing Incredible Car Control and Commitment to Win the Race.
In Second Place was (Ben Tinkler) in his Van Diemen RF80 with a Lap Time of 1:39.986 and a Top Speed of 85.77mph. A Really Great Drive from Ben to stay so close to Cameron and Keep Him on his toes the entire Time while Fighting for the Lead of the Race.
In Third Place was (Jordan Harrison) in his Lola T540E with a Lap Time of 1:39.994 and a Top Speed of 85.54mph. A Really Wonderfully Deserved Third Place for Jordan Pushing that Lola for everything it Has got to gain Third Place. Well Done.
Three Fantastically Fast Drivers all with Incredible Speed and Talent Showcasing The Best of what they Bring to Brands Hatch Every Year. An Amazing Last Race to Witness. Congratulations to The Race Winner and Keep Trying Hard Everyone Else.
HGPCA Pre 66 Grand Prix Cars (Race 20)
Next It was The Historic Grand Prix Cars and with a Massive Turn out for them it looks like Another Cracking Race to see from Start till Finish. Lets see who came out on Top.
In First Place was (Sam Wilson) in his Lotus 18 with a Lap Time of 1:39.384 and a Top Speed of 86.55mph. Amazing Work Sam Showing Colin Chapman How it Should be Done. He would have been Proud to Witness that Victory.
In Second Place was (Peter Horsman) in his Lotus 18/21 with a Lap Time of 1:41.296 and A Top Speed of 84.90mph. A Fantastic Drive by Peter to take Second Place in the Race.
In Third Place was (Miles Griffiths) in his Scarab Offenhauser with A Lap Time of 1:41.501 and A Top Speed of 84.38mph A Really Good Job there Miles Almost Matching Lap Times with Peter and Showing Some Incredible Car Control during The Race.
Another Fantastic Race for The Historic Grand Prix Cars and a Huge Congratulations to Sam for Taking Victory in the Last Race. Avery Well Done to Both Peter and Miles as well.
HSCC 70's Road Sports (Race 19)
Historic Road Sports took to the Track next and with some Legendary Cars from the Likes of Lotus Morgan and TVR it was Time to see who Had Stormed to Victory in the Last Race and Taken the Victory.
In First Place was (William Plant) in his Morgan Plus 8 with A Lap Time of 1:45.768 and A Top Speed of 70.67mph. Congratulations William on the Victory it was so Good to See a Morgan Take First Place while Watching this Exciting Race. An Amazing Drive.
In Second Place was (Jim Dean) in his Lotus Europa with A Lap Time of 1:46.411 and A Top Speed of 70.66mph. Another Incredible Drive from Jim to Take Second Place. Well Done
In Third Place was (Richard Plant) in his Morgan Plus 8 with A Lap Time of 1:47.697 and a Top Speed of 70.31mph. A Very Committed Drive from Richard and a Fantastic Third Place Finish that I'm sure the Whole Family will be Proud of.
Fantastic Racing from the 70's Road Sports to Finish the Days Racing for them Congratulations to William, Jim and Richard. Hope to see you Three Battling it out Again Soon.
Aurora Trophy With Geoff Lees Trophy
The Arora Trophy Roared onto the Grand Prix Circuit Next with Powerful V8 Engines thease Racing Cars could make the Ground Shake as they Thunder their way around the Race Track. Lets see who Managed to take that All Important Victory for their Final Race.
In First Place was (Martin Stretton) in his March 712 with a Lap Time of 1:25.976 and A Top Speed of 101mph. A Very Brave and Committed drive from Martin to Take Victory, Really Pushing the March to its Limits and hanging onto the Lead thought the Race.
In Second Place was (Mathew Wrigley) in his March 782 with a Lap Time of 1:25.127 and A Top Speed of 100.96mph. Another Incredible Driver Taking his Machinery to New heights and Keeping the March Name Alive in Historic Racing. Amazing Work Mathew.
In Third Place was (Samuel Harrison) in his Dallara 389 with A Lap Time of 1:29.552 and A Top Speed of 95.04mph. Amazing work Sam showing Insane Car Control even when Racing so Fast and for such A Long Time. Congratulations.
Another Amazing Race to Keep the Day going and showing the Amazing work that Each Team Does to ensure that their Driver and His Car are Ready to go. Well Done to all of the Teams and to the First Second and Third Place Winners as well. Looking Forward To seeing more Action this Year from the Aurora Trophy.
Guards Trophy (Race 21)
Next Up Guards Trophy with Another Range of Racing Machines from the Likes of Brabham Chevron and Lotus Lets see what will Happen and Who will be able to Drive their way to Victory in This Race.
In First Place was (Andy Newall) in his Chevron B6 with A Lap Time of 1:38.258 and A Top Speed of 83.84mph. Very Well Driven and Raced by Andy Showcasing the Power of the Chevron and taking it too its Limits in terms of Raw Speed and Performance.
In Second Place was the Duo of (Jackson S and Jackson C) in their Lenham P70 with A Lap Time of 1:38.008 and A Top Speed of 83.45mph. Fantastic Work to The Two Jacks who Really showed what Working Together Can Achieve during A Race. Well Done
In Third Place was the Duo of (Mitchell W and Mitchell B) in their Chevron B8 with A Lap Time of 1:38.368 and A Top Speed of 82.49mph. Another Amazing Duo who Have Taken Third Place and Kept the Fight Alive in their Respective Championship. Amazing work.
A Fantastic Race for the Guards Trophy Showing the Power of Each Race Car and what they Are Capable of When put into The Hands of the Right Drivers. Congratulations to Andy Mitchell W and Mitchell B as well as Jackson S and Jackson C for putting on One Hell of a Race. Keep up the Good Work Everyone Else and Never Stop Fighting for your Own Victories.
Historic Formula Ford (Race 16)
Next Up was Historic Formula Ford and some very Twitchy and Tricky Cars to be Driven Round the Circuit at Hight Speed. With Light Weight Chassis and Small Cockpits this was going to be a Very Exciting Race to Watch. Lets see who Came out Best of the Rest.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with A Lap Time of 1:38.596 and A Top Speed of 87.95mph. Another Incredible Drive From Cameron to Take Victory and show what A Truly Committed and Self Determined Driver is. He is an Inspiration to All Up Coming Formula Ford Racers.
In Second Place was (Tom Macarthur) in his Titan MK3 with A Lap Time of 1:38.484 and A Top Speed of 87.94mph. Another Really Brave and Heroic Driver Pushing His Formula Ford to its Limits and Keeping his Eye's on the Race Track. Amazing Work Tom.
In Third Place was (Horatio Fitzsimon) in his Merlin MK20A with A Lap Time of 1:38.513 And A Top Speed of 87.90mph. Very Well Done Horatio Fantastic Driving and A Well Deserved Third Place.
An Amazing Final Heat Race for the Formula Fords with Everyone Pushing As Hard as they Could for Victory. Keep Working Hard Everyone and Congratulations to Cameron Tom and Horatio.
Historic Road Sports (Race 17)
Historic Road Sports Next and it was Time to see what Each Driver could do in their Respective Race Car. Lets see how things Stacked up and who Came out on Top in the Race.
In First Place was (Kevin Kivlochan) in his AC Cobra with a Lap Time of 1:46.891 and A Top Speed of 72.19mph. What A Drive From Kevin to Take Victory Keeping that Cobra Far Ahead of the Rest of the Pack and Taking A Dominant Victory. Carol Shelby would have Loved to See That.
In Second Place was (John Davidson) in his Lotus Elan S1 with A Lap Time of 1:46.052 And A Top Speed of 72.16mph. Amazing Work John Keeping that Lotus on the Tarmac and Putting on One Hell of a Race for Everyone. Amazing Job.
In Third Place was (Rupert Ashdown) in his Lotus Elan S1 with A Lap Time of 1:47.481and A Top Speed of 71.61mph. Another Incredible Drive by Rupert Taking Third Place Very Well Deserved.
Historic Road Sports putting on Another Superb Race for the Season and Congratulations to Kevin John and Rupert on their Victories. Hope to see More of that This Year and Good Luck to Everyone Else Racing too.
Historic Touring Cars (Race 22)
The Final Race of The Day was Here and The Historic Touring Car Club did not Disappoint with Lotus Cortina's Mini Cooper S's and Ford Mustangs This was going to be a Final Battle of Titans. Lets See Who Managed to Take that Last Checkered Flag of the Day.
In First Place was (Steve Soper) in his Ford Mustang with A Lap Time of 1.47.084 and A Top Speed of 71.51mph. Awesome Drive Steve Fantastic to see that He Still has it in him After all The Years of Racing.
In Second Place was (Rob Fen) in his Ford Mustang with A Lap Time of 1:49.031 and A Top Speed of 70.93mph. Amazing Work Rob Pushing that Mustang Far and Wide to Hang onto that Second Place. Excellent Drive.
In Third Place was (Mark Martin in his Ford Lotus Cortina with A Lap Time of 1:49.905 and A Top Speed of 70.70mph. Very Well Done Mark Great Driving and Even a Wheel in the Air on Some Occasions Heading onto the Grand Prix Loop. What A Sight that Was to See.
And With that The Days Events came to an End for another year of Superprix Racing at Brands Hatch Amazing work to all of the Organisers and Race Drivers who took Part and Congratulations once again to all of the Race Winners. Keep Fighting Keep Wining and I'm Sure we will do it All Again Next Year.
I got this pigs heart last week to do a specific picture, but sadly Mrs H just wasn't willing to participate in m y little venture. Since there's a distinct lack of local babes willing to don an old Laura Ashley dress and stand over me with a kitchen knife whilst holding a lump of dead animal I had to compromise and just do a little creative work top photography!!
Being a week old it was starting to get a bit smelly, so it is now in the dogs!!! Funny thing is, I can still smell it...........
Another thing fascinating is that they can now transplant a pigs heart into a human. This now gets my fevered mind wondering if a jew or muslim in desperate need of a new heart had the choice of death or a pig heart transplant which would they choose? Life over religious beliefs?
China is now in desperate looking for people who can fix old books. “I hope more universities could open specific courses in teaching skills to repair old books, so that more ancient books can be passed from generations to generations.”
Fairy Ring, temporary site-specific installation
thermoplastic objects, organic matter, time, light, nature
2021 | 962 square feet | 26 ft. inner diameter
I Heart Rail Trail: Lights | temporary site-specific, pubic work at Atherton Mill, Charlotte, NC by Artist: Meredith Connelly
✩ f o l l o w ➭ A L A I A ✩
Instagram ➭ www.instagram.com/HiAlaia
TikTok ➭ www.tiktok.com/@hialaiashow
Facebook ➭ www.facebook.com/HiAlaiaShow
Website ➭ bit.ly/HiAlaiaWebsite
Subscribe to Hi Alaia Channel ➭ www.youtube.com/@HiAlaia
Alaia - Joyful with such excellence and beauty to inspire with grandeur admiration. ~ @HiAlaia
#HiAlaia #HiAlaiaShow #Alaia #Alaïa
For Business and Promotional Inquiries:
HiAlaia@yahoo.com
SPECIFIC:
GENERAL: Deadbolt performs at PJ's Lager House. Photographed Sat., Oct. 16, 2010
(Donna Terek )
On 16-17 May 2016 a series of event under the title Global Urbanisms, Regional Specificities were organised by Jenifer Robinson (UCL Dept of Geography and Urban Laboratory) and Tamar Garb (UCL Institute of Advanced Studies) This included evening public sessions addressing regional perspective on planetary urbanism and thinking around the urban in the Global South, as well as a closed symposium during the day. The events explored very active debates within in urban studies addressing the limits of universalist theorisations of the urban, while at the same time seeking to engage with the globalisation of urban processes.
Capitolo primo. L’astratta qualità del ricordo. (2016/2017) Chapter one. The abstract quality of remembrance. (2016/2017) Site specific installation. Work in progress.
La Delice Pastry Shop and Candy Store Chocolate specific on 3rd Avenue and 27th Street Kips Bay New York City - 03/30/2018 - NYC - Mystery Magic Chef outside mannequin Superchef Comicbook super hero comic book comics standee Halloween stand up store stores Bake Bakery Easter candy store entrance Pop n Fresh Mannequins dummy wax sculpture standees cook domestic hat uniform chocolate 2018 Mysterious
Go to Page with image in the Internet Archive
Title: Humphreys' homeopathic mentor, or Family adviser in the use of specific homeopathic medicine
Creator: Humphreys, F. (Frederick), 1816-1900
Publisher: New York, Humphreys' Homeopathic Medicine Co.
Sponsor: Open Knowledge Commons and Yale University, Cushing/Whitney Medical Library
Contributor: Yale University, Cushing/Whitney Medical Library
Date: 1898
Language: eng
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
See all MHL images published in the same year
See all images from Yale University, Cushing/Whitney Medical Library
Site-specific temporary work made in an oak tree where the location and available technical boundaries together with the artist in a playful, colourful temporary roperodden treehouse/lighthouse looking out over Lake Mälaren from Bredäng, Stockholm. For Kajko art and Music festival.
Founded in 1997, the Buffalo Transportation Pierce Arrow Museum houses a large collection of classic cars, motorcycles, and other historic automobile-related artifacts, with a specific focus on the Pierce-Arrow Motor Car Company, which operated in Buffalo between 1901 and 1938. The museum was initially located in a one-story former commercial building on Michigan Avenue, opening in 2001 to coincide with the centennial of the Pan-American Exposition. The museum was expanded in 2011-2012 to feature a new two-story postmodern-style wing that houses a reproduction of a filling station designed by Frank Lloyd Wright for the Tydol company, which had been intended to be built in Buffalo. The museum is filled with a collection that includes cars dating between 1903 and the 1960s, with several examples of automobiles manufactured in Buffalo by the Pierce-Arrow Motor Car Company, as well as bicycles, fuel pumps, automobile memorabilia, horse-drawn carriages, motorcycles, and a reconstruction of a filling station designed by Frank Lloyd Wright in 1927 for the Tydol Gas Company. The building itself is relatively simple, with the original section having a red brick exterior, limestone trim, a low-slope roof enclosed by a parapet, blind window openings infilled with darker brick cladding, and a barrel vaulted roof at the rear, with the cladding on this building having been replaced during the 2011-2012 renovation to closely match the addition. The 2011-2012 addition is two stories in height, with a large interior atrium housing a filling station exhibit, with a clerestory on the roof, red brick cladding, a large curtain wall facing Seneca Street, a primary entrance featuring a semi-circular parapet with a metal wheel with spokes embedded into the wall above the door, and cement block cladding on the Carroll Street sides of the building. The museum has a constantly rotating collection on display, and occasionally hosts special events.
Top 10 Masters finisher and PGA Pro Ricky Barnes talks golf, life, and health with Sport Specific Performance. The all natural GOLF STRENGTH and GOLF FITNESS supplements from Sport Specific Performance are perfect for players like Ricky Barnes who attended the LA Lakers' Jordan Farmar's golf event.
The specific property I was looking for was actually around 1625 S. Michigan--about where I was standing--but when I went down there I only knew that it was somewhere on Michigan between 16th and 17th. So I should have been pointing the camera the other way, but ultimately this doesn't matter. The view on this side of the street isn't much different from the view on that side, and it all used to be part of the same farm.
In Chicago's earliest days, this was the site of the Henry B. Clarke House, a little wooden home built in the Greek Revival style on 20.08 acres in 1836 (only three years after the city's official founding). Clarke was a hardware magnate who got rich supplying materials for the new and fast-growing city, so he built his estate away from everybody, in the unoccupied land near the lake and south of the Chicago River. The Panic of 1837 cost him dearly, and he had to resort to using his estate for farming and hunting, but he and his wife survived it all. He held on until cholera took him in 1849. His wife, Caroline, lived in the house until her own death in 1860. In the interim, she sold much of the land around the house back to the city, which is how the Prairie District came to be. A century and a half later, the property became swamped with condo buildings made of corrugated aluminum.
The reticulated python (Malayopython reticulatus) is a python species native to South and Southeast Asia. It is the world's longest snake, and the third heaviest after the green anaconda and Burmese python. It is listed as least concern on the IUCN Red List because of its wide distribution. In several countries in its range, it is hunted for its skin, for use in traditional medicine, and for sale as pets. Due to this, reticulated pythons are one of the most economically important reptiles worldwide.
It is an excellent swimmer, has been reported far out at sea, and has colonized many small islands within its range.
Like all pythons, it is a non-venomous constrictor. In very rare cases, adult humans have been killed (and in at least three reported cases, eaten) by reticulated pythons.
Taxonomy
The reticulated python was first described in 1801 by German naturalist Johann Gottlob Theaenus Schneider, who described two zoological specimens held by the Göttingen Museum in 1801 that differed slightly in colour and pattern as separate species—Boa reticulata and Boa rhombeata. The specific name, reticulatus, is Latin meaning "net-like", or reticulated, and is a reference to the complex color pattern. The generic name Python was proposed by French naturalist François Marie Daudin in 1803. American zoologist Arnold G. Kluge performed a cladistics analysis on morphological characters and recovered the reticulated python lineage as sister to the genus Python, hence not requiring a new generic name in 1993.
In a 2004 genetics study using cytochrome b DNA, Robin Lawson and colleagues discovered the reticulated python as sister to Australo-Papuan pythons, rather than Python molurus and relatives. Raymond Hoser erected the genus Broghammerus for the reticulated python in 2004, naming it after German snake expert Stefan Broghammer, on the basis of dorsal patterns distinct from those of the genus Python, and a dark mid-dorsal line from the rear to the front of the head, and red or orange (rather than brown) iris colour. In 2008, Lesley H. Rawlings and colleagues reanalysed Kluge's morphological data and combined it with genetic material, finding the reticulated clade to be an offshoot of the Australo-Papuan lineage as well. They adopted and redefined the genus name Broghammerus.
However, this and numerous other names by the same author were criticized by several authors, who proposed ignoring them for the purposes of nomenclature despite this being contrary to the ICZN Code that underpins binomial nomenclature, ostensibly promoting the establishment of a dual nomenclature. R. Graham Reynolds and colleagues subsequently and knowing that it was described already, redescribed the genus Malayopython for this species and its sister species, the Timor python, calling the Timor python M. timoriensis. Hoser has since argued that the Malayopython name is a junior synonym of Broghammerus. Neither of these proposed reclassifications has been recognized by the ITIS, but Malayopython has been recognized by a number of subsequent authors and the Reptile Database.
Subspecies
M. r. reticulatus (Schneider, 1801) – Asian reticulated python
M. r. jampeanus Auliya et al., 2002 – Kayaudi reticulated python or Tanahjampean reticulated python, about half the length, or according to Auliya et al. (2002), not reaching much more than 2 m (6 ft 7 in) in length. Found on Tanahjampea in the Selayar Archipelago south of Sulawesi. Closely related to M. r. reticulatus of the Lesser Sundas.
M. r. saputrai Auliya et al., 2002 – Selayer reticulated python, occurs on Selayar Island in the Selayar Archipelago and also in adjacent Sulawesi. This subspecies represents a sister lineage to all other populations of reticulated pythons tested. According to Auliya et al. (2002) it does not exceed 4 m (13 ft 1 in) in length.
The latter two are dwarf subspecies. Apparently, the population of the Sangihe Islands north of Sulawesi represents another such subspecies, which is basal to the P. r. reticulatus plus P. r. jampeanus clade, but it is not yet formally described.
The proposed subspecies M. r. "dalegibbonsi", M. r. "euanedwardsi", M. r. "haydnmacphiei", M. r. "neilsonnemani", M. r. "patrickcouperi", and M. r. "stuartbigmorei" have not found general acceptance.
Characteristics
The reticulated python has smooth dorsal scales that are arranged in 69–79 rows at midbody. Deep pits occur on four anterior upper labials, on two or three anterior lower labials, and on five or six posterior lower labials.
The reticulated python is the largest snake native to Asia. More than a thousand wild reticulated pythons in southern Sumatra were studied, and estimated to have a length range of 1.5 to 6.5 m (4 ft 11 in to 21 ft 4 in), and a weight range of 1 to 75 kg (2 lb 3 oz to 165 lb 6 oz). Reticulated pythons with lengths more than 6 m (19 ft 8 in) are rare, though according to the Guinness Book of World Records, it is the only extant snake to regularly exceed that length. One of the largest scientifically measured specimens, from Balikpapan, East Kalimantan, Indonesia, was measured under anesthesia at 6.95 m (22 ft 10 in) and weighed 59 kg (130 lb 1 oz) after not having eaten for nearly 3 months.
The specimen once widely accepted as the largest-ever "accurately" measured snake, that being Colossus, a specimen kept at the Highland Park Zoo (now the Pittsburgh Zoo and Aquarium) in Pittsburgh, Pennsylvania, during the 1950s and early 1960s, with a peak reported length of 8.7 metres (28 ft 7 in) from a measurement in November 1956, was later shown to have been substantially shorter than previously reported. When Colossus died on 14 April 1963, its body was deposited in the Carnegie Museum of Natural History. At that time, its skeleton was measured and found to be 20 ft 10 in (6.35 m) in total length, and the length of its fresh hide was measured as 23 ft 11 in (7.29 m) – both measurements being significantly shorter than what had been previously estimated in 1956. The hide tends to stretch from the skinning process, thus may be longer than the snake from which it came – e.g., by roughly 20–40% or more.[31] The previous reports had been constructed by combining partial measurements with estimations to compensate for "kinks", since completely straightening an extremely large live python is virtually impossible. Because of these issues, a 2012 journal article concluded, "Colossus was neither the longest snake nor the heaviest snake ever maintained in captivity." Too large to be preserved with formaldehyde and then stored in alcohol, the specimen was instead prepared as a disarticulated skeleton. The hide was sent to a laboratory to be tanned, but it was either lost or destroyed, and now only the skull and selected vertebrae and ribs remain in the museum's collection. Considerable confusion exists in the literature over whether Colossus was male or female (females tend to be larger). Numerous reports have been made of larger snakes, but since none of these was measured by a scientist nor any of the specimens deposited at a museum, they must be regarded as unproven and possibly erroneous. In spite of what has been, for many years, a standing offer of a large financial reward (initially $1,000, later raised to $5,000, then $15,000 in 1978 and $50,000 in 1980) for a live, healthy snake 30 ft (9.14 m) or longer by the New York Zoological Society (later renamed as the Wildlife Conservation Society), no attempt to claim this reward has ever been made.
Reported sizes
DateLocationReported lengthReported weightReported girthScientifically analyzed lengthComments
The colour pattern is a complex geometric pattern that incorporates different colours. The back typically has a series of irregular diamond shapes flanked by smaller markings with light centers. In this species' wide geographic range, much variation of size, colour, and markings commonly occurs.
In zoo exhibits, the colour pattern may seem garish, but in a shadowy jungle environment amid fallen leaves and debris, it allows them to virtually disappear. Called disruptive colouration, it protects them from predators and helps them to catch their prey.
The huge size and attractive pattern of this snake has made it a favorite zoo exhibit, with several individuals claimed to be above 20 ft (6.1 m) in length and more than one claimed to be the largest in captivity. However, due to its huge size, immense strength, aggressive disposition, and the mobility of the skin relative to the body, it is very difficult to get exact length measurements of a living reticulated python, and weights are rarely indicative, as captive pythons are often obese. Claims made by zoos and animal parks are sometimes exaggerated, such as the claimed 14.85 m (48 ft 9 in) snake in Indonesia which was subsequently proven to be about 6.5–7 m (21 ft 4 in – 23 ft 0 in) long. For this reason, scientists do not accept the validity of length measurements unless performed on a dead or anesthetized snake that is later preserved in a museum collection or stored for scientific research.
A reticulated python kept in the United States in Kansas City, Missouri, named "Medusa" is considered by the Guinness Book of World Records to be the longest living snake ever kept in captivity. In 2011 it was reported to measure 7.67 m (25 ft 2 in) and weigh 158.8 kg (350 lb 2 oz).
In 2012, an albino reticulated python, named "Twinkie", housed in Fountain Valley, California, was considered to be the largest albino snake in captivity by the Guinness World Records. It measured 7 m (23 ft 0 in) in length and weighed about 168 kg (370 lb).
Dwarf forms of reticulated pythons also occur, from some islands northwest of Australia, and these are being selectively bred in captivity to be much smaller, resulting in animals often referred to as "super dwarfs". Adult super dwarf reticulated pythons are typically between 1.82 and 2.4 m (6 ft 0 in and 7 ft 10 in) in length.
Distribution and habitat
The reticulated python is found in South and Southeast Asia from the Nicobar Islands, India, Bangladesh, Myanmar, Thailand, Laos, Cambodia, Vietnam, Malaysia, and Singapore, east through Indonesia and the Indo-Australian Archipelago (Sumatra, the Mentawai Islands, the Natuna Islands, Borneo, Sulawesi, Java, Lombok, Sumbawa, Sumba, Flores, Timor, Maluku, Tanimbar Islands) and the Philippines (Basilan, Bohol, Cebu, Leyte, Luzon, Mindanao, Mindoro, Negros, Palawan, Panay, Polillo, Samar, Tawi-Tawi). The original description does not include a type locality. The type locality was restricted to "Java" by Brongersma (1972).
Three subspecies have been proposed, but are not recognized in the Integrated Taxonomic Information System. The color and size can vary a great deal among the subspecies described. Geographical location is a good key to establishing the subspecies, as each one has a distinct geographical range.
The reticulated python lives in rainforests, woodlands, and nearby grasslands. It is also associated with rivers and is found in areas with nearby streams and lakes. An excellent swimmer, it has even been reported far out at sea and has consequently colonized many small islands within its range. During the early years of the 20th century, it is said to have been common even in busy parts of Bangkok, sometimes eating domestic animals.
Behaviour and ecology
As with all pythons, the reticulated python is an ambush predator, usually waiting until prey wanders within strike range before seizing it in its coils and killing by constriction. Its natural diet includes mammals and occasionally birds. Small specimens up to 3–4 m (9 ft 10 in – 13 ft 1 in) long eat mainly small mammals such as rats, other rodents, mouse-eared bats, and treeshrews, whereas larger individuals switch to prey such as small Indian civet and binturong, primates, pigs, and deer weighing more than 60 kg (132 lb 4 oz). As a rule, the reticulated python seems able to swallow prey up to one-quarter its own length and up to its own weight. Near human habitation, it is known to snatch stray chickens, cats, and dogs on occasion. Among the largest documented prey items are a half-starved sun bear of 23 kg (50 lb 11 oz) that was eaten by a 6.95 m (22 ft 10 in) specimen and took some 10 weeks to digest. At least one case is reported of a foraging python entering a forest hut and taking a child.
Reproduction
The reticulated python is oviparous. Adult females lay between 15 and 80 eggs per clutch. At an optimum incubation temperature of 31–32 °C (88–90 °F), the eggs take an average of 88 days to hatch. Hatchlings are at least 0.61 m (2 ft) in length.
Danger to humans
Large reticulated pythons are occasionally found on the outskirts of Bangkok. Usually, a minimum of two people is required to successfully extract such a large snake.
Reticulated python in Pune
The reticulated python is among the few snakes that prey on humans. In 2015, the species was added to the Lacey Act of 1900, prohibiting import and interstate transport due to its "injurious" history with humans. Attacks on humans are not common, but this species has been responsible for several reported human fatalities, in both the wild and captivity. Considering the known maximum prey size, a full-grown reticulated python can open its jaws wide enough to swallow a human, but the width of the shoulders of some adult Homo sapiens can pose a problem for even a snake with sufficient size. Reports of human fatalities and human consumption (the latest examples of consumption of an adult human being well authenticated) include:
A report of a visit of Antonio van Diemen, Governor-General of the Dutch East India Company, to the Banda Islands in 1638, includes a description of an enslaved woman who, when tending to a garden on the volcanic island of Gunung Api, was strangled by a snake of "24 houtvoeten" (slightly over seven meters) in length, and then swallowed whole. The snake, having become slow after ingesting such a large prey, was subsequently shot by Dutch soldiers and brought to the Governor-General to be looked at, with its victim still inside. Although less reliable than this first-hand document, several early published travel journals describe similar episodes.
In early 20th-century Indonesia: On Salibabu island, North Sulawesi, a 14-year-old boy was killed and supposedly eaten by a specimen 5.17 m (17.0 ft) in length. Another incident involved a woman reputedly eaten by a "large reticulated python", but few details are known.
In the early 1910s or in 1927, a jeweller went hunting with his friends and was apparently eaten by a 6 m (20 ft) python after he sought shelter from a rainstorm in or under a tree. Supposedly, he was swallowed feet-first, perhaps the easiest way for a snake to actually swallow a human.
Among a small group of Aeta peoples in the Philippines, six deaths by pythons were said to have been documented within a period of 40 years, plus one who died later of an infected bite.
In September 1995, a 29-year-old rubber tapper from the southern Malaysian state of Johor was reported to have been killed by a large reticulated python. The victim had apparently been caught unaware and was squeezed to death. The snake had coiled around the lifeless body with the victim's head gripped in its jaws when it was stumbled upon by the victim's brother. The python, reported as measuring 7.0 m (23 ft) long and weighing more than 140 kg (300 lb), was killed soon after by the arriving police, who shot it four times.
In October 2008, a 25-year-old woman from Virginia Beach appeared to have been killed by a 4.0 m (13 ft) pet reticulated python. The apparent cause of death was asphyxiation. The snake was later found in the bedroom in an agitated state.[49]
In January 2009, a 3-year-old boy was wrapped in the coils of a 18 ft (5.5 m) pet reticulated python, turning blue. The boy's mother, who had been petsitting the python on behalf of a friend, rescued the toddler by gashing the python with a knife. The snake was later euthanized because of its wounds.
In December 2013, a 59-year-old security guard was strangled to death while trying to capture a python near the Bali Hyatt, a luxury hotel on Indonesia's resort island. The incident happened around 3 am as the 4.5-m (15-ft) python was crossing a road near the hotel. The victim had offered to help capture the snake, which had been spotted several times before near the hotel in the Sanur, Bali, area and escaped back into nearby bushes.
In March 2017, the body of Akbar Salubiro, a 25-year-old farmer in Central Mamuju Regency, West Sulawesi, Indonesia, was found inside the stomach of a 7 m (23 ft) reticulated python. He had been declared missing from his palm tree plantation, and the people searching for him found the python the next day with a large bulge in its stomach. They killed the python and found the whole body of the missing farmer inside. This was the first fully confirmed case of a person being eaten by a python. The process of retrieving the body from the python's stomach was documented by pictures and videos taken by witnesses.
In June 2018, a 54-year-old Indonesian woman in Muna Island, Southeast Sulawesi, Indonesia, was killed and eaten by a 23 ft (7 m) python. The woman went missing one night while working in her garden, and the next day, a search party was organized after some of her belongings were found abandoned in the garden. The python was found near the garden with a large bulge in its body. The snake was killed and carried into town, where it was cut open, revealing the woman's body completely intact.
In June 2020, a 16-year-old Indonesian boy was attacked and killed by a 7 m (23 ft) long python in Bombana Regency, Southeast Sulawesi, Indonesia. The incident took place near a waterfall at Mount Kahar in Rumbia sub-district. The victim was separated from his four friends in the woods. When he screamed, his friends came to help and found him encoiled by a large python. Villagers came to help and managed to kill the snake using a parang machete. However, the victim had already suffocated.
In October 2022, a 52-year-old woman in Terjun Gajah village, Betara Subdistrict, West Tanjung Jabung Regency, Jambi, Indonesia, was killed and swallowed whole by a 6 m (20 ft) reticulated python. She went to tap rubber sap on 23 October 2022 and did not return home after sunset. After she was reported missing for a day and a night, a search party discovered a large python with a bulge in its body in a jungle near the rubber plantation. The villagers immediately killed and dissected the python and discovered the intact body of the missing woman inside. Villagers were alarmed, fearing more large pythons might be lurking in the rubber plantation, because farmers previously had reported two goats missing.
In captivity
In Ragunan Zoo, Terrarium, South Jakarta, Indonesia
Increased popularity of the reticulated python in the pet trade is due largely to increased efforts in captive breeding and selectively bred mutations such as the "albino" and "tiger" strains. Smaller variants such as the "super dwarf" variants found on small islands are likewise popular due to their smaller size, as they grow to a fraction of the lengths and weights of their mainland kin due to genetics, limited space and prey availability. It can make a good captive, but keepers working with adults from mainland populations should have previous experience with large constrictors to ensure safety to both animal and keeper. Although its interactivity and beauty draws much attention, some feel it is unpredictable. The python can bite and possibly constrict if it feels threatened, or mistakes a hand for food. While not venomous, large pythons can inflict serious injuries by biting, sometimes requiring stitches.
In popular culture
In Moonraker (1979), a reticulated python tries to suffocate James Bond (Roger Moore), but Bond kills the snake with a hypodermic pen.
Brickhouse Tileworks specializes in the design and creation of one-of-a-kind, site-specific works of art. Every tile at Brickhouse is meticulously hand crafted for our customers. Whether you are looking for three-dimensional sculpted-relief, hand painted, mosaic or handmade field tiles, our artists will work with you to meet your specific needs. Add exquisite beauty and personalized style to your home, indoors or out, with Brickhouse tiles.
Brickhouse will create a one of a kind custom look for your kitchen, bathroom, fireplace, pool or anywhere you’d like to personalize your home; and we can also produce breathtaking full mural designs. Work with Brickhouse artists to create custom-designed tiles or select from the original Brickhouse Tile Line. At Brickhouse Tileworks we are dedicated to the design and development of high-quality tiles that are distinctive, one-of-a-kind works of art.
Brickhouse Tileworks specializes in the design and creation of one-of-a-kind, site-specific works of art. Every tile at Brickhouse is meticulously hand crafted for our customers. Whether you are looking for three-dimensional sculpted-relief, hand painted, mosaic or handmade field tiles, our artists will work with you to meet your specific needs. Add exquisite beauty and personalized style to your home, indoors or out, with Brickhouse tiles.
Brickhouse will create a one of a kind custom look for your kitchen, bathroom, fireplace, pool or anywhere you’d like to personalize your home; and we can also produce breathtaking full mural designs. Work with Brickhouse artists to create custom-designed tiles or select from the original Brickhouse Tile Line. At Brickhouse Tileworks we are dedicated to the design and development of high-quality tiles that are distinctive, one-of-a-kind works of art.
Glockengasse No 9: site-specific video animation, 3:4, Loop Claudia Larcher uses image and video footage found in the Viennese Glockengase 9 and the nearby area. In her exhibited video work, she extends the real space through “impossible dimensions”, using digital tools to duplicate and replicate single architectural elements, without considering the laws of physics or statics. A virtual room gets created, that outreaches the real and passes over into the imaginary domain seamlessly. This virtual space, which can be experienced by the audience as a visual break, is examining the state of passively reflecting and warping structures.
InteliGEN
/* Client-specific Styles */
#outlook a {padding:0;} /* Force Outlook to provide a "view in browser" menu link. */
body{width:100% !important; -webkit-text-size-adjust:100%; -ms-text-size-adjust:100%; margin:0; padding:0;}
/* Prevent Webkit and Windows Mobile platforms from changing default font sizes, while not breaking desktop design. */
.ExternalClass {width:100%;} /* Force Hotmail to display emails at full width */
.ExternalClass, .ExternalClass p, .ExternalClass span, .ExternalClass font, .ExternalClass td, .ExternalClass div {line-height: 100%;} /* Force Hotmail to display normal line spacing. More on that: www.emailonacid.com/forum/viewthread/43/ */
#backgroundTable {margin:0; padding:0; width:100% !important; line-height: 100% !important;}
img {outline:none; text-decoration:none;border:none; -ms-interpolation-mode: bicubic;}
a img {border:none;}
.image_fix {display:block;}
p {margin: 0px 0px !important;}
table td {border-collapse: collapse;}
table { border-collapse:collapse; mso-table-lspace:0pt; mso-table-rspace:0pt; }
a {color: #33b9ff;text-decoration: none;text-decoration:none!important;}
/*STYLES*/
table[class=full] { width: 100%; clear: both; }
/*IPAD STYLES*/
@media only screen and (max-width: 640px) {
a[href^="tel"], a[href^="sms"] {
text-decoration: none;
color: #33b9ff; /* or whatever your want */
pointer-events: none;
cursor: default;
}
.mobile_link a[href^="tel"], .mobile_link a[href^="sms"] {
text-decoration: default;
color: #33b9ff !important;
pointer-events: auto;
cursor: default;
}
table[class=devicewidth] {width: 440px!important;text-align:center!important;}
table[class=devicewidthinner] {width: 420px!important;text-align:center!important;}
table[class=mainsmall1] { float:left!important;}
table[class=mainsmall2] { float:right!important;}
table[class=banner-gap] { display:none!important;}
img[class="bannerbig"] {width: 440px!important;height:371px!important;}
img[class="spacinglines"]{width: 420px!important;}
}
/*IPHONE STYLES*/
@media only screen and (max-width: 480px) {
a[href^="tel"], a[href^="sms"] {
text-decoration: none;
color: #33b9ff; /* or whatever your want */
pointer-events: none;
cursor: default;
}
.mobile_link a[href^="tel"], .mobile_link a[href^="sms"] {
text-decoration: default;
color: #33b9ff !important;
pointer-events: auto;
cursor: default;
}
table[class=devicewidth] {width: 280px!important;text-align:center!important;}
table[class=devicewidthinner] {width: 260px!important;text-align:center!important;}
table[class=mainsmall1] { float:left!important;width: 120px!important;height:90px!important;}
table[class=mainsmall2] { float:right!important;width: 120px!important;height:90px!important;}
img[class=mainsmall1] { width: 120px!important;height:90px!important;}
img[class=mainsmall2] { width: 120px!important;height:90px!important;}
table[class=banner-gap] { display:none!important;}
img[class="bannerbig"] {width: 280px!important;height:236px!important;}
img[class="spacinglines"]{width: 260px!important;}
}
Boost Brain Performance
InteliGEN, the All-Natural Brain Enhancement Supplement
Made from All Natural Nutrients
Over 14 Million Capsules Sold
Clinically Proven to Improve Focus and Energy
No Caffeine, No Gluten and Non-GMO Ingredients
Shown to Help Support Memoryand Concentration
Increases Processing Speed and BrainFunction in Healthy Adults
Limited offer
30% off
100% Natural
30 days moneyback
Boost brain performance
Advanced brain formula
Use this coupon for a
30% Discount
AWESOME
If you do not want to hear from us please unsubscribe
A site specific promenade performance visiting the unseen corners of The Lyceum.
Step behind the curtain for a unique perforamnce in the darkest corners of The Lyceum. You will be guided where no backstage tour goes - where hidden places meet the hidden voices of youth. This will be a unique theatrical adventure full of surprise and no little terror with live music and lively encounters inspired by The Lyceum's secret spaces.
Devised by members of the Lyceum Youth Theatre with direction from Mark Thomson, Amanda Gaughan, Christie O'Carroll and John Glancy, this is a special one-off production as part of our 50th Anniversary celebrations.
Photo credits: Mark Thomson and the ensemble
'Linked' by Graeme Miller is a permanent site-specific sound art project, broadcast from transmitters positioned along the route of the M11 Link Road (now the A12). It is accessed by walking from Wanstead to Leyton with a dedicated radio receiver to pick up the broadcasts of recorded testimonies from residents of some of the houses which were demolished to build the road.
www.artsadmin.co.uk/projects/linked
A partial walk undertaken as part of a focus group for Sarah Wishart's research: www.sarahwishart.co.uk/?page_id=28
Fairy Ring, temporary site-specific installation
thermoplastic objects, organic matter, time, light, nature
2021 | 962 square feet | 26 ft. inner diameter
I Heart Rail Trail: Lights | temporary site-specific, pubic work at Atherton Mill, Charlotte, NC by Artist: Meredith Connelly
✩ f o l l o w ➭ A L A I A ✩
Instagram ➭ www.instagram.com/HiAlaia
TikTok ➭ www.tiktok.com/@hialaiashow
Facebook ➭ www.facebook.com/HiAlaiaShow
Website ➭ bit.ly/HiAlaiaWebsite
Subscribe to Hi Alaia Channel ➭ www.youtube.com/@HiAlaia
Alaia - Joyful with such excellence and beauty to inspire with grandeur admiration. ~ @HiAlaia
#HiAlaia #HiAlaiaShow #Alaia #Alaïa
For Business and Promotional Inquiries:
HiAlaia@yahoo.com
Winter Scene in Brooklyn - 1820
Francis Guy (1760 - 1820)
Francis Guy found artistic inspiration in the daily activity of his Brooklyn neighborhood. Here, he depicted specific buildings, people, and even animals as seen from the window of his second-floor residence. Guy paid close attention to the diversity of the neighborhood and how each person contributed to the character of the place, whether socializing, slipping on ice, or cutting wood. A large concentration of Brooklyn’s free African American population lived near this very intersection, where Fulton and James Streets meet Front Street, now located under the Brooklyn Bridge.
--------------------------------------------------------------------------------------------
This World Class attraction was everything we expected and more. Construction has just begun on a major expansion, but that has been managed in such a way that it does not in any way detract from the experience now.
This album focuses on the artwork inside the buildings and on the other interior spaces including the Eleven Restaurant and the Gift Shop. A separate album posted a few days ago is devoted to the two April mornings that we spent exploring just some of the trails that crisscross the 120 acres of Arkansas forest around the museum.
Alice Walton and her co-creative team can be proud of the vision and execution of everything on this 120 acre site.
_____________________________________________
"Crystal Bridges Museum of American Art is a museum of American art in Bentonville, Arkansas. The museum, founded by Alice Walton and designed by Moshe Safdie, officially opened on 11 November 2011. It offers free public admission.
Alice Walton, the daughter of Walmart founder Sam Walton, spearheaded the Walton Family Foundation's involvement in developing Crystal Bridges. The museum's glass-and-wood design by architect Moshe Safdie and engineer Buro Happold features a series of pavilions nestled around two creek-fed ponds and forest trails. The 217,000 square feet complex includes galleries, several meeting and classroom spaces, a library, a sculpture garden, a museum store designed by architect Marlon Blackwell, a restaurant and coffee bar, named Eleven after the day the museum opened, "11/11/11". Crystal Bridges also features a gathering space that can accommodate up to 300 people. Additionally, there are outdoor areas for concerts and public events, as well as extensive nature trails. It employs approximately 300 people, and is within walking distance of downtown Bentonville."
en.wikipedia.org/wiki/Crystal_Bridges_Museum_of_American_Art
crystalbridges.org/nature-trails/
...
Maxwell Systems HVAC Estimating meets the individual needs of HVAC contractors to give the competitive advantage to win the job. The software incorporates a customizable database, multi-level breakouts, along with round and oval fabrication!
Manufacturer Specific Codes (PI, P3 AND U1)
Easy to read crystal clear backlit-2-line LCD display. OBD Car Diagnostic Tool
Cord Length: 80cm
Voltage: DC10V~12V
Working Temperature: –4℃~122℃
A site specific promenade performance visiting the unseen corners of The Lyceum.
Step behind the curtain for a unique perforamnce in the darkest corners of The Lyceum. You will be guided where no backstage tour goes - where hidden places meet the hidden voices of youth. This will be a unique theatrical adventure full of surprise and no little terror with live music and lively encounters inspired by The Lyceum's secret spaces.
Devised by members of the Lyceum Youth Theatre with direction from Mark Thomson, Amanda Gaughan, Christie O'Carroll and John Glancy, this is a special one-off production as part of our 50th Anniversary celebrations.
Photo credits: Mark Thomson and the ensemble
A small black jumping spider that lives at elevations of up to 6,700 meters on Mount Everest, making it possibly the highest known permanent resident on earth. They are known to lurk in crevices among rocky debris. Their diet remains a mystery; few explorers to Mount Everest have found any other significant signs of organic or plant life. It probably lives as a scavenger, feeding on insects that are transported up there by the wind and then freeze to death.
To Share a Photo on Facebook:
1. Click on the set you would like to browse
2. Click on a specific photo
3. Click on the square with an arrow coming out in the bottom corner of the photo
4. Click on the Facebook icon in the popup window
4. Follow instructions in pop-up window
To Download a Photo:
1. Click on the set you would like to see (Awards, Pre/Post Race, Finish, etc.)
2. Click on a specific photo from the set
3. Right click on the photo and select a size
4. Click the download link above the photo sizes above the photo.
Common mistakes in setting goals (too many, too big, not specific, not written) - concept presented with sticky notes and white chalk handwriting on blackboard
Titolo: Vita di Caserma
Data: Non disponibile
Fonte: Alpini Falzè
Descrizione: Gruppo di alpini in servizio pulizie in caserma.
ID: 07_21
Tutti i diritti riservati. Per usufruire delle immagini, contattare biblioteca@comune.trevignano.tv.it, specificando l'utilizzo che ne verrà fatto.
If you are looking for sport specific exercises. Visit trainerspace for sport specific training (www.trainerspace.com/ptsf/), muscle fitness & other weight loss exercise training. Get best personal trainer as per your requirement.