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ROIL, Christine Sciulli, site specific installation at Smack Mellon photo by Etienne Frossard courtesy of Smack Mellon.
ROIL is an 8 channel video projection of expanding and contracting circles of white light onto a 2000 yard white mesh installation (35'Hx55'Lx28'W) at Smack Mellon (92 Plymouth Street, Brooklyn, NY) on view through 21 February 2016.
Christine Sciulli
Artist Statement
ROIL
December 2016
My most recent explorations have focused on the projection of plane geometries through various three dimensional networks to generate a dynamic mapping of solid geometries of light through space. In this installation, projected circles of white light expand and collapse through Smack Mellon’s cavernous space in a frenzy which harkons back to the roiling steam that powered surrounding factories.
Smack Mellon’s current home once belonged to Robert Gair, who patented his revolutionary design for a structurally sound three-dimensional lidded box folded from a single two-dimensional sheet of paper without adhesives in 1900. Industrialist Gair housed his widely varied paper product operations in several buildings concentrated in DUMBO. “Gairville” was fueled by tons of coal dropped through chutes carved out of the 4th and 5th floors of this former mill. Boilers in this vast hall superheated, churned and compressed water into hissing steam that pulsed through pipes and coursed into adjacent buildings supplying heat and energy. Racing progress and rapidly expanding industrialization, made possible by the relatively simple kinetic expansion of water into a vapor that could provide so many uses, was the starting point for my immersive, site-specific installation, ROIL. My installation stretches through the industrial hall offering opportunities to inhabit it’s passages, caves, nooks, hubs and low overhangs which become clear to the viewer as dark adaptation takes place.
Franco Menicagli
A CHI NON PIACE GUARDARE IL CIELO?
(allestimento)
Installazione site specific per il Cortile di Palazzo Strozzi (16.10-16.11.2014)
© Fondazione Palazzo Strozzi
photo James O' Mara
Aus der Serie „Denudation“
Site-specific Performance und Intervention
Hohe Tauern, Großvenediger Juli 2015
Video, Fotografie und Installation
Performance: Markus Wintersberger
Fotografie / Video: Andrea Nagl
Nagl ~ Wintersberger 2015
AERIAL BOUNDARIES by Loris Cecchini (setting)
Site-specific installation for the courtyard of Palazzo Strozzi in Florence
curated by Franziska Nori
30 April to 1 July 2012
photo © Martino Margheri
A site specific promenade performance visiting the unseen corners of The Lyceum.
Step behind the curtain for a unique perforamnce in the darkest corners of The Lyceum. You will be guided where no backstage tour goes - where hidden places meet the hidden voices of youth. This will be a unique theatrical adventure full of surprise and no little terror with live music and lively encounters inspired by The Lyceum's secret spaces.
Devised by members of the Lyceum Youth Theatre with direction from Mark Thomson, Amanda Gaughan, Christie O'Carroll and John Glancy, this is a special one-off production as part of our 50th Anniversary celebrations.
Photo credits: Mark Thomson and the ensemble
Even though we've selected a specific newspaper, we can't just browse it page by page. We must now do another search, either by keyword or a specific issue, and the results will be a series of individual articles.
In this case, I choose to search the Liberty Bell for any articles talking about slavery, slaves, or slavers, published any time after 1850.
Specific to Santa Fe - Emergency!
3 fingers up.
Check out the brand new Occupy Santa Fe pool, a group with very practical discussion threads:
In specific, Holy Week is the week just before Easter that extends from Palm Sunday until Holy Saturday and marks the last week of Lent. It has earned the name 'Holy', according to the Orthodox Church, due to the significant events that take place for Christianity in regard to the sufferings of Jesus Christ.
Saturday evening is filled with the anticipation of celebrating Easter Sunday. In some areas, people begin to gather in the churches and squares in cities, towns and villages by 11pm for the Easter liturgies. A few minutes before midnight, all the lights are turned off and the priest exits the altar holding candles lit by the Holy Light, which is distributed to everyone inside and outside the church. At midnight, the priest exits the church and announces the resurrection of Jesus. Many people carry large white candles called lambada, and the church bells toll as the priests announce “Christ is Risen!” at midnight. Each person in the crowd replies with a similarly joyous response.
14-web094 14 In photos #14-17, the President walks around the dining area, introduces and congratulates members of the 2012-2013 Executive Board for their specific contributions throughout the year. Here she thanks Vice-President Beverly Crane Dubee and Recording Secretary Doris Tazelaar for “going the extra mile.”
The Women's College Club of Princeton - Pot Luck Annual Business Luncheon - May 20, 2013 - Speaker: Mr. J. Robert Hillier, FAIA
Cover of the PREPARATORY STUDY FOR VATICAN CORRIDOR, A Non-Specific Autobiography as published in a limited edition signed and numbered by the artist
Instalação sonora site-specific. À CAPELA. Exposição rural.scapes, Fazenda Santa Teresa.
www.ruralscapes.net/marcelo-armani/ Instalação sonora site-specific. Exposição rural.scapes, Fazenda Santa Teresa.
Site-Specific Series, presented by Guelph Contemporary Dance Festival
Photo by Dawn Owen, for the Ontario Arts Council and the Ministry of Culture at the spOtlight festival, June 2009. www.spOtlightfestival.ca
______
Série propre au site, présenté par Guelph Contemporary Dance Festival
Photo de Dawn Owen, prise au festival En vedette en juin 2009, pour le Conseil des arts de l’Ontario et le ministère de la Culture. www.festivalenvedette.ca
In specific, Holy Week is the week just before Easter that extends from Palm Sunday until Holy Saturday and marks the last week of Lent. It has earned the name 'Holy', according to the Orthodox Church, due to the significant events that take place for Christianity in regard to the sufferings of Jesus Christ.
Saturday evening is filled with the anticipation of celebrating Easter Sunday. In some areas, people begin to gather in the churches and squares in cities, towns and villages by 11pm for the Easter liturgies. A few minutes before midnight, all the lights are turned off and the priest exits the altar holding candles lit by the Holy Light, which is distributed to everyone inside and outside the church. At midnight, the priest exits the church and announces the resurrection of Jesus. Many people carry large white candles called lambada, and the church bells toll as the priests announce “Christ is Risen!” at midnight. Each person in the crowd replies with a similarly joyous response.
The capital of the Republic of Cyprus is also its cultural heartbeat.
Nicosia is the capital and largest city on the island of Cyprus, as well as its main business centre.
There is one thing the photograph must contain, the humanity of the moment.
We are making photographs to understand what our lives mean to us.
The best thing about a picture is that it never changes, even when the people in it do.
The camera is an instrument that teaches people how to see without a camera.
I really believe there are things nobody would see if I didn’t photograph them.
The lovely Sara and I took a mini road trip up to Vermont last weekend. No specific destination - the plan was to drive around and stop whenever we wanted and where ever we ended up around 7pm we'd stop and continue on the following day. I brought my X100V and my Polaroid SX-70 with a pack of color film and a pack of black & white film. Anytime we saw something to make a photograph of, we'd stop.
The weather was perfect both days and it was great to just head off and see where we ended up.
Here are some selections from the weekend from the X100V
website • blog • workshops • fine art • facebook • photo retro • twitter • youtube • instagram • podcast • photo talk fridays
for dawn or dusk // homeward is a brief sound work of over 100 local musicians playing brass, percussion, woodwinds and tiny whistles. This site-specific performance on the Stone Arch Bridge stretches across the Mississippi and plays overlapping melodies that are derived from the route of the river. The works’ composition is inspired by the river’s route as it moves southwards past St. Louis, Memphis, New Orleans and into the Gulf of Mexico.
Community involvement is an integral component of for dawn or dusk // homeward. Before you is a collection of musicians, working together with equal participation and creative input between them, much like the brass bands in Europe and community bands that used to populate the United States. In this spirit, local amateurs work side by side with professionals and the community leaders who ran rehearsals.
Curated by Scott Stulen; presented by Northern Lights.mn and Northrop Concerts and Lectures with support from W Minneapolis-The Foshay
Photograph Nicole Larson, courtesy Northern Lights.mn
northernspark.org/projects/for-dawn-or-dusk-homeward.html...
for dawn or dusk // homeward is a brief sound work of over 100 local musicians playing brass, percussion, woodwinds and tiny whistles. This site-specific performance on the Stone Arch Bridge stretches across the Mississippi and plays overlapping melodies that are derived from the route of the river. The works’ composition is inspired by the river’s route as it moves southwards past St. Louis, Memphis, New Orleans and into the Gulf of Mexico.
Community involvement is an integral component of for dawn or dusk // homeward. Before you is a collection of musicians, working together with equal participation and creative input between them, much like the brass bands in Europe and community bands that used to populate the United States. In this spirit, local amateurs work side by side with professionals and the community leaders who ran rehearsals.
Curated by Scott Stulen; presented by Northern Lights.mn and Northrop Concerts and Lectures with support from W Minneapolis-The Foshay
Photograph Nicole Larson, courtesy Northern Lights.mn
northernspark.org/projects/for-dawn-or-dusk-homeward.html...
The Final Day of Racing At Brands Hatch for The Superprix Weekend and After a Really Busy and Scattered Set Of Races The Previous day it was time to see which of the Drivers could Brave the Circuit One Last Time and Take Home Either a Championship Win or a Victory in their Specific Race.
Lets Get Straight to the Results.
Classic Formula Ford/Historic Formula 3 (Race 2 Result)
Classic Formula Ford and Historic Formula 3 Were up First and it was Time to see who could be The one to take the Checkered Flag First when they crossed the Line.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with a Lap Time of 1:39.257 and a Top Speed of 86.59mph. A Fantastic Victory Cameron Showing Incredible Car Control and Commitment to Win the Race.
In Second Place was (Ben Tinkler) in his Van Diemen RF80 with a Lap Time of 1:39.986 and a Top Speed of 85.77mph. A Really Great Drive from Ben to stay so close to Cameron and Keep Him on his toes the entire Time while Fighting for the Lead of the Race.
In Third Place was (Jordan Harrison) in his Lola T540E with a Lap Time of 1:39.994 and a Top Speed of 85.54mph. A Really Wonderfully Deserved Third Place for Jordan Pushing that Lola for everything it Has got to gain Third Place. Well Done.
Three Fantastically Fast Drivers all with Incredible Speed and Talent Showcasing The Best of what they Bring to Brands Hatch Every Year. An Amazing Last Race to Witness. Congratulations to The Race Winner and Keep Trying Hard Everyone Else.
HGPCA Pre 66 Grand Prix Cars (Race 20)
Next It was The Historic Grand Prix Cars and with a Massive Turn out for them it looks like Another Cracking Race to see from Start till Finish. Lets see who came out on Top.
In First Place was (Sam Wilson) in his Lotus 18 with a Lap Time of 1:39.384 and a Top Speed of 86.55mph. Amazing Work Sam Showing Colin Chapman How it Should be Done. He would have been Proud to Witness that Victory.
In Second Place was (Peter Horsman) in his Lotus 18/21 with a Lap Time of 1:41.296 and A Top Speed of 84.90mph. A Fantastic Drive by Peter to take Second Place in the Race.
In Third Place was (Miles Griffiths) in his Scarab Offenhauser with A Lap Time of 1:41.501 and A Top Speed of 84.38mph A Really Good Job there Miles Almost Matching Lap Times with Peter and Showing Some Incredible Car Control during The Race.
Another Fantastic Race for The Historic Grand Prix Cars and a Huge Congratulations to Sam for Taking Victory in the Last Race. Avery Well Done to Both Peter and Miles as well.
HSCC 70's Road Sports (Race 19)
Historic Road Sports took to the Track next and with some Legendary Cars from the Likes of Lotus Morgan and TVR it was Time to see who Had Stormed to Victory in the Last Race and Taken the Victory.
In First Place was (William Plant) in his Morgan Plus 8 with A Lap Time of 1:45.768 and A Top Speed of 70.67mph. Congratulations William on the Victory it was so Good to See a Morgan Take First Place while Watching this Exciting Race. An Amazing Drive.
In Second Place was (Jim Dean) in his Lotus Europa with A Lap Time of 1:46.411 and A Top Speed of 70.66mph. Another Incredible Drive from Jim to Take Second Place. Well Done
In Third Place was (Richard Plant) in his Morgan Plus 8 with A Lap Time of 1:47.697 and a Top Speed of 70.31mph. A Very Committed Drive from Richard and a Fantastic Third Place Finish that I'm sure the Whole Family will be Proud of.
Fantastic Racing from the 70's Road Sports to Finish the Days Racing for them Congratulations to William, Jim and Richard. Hope to see you Three Battling it out Again Soon.
Aurora Trophy With Geoff Lees Trophy
The Arora Trophy Roared onto the Grand Prix Circuit Next with Powerful V8 Engines thease Racing Cars could make the Ground Shake as they Thunder their way around the Race Track. Lets see who Managed to take that All Important Victory for their Final Race.
In First Place was (Martin Stretton) in his March 712 with a Lap Time of 1:25.976 and A Top Speed of 101mph. A Very Brave and Committed drive from Martin to Take Victory, Really Pushing the March to its Limits and hanging onto the Lead thought the Race.
In Second Place was (Mathew Wrigley) in his March 782 with a Lap Time of 1:25.127 and A Top Speed of 100.96mph. Another Incredible Driver Taking his Machinery to New heights and Keeping the March Name Alive in Historic Racing. Amazing Work Mathew.
In Third Place was (Samuel Harrison) in his Dallara 389 with A Lap Time of 1:29.552 and A Top Speed of 95.04mph. Amazing work Sam showing Insane Car Control even when Racing so Fast and for such A Long Time. Congratulations.
Another Amazing Race to Keep the Day going and showing the Amazing work that Each Team Does to ensure that their Driver and His Car are Ready to go. Well Done to all of the Teams and to the First Second and Third Place Winners as well. Looking Forward To seeing more Action this Year from the Aurora Trophy.
Guards Trophy (Race 21)
Next Up Guards Trophy with Another Range of Racing Machines from the Likes of Brabham Chevron and Lotus Lets see what will Happen and Who will be able to Drive their way to Victory in This Race.
In First Place was (Andy Newall) in his Chevron B6 with A Lap Time of 1:38.258 and A Top Speed of 83.84mph. Very Well Driven and Raced by Andy Showcasing the Power of the Chevron and taking it too its Limits in terms of Raw Speed and Performance.
In Second Place was the Duo of (Jackson S and Jackson C) in their Lenham P70 with A Lap Time of 1:38.008 and A Top Speed of 83.45mph. Fantastic Work to The Two Jacks who Really showed what Working Together Can Achieve during A Race. Well Done
In Third Place was the Duo of (Mitchell W and Mitchell B) in their Chevron B8 with A Lap Time of 1:38.368 and A Top Speed of 82.49mph. Another Amazing Duo who Have Taken Third Place and Kept the Fight Alive in their Respective Championship. Amazing work.
A Fantastic Race for the Guards Trophy Showing the Power of Each Race Car and what they Are Capable of When put into The Hands of the Right Drivers. Congratulations to Andy Mitchell W and Mitchell B as well as Jackson S and Jackson C for putting on One Hell of a Race. Keep up the Good Work Everyone Else and Never Stop Fighting for your Own Victories.
Historic Formula Ford (Race 16)
Next Up was Historic Formula Ford and some very Twitchy and Tricky Cars to be Driven Round the Circuit at Hight Speed. With Light Weight Chassis and Small Cockpits this was going to be a Very Exciting Race to Watch. Lets see who Came out Best of the Rest.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with A Lap Time of 1:38.596 and A Top Speed of 87.95mph. Another Incredible Drive From Cameron to Take Victory and show what A Truly Committed and Self Determined Driver is. He is an Inspiration to All Up Coming Formula Ford Racers.
In Second Place was (Tom Macarthur) in his Titan MK3 with A Lap Time of 1:38.484 and A Top Speed of 87.94mph. Another Really Brave and Heroic Driver Pushing His Formula Ford to its Limits and Keeping his Eye's on the Race Track. Amazing Work Tom.
In Third Place was (Horatio Fitzsimon) in his Merlin MK20A with A Lap Time of 1:38.513 And A Top Speed of 87.90mph. Very Well Done Horatio Fantastic Driving and A Well Deserved Third Place.
An Amazing Final Heat Race for the Formula Fords with Everyone Pushing As Hard as they Could for Victory. Keep Working Hard Everyone and Congratulations to Cameron Tom and Horatio.
Historic Road Sports (Race 17)
Historic Road Sports Next and it was Time to see what Each Driver could do in their Respective Race Car. Lets see how things Stacked up and who Came out on Top in the Race.
In First Place was (Kevin Kivlochan) in his AC Cobra with a Lap Time of 1:46.891 and A Top Speed of 72.19mph. What A Drive From Kevin to Take Victory Keeping that Cobra Far Ahead of the Rest of the Pack and Taking A Dominant Victory. Carol Shelby would have Loved to See That.
In Second Place was (John Davidson) in his Lotus Elan S1 with A Lap Time of 1:46.052 And A Top Speed of 72.16mph. Amazing Work John Keeping that Lotus on the Tarmac and Putting on One Hell of a Race for Everyone. Amazing Job.
In Third Place was (Rupert Ashdown) in his Lotus Elan S1 with A Lap Time of 1:47.481and A Top Speed of 71.61mph. Another Incredible Drive by Rupert Taking Third Place Very Well Deserved.
Historic Road Sports putting on Another Superb Race for the Season and Congratulations to Kevin John and Rupert on their Victories. Hope to see More of that This Year and Good Luck to Everyone Else Racing too.
Historic Touring Cars (Race 22)
The Final Race of The Day was Here and The Historic Touring Car Club did not Disappoint with Lotus Cortina's Mini Cooper S's and Ford Mustangs This was going to be a Final Battle of Titans. Lets See Who Managed to Take that Last Checkered Flag of the Day.
In First Place was (Steve Soper) in his Ford Mustang with A Lap Time of 1.47.084 and A Top Speed of 71.51mph. Awesome Drive Steve Fantastic to see that He Still has it in him After all The Years of Racing.
In Second Place was (Rob Fen) in his Ford Mustang with A Lap Time of 1:49.031 and A Top Speed of 70.93mph. Amazing Work Rob Pushing that Mustang Far and Wide to Hang onto that Second Place. Excellent Drive.
In Third Place was (Mark Martin in his Ford Lotus Cortina with A Lap Time of 1:49.905 and A Top Speed of 70.70mph. Very Well Done Mark Great Driving and Even a Wheel in the Air on Some Occasions Heading onto the Grand Prix Loop. What A Sight that Was to See.
And With that The Days Events came to an End for another year of Superprix Racing at Brands Hatch Amazing work to all of the Organisers and Race Drivers who took Part and Congratulations once again to all of the Race Winners. Keep Fighting Keep Wining and I'm Sure we will do it All Again Next Year.
AERIAL BOUNDARIES by Loris Cecchini (setting)
Site-specific installation for the courtyard of Palazzo Strozzi in Florence
curated by Franziska Nori
30 April to 1 July 2012
photo © Martino Margheri
LOW SPECIFIC GRAVITY CARBON FIBER/GLASS HYBRID SMC
•OEM Make & Model: General Motors Co. 2013MY Chevrolet® Corvette® sportscar
•Tier Supplier/Processor: Molded Fiberglass Co.
•Material Supplier / Toolmaker: Molded Fiberglass Co. / Century Tool & Gage
•Material / Process: iNVENTA® 753 753 polyester / Vacuum bag, autoclave cure
•Description: To reduce weight while using the same tooling for a special-edition Corvette sportscar, 2 distinct composites were formulated -- a high-strength carbon and glass-fiber-reinforced polyester-based SMC and a lower-density, glass and carbon fiber-reinforced polyester liquid compression molding composite, both with a unique spiral-shaped nanoplatelet technology. The parts met the mechanical requirements of existing materials and provided the same shrink properties without cycle-time or tool changes, all while saving more than 15% weight for this convertible sportscar.
via
( Overmolding ) Injection molding is a standard process for manufacturing plastic products, which can easily create specific products with complex shapes and has almost no negative impact on the environment. Injection molding is often applied to packaging, automotive parts, machinery, technical details, household products, etc.
In this article, BNT Machinery will analyze what is an overmold, and the application of this advanced technology.
What is an overmold?
Overmolding is a process in which a part is created using two or more materials combined. Usually, the first material (substrate) will be covered in part or whole by the following material during the production process. The overmolding process requires a rigid plastic component to be covered with a TPU class or other excessive materials using the casting or casting technique many times.
Overmolding’s principle of operation
Overmolding is also complete assemblies that incorporate seamless wires and connectors and cable assemblies placed inside the die. Next, inject the molten plastic material into the mold cavity. Once the plastic material cools and solidifies, it conforms to the shape of the mold and encapsulates the junction between the connector and the wire.
The Overmolding process is produced from 2 separate molds; the first mold creates the semi-finished product (base product), then a second layer is pressed directly on top of the first layer to create a composite product between the two materials. This technology is often used to produce plastic parts with rubber handles or products that use metal to increase the rigidity of the product.
> > > Learn more: How does CO injection machine affect tuna color?
Materials commonly used in overmolding
In the pressing process, it is necessary to pay attention to the temperature and whether the adhesive ability of the material is compatible or not so that a suitable material can be decided:
ABS ( acrylonitrile butadiene styrene )
HDPE (high-density Poly Ethylene )
PEEK ( Poly Etherether Ketone )
NYLON
PC( Polycarbonate )
PEI ( Polyetherimide )
PBT ( Polybutylene terephthalate )
PMMA ( Acrylic )
POM ( Polyoxymethylene )
PP ( Polypropylene )
SI ( Silicone )
TPE ( Thermoplastic elastomers )
TPU ( Thermoplastic Polyurethane )
TPR (thermoplastic rubber)
Benefits of overmolding?
Increased flexibility at cable exits, where most of the movement between cables and connectors takes place
Provides resistance to abrasion and shock or strong external impacts
Make cable assemblies tamper-proof by encapsulating components under sealed plastic
Water-resistant to meet the production needs of materials frequently exposed to water
Improves the overall quality, look and feel of cable assemblies, replacing expensive metal housings
Simplify installation by creating a one-piece assembly with keys that act as visual indicators
> > > Learn more: CO injector – solutions to prolong the shelf life of food
Applications of overmolding
– Plastic on plastic: The first pressed mold shapes plastic products and is taken and the next mold to conduct the secondary type of plastic 2. Two types of plastic can vary in color or plastic material.
– Rubber on plastic: hard plastic parts are pressed to as a background. After that, a soft rubber or TPE layer is filled on the surface or around. They are commonly used to create soft hardware areas.
– Plastic on metal: First metal background is machined, cast, or shaped. Then, put under pressure, and plastic molds are filled up on the surface or around the metal, commonly used to wrap metal weight plastic.
– Rubber on metal: first, a metal background is processed. After that, the product is put into pressing molds
and rubber or TPE is filled on the surface or around the metal.
Overmolding is the ideal technology for cable clusters that will face extreme weather, high-pressure washing, continuous hygiene, regular stress, bends, and exposure to dust or debris. The most popular applications in which overmolding is applied include solar energy, military equipment, consumer electronics, medical equipment, and manufacturing / OEM industry applications.
Through the article BNT Machinery shared, we hope you will have more experience operating the factory and being equipped with this kind of advanced technology in the work process. Follow us not to miss any knowledge.
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Photographic documentation of "The Fear of Loss", a site-specific performance piece choreographed by Nadine Joseph with score by Daniel Nubian. The piece was performed by Nadine Joseph and Daniel Nubian in the men's toilet at Wits Theatre, University of the Witwatersrand, Johannesburg, South Africa. 14 May 2015. Shot on Nikon D800 with a single Nikkor 24mmf1.4 lens.
Apparently moving the car is more urgent than taking insulin. Found on my friend Silvia's apartment door.
Page 54
When Robert Cremean walked through the seemingly
endless corridors of the Vatican Museum in Rome, he was
struck not only by the vastness of the place but by the
number of sculptures it contains, many of which are
neutered by a fig leaf. To him, the sculptures in the museum
represented an enormous collection of mixed metaphors and
only a rare few met his definition of “transparency.” On the
fourth page of his Preparatory Study for VATICAN
CORRIDOR, A Non-Specific Autobiography he wrote:
The enclosure of one metaphor by another—one culture by
another—one time segment by another. “Paganism” is preserved
through forfeit of genitalia—neutered by a fig leaf. Miles of
historical artifacts enclosed within an historical artifact. And yet
there are a few presences that are not dead—not neutered. A few
glimpses— Man existing without metaphor. A few Transparencies.
Are these not worth the endless walk?
Within the concept “One man=all men,” VATICAN
CORRIDOR, A Non-Specific Autobiography was conceived as
an actual and metaphorical record of the journey through
the life of the artist and, by extension, a projection of the
possibilities we all share and may attain. Within both of the
facing walls are ten carved life-sized figures symbolically
conjoined by arches to form a “corridor of the self. ” As Robert
Cremean wrote:
Each arch represents three years and the Corridor of Self-Analysis
begins with my seventeenth year.
It was within the time span of the First Arch he declared
himself a sculptor.
Prior to acquiring the materials necessary for the actualizing
of the sculpture in wood, he spent two months creating
the detailed preparatory study for the entire work, a process
he had followed on only two prior occasions, one for
DONOR WITH CRUCIFIXION and the other, although more
suggestive than detailed, for HOMAGE TO PAUL APOSTLE.
From the first three pages of searching to the final pages of
resolution, the artist’s graphic description of the threedimensional
work provides us with the opportunity to read
the artist’s philosophical concepts for that specific work of
art and to understand how these concepts are interpreted
symbolically through the human figure. Since this is an
actual and a metaphorical autobiography, the Preparatory
Study for VATICAN CORRIDOR, A Non-Specific Autobiography
literarily addresses both.
Because each of the ten arches in the Preparatory Study
and in the completed sculpture spans a period of three years
in the artist’s life, the Tenth Arch was a projection five years
into the future and was at last updated twenty-two years
later in the writing in 1995, and with the publication by
Manuscript Press in 1996, of THE TENTH ARCH, the sculptural
Tenth Arch realized in the form of a book.
As the name implies, the sculpture is in the form of an
actual corridor. It measures eight feet tall, forty feet in length,
and with a width of ten feet. The facing walls of the corridor
are each formed by ten carved blocks of laminated sugar pine
planks for an overall measurement each of 8' x 24½" x 16".
The first figure of the Outer Wall, the “who,”is nearly fully
revealed in the round. But by the Tenth Arch, it has been transposed
into a negative, much like a waste-mold, only the egg
shape of the final transposition still in place. Block by block
and transposition after transposition, the three-dimensional
figure is displaced by a concavity as the wall that contained it
grows thicker and thicker. The reverse is true in each of the
corresponding figures and blocks of the Inner Wall. Each part
of the human figure is symbolic of a particular sense and/or
concept and with its transference the figure of the Inner Wall,
the “what,” becomes more complete.
Shown here is the final page of the manuscript which
lists the actual parts of the Anatomy of Transposition. It is
followed by the first four pages which serve both as an
explanation of the Preparatory Study and of the concept of
the entire sculpture. Each page of the original manuscript
measures 17" x 14".
I have certain areas and specific birds I watch all the time, at least weekly if not daily. This Osprey and her mate are included in my neighborhood rounds.
I recently lost one of “my birds”, Woody (so original) aka Mr. Poopers the Woodstork. I had been watching him for at least a couple of years, and frankly fell in love with his unusual beauty and his personality. He was run over near the entrance to a parking lot on Lumsden Road and Providence. I cried all the way home after seeing him.
It happened a few weeks ago, and I didn’t share then because I was too upset, and also busy helping one of our dearest friends who is recovering from brain surgery. I also knew I was too emotional and I would probably rant about watching out for wildlife, how Woody was "the only one", the only resident Woodstork we could count on, and what if he was the last one of his kind, would you know? I mean, most people wouldn't know they had shot the last Alaskan Curlew or Whooping Crane, or whatever. Few people would know that all the different water birds hung out with Woody. He was like Norm on Cheers in his little corner of the world.
Most people don't see what we see, my Flickr friends. Slow down and watch out for wildlife, PLEASE! Yep, I'm ranting and so be it. ARRRGGGHHH!!
Anyway, I’ll be watching all my bird friends, and people friends more closely, and hopefully never taking them for granted. Life is short.
Hugs and thanks for viewing! =o)
***All rights to my images are STRICTLY reserved. Please contact me if you are interested in purchasing my images or if you are an educator or non-profit interested in use. copyright KathleenJacksonPhotography 2011***
Page 55
When Robert Cremean walked through the seemingly
endless corridors of the Vatican Museum in Rome, he was
struck not only by the vastness of the place but by the
number of sculptures it contains, many of which are
neutered by a fig leaf. To him, the sculptures in the museum
represented an enormous collection of mixed metaphors and
only a rare few met his definition of “transparency.” On the
fourth page of his Preparatory Study for VATICAN
CORRIDOR, A Non-Specific Autobiography he wrote:
The enclosure of one metaphor by another—one culture by
another—one time segment by another. “Paganism” is preserved
through forfeit of genitalia—neutered by a fig leaf. Miles of
historical artifacts enclosed within an historical artifact. And yet
there are a few presences that are not dead—not neutered. A few
glimpses— Man existing without metaphor. A few Transparencies.
Are these not worth the endless walk?
Within the concept “One man=all men,” VATICAN
CORRIDOR, A Non-Specific Autobiography was conceived as
an actual and metaphorical record of the journey through
the life of the artist and, by extension, a projection of the
possibilities we all share and may attain. Within both of the
facing walls are ten carved life-sized figures symbolically
conjoined by arches to form a “corridor of the self. ” As Robert
Cremean wrote:
Each arch represents three years and the Corridor of Self-Analysis
begins with my seventeenth year.
It was within the time span of the First Arch he declared
himself a sculptor.
Prior to acquiring the materials necessary for the actualizing
of the sculpture in wood, he spent two months creating
the detailed preparatory study for the entire work, a process
he had followed on only two prior occasions, one for
DONOR WITH CRUCIFIXION and the other, although more
suggestive than detailed, for HOMAGE TO PAUL APOSTLE.
From the first three pages of searching to the final pages of
resolution, the artist’s graphic description of the threedimensional
work provides us with the opportunity to read
the artist’s philosophical concepts for that specific work of
art and to understand how these concepts are interpreted
symbolically through the human figure. Since this is an
actual and a metaphorical autobiography, the Preparatory
Study for VATICAN CORRIDOR, A Non-Specific Autobiography
literarily addresses both.
Because each of the ten arches in the Preparatory Study
and in the completed sculpture spans a period of three years
in the artist’s life, the Tenth Arch was a projection five years
into the future and was at last updated twenty-two years
later in the writing in 1995, and with the publication by
Manuscript Press in 1996, of THE TENTH ARCH, the sculptural
Tenth Arch realized in the form of a book.
As the name implies, the sculpture is in the form of an
actual corridor. It measures eight feet tall, forty feet in length,
and with a width of ten feet. The facing walls of the corridor
are each formed by ten carved blocks of laminated sugar pine
planks for an overall measurement each of 8' x 24½" x 16".
The first figure of the Outer Wall, the “who,”is nearly fully
revealed in the round. But by the Tenth Arch, it has been transposed
into a negative, much like a waste-mold, only the egg
shape of the final transposition still in place. Block by block
and transposition after transposition, the three-dimensional
figure is displaced by a concavity as the wall that contained it
grows thicker and thicker. The reverse is true in each of the
corresponding figures and blocks of the Inner Wall. Each part
of the human figure is symbolic of a particular sense and/or
concept and with its transference the figure of the Inner Wall,
the “what,” becomes more complete.
Shown here is the final page of the manuscript which
lists the actual parts of the Anatomy of Transposition. It is
followed by the first four pages which serve both as an
explanation of the Preparatory Study and of the concept of
the entire sculpture. Each page of the original manuscript
measures 17" x 14".
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Taraxacum is a large genus of flowering plants in the family Asteraceae, which consists of species commonly known as dandelions. The scientific and hobby study of the genus is known as taraxacology. The genus is native to Eurasia and North America, but the two most commonplace species worldwide, T. officinale (the common dandelion) and T. erythrospermum (the red-seeded dandelion), were introduced from Europe into North America, where they now propagate as wildflowers. The plant thrives in temperate regions and can be found in yards, gardens, sides of roads, among crops, and in many other habitats. Both species are edible in their entirety. The common name dandelion from French dent-de-lion 'lion's tooth') is also given to specific members of the genus.
Like other members of the family Asteraceae, they have very small flowers collected together into a composite flower head. Each single flower in a head is called a floret. In part due to their abundance, along with being a generalist species, dandelions are one of the most vital early spring nectar sources for a wide host of pollinators. Many Taraxacum species produce seeds asexually by apomixis, where the seeds are produced without pollination, resulting in offspring that are genetically identical to the parent plant.
In general, the leaves are 50–250 mm (2–10 in) long or longer, simple, lobed-to-pinnatisect, and form a basal rosette above the central taproot. The flower heads are yellow to orange coloured, and are open in the daytime, but closed at night. The heads are borne singly on a hollow stem (scape) that is usually leafless and rises 10–100 mm (3⁄8–3+7⁄8 in) or more above the leaves. Stems and leaves exude a white, milky latex when broken. A rosette may produce several flowering stems at a time. The flower heads are 20–50 mm (3⁄4–2 in) in diameter and consist entirely of ray florets. The flower heads mature into spherical seed heads sometimes called blowballs or clocks (in both British and American English) containing many single-seeded fruits called achenes. Each achene is attached to a pappus of fine hair-like material which enables wind-aided dispersal over long distances.[citation needed]
The flower head is surrounded by bracts (sometimes mistakenly called sepals) in two series. The inner bracts are erect until the seeds mature, then flex downward to allow the seeds to disperse. The outer bracts are often reflexed downward, but remain appressed in plants of the sections Palustria and Spectabilia. Between the pappus and the achene is a stalk called a beak, which elongates as the fruit matures. The beak breaks off from the achene quite easily, separating the seed from the parachute.
Description
The species of Taraxacum are tap-rooted, perennial, herbaceous plants, native to temperate areas of the Northern Hemisphere. The genus contains many species, which usually (or in the case of triploids, obligately) reproduce by apomixis, resulting in many local populations and endemism. In the British Isles alone, 234 microspecies (i.e. morphologically distinct clonal populations) are recognised in nine loosely defined sections, of which 40 are "probably endemic". A number of species of Taraxacum are seed-dispersed ruderals that rapidly colonize disturbed soil, especially the common dandelion (T. officinale), which has been introduced over much of the temperate world. After flowering is finished, the dandelion flower head dries out for a day or two. The dried petals and stamens drop off, the bracts reflex (curve backwards), and the parachute ball opens into a full sphere. When development is complete, the mature seeds are attached to white, fluffy "parachutes" which easily detach from the seedhead and glide by wind, dispersing.
The seeds are able to cover large distances when dispersed due to the unique morphology of the pappus which works to create a unique type of vortex ring that stays attached to the seed rather than being sent downstream. In addition to the creation of this vortex ring, the pappus can adjust its morphology depending on the moisture in the air. This allows the plume of seeds to close up and reduce the chance to separate from the stem, waiting for optimal conditions that will maximize dispersal and germination.
Many similar plants in the family Asteraceae with yellow flowers are sometimes known as false dandelions. Dandelion flowers are very similar to those of cat's ears (Hypochaeris). Both plants carry similar flowers, which form into windborne seeds. However, dandelion flowers are borne singly on unbranched, hairless and leafless, hollow stems, while cat's ear flowering stems are branched, solid, and carry bracts. Both plants have a basal rosette of leaves and a central taproot. However, the leaves of dandelions are smooth or glabrous, whereas those of cat's ears are coarsely hairy.
Early-flowering dandelions may be distinguished from coltsfoot (Tussilago farfara) by their basal rosette of leaves, their lack of disc florets, and the absence of scales on the flowering stem.
Other plants with superficially similar flowers include hawkweeds (Hieracium) and hawksbeards (Crepis). These are readily distinguished by branched flowering stems, which are usually hairy and bear leaves.
Classification
The genus is taxonomically complex due to the presence of apomixis: any morphologically distinct clonal population would deserve its own microspecies. Phylogenetic approaches are also complicated by the accelerated mutation in apomixic lines and repeated ancient hybridization events in the genus.
As of 1970, the group is divided into about 34 macrospecies or sections, and about 2000 microspecies; some botanists take a much narrower view and only accept a total of about 60 (macro)species. By 2015, the number has been revised to include 60 sections and about 2800 microspecies. 30 of these sections are known to reproduce sexually.
About 235 apomictic and polyploid microspecies have been recorded in Great Britain and Ireland alone.
Botanists specialising in the genus Taraxacum are sometimes called taraxacologists, for example Gunnar Marklund, Johannes Leendert van Soest or A.J. Richards.
Selected species
Taraxacum albidum, the white-flowered Japanese dandelion, a hybrid between T. coreanum and T. japonicum
Taraxacum algarbiense
Taraxacum aphrogenes, the Paphos dandelion
Taraxacum arcticum
Taraxacum balticum
Taraxacum brachyceras
Taraxacum brevicorniculatum, frequently misidentified as T. kok-saghyz and a poor rubber producer
Taraxacum californicum, the California dandelion, an endangered species
Taraxacum centrasiaticum, the Xinjiang dandelion
Taraxacum ceratophorum, the horned dandelion, considered by some sources to be a North American subspecies of T. officinale (T. officinale subsp. ceratophorum)
Taraxacum coreanum
Taraxacum desertorum
Taraxacum erythrospermum, the red-seeded dandelion, often considered a variety of T. laevigatum (i.e., T. laevigatum var. erythrospermum)
Taraxacum farinosum, the Turkish dandelion
Taraxacum holmboei, the Troödos dandelion
Taraxacum hybernum
Taraxacum japonicum, the Japanese dandelion, no ring of smallish, downward-turned leaves under the flower head
Taraxacum kok-saghyz, the Kazakh dandelion, which produces rubber
Taraxacum laevigatum, the rock dandelion, achenes reddish brown and leaves deeply cut throughout the length, inner bracts' tips are hooded
Taraxacum lissocarpum
Taraxacum minimum
Taraxacum mirabile
Taraxacum officinale (syn. T. officinale subsp. vulgare), the common dandelion, found in many forms
Taraxacum pankhurstianum, the St. Kilda dandelion
Taraxacum platycarpum, the Korean dandelion
Taraxacum pseudoroseum
Taraxacum suecicum
T. albidum
T. albidum
T. californicum
T. californicum
T. japonicum
T. japonicum
T. laevigatum
T. laevigatum
T. officinale
T. officinale
T. platycarpum
T. platycarpum
Cultivars
'Amélioré à Coeur Plein' yields an abundant crop without taking up much ground, and tends to blanch itself naturally, due to its clumping growth habit.
'Broad-leaved' - The leaves are thick and tender and easily blanched. In rich soils, they can be up to 60 cm (2') wide. Plants do not go to seed as quickly as French types.
'Vert de Montmagny' is a large-leaved, vigorous grower, which matures early.
History
Dandelions are thought to have evolved about 30 million years ago in Eurasia. Fossil seeds of Taraxacum tanaiticum have been recorded from the Pliocene of southern Belarus. Dandelions have been used by humans for food and as an herb for much of recorded history. They were well known to ancient Egyptians, Greeks and Romans, and are recorded to have been used in traditional Chinese medicine for over a thousand years. The plant was used as food and medicine by Native Americans. Dandelions were probably brought to North America on the Mayflower for their supposed medicinal benefits.
Etymology
Leaf resemblance to the teeth of a lion (French: dent-de-lion)
The Latin name Taraxacum originates in medieval Arabic writings on pharmacy. The scientist Al-Razi around 900 CE wrote "the tarashaquq is like chicory". The scientist and philosopher Ibn Sīnā around 1000 CE wrote a book chapter on Taraxacum.[citation needed] Gerard of Cremona, in translating Arabic to Latin around 1170, spelled it tarasacon.
Common names
The English name, dandelion, is a corruption of the French dent de lion meaning "lion's tooth", referring to the coarsely toothed leaves. The plant is also known as blowball, cankerwort, doon-head-clock, witch's gowan, milk witch, lion's-tooth, yellow-gowan, Irish daisy, monks-head, priest's-crown, and puff-ball; other common names include faceclock, pee-a-bed, wet-a-bed, swine's snout, white endive, and wild endive.
The English folk name "piss-a-bed" (and indeed the equivalent contemporary French pissenlit) refers to the strong diuretic effect of the plant's roots. In various northeastern Italian dialects, the plant is known as pisacan ("dog pisses"), because they are found at the side of pavements. In Swedish, it is called maskros (worm rose) after the nymphs of small insects (thrips larvae) usually present in the flowers.
Nutrition
Plate of sauteed dandelion greens, with Wehani rice
Raw dandelion greens contain high amounts of vitamins A, C, and K, and are moderate sources of calcium, potassium, iron, and manganese. Raw dandelion greens are 86% water, 9% carbohydrates, 3% protein, and 1% fat. A 100 gram (3+1⁄2oz) reference amount supplies 45 Calories.
Phytochemicals
The raw flowers contain diverse phytochemicals, including polyphenols, such as flavonoids apigenin, isoquercitrin (a quercetin-like compound), and caffeic acid, as well as terpenoids, triterpenes, and sesquiterpenes. The roots contain a substantial amount of the prebiotic fiber inulin. Dandelion greens contain lutein.
Taraxalisin, a serine proteinase, is found in the latex of dandelion roots. Maximal activity of the proteinase in the roots is attained in April, at the beginning of plant development after the winter period. Each dandelion seed has a mass(weight) of 500 micrograms or 0.0005g (1/125 of a grain).[citation needed]
Properties
Edibility
Bunches of organic dandelion greens for sale at Whole Foods
The entire plant, including the leaves, stems, flowers, and roots, is edible and nutritious, with nutrients such as vitamins A and K as well as calcium and iron. Dandelions are found on six continents and have been gathered for food since prehistory, but the varieties commercially cultivated for consumption are mainly native to Eurasia and North America. A perennial plant, its leaves grow back if the taproot is left intact. To make leaves more palatable, they are often blanched to remove bitterness, or sauteed in the same way as spinach. Dandelion greens have been a part of traditional Kashmiri cuisine, Spanish cuisine, Italian cuisine, Albanian cuisine, Slovenian, Sephardic Jewish, Chinese, Greek cuisine (χόρτα) and Korean cuisines. In Crete, the leaves of a variety called 'Mari' (Μαρί), 'Mariaki' (Μαριάκι), or 'Koproradiko' (Κοπροράδικο) are eaten by locals, either raw or boiled, in salads. T. megalorhizon, a species endemic to Crete, is eaten in the same way; it is found only at high altitudes (1,000–1,600 metres (3,300–5,200 ft)) and in fallow sites, and is called pentaramia (πενταράμια) or agrioradiko (αγριοράδικο).
The flower petals, along with other ingredients, usually including citrus, are used to make dandelion wine. Its ground, roasted roots can be used as a caffeine-free coffee alternative. Dandelion was also traditionally used to make the traditional British soft drink dandelion and burdock, and is one of the ingredients of root beer. Dandelions were once considered delicacies by the Victorian gentry, who used them mostly in salads and sandwiches.
Dye
The yellow flowers can be dried and ground into a yellow-pigmented powder and used as a dye.
Allergies
Dandelion pollen may cause allergic reactions when eaten, or adverse skin reactions in sensitive individuals. Contact dermatitis after handling has also been reported, probably from the latex in the stems and leaves.
Herbalism
Dandelion has been used in traditional medicine in Europe, North America, and China.
Food for wildlife
Dandelions do not depend on wildlife for distribution or pollination; however much of wildlife benefits from the abundance of the plant. Rabbits, wild turkeys, white-tailed deer, eastern chipmunks, bobwhite quail, and many species of birds will consume the seeds and foliage. Additionally, many insects will collect nectar from the flower, especially in early spring when there are very few other flowers in bloom.
Taraxacum seeds are an important food source for certain birds (linnets, Linaria spp.).
Main article: Nectar
Szabo studied nectar secretion in a dandelion patch over two years (59.2 and 8.9 flowers per square metre (5.50 and 0.83/sq ft) in 1981 and 1982). He measured average nectar volume at 7.4 μl/flower in 1981 and 3.7 μl/flower in 1982. The flowers tended to open in the morning and close in the afternoon with the concentrations significantly higher on the second day.
Dandelions are also important plants for Northern Hemisphere bees, providing an important source of nectar and pollen early in the season. They are also used as a source of nectar by the pearl-bordered fritillary (Boloria euphrosyne), one of the earliest emerging butterflies in the spring.
Leaves
Dandelions are used as food plants by the larvae of some species of Lepidoptera (butterflies and moths).
Invasive Species.
Dandelions can cause significant economic damage as an invasive species and infestation of other crops worldwide; in some jurisdictions, the species T. officinale is listed as a noxious weed. It can also be considered invasive in protected areas such as national parks. For example, Denali National Park and Preserve in Alaska lists Taraxacum officinale as the most common invasive species in the park and hosts an annual "Dandelion Demolition" event where volunteers are trained to remove the plant from the park's roadsides.
Benefits to gardeners
Main article: Beneficial weed
With a wide range of uses, the dandelion is cultivated in small gardens to massive farms. It is kept as a companion plant; its taproot brings up nutrients for shallow-rooting plants. It is also known to attract pollinating insects and release ethylene gas, which helps fruit to ripen.
Cultural importance
It has been a Western tradition for someone to blow out a dandelion seedhead and think of a wish they want to come true.
Five dandelion flowers are the emblem of White Sulphur Springs, West Virginia. The citizens celebrate spring with an annual Dandelion Festival.
The dandelion is the official flower of the University of Rochester in New York State, and "Dandelion Yellow" is one of the school's official colors. "The Dandelion Yellow" is an official University of Rochester song.
Inspiration for engineering
The ability of dandelion seeds to travel as far as a kilometer in dry, windy and warm conditions, has been an inspiration for designing light-weight passive drones.
In 2018, researchers discovered that dandelion seeds have a separated vortex ring. This work provided evidence that dandelion seeds have fluid behavior around fluid-immersed bodies that may help understand locomotion, weight reduction and particle retention in biological and man-made structures.
In 2022, researchers at the University of Washington demonstrated battery-free wireless sensors and computers that mimic dandelion seeds and can float in the wind and disperse across a large area.
As a source of natural rubber
See also: Taraxacum kok-saghyz § Rubber
Dandelions secrete latex when the tissues are cut or broken, yet in the wild type, the latex content is low and varies greatly. Taraxacum kok-saghyz, the Russian dandelion, is a species that produced industrially useful amounts during WW2. Using modern cultivation methods and optimization techniques, scientists in the Fraunhofer Institute for Molecular Biology and Applied Ecology (IME) in Germany developed a cultivar of the Russian dandelion that is suitable for current commercial production of natural rubber. The latex produced exhibits the same quality as the natural rubber from rubber trees. In collaboration with Continental AG, IME is building a pilot facility. As of May 2014, the first prototype test tires made with blends from dandelion-rubber are scheduled for testing on public roads over the next few years. In December 2017, Linglong Group Co. Ltd., a Chinese company, invested $450 million into making commercially viable rubber from dandelions.
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Frankston Arts Centre, Cube 37, Peninsula Building and various site-specific locations in the City of Frankston. 23 June – 7 July 2012
Curatoriate: Vince Dziekan & Matthew Perkins; Project Manager: Merryn Tinkler
(Clockwise, from Top Left): (1) Heba Amin (Egypt, Lives and works Berlin), My love for you, Egypt, increases by the day, 2012 (installation view, Cube 37). 8mm film digitized/Speak2Tweet messages. 6:18 min. Arabic (English subtitles). Heba Amin, sound by Marc Fantini; (2) Ahmed Basiony (Egypt, 1978-2011). Thirty says running in the place, 2012 (installation view, Cube 37). 2 screen video audio installation. 14:00 min. Arabic (English subtitles). Special thanks to Shady El Noshokaty and the family of Ahmed Basiony; (3) Ian de Gruchy (Australia. Lives and works in Melbourne), Night Beacon, 2012 (installation view, (Outer) Spaces program). Digital media, projection mapped onto Peninsula Building, Frankston; and (4) Sophie Clements (UK, Lives and works London), How We Fall, 2012 (installation view, (Outer) Spaces program). Video. Loop. Stereo sound. Film by Sophie Clements. Sound by Sophie Clements and Jo Wills.
Picture by Gigi Giannella. Queens Crescent Market, Kentish Town, London. 3rd December 2011. Part of Space for Change exhibition. Performance: Fumi Tomioka and Katsura Isobe
Site-specific інсталяція “HOME EAST” на сході ВДНГ (павільйон №7) – це вхід в Мистецтво війни і любові, це мистецтво про війну і її наслідки, про всі покинуті переселенцями будинки, про СХІД, про біжанців, про небезпеку, вимушену втечу і про надію на мир.
У рамках фестивалю ГОГОЛЬFEST 2015
Автор: Вальдемарт Клюзко (Waldemart KLYUZKO)
Images from a the project 'La Legend de le mort' (The tale of death) a site specific piece performed at Buckland Abbey in collaboration with a French theatre group based in Brest.
by Gemma Ward
To
Mr. Achim Steiner
Attention: Mr. Naysan Sahba
Acting Director of the Division of Communications Public Information and Spokesperson
Office of the Executive Director
United Nations Environment Programme (UNEP)
Nairobi, Kenya
Subject: Planet demand Concrete Commitment - Combat Climate Change
Dear Sir
Greetings from sasrai-Movement
Need concrete decision on World Environment Day (WED) Celebration. When our target is peoples’ awareness need BCC material with some specific message those translate the action for each. May be we shall be in 100% agreement that `T’ shirt in WED celebration should contain messages for the mass and putting name and logo of particular organization/agency doesn’t bear any significance. Furthermore we must emphasize on the quality of cloth/`t’ shirt. It should be useable yearlong and gentleman will be wearing in their morning and evening work yearlong. As our central target is sustainability.
In this connection organization related with Environment Message Promotion could contact the designer to develop some acceptable model that student/youth motivated to use it yearlong.
This is crystal clear:
§ We have already crossed four “planetary boundaries.” They are the extinction rate; deforestation; the level of carbon dioxide in the atmosphere; and the flow of nitrogen and phosphorous (used on land as fertilizer) into the ocean. Scientist shown human activities — economic growth, technology, consumption — are destabilizing the global environment,”
§ "Human security will be progressively threatened as the climate changes," the UN's Intergovernmental Panel on Climate Change (IPCCC) warned in its overview report. The Pentagon agrees. "Rising global temperatures, changing precipitation patterns, climbing sea levels, and more extreme weather events will intensify the challenges of global instability, hunger, poverty and conflict,"
§ Absolute truth for today’s world careless consumption driving untenable production that driving changes in temperature and weather patterns and that’s the Hotter and Hungry World. Hungry world will contribute millions of desperate people. Desperate people do desperate things: They riot, they fight over food, they overthrow governments, and the mass migrate to food-secure countries. Breakthrough Study says Climate Change and Violence Linked.
Does these aforesaid messages known or clear to all? I must say no. It might be happen that a significant number environment worker yet to be clear about the fact. In addition another irony of fate those people know the message, even teach other about the message but not clear about her/his own diongs in personal life, family, office, road etc. Well someoe well known about doings but still in a big gap between learning/knowing and behavior, attitude above all we can say mindset. Still we are to get the needed realization that when small saving in personal and family life multiplied in million/billion what a big contribution it is in each second, minute, day. As for example if each person committed to save one liter water and if it is performed by 3 billion what might be the contribution.
To face the climate change, global warming, climate crisis planet demand significant change in mindset among all. Street beggar to State driver each has capacity and responsibility to contribute for the habitable earth. And each should have mindset `HOW MUCH LESS CONSUMING I COULD BE’ - `Let’s save a bit, in every step of life no matter how small it is.’
There is another misfortune for us during our planning generally we forget - planet is symbiotically connected - plants, animals, humans and the Earth itself. Our maximum program Human focused. Our theme is `Seven Billion Dreams. One Planet. Consume with Care'. May be experts has the comprehensive or inclusive mindset. But for the much people need very much specific and action oriented message.
Let’s ponder on design the program, message and material inclusive.
Planet in Need
§ Each Creature Equality
§ Gender Equality
§ `sasrai’ Living
§ Stop Consumption Slavery
§ Stop Advertisement Administered Lifestyle
Kindest regards
SM Farid Uddin Akhter
Secretariat In-charge
email: fgaleeb@gmail.com Phone:+88 01553 748 354
sasrai-Movement - help sasrai that helps the Humanity
Please, save a drop of water daily, during all water related activities
Please, plant at least a Native tree annually at own home or community
Site-Specific Series, presented by Guelph Contemporary Dance Festival
Photo by Dawn Owen, for the Ontario Arts Council and the Ministry of Culture at the spOtlight festival, June 2009. www.spOtlightfestival.ca
______
Série propre au site, présenté par Guelph Contemporary Dance Festival
Photo de Dawn Owen, prise au festival En vedette en juin 2009, pour le Conseil des arts de l’Ontario et le ministère de la Culture. www.festivalenvedette.ca
The Final Day of Racing At Brands Hatch for The Superprix Weekend and After a Really Busy and Scattered Set Of Races The Previous day it was time to see which of the Drivers could Brave the Circuit One Last Time and Take Home Either a Championship Win or a Victory in their Specific Race.
Lets Get Straight to the Results.
Classic Formula Ford/Historic Formula 3 (Race 2 Result)
Classic Formula Ford and Historic Formula 3 Were up First and it was Time to see who could be The one to take the Checkered Flag First when they crossed the Line.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with a Lap Time of 1:39.257 and a Top Speed of 86.59mph. A Fantastic Victory Cameron Showing Incredible Car Control and Commitment to Win the Race.
In Second Place was (Ben Tinkler) in his Van Diemen RF80 with a Lap Time of 1:39.986 and a Top Speed of 85.77mph. A Really Great Drive from Ben to stay so close to Cameron and Keep Him on his toes the entire Time while Fighting for the Lead of the Race.
In Third Place was (Jordan Harrison) in his Lola T540E with a Lap Time of 1:39.994 and a Top Speed of 85.54mph. A Really Wonderfully Deserved Third Place for Jordan Pushing that Lola for everything it Has got to gain Third Place. Well Done.
Three Fantastically Fast Drivers all with Incredible Speed and Talent Showcasing The Best of what they Bring to Brands Hatch Every Year. An Amazing Last Race to Witness. Congratulations to The Race Winner and Keep Trying Hard Everyone Else.
HGPCA Pre 66 Grand Prix Cars (Race 20)
Next It was The Historic Grand Prix Cars and with a Massive Turn out for them it looks like Another Cracking Race to see from Start till Finish. Lets see who came out on Top.
In First Place was (Sam Wilson) in his Lotus 18 with a Lap Time of 1:39.384 and a Top Speed of 86.55mph. Amazing Work Sam Showing Colin Chapman How it Should be Done. He would have been Proud to Witness that Victory.
In Second Place was (Peter Horsman) in his Lotus 18/21 with a Lap Time of 1:41.296 and A Top Speed of 84.90mph. A Fantastic Drive by Peter to take Second Place in the Race.
In Third Place was (Miles Griffiths) in his Scarab Offenhauser with A Lap Time of 1:41.501 and A Top Speed of 84.38mph A Really Good Job there Miles Almost Matching Lap Times with Peter and Showing Some Incredible Car Control during The Race.
Another Fantastic Race for The Historic Grand Prix Cars and a Huge Congratulations to Sam for Taking Victory in the Last Race. Avery Well Done to Both Peter and Miles as well.
HSCC 70's Road Sports (Race 19)
Historic Road Sports took to the Track next and with some Legendary Cars from the Likes of Lotus Morgan and TVR it was Time to see who Had Stormed to Victory in the Last Race and Taken the Victory.
In First Place was (William Plant) in his Morgan Plus 8 with A Lap Time of 1:45.768 and A Top Speed of 70.67mph. Congratulations William on the Victory it was so Good to See a Morgan Take First Place while Watching this Exciting Race. An Amazing Drive.
In Second Place was (Jim Dean) in his Lotus Europa with A Lap Time of 1:46.411 and A Top Speed of 70.66mph. Another Incredible Drive from Jim to Take Second Place. Well Done
In Third Place was (Richard Plant) in his Morgan Plus 8 with A Lap Time of 1:47.697 and a Top Speed of 70.31mph. A Very Committed Drive from Richard and a Fantastic Third Place Finish that I'm sure the Whole Family will be Proud of.
Fantastic Racing from the 70's Road Sports to Finish the Days Racing for them Congratulations to William, Jim and Richard. Hope to see you Three Battling it out Again Soon.
Aurora Trophy With Geoff Lees Trophy
The Arora Trophy Roared onto the Grand Prix Circuit Next with Powerful V8 Engines thease Racing Cars could make the Ground Shake as they Thunder their way around the Race Track. Lets see who Managed to take that All Important Victory for their Final Race.
In First Place was (Martin Stretton) in his March 712 with a Lap Time of 1:25.976 and A Top Speed of 101mph. A Very Brave and Committed drive from Martin to Take Victory, Really Pushing the March to its Limits and hanging onto the Lead thought the Race.
In Second Place was (Mathew Wrigley) in his March 782 with a Lap Time of 1:25.127 and A Top Speed of 100.96mph. Another Incredible Driver Taking his Machinery to New heights and Keeping the March Name Alive in Historic Racing. Amazing Work Mathew.
In Third Place was (Samuel Harrison) in his Dallara 389 with A Lap Time of 1:29.552 and A Top Speed of 95.04mph. Amazing work Sam showing Insane Car Control even when Racing so Fast and for such A Long Time. Congratulations.
Another Amazing Race to Keep the Day going and showing the Amazing work that Each Team Does to ensure that their Driver and His Car are Ready to go. Well Done to all of the Teams and to the First Second and Third Place Winners as well. Looking Forward To seeing more Action this Year from the Aurora Trophy.
Guards Trophy (Race 21)
Next Up Guards Trophy with Another Range of Racing Machines from the Likes of Brabham Chevron and Lotus Lets see what will Happen and Who will be able to Drive their way to Victory in This Race.
In First Place was (Andy Newall) in his Chevron B6 with A Lap Time of 1:38.258 and A Top Speed of 83.84mph. Very Well Driven and Raced by Andy Showcasing the Power of the Chevron and taking it too its Limits in terms of Raw Speed and Performance.
In Second Place was the Duo of (Jackson S and Jackson C) in their Lenham P70 with A Lap Time of 1:38.008 and A Top Speed of 83.45mph. Fantastic Work to The Two Jacks who Really showed what Working Together Can Achieve during A Race. Well Done
In Third Place was the Duo of (Mitchell W and Mitchell B) in their Chevron B8 with A Lap Time of 1:38.368 and A Top Speed of 82.49mph. Another Amazing Duo who Have Taken Third Place and Kept the Fight Alive in their Respective Championship. Amazing work.
A Fantastic Race for the Guards Trophy Showing the Power of Each Race Car and what they Are Capable of When put into The Hands of the Right Drivers. Congratulations to Andy Mitchell W and Mitchell B as well as Jackson S and Jackson C for putting on One Hell of a Race. Keep up the Good Work Everyone Else and Never Stop Fighting for your Own Victories.
Historic Formula Ford (Race 16)
Next Up was Historic Formula Ford and some very Twitchy and Tricky Cars to be Driven Round the Circuit at Hight Speed. With Light Weight Chassis and Small Cockpits this was going to be a Very Exciting Race to Watch. Lets see who Came out Best of the Rest.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with A Lap Time of 1:38.596 and A Top Speed of 87.95mph. Another Incredible Drive From Cameron to Take Victory and show what A Truly Committed and Self Determined Driver is. He is an Inspiration to All Up Coming Formula Ford Racers.
In Second Place was (Tom Macarthur) in his Titan MK3 with A Lap Time of 1:38.484 and A Top Speed of 87.94mph. Another Really Brave and Heroic Driver Pushing His Formula Ford to its Limits and Keeping his Eye's on the Race Track. Amazing Work Tom.
In Third Place was (Horatio Fitzsimon) in his Merlin MK20A with A Lap Time of 1:38.513 And A Top Speed of 87.90mph. Very Well Done Horatio Fantastic Driving and A Well Deserved Third Place.
An Amazing Final Heat Race for the Formula Fords with Everyone Pushing As Hard as they Could for Victory. Keep Working Hard Everyone and Congratulations to Cameron Tom and Horatio.
Historic Road Sports (Race 17)
Historic Road Sports Next and it was Time to see what Each Driver could do in their Respective Race Car. Lets see how things Stacked up and who Came out on Top in the Race.
In First Place was (Kevin Kivlochan) in his AC Cobra with a Lap Time of 1:46.891 and A Top Speed of 72.19mph. What A Drive From Kevin to Take Victory Keeping that Cobra Far Ahead of the Rest of the Pack and Taking A Dominant Victory. Carol Shelby would have Loved to See That.
In Second Place was (John Davidson) in his Lotus Elan S1 with A Lap Time of 1:46.052 And A Top Speed of 72.16mph. Amazing Work John Keeping that Lotus on the Tarmac and Putting on One Hell of a Race for Everyone. Amazing Job.
In Third Place was (Rupert Ashdown) in his Lotus Elan S1 with A Lap Time of 1:47.481and A Top Speed of 71.61mph. Another Incredible Drive by Rupert Taking Third Place Very Well Deserved.
Historic Road Sports putting on Another Superb Race for the Season and Congratulations to Kevin John and Rupert on their Victories. Hope to see More of that This Year and Good Luck to Everyone Else Racing too.
Historic Touring Cars (Race 22)
The Final Race of The Day was Here and The Historic Touring Car Club did not Disappoint with Lotus Cortina's Mini Cooper S's and Ford Mustangs This was going to be a Final Battle of Titans. Lets See Who Managed to Take that Last Checkered Flag of the Day.
In First Place was (Steve Soper) in his Ford Mustang with A Lap Time of 1.47.084 and A Top Speed of 71.51mph. Awesome Drive Steve Fantastic to see that He Still has it in him After all The Years of Racing.
In Second Place was (Rob Fen) in his Ford Mustang with A Lap Time of 1:49.031 and A Top Speed of 70.93mph. Amazing Work Rob Pushing that Mustang Far and Wide to Hang onto that Second Place. Excellent Drive.
In Third Place was (Mark Martin in his Ford Lotus Cortina with A Lap Time of 1:49.905 and A Top Speed of 70.70mph. Very Well Done Mark Great Driving and Even a Wheel in the Air on Some Occasions Heading onto the Grand Prix Loop. What A Sight that Was to See.
And With that The Days Events came to an End for another year of Superprix Racing at Brands Hatch Amazing work to all of the Organisers and Race Drivers who took Part and Congratulations once again to all of the Race Winners. Keep Fighting Keep Wining and I'm Sure we will do it All Again Next Year.
Vladimír Turner
Site- specific installation
Prague 2014
Dividing vacant lot into three separate parcels. Each parcel has got it's color. Pedestrians are pushed to walk strictly on a beaten paths. Situation suggests citizens of Vršovice neigborhood in prague to think about the public space, it's non/commercial value and future.
Organized by 4+4 Days In Motion
Site-specific інсталяція “HOME EAST” на сході ВДНГ (павільйон №7) – це вхід в Мистецтво війни і любові, це мистецтво про війну і її наслідки, про всі покинуті переселенцями будинки, про СХІД, про біжанців, про небезпеку, вимушену втечу і про надію на мир.
У рамках фестивалю ГОГОЛЬFEST 2015
Автор: Вальдемарт Клюзко (Waldemart KLYUZKO)
A site specific outdoor exhibit at Jaffa Port in collaboration with 3M.
“Arabs, Jews and Christians, it doesn’t matter for us… We are all one family, you can’t
say that there is or isn’t co-existence. There is no co-existence. This is existence.”
/ The words of Saadu Zeinab, head of the Jaffa Fisherman’s Committee
20. - 22. September 2013
Jesuit College, Jicin.
Starting workshop of continuous program was focus on a source of light and the lighting source in Site-specific space.
This week we detail the specific use of a fairly common tool in metalworking: a thread tap. It is a very handy tool to have in the event of having a dropout adjuster screw break and get stuck inside the dropout, as Quang had experienced over the weekend.
The first step when dealing with a tight dropout adjuster screw is to very carefully try and unwind it from the screwdriver side, i.e. inside the dropout flats. Sometimes used frames will have the dropout adjuster screws bent from damage or rusted hard inside, and as such too much torque can cause the screw head to shear off.
At this point, the only option is to carefully drill out the stuck screw and re-tap new threads into the hole for the dropout to accept a new screw. This requires a very steady hand and for the frame to held securely, most likely with the dropout clamped in the vice.
As for the size of drill bit to use, this corresponds with the desired thread size. Too large of a diameter hole, and the tap will not cut threads deep enough for the screw to securely hold itself in place; conversely too small a hole can cause the tap to be excessively tight during rotation, leading to binding and potential snapping.
For the purposes of dropout adjuster screws, as they are a M3 x 0.5mm thread, a 2.5mm drill bit is used.
The steps to remove a stuck adjuster screw:
• File the screw as flat as possible to the dropout.
• Then by eye, centre punch the screw as best as possible. This will keep the drill bit in place when drilling.
• Use a 2 mm drill bit to drill as straight as possible down the dropout screw.
• The hole is enlarged to 2.5 mm. If it has been drilled perfectly, then most of the old screw should be gone.
• A M3 X 0.5 starting tap is run down the hole to either clean out the old threads or new threads are formed.
Basurama. Abierto x Obras. Del 16 de septiembre 2016 al 8 de enero 2017.
Agostamiento es una intervención site-specific que ha realizado el colectivo artístico madrileño Basurama para el programa Abierto x Obras y que tiene lugar en la antigua cámara frigorífica del que fue el matadero de Legazpi. Basurama propone un paisaje interior extraído de la plantación de 7000 girasoles que ha cultivado junto a los vecinos y vecinas de la Gran Vía del Sureste, en el Ensanche de Vallecas. Un espacio público imposible que, en palabras de Basurama, “invita a charlar y a comer pipas, mirando hacia el futuro desde lo más oscuro”.
El “bulevar central" abandonado de esta avenida -un descampado de 350 metros de largo y 30 de ancho- es uno de los muchos restos que la explosión de la burbuja inmobiliaria ha dejado en nuestra ciudad. Un paisaje urbano desolador e inquietante, que se propone y se reinventa como paisaje agrícola, para convertirse en un espacio productivo y de encuentro. Entre esos restos de ciudad nueva, viven personas que han decidido hacerse cargo de sus vidas y de sus barrios, gestionando sus espacios públicos. En tiempo de agostamiento, el ciclo de vida e inflorescencia abre un inmenso espacio de vida por construir y compartir.
Basurama es un colectivo dedicado a la investigación, creación y producción cultural y medioambiental fundado en 2001. Su área de estudio y actuación se centra en los procesos productivos, la generación de desechos que estos implican y las posibilidades creativas que suscitan estas coyunturas contemporáneas.
También pretende establecer una plataforma para que entren en contacto y trabajen juntos personajes del entramado social que ocupan lugares muy diferentes y sin embargo no están muy alejados, considerándose también como un nodo creativo- espacio de encuentro. Ha realizado más de 100 proyectos en los cinco continentes, tiene su base en Madrid y una oficina permanente en Milán y Bilbao.
Abierto x Obras, en Matadero Madrid, es un programa de intervenciones site specific que invita a artistas a realizar una pieza de nueva producción incentivando el carácter experimental de la creación contemporánea a través de planteamientos que exploran la relación entre el arte y el lugar que lo acoge, la antigua cámara frigorífica del Matadero. Una sala de más de 800 metros cuadrados que todavía conserva su aspecto original y las huellas de un incendio sucedido en los años 90. Un espacio característico por su estructura diáfana de arcos volados y columnas. Desde 2007, Abierto x Obras ha acogido las intervenciones de artistas como Daniel Canogar, Jannis Kounnellis, Román Signer, Carlos Garaicoa, Fernando Sánchez Castillo, Jordi Colomer, Los Carpinteros, Cristina Lucas, Eugenio Ampudia o Darya von Berner, entre otros.
PrintOclock - Tarifs et dlais de choc
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Site-Specific Installation at the 2008 Three Rivers Arts Festival. The piece changed over the course of the exhibition and prints were removed for purchase. As the prints were taken away, zeros and ones in the binary code were also deleted, allowing the translation of the code to dissolve it's meaning.