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'Linked' by Graeme Miller is a permanent site-specific sound art project, broadcast from transmitters positioned along the route of the M11 Link Road (now the A12). It is accessed by walking from Wanstead to Leyton with a dedicated radio receiver to pick up the broadcasts of recorded testimonies from residents of some of the houses which were demolished to build the road.
www.artsadmin.co.uk/projects/linked
A walk undertaken as part of a focus group for Sarah Wishart's research: www.sarahwishart.co.uk
To say that a law protects against something is missing out a step or two and either introducing imprecision where it need not be introduced, or committing advertising.
laws tend to provide for penalties against people who transgress them. Whether the fear of that protects, or the exactment of them compensates the individual is a more complex matter.
In this specific case though there is pretty much general agreement that whistleblowers in the NHS, and I suspect in local government, as well as many firms are not protected by the law.
Odd that, that the people behaving illegally and in this context failing to look after the vulnerable might act badly and illegally against someone who causes them trouble. Well, less odd than some things.
It would be unfair to expect the Hemingway touch in these tuition materials I will accept.
Fire the proof reader?
-----------------------------
Disclosure. Not Disclsoure. Nowadays few people accept that a correctly spelled piece is more likely to be correct in other respects than one with spelling errors. I'm not sure why.
Screenshot-Safeguarding Adults E-Learning - Iceweasel-4
My playmat design. No specific activity (except maybe to find the differences between each set of matching flowers?). I believe kids have inherent creativity and imagination and don't need activities spelled out for them. www.spoonflower.com/designs/8764342-pretty-mandala-flower...
SPECIFIC:
GENERAL: Deadbolt performs at PJ's Lager House. Photographed Sat., Oct. 16, 2010
(Donna Terek )
SPECIFIC INFO: Haf Life played Santarchy at PJ's Lager House.
GENERAL INFO: Lager House, Saturday, Dec.18, 2010. Photographs by Donna Terek, 313-598-0179
Abierto x Obras. Matadero Madrid. Del 15 de septiembre 2017 al 8 de enero 2018.
Matadero Madrid presenta Los Afijos, una intervención site specific que ha realizado Juan López (Cantabria, 1979) para el programa Abierto x Obras, que tiene lugar en la antigua cámara frigorífica del que fue el matadero de Legazpi. La propuesta del artista plantea una intervención escultórica sobre la arquitectura como forma de resistencia contra lo establecido.
Los afijos son secuencias lingüísticas que se anteponen, se posponen o se insertan en una palabra para modificar su significado. Esta intervención, realizada específicamente para el programa Abierto x Obras de Matadero Madrid, trabaja con la relación entre escritura y arquitectura, entre signo y significado, entre escultura y collage. En un mundo hipercomunicado, poblado de signos creados por una élite intelectual y/o social, López juega con la posibilidad de alumbrar nuevos significados, nuevos espacios y otros regímenes de lo sensible, a partir de la creación de renovados signos, que además componen otros espacios. Así pues, se resignifica el discurso a la vez que se resignifica la arquitectura y por tanto nuestra manera de relacionarnos en este espacio.
Desde sus obras tempranas de intervención en el espacio urbano, el trabajo de Juan López busca desvelar otros modos de percibir el lugar como hipótesis para otras relaciones sociales fuera de la normatividad impuesta por el poder. En su obra, y mediante el recurso de la metáfora, quiebra y recompone los vínculos entre estos tres elementos: ciudad, subjetividad y poder.
Juan López ha expuesto en numerosas galerías, centros de arte, ferias y museos nacionales e internacionales como La Casa Encendida, MUSAC, Centro de Arte Laboral, Fundación Joan Miró, La Panera, O.K. Centrum Tokyo Wonder Site o Den Frie. Además, ha recibido diversos premios y becas como Hegnspl-Award Byens Hegn, Generaciones 2013, Premio ABC de Arte, Beca Fundación Marcelino Botín o Muestra de Arte INJUVE.
Abierto x Obras, en Matadero Madrid, es un programa de intervenciones site specific que invita a artistas a realizar una pieza de nueva producción incentivando el carácter experimental de la creación contemporánea a través de planteamientos que exploran la relación entre el arte y el lugar que lo acoge, la antigua cámara frigorífica del Matadero.
Vladimír Turner
Site- specific installation
Prague 2014
Dividing vacant lot into three separate parcels. Each parcel has got it's color. Pedestrians are pushed to walk strictly on a beaten paths. Situation suggests citizens of Vršovice neigborhood in prague to think about the public space, it's non/commercial value and future.
Organized by 4+4 Days In Motion
Koi varieties are distinguished by coloration, patterning, and scalation. Some of the major colors are white, black, red, yellow, blue, and cream. While the possible colors are virtually limitless, breeders have identified and named a number of specific categories. The most notable category is Gosanke, which is made up of the Kohaku, Taisho Sanshoku, and Showa Sanshoku varieties.
New koi varieties are still being actively developed.[16] Ghost koi developed in the 1980s have become very popular in the United Kingdom; they are a hybrid of wild carp and Ogon koi, and are distinguished by their metallic scales. Butterfly koi (also known as longfin koi, or dragon carp), also developed in the 1980s, are notable for their long and flowing fins. They are hybrids of koi with Asian carp. Butterfly koi and ghost koi are considered by some to be not true nishikigoi.[citation needed]
The major named varieties include:
Kōhaku (紅白) is a white-skinned koi, with large red markings on the top. The name means "red and white"; kohaku was the first ornamental variety to be established in Japan (late 19th century).
Taishō Sanshoku (or Taisho Sanke) (大正三色) is very similar to the kohaku, except for the addition of small black markings called sumi (墨). This variety was first exhibited in 1914 by the koi breeder Gonzo Hiroi, during the reign of the Taisho Emperor.[citation needed] In America, the name is often abbreviated to just "Sanke". The kanji, 三色, may be read as either sanshoku or as sanke (from its earlier name 三毛).
Shōwa Sanshoku (or Showa Sanke) (昭和三色) is a black koi with red (hi 緋) and white (shiroji 白地) markings. The first Showa Sanke was exhibited in 1927, during the reign of the Showa Emperor. In America, the name is often abbreviated to just "Showa". The amount of shiroji on Showa Sanke has increased in modern times (Kindai Showa 近代昭和), to the point that it can be difficult to distinguish from Taisho Sanke. The kanji, 三色, may be read as either sanshoku or as sanke.
Tanchō (丹頂) is any koi with a solitary red patch on its head. The fish may be a Tancho Showa, Tancho Sanke, or even Tancho Goshiki. It is named for the Japanese red-crowned crane (Grus japonensis), which also has a red spot on its head.
Chagoi (茶鯉), "tea-colored", this koi can range in color from pale olive-drab green or brown to copper or bronze and more recently, darker, subdued orange shades. Famous for its docile, friendly personality and large size, it is considered a sign of good luck among koi keepers.
Asagi (浅黄) koi is light blue above and usually red below, but also occasionally pale yellow or cream, generally below the lateral line and on the cheeks. The Japanese name means pale greenish-blue, spring onion color, or indigo.
Utsurimono (写り物) is a black koi with white, red, or yellow markings, in a zebra color pattern. The oldest attested form is the yellow form, called "black and yellow markings" (黒黄斑
Kuro ki madara) in the 19th century, but renamed Ki Utsuri (黄写り) by Elizaburo Hoshino, an early 20th-century koi breeder. The red and white versions are called Hi Utsuri (緋写り) and
Shiro Utsuri (白写り) (piebald color morph), respectively. The word utsuri means to print (the black markings are reminiscent of ink stains). Genetically, it is the same as Showa, but lacking either red pigment (Shiro Utsuri) or white pigment (Hi Utsuri/Ki Utsuri).
Bekko (べっ甲) is a white-, red-, or yellow-skinned koi with black markings sumi (墨). The Japanese name means "tortoise shell", and is commonly written as べっ甲. The white, red, and yellow varieties are called Shiro Bekko (白), Aka Bekko (赤) and Ki Bekko (黄), respectively. It may be confused with the Utsuri.
Goshiki (五色) is a dark koi with red (Kohaku style) hi pattern. The Japanese name means "five colors". It appears similar to an Asagi, with little or no hi below the lateral line and a Kohaku Hi pattern over reticulated (fishnet pattern) scales. The base color can range from nearly black to very pale, sky blue.
'Shūsui (秋翠) means "autumn green"; the Shūsui was created in 1910 by Yoshigoro Akiyama（秋山 吉五郎, by crossing Japanese Asagi with German mirror carp.[citation needed] The fish has no scales, except for a single line of large mirror scales dorsally, extending from head to tail. The most common type of Shūsui has a pale, sky-blue/gray color above the lateral line and red or orange (and very, very rarely bright yellow) below the lateral line and on the cheeks.
Kinginrin (金銀鱗) is a koi with metallic (glittering, metal-flake-appearing) scales. The name translates into English as "gold and silver scales"; it is often abbreviated to Ginrin. Ginrin versions of almost all other varieties of koi occur, and they are fashionable. Their sparkling, glittering scales contrast to the smooth, even, metallic skin and scales seen in the Ogon varieties. Recently, these characteristics have been combined to create the new ginrin Ogon varieties.
Kawarimono (変わり物) is a "catch-all" term for koi that cannot be put into one of the other categories. This is a competition category, and many new varieties of koi compete in this one category. It is also known as kawarigoi (変わり鯉).[citation needed]
Ōgon (黄金) is a metallic koi of one color only (hikarimono 光者). The most commonly encountered colors are gold, platinum, and orange. Cream specimens are very rare. Ogon compete in the Kawarimono category and the Japanese name means "gold". The variety was created by Sawata Aoki in 1946 from wild carp he caught in 1921.
Kumonryū (九紋竜)' （literally "nine tattooed dragons" is a black doitsu-scaled fish with curling white markings. The patterns are thought to be reminiscent of Japanese ink paintings of dragons. They famously change color with the seasons.[citation needed] Kumonryu compete in the Kawarimono category.
Ochiba (落葉) is a light blue/gray koi with copper, bronze, or yellow (Kohaku-style) pattern, reminiscent of autumn leaves on water. The Japanese name means "fallen leaves".
Koromo (衣) is a white fish with a Kohaku-style pattern with blue or black-edged scales only over the hi pattern. This variety first arose in the 1950s as a cross between a Kohaku and an Asagi.[citation needed] The most commonly encountered Koromo is an Ai Goromo, which is colored like a Kohaku, except each of the scales within the red patches has a blue or black edge to it. Less common is the Budo-Goromo, which has a darker (burgundy) hi overlay that gives it the appearance of bunches of grapes. Very rarely seen is the Tsumi-Goromo, which is similar to Budo-Goromo, but the hi pattern is such a dark burgundy that it appears nearly black.
Hikari-moyomono (光模樣者) is a koi with colored markings over a metallic base or in two metallic colors.
Kikokuryū (輝黒竜, literally "sparkle" or "glitter black dragon") is a metallic-skinned version of the Kumonryu.
Kin-Kikokuryū (金輝黒竜, literally "gold sparkle black dragon" or "gold glitter black dragon") is a metallic-skinned version of the Kumonryu with a Kohaku-style hi pattern developed by Mr. Seiki Igarashi of Ojiya City. At least six different genetic subvarieties of this general variety are seen.
Ghost koi (人面魚、じんめんぎょ), a hybrid of Ogon and wild carp with metallic scales, is considered by some to be not nishikigoi.
Butterfly koi (鰭長錦鯉、ひれながにしきごい) is a hybrid of koi and Asian carp with long flowing fins. Various colorations depend on the koi stock used to cross. It also is considered by some to not be nishikigoi.
Doitsu-goi (ドイツ鯉) originated by crossbreeding numerous different established varieties with "scaleless" German carp (generally, fish with only a single line of scales along each side of the dorsal fin). Also written as 独逸鯉, four main types of
Doitsu scale patterns exist. The most common type (referred to above) has a row of scales beginning at the front of the dorsal fin and ending at the end of the dorsal fin (along both sides of the fin). The second type has a row of scales beginning where the head meets the shoulder and running the entire length of the fish (along both sides). The third type is the same as the second, with the addition of a line of (often quite large) scales running along the lateral line (along the side) of the fish, also referred to as "mirror koi". The fourth (and rarest) type is referred to as "armor koi" and is completely (or nearly) covered with very large scales that resemble plates of armor. It also is called Kagami-goi (鏡鯉、カガミゴイ), or mirror carp (ミラーカープ).
Thanks, Wikipedia, for an amazing amount of knowledge!
SPECIFIC:
GENERAL: Deadbolt performs at PJ's Lager House. Photographed Sat., Oct. 16, 2010
(Donna Terek )
MONA-specific pet rock based on Juul Kraijer, Untitled (2006). Sold at the MONA Markets, March 2013.
I have a thing for kitsch objects, but my PhD thesis is on the paradoxically high-brow topic, ‘The Museum as Art: Site-specific Art in Australia’s Public Museums.’ And so the MONA-specific pet rock was born…
All the pet rocks have been inspired by an artwork, doorstop, or other object displayed within MONA, and each one comes with a signed guarantee of authenticity.
“The Warfield Passages” ©1999 exterior wall mural, acrylic paint, photo and silkscreen collage on concrete,12 panels with a total length of 90 feet by eight feet tall. 28 Taylor Street; stage door and side exit of The Warfield Theater, side wall of the Warfield Building at 988 Market Street. Funded by the City of San Francisco’s Neighborhood Beautification Fund; Sponsored by the Mural Resource Center
This mural was designed and painted to be experienced while in motion, particularly as viewed by pedestrians. It is specific to its site because it reflects (figuratively and historically) the immediate area. The design is anchored by the theme of the history of the Warfield Theater, which opened in 1922 as a movie palace and went on to become a Vaudeville theater, and currently is a concert hall for contemporary music. Reading from left to right, the panels follow a time line, starting with a reference to the first moving images of a person (made by Edweard Muybridge, who was commissioned by Leland Stanford of Palo Alto), and moving through other cultural historical references to movies and performers from the era or who appeared at the Warfield. Most of the panels contain portraits of local people who posed for the mural. One of the panels is the view up Taylor Street, as it is seen from that point, imagined as it may have appeared in the early 20’s when the building was constructed. Near the right end of the mural another panel is painted from the viewer’s perspective, showing the intersection of Taylor, Golden Gate and Market as it looks today. Local legend has it that there was a speakeasy in the basement; one panel is painted as a tribute to that, using actual Art Deco imagery copied from photos I took of the basement walls.
A further tour to Fourvière, Lyon, France for a specific visit of l'Antiquaille on October 20, 2022. I did also a new Kodak Tri-X film with my Zorki-4K camera and its Jupiter-8 1:2 f=50 mm normal lens.
The Zorki was loaded with the Kodak Tri-X (TX) exposed for 400 ISO using a Minolta Autometer III lightmeter fitted with a 10° viewfinder for selective measuring privileging the shadows. After exposure the film was processed at 20°C using Tetenal Ultrafin developer at dilution 1+10 for 9min.
Saint-Just, October 20, 2022
Rue des Farges
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
After several films, and the range finder adjusted, I found the Zorki-4K very pleasant to use. The camera is clearly very reliable and the film smoothly advanced and rewound. I equipped the lens with a FOCA UV-protection filter (Made in France) and the hood of my Focaflex. All views are presented either framed or full-size.
About the camera :
This camera was manufactured in 1977 by KMZ company ( Красногорский механический завод, Krasnogorskiy Mechanicheskiy Zavod) located in the Moscow region. KMZ also manufactured the ZENIT SLR's among many other productions. Zorki 4K was produced between 1972 to 1978 and the previous Zorki models were inspired by the Leica II since 1949. This model 'Made in USSR" is branded in roman characters, intentionally for exportation. Other Zorki 4K were also branded in Cyrillic as "Зоркий". Zorki 4K was sold basically either with this Jupiter-8 lens 1:2 f=50mm or the Industar lens1:3.5 f=50mm. The Jupiter-8 is a Sonnar Zeiss optical formula and fits to the Zorki body using the screwing M39 Leica mount.
Its was sold to me in August 2022 from Austria with its original ever-ready leather bag, a front lens cap and a small shade hood accessory Minolta D42KA. The shade hood and filter of my Focaflex also fit to the Jupiter lens (Leica standard 42 mm filter)
Rajdhani serves a variety of Indian thalis like the Maharashtrian, Rajasthani and Gujarati. It has low seating arrangements and traditional interiors. It serves state-specific specialties like Dal dhokli from Gujarat on Thursdays and Dal bati on Wednesdays. It is open from 10.30 AM to 9.30 PM.
Westbound U.S. 22 Southbound Ohio 60 Southbound Ohio 93 Eastbound Ohio 146 to be specific. This is a weird area!, I like it though.
This is in downtown Zanesville. This day I was trying to follow U.S. 22 down to the Sheetz station in South Zanesville because I wanted to see if they had any interesting flavors of potato chips for sale.
Wow yon bldg is old: The Muskingum County Auditor website says it's from 1890, but I looked at the Library of Congress's digitized Sanborn fire insurance maps and I see it was already here by 1886, which is the earliest year such maps are available online.
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In downtown Zanesville, Ohio, on November 28th, 2020, the side of a building at the southwest corner of Main Street (U.S. Route 40) and South 7th Street (U.S. Route 22 and Ohio state routes 60, 93, and 146).
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Getty Thesaurus of Geographic Names terms:
• Muskingum (county) (1002701)
• Zanesville (7014658)
Art & Architecture Thesaurus terms:
• abandoned buildings (300008055)
• architectural ornament (300378995)
• brick (clay material) (300010463)
• brick red (color) (300311462)
• circles (plane figures) (300055627)
• commercial buildings (300005147)
• cornices (300001788)
• lampposts (300101536)
• lintels (spanning elements) (300003161)
• oblique views (300015503)
• oriented strand board (300380238)
• plywood (300012849)
• shadows (300056036)
• side views (300264743)
• traffic signs (300211849)
Wikidata items:
• 28 November 2020 (Q57396995)
• 19th-century architecture (Q69595903)
• 22 (Q712488)
• 60 (Q79998)
• 93 (Q31118)
• 146 (Q720721)
• Appalachian Ohio (Q14234625)
• boarding up (Q4931416)
• Columbus–Marion–Zanesville, OH Combined Statistical Area (Q100701198)
• concurrency (Q5159092)
• Congress Lands East of Scioto River (Q5160803)
• highway shield (Q5759965)
• November 28 (Q3017)
• November 2020 (Q38575003)
• Ohio State Route 60 (Q2390219)
• Ohio State Route 93 (Q2491850)
• Ohio State Route 146 (Q2491983)
• Ohio state routes (Q96348143)
• state highway (Q1788582)
• streetlight (Q503958)
• Treaty of Greenville (Q767317)
• United States Numbered Highway System (Q408192)
• U.S. Route 22 (Q408121)
• U.S. Route 40 (Q409496)
• vacant building (Q56056305)
Abierto x Obras. Matadero Madrid. Del 15 de septiembre 2017 al 8 de enero 2018.
Matadero Madrid presenta Los Afijos, una intervención site specific que ha realizado Juan López (Cantabria, 1979) para el programa Abierto x Obras, que tiene lugar en la antigua cámara frigorífica del que fue el matadero de Legazpi. La propuesta del artista plantea una intervención escultórica sobre la arquitectura como forma de resistencia contra lo establecido.
Los afijos son secuencias lingüísticas que se anteponen, se posponen o se insertan en una palabra para modificar su significado. Esta intervención, realizada específicamente para el programa Abierto x Obras de Matadero Madrid, trabaja con la relación entre escritura y arquitectura, entre signo y significado, entre escultura y collage. En un mundo hipercomunicado, poblado de signos creados por una élite intelectual y/o social, López juega con la posibilidad de alumbrar nuevos significados, nuevos espacios y otros regímenes de lo sensible, a partir de la creación de renovados signos, que además componen otros espacios. Así pues, se resignifica el discurso a la vez que se resignifica la arquitectura y por tanto nuestra manera de relacionarnos en este espacio.
Desde sus obras tempranas de intervención en el espacio urbano, el trabajo de Juan López busca desvelar otros modos de percibir el lugar como hipótesis para otras relaciones sociales fuera de la normatividad impuesta por el poder. En su obra, y mediante el recurso de la metáfora, quiebra y recompone los vínculos entre estos tres elementos: ciudad, subjetividad y poder.
Juan López ha expuesto en numerosas galerías, centros de arte, ferias y museos nacionales e internacionales como La Casa Encendida, MUSAC, Centro de Arte Laboral, Fundación Joan Miró, La Panera, O.K. Centrum Tokyo Wonder Site o Den Frie. Además, ha recibido diversos premios y becas como Hegnspl-Award Byens Hegn, Generaciones 2013, Premio ABC de Arte, Beca Fundación Marcelino Botín o Muestra de Arte INJUVE.
Abierto x Obras, en Matadero Madrid, es un programa de intervenciones site specific que invita a artistas a realizar una pieza de nueva producción incentivando el carácter experimental de la creación contemporánea a través de planteamientos que exploran la relación entre el arte y el lugar que lo acoge, la antigua cámara frigorífica del Matadero.
Uchee is a site-specific work, assembled in situ. The brushstrokes sit one in front of the other and are made of polymer and pigment on aluminum. Donald Martiny is a local abstract artist. Martiny studied at the School of the Visual Arts, The Art Students League in New York, New York University and the Pennsylvania Academy of Fine Arts. His museum exhibitions include the FWMoA, Courtauld Institute of Art, Alden B Dow Museum of Art, Falmouth Museum, and the Cameron Art Museum. Martiny’s work is represented by galleries in Europe, the US and Australia and is collected internationally. His work has been featured in the Huffington Post, NPR, Philadelphia Inquirer, VOGUE LIVING | Australia, New American Paintings | South, Decor Magazine, Hong Kong Tatler and Woven Tale Press.
In 2015 Martiny received a commission from the Durst Organization to create two monumental paintings that are permanently installed in the lobby of One World Trade Center in New York City.
The Final Day of Racing At Brands Hatch for The Superprix Weekend and After a Really Busy and Scattered Set Of Races The Previous day it was time to see which of the Drivers could Brave the Circuit One Last Time and Take Home Either a Championship Win or a Victory in their Specific Race.
Lets Get Straight to the Results.
Classic Formula Ford/Historic Formula 3 (Race 2 Result)
Classic Formula Ford and Historic Formula 3 Were up First and it was Time to see who could be The one to take the Checkered Flag First when they crossed the Line.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with a Lap Time of 1:39.257 and a Top Speed of 86.59mph. A Fantastic Victory Cameron Showing Incredible Car Control and Commitment to Win the Race.
In Second Place was (Ben Tinkler) in his Van Diemen RF80 with a Lap Time of 1:39.986 and a Top Speed of 85.77mph. A Really Great Drive from Ben to stay so close to Cameron and Keep Him on his toes the entire Time while Fighting for the Lead of the Race.
In Third Place was (Jordan Harrison) in his Lola T540E with a Lap Time of 1:39.994 and a Top Speed of 85.54mph. A Really Wonderfully Deserved Third Place for Jordan Pushing that Lola for everything it Has got to gain Third Place. Well Done.
Three Fantastically Fast Drivers all with Incredible Speed and Talent Showcasing The Best of what they Bring to Brands Hatch Every Year. An Amazing Last Race to Witness. Congratulations to The Race Winner and Keep Trying Hard Everyone Else.
HGPCA Pre 66 Grand Prix Cars (Race 20)
Next It was The Historic Grand Prix Cars and with a Massive Turn out for them it looks like Another Cracking Race to see from Start till Finish. Lets see who came out on Top.
In First Place was (Sam Wilson) in his Lotus 18 with a Lap Time of 1:39.384 and a Top Speed of 86.55mph. Amazing Work Sam Showing Colin Chapman How it Should be Done. He would have been Proud to Witness that Victory.
In Second Place was (Peter Horsman) in his Lotus 18/21 with a Lap Time of 1:41.296 and A Top Speed of 84.90mph. A Fantastic Drive by Peter to take Second Place in the Race.
In Third Place was (Miles Griffiths) in his Scarab Offenhauser with A Lap Time of 1:41.501 and A Top Speed of 84.38mph A Really Good Job there Miles Almost Matching Lap Times with Peter and Showing Some Incredible Car Control during The Race.
Another Fantastic Race for The Historic Grand Prix Cars and a Huge Congratulations to Sam for Taking Victory in the Last Race. Avery Well Done to Both Peter and Miles as well.
HSCC 70's Road Sports (Race 19)
Historic Road Sports took to the Track next and with some Legendary Cars from the Likes of Lotus Morgan and TVR it was Time to see who Had Stormed to Victory in the Last Race and Taken the Victory.
In First Place was (William Plant) in his Morgan Plus 8 with A Lap Time of 1:45.768 and A Top Speed of 70.67mph. Congratulations William on the Victory it was so Good to See a Morgan Take First Place while Watching this Exciting Race. An Amazing Drive.
In Second Place was (Jim Dean) in his Lotus Europa with A Lap Time of 1:46.411 and A Top Speed of 70.66mph. Another Incredible Drive from Jim to Take Second Place. Well Done
In Third Place was (Richard Plant) in his Morgan Plus 8 with A Lap Time of 1:47.697 and a Top Speed of 70.31mph. A Very Committed Drive from Richard and a Fantastic Third Place Finish that I'm sure the Whole Family will be Proud of.
Fantastic Racing from the 70's Road Sports to Finish the Days Racing for them Congratulations to William, Jim and Richard. Hope to see you Three Battling it out Again Soon.
Aurora Trophy With Geoff Lees Trophy
The Arora Trophy Roared onto the Grand Prix Circuit Next with Powerful V8 Engines thease Racing Cars could make the Ground Shake as they Thunder their way around the Race Track. Lets see who Managed to take that All Important Victory for their Final Race.
In First Place was (Martin Stretton) in his March 712 with a Lap Time of 1:25.976 and A Top Speed of 101mph. A Very Brave and Committed drive from Martin to Take Victory, Really Pushing the March to its Limits and hanging onto the Lead thought the Race.
In Second Place was (Mathew Wrigley) in his March 782 with a Lap Time of 1:25.127 and A Top Speed of 100.96mph. Another Incredible Driver Taking his Machinery to New heights and Keeping the March Name Alive in Historic Racing. Amazing Work Mathew.
In Third Place was (Samuel Harrison) in his Dallara 389 with A Lap Time of 1:29.552 and A Top Speed of 95.04mph. Amazing work Sam showing Insane Car Control even when Racing so Fast and for such A Long Time. Congratulations.
Another Amazing Race to Keep the Day going and showing the Amazing work that Each Team Does to ensure that their Driver and His Car are Ready to go. Well Done to all of the Teams and to the First Second and Third Place Winners as well. Looking Forward To seeing more Action this Year from the Aurora Trophy.
Guards Trophy (Race 21)
Next Up Guards Trophy with Another Range of Racing Machines from the Likes of Brabham Chevron and Lotus Lets see what will Happen and Who will be able to Drive their way to Victory in This Race.
In First Place was (Andy Newall) in his Chevron B6 with A Lap Time of 1:38.258 and A Top Speed of 83.84mph. Very Well Driven and Raced by Andy Showcasing the Power of the Chevron and taking it too its Limits in terms of Raw Speed and Performance.
In Second Place was the Duo of (Jackson S and Jackson C) in their Lenham P70 with A Lap Time of 1:38.008 and A Top Speed of 83.45mph. Fantastic Work to The Two Jacks who Really showed what Working Together Can Achieve during A Race. Well Done
In Third Place was the Duo of (Mitchell W and Mitchell B) in their Chevron B8 with A Lap Time of 1:38.368 and A Top Speed of 82.49mph. Another Amazing Duo who Have Taken Third Place and Kept the Fight Alive in their Respective Championship. Amazing work.
A Fantastic Race for the Guards Trophy Showing the Power of Each Race Car and what they Are Capable of When put into The Hands of the Right Drivers. Congratulations to Andy Mitchell W and Mitchell B as well as Jackson S and Jackson C for putting on One Hell of a Race. Keep up the Good Work Everyone Else and Never Stop Fighting for your Own Victories.
Historic Formula Ford (Race 16)
Next Up was Historic Formula Ford and some very Twitchy and Tricky Cars to be Driven Round the Circuit at Hight Speed. With Light Weight Chassis and Small Cockpits this was going to be a Very Exciting Race to Watch. Lets see who Came out Best of the Rest.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with A Lap Time of 1:38.596 and A Top Speed of 87.95mph. Another Incredible Drive From Cameron to Take Victory and show what A Truly Committed and Self Determined Driver is. He is an Inspiration to All Up Coming Formula Ford Racers.
In Second Place was (Tom Macarthur) in his Titan MK3 with A Lap Time of 1:38.484 and A Top Speed of 87.94mph. Another Really Brave and Heroic Driver Pushing His Formula Ford to its Limits and Keeping his Eye's on the Race Track. Amazing Work Tom.
In Third Place was (Horatio Fitzsimon) in his Merlin MK20A with A Lap Time of 1:38.513 And A Top Speed of 87.90mph. Very Well Done Horatio Fantastic Driving and A Well Deserved Third Place.
An Amazing Final Heat Race for the Formula Fords with Everyone Pushing As Hard as they Could for Victory. Keep Working Hard Everyone and Congratulations to Cameron Tom and Horatio.
Historic Road Sports (Race 17)
Historic Road Sports Next and it was Time to see what Each Driver could do in their Respective Race Car. Lets see how things Stacked up and who Came out on Top in the Race.
In First Place was (Kevin Kivlochan) in his AC Cobra with a Lap Time of 1:46.891 and A Top Speed of 72.19mph. What A Drive From Kevin to Take Victory Keeping that Cobra Far Ahead of the Rest of the Pack and Taking A Dominant Victory. Carol Shelby would have Loved to See That.
In Second Place was (John Davidson) in his Lotus Elan S1 with A Lap Time of 1:46.052 And A Top Speed of 72.16mph. Amazing Work John Keeping that Lotus on the Tarmac and Putting on One Hell of a Race for Everyone. Amazing Job.
In Third Place was (Rupert Ashdown) in his Lotus Elan S1 with A Lap Time of 1:47.481and A Top Speed of 71.61mph. Another Incredible Drive by Rupert Taking Third Place Very Well Deserved.
Historic Road Sports putting on Another Superb Race for the Season and Congratulations to Kevin John and Rupert on their Victories. Hope to see More of that This Year and Good Luck to Everyone Else Racing too.
Historic Touring Cars (Race 22)
The Final Race of The Day was Here and The Historic Touring Car Club did not Disappoint with Lotus Cortina's Mini Cooper S's and Ford Mustangs This was going to be a Final Battle of Titans. Lets See Who Managed to Take that Last Checkered Flag of the Day.
In First Place was (Steve Soper) in his Ford Mustang with A Lap Time of 1.47.084 and A Top Speed of 71.51mph. Awesome Drive Steve Fantastic to see that He Still has it in him After all The Years of Racing.
In Second Place was (Rob Fen) in his Ford Mustang with A Lap Time of 1:49.031 and A Top Speed of 70.93mph. Amazing Work Rob Pushing that Mustang Far and Wide to Hang onto that Second Place. Excellent Drive.
In Third Place was (Mark Martin in his Ford Lotus Cortina with A Lap Time of 1:49.905 and A Top Speed of 70.70mph. Very Well Done Mark Great Driving and Even a Wheel in the Air on Some Occasions Heading onto the Grand Prix Loop. What A Sight that Was to See.
And With that The Days Events came to an End for another year of Superprix Racing at Brands Hatch Amazing work to all of the Organisers and Race Drivers who took Part and Congratulations once again to all of the Race Winners. Keep Fighting Keep Wining and I'm Sure we will do it All Again Next Year.
Site-specific інсталяція “HOME EAST” на сході ВДНГ (павільйон №7) – це вхід в Мистецтво війни і любові, це мистецтво про війну і її наслідки, про всі покинуті переселенцями будинки, про СХІД, про біжанців, про небезпеку, вимушену втечу і про надію на мир.
У рамках фестивалю ГОГОЛЬFEST 2015
Автор: Вальдемарт Клюзко (Waldemart KLYUZKO)
Site-specific інсталяція “HOME EAST” на сході ВДНГ (павільйон №7) – це вхід в Мистецтво війни і любові, це мистецтво про війну і її наслідки, про всі покинуті переселенцями будинки, про СХІД, про біжанців, про небезпеку, вимушену втечу і про надію на мир.
У рамках фестивалю ГОГОЛЬFEST 2015
Автор: Вальдемарт Клюзко (Waldemart KLYUZKO)
'Linked' by Graeme Miller is a permanent site-specific sound art project, broadcast from transmitters positioned along the route of the M11 Link Road (now the A12). It is accessed by walking from Wanstead to Leyton with a dedicated radio receiver to pick up the broadcasts of recorded testimonies from residents of some of the houses which were demolished to build the road.
www.artsadmin.co.uk/projects/linked
A partial walk undertaken as part of a focus group for Sarah Wishart's research: www.sarahwishart.co.uk/?page_id=28
On 16-17 May 2016 a series of event under the title Global Urbanisms, Regional Specificities were organised by Jenifer Robinson (UCL Dept of Geography and Urban Laboratory) and Tamar Garb (UCL Institute of Advanced Studies) This included evening public sessions addressing regional perspective on planetary urbanism and thinking around the urban in the Global South, as well as a closed symposium during the day. The events explored very active debates within in urban studies addressing the limits of universalist theorisations of the urban, while at the same time seeking to engage with the globalisation of urban processes.
Capitolo primo. L’astratta qualità del ricordo. (2016/2017) Chapter one. The abstract quality of remembrance. (2016/2017) Site specific installation. Work in progress.
Go to Page with image in the Internet Archive
Title: Humphreys' homeopathic mentor, or Family adviser in the use of specific homeopathic medicine
Creator: Humphreys, F. (Frederick), 1816-1900
Publisher: New York, Humphreys' Homeopathic Medicine Co.
Sponsor: Open Knowledge Commons and Yale University, Cushing/Whitney Medical Library
Contributor: Yale University, Cushing/Whitney Medical Library
Date: 1898
Language: eng
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
See all MHL images published in the same year
See all images from Yale University, Cushing/Whitney Medical Library
039
McKinsey Global Infrastructure Initiative Summit
Tokyo, Japan
Thursday, October 20th, 2022
09:00–12:00 SECTOR ROUNDTABLES
GII will host five concurrent sector roundtables, encouraging participants to take a more in-depth look at the most exciting topics in specific sectors.
INFRASTRUCTURE INVESTMENT: NAVIGATING THE TRANSITION TO NET-ZERO PORTFOLIOS
With multiple countries and companies committing to net-zero by 2050, policy-makers, investors, and asset owners have their work cut out for them. Transitioning infrastructure portfolios is complicated as they often consist of multiple asset types across geographies, each with distinct carbon footprints, decarbonization and legislative approaches being required. Building on the work undertaken by McKinsey and the Global Infrastructure Investor Association, this roundtable will tackle:
What steps do asset owners and investors need to take to manage risk?
How do stakeholders realize the opportunities presented by net-zero commitments?
What would the decarbonization pathways and costs look like per asset class?
Inspiring case studies:
Jean-Marc Arbaud, President & CEO, CDPQ Infra
Neil Arora, Head of Asian Energy Transition, KKR
Ivan Varughese, Head of Infrastructure & Energy Capital, Asia-Pacific, Macquarie Group
Panelists:
Gautam Bhandari, Managing Partner, I Squared Capital
Masahiko Kato, Managing Director and Head of Infrastructure Japan, EQT Partners
Tom Osborne, Executive Director – Infrastructure, IFM Investors
Hosts:
Aaron Bielenberg, Partner, McKinsey & Company
Lawrence Slade, Chief Executive Officer, GIIA
Eliav Pollack, Associate Partner, McKinsey & Company
Alex Ugryumov, Partner, McKinsey & Company
Photograph by McKinsey Global Infrastructure/Stuart Isett
Capitolo primo. L’astratta qualità del ricordo. (2016/2017) Chapter one. The abstract quality of remembrance. (2016/2017)
Site specific installation. Work in progress.
City Park
(more pictures you can see by clicking on the link at the end of the side!)
Photo: Vienna City Park plan - Flower - Lake
City Park Plan - Flower - Lake Ltd. © Vienna - specific
The Viennese City Park stretches from the park ring in the first district of Vienna up to the Haymarket in the third district of Vienna and is a of both tourists and local citizens well-visited park in Vienna. Its area is 65,000 m².
History
Yet in the Biedermeier the Water Glacis was a popular entertainment venue before the Karolinenstadttor (city gate). As part of the by the demolition of the city wall happened remodeling in the Ringstrasse, the project of a public park has been promoted on that site by the then Mayor of Vienna, Andreas Zelinka. This park was designed in the style of English gardens by the landscape painter Josef Selleny, the plannings were carried out by the city gardener Rudolf Siebeck. On 21th August 1862 the city park was opened as the first public park in Vienna.
Vienna River flows through the city park
The Wien River flows through the city park, Vienna © concrete
"Wien" (Vienna River) in the city park
On the right bank of the river Wien (Wienfluss) was 1863 the so-called children's park, today mainly characterized by paved playgrounds and sports facilities, which over the Karoline bridge (Karolinenbrücke) (since 1918 Stadtparkbrücke), built in 1857, with the on the left bank situated town park is connected.
In the years 1903-1907 was in the parking area after the regulation a by Friedrich Ohmann and Josef Hackhofer planned Vienna river engineering structure with the river gate, pavilions and river banks built, which is one of the sights in the park.
In earlier times visitors of the park for the stay in placed chairs had to pay fees that were collected by the chair women (the so-called Sesselweiber).
Attractions in the park
Kursalon
The Kursalon
The water Glacis was a spa pavilion in which healing waters for drinking cures were served. To that affect, in the years 1865 to 1867 for the city park also the Kursalon was built according to plans of Johann Garben. This historicist imposing home in the style of the Italian Renaissanceg is located at the John street (Johannesgasse) and has a large terrace in the park:
After the opening on 8th May 1867 were originally forbidden pleasures. As this concept was not adopted, yet on 15th October in 1868 was taking place the first concert of Johann Strauss (son) whereupon became the Kursalon a popular dance and concert venue in particular at the time of the Strauss brothers. Today, the Kursalon after a renovation phase is again venue for balls, concerts, clubbings and conferences and houses a café-restaurant.
Photo: Johann Strauss monument in the city park; © RM
Monuments
With the gilded bronze statue of Johann Strauss (son) stands in the city park one of the best known and most frequently photographed monuments in Vienna. It was on 26th June 1921 unveiled and is framed of a marble relief by Edmund Hellmer. The gilding was removed in 1935 and in 1991 applied again. Other monuments there are, for example, of Franz Schubert, Franz Lehar and Robert Stolz and Hans Makart, the City Park is in monuments and sculptures the richest park in Vienna.
The dairy (Meierei)
The former milk bar was built as part of the Wienflußverbauung (Vienna river engineering structure) according to plans by Friedrich Ohmann and Josef Hackhofer from 1901 until 1903. After suffering heavy damages during the Second World War the building was extended in the reconstruction. Today is in the dairy after another annex a restaurant.
Planting
The planting of the city park is characterized by a great diversity of species and is, as possible, focused on a year-round flowering. Through an avenue to the ring road noise and exhaust gases are filtered. Some trees are protected, such as a ginkgo, a crown of thorns (Honeylocust, Christusdorn), cottonwood tree and Caucasian wingnut.
The specific property I was looking for was actually around 1625 S. Michigan--about where I was standing--but when I went down there I only knew that it was somewhere on Michigan between 16th and 17th. So I should have been pointing the camera the other way, but ultimately this doesn't matter. The view on this side of the street isn't much different from the view on that side, and it all used to be part of the same farm.
In Chicago's earliest days, this was the site of the Henry B. Clarke House, a little wooden home built in the Greek Revival style on 20.08 acres in 1836 (only three years after the city's official founding). Clarke was a hardware magnate who got rich supplying materials for the new and fast-growing city, so he built his estate away from everybody, in the unoccupied land near the lake and south of the Chicago River. The Panic of 1837 cost him dearly, and he had to resort to using his estate for farming and hunting, but he and his wife survived it all. He held on until cholera took him in 1849. His wife, Caroline, lived in the house until her own death in 1860. In the interim, she sold much of the land around the house back to the city, which is how the Prairie District came to be. A century and a half later, the property became swamped with condo buildings made of corrugated aluminum.
Glockengasse No 9: site-specific video animation, 3:4, Loop Claudia Larcher uses image and video footage found in the Viennese Glockengase 9 and the nearby area. In her exhibited video work, she extends the real space through “impossible dimensions”, using digital tools to duplicate and replicate single architectural elements, without considering the laws of physics or statics. A virtual room gets created, that outreaches the real and passes over into the imaginary domain seamlessly. This virtual space, which can be experienced by the audience as a visual break, is examining the state of passively reflecting and warping structures.
InteliGEN
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A site specific promenade performance visiting the unseen corners of The Lyceum.
Step behind the curtain for a unique perforamnce in the darkest corners of The Lyceum. You will be guided where no backstage tour goes - where hidden places meet the hidden voices of youth. This will be a unique theatrical adventure full of surprise and no little terror with live music and lively encounters inspired by The Lyceum's secret spaces.
Devised by members of the Lyceum Youth Theatre with direction from Mark Thomson, Amanda Gaughan, Christie O'Carroll and John Glancy, this is a special one-off production as part of our 50th Anniversary celebrations.
Photo credits: Mark Thomson and the ensemble
What Makes It specific from different forms of Bikes?
Hybrid bikes gain reputation for the next elements:
Wheels
The bikes have practical wheels which combine the elements observed on street and mountain bikes. The wheels are wider, which offers you sturdiness and steadiness. In the meantime, it also has the equal inflation degree as road bikes by means of having a larger air stress.
Body
Frames on hybrids are made to be powerful to accommodate your off-road biking wants. Customarily such frames are made of metal or lightweight aluminum. These substances present maximum force as good as an low-priced rate. It can be said that frames of hybrids resemble ones on mountain bikes.
Pedals
regularly, general hybrid bikes have platform pedals. These pedals will likely be valuable principally in case you customarily put your toes down while riding.
Handlebars
you are going to to find the flat handlebars on hybrids are just like these on mountain bikes. Compared to the handlebars on road bikes, handlebars on hybrids give you a better riding position. The handlebars generally have a wider grip so as to sit down upright and manipulate your bike in a greater means.
Driving function
With the advanced design of the handlebars, hybrid bikes enable you to take a seat with a greater posture. Hence you can shrink pressure on back and neck at the same time driving.
Gears
on the grounds that hybrids are created to accommodate distinct riding needs, they arrive with a broad range of gearing. This allows you to journey on pavements or hills without a hassle. There are round sixteen to 27 apparatus mixtures that you could prefer from to accommodate your distinctive using want.
Suspension
Seat posts and suspension forks on hybrids are adopted from mountain bikes. The technological know-how permits you to obtain better shock absorption and decrease stress for your body.
Components
just like different varieties of bikes, hybrids include some intriguing add-ons for your fun riding experience. There are device baggage, water bottles, frame pumps and more.
Read more: www.outdoorgearland.com/best-hybrid-bikes/
A site specific promenade performance visiting the unseen corners of The Lyceum.
Step behind the curtain for a unique perforamnce in the darkest corners of The Lyceum. You will be guided where no backstage tour goes - where hidden places meet the hidden voices of youth. This will be a unique theatrical adventure full of surprise and no little terror with live music and lively encounters inspired by The Lyceum's secret spaces.
Devised by members of the Lyceum Youth Theatre with direction from Mark Thomson, Amanda Gaughan, Christie O'Carroll and John Glancy, this is a special one-off production as part of our 50th Anniversary celebrations.
Photo credits: Mark Thomson and the ensemble