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Any contributions to the Bapco Photographic and Film Archive will be gratefully accepted, please contact the Public Relations Department on pr_department@bapco.net so we can safely archive any old Bahrain film or images.
AERIAL BOUNDARIES by Loris Cecchini
Site-specific installation for the courtyard of Palazzo Strozzi in Florence
curated by Franziska Nori
30 April to 1 July 2012
photo © Martino Margheri
Year 10 trip to Marle place, working with Artists to create site specific work for their GCSE course.
A site-specific sonic event that’s both performance and installation, Sound Spandrel: Science Museum highlights peripheral and overlooked building spaces by exploring their musical attributes. The tonalities of heating and cool- ing systems, the buzz of light bulbs, the percussive pat- terns of footsteps and door slams, all inspire a live score sourced from the sounds of the building itself, and elec- tronically blended back into the space by the artists.
Performing musicians include: Charles Gillett, John Kannenberg, Bethany Lacktorin, Joe Nagel, and Davu Seru. Instrumentation features guitar, saxophone, zither, cymbal, bells, mbira, and digitally manipulated recordings of the actual space.
Photograph courtesy the artist.
northernspark.org/projects/sound-spandrel-science-museum....
Uchee is a site-specific work, assembled in situ. The brushstrokes sit one in front of the other and are made of polymer and pigment on aluminum. Donald Martiny is a local abstract artist. Martiny studied at the School of the Visual Arts, The Art Students League in New York, New York University and the Pennsylvania Academy of Fine Arts. His museum exhibitions include the FWMoA, Courtauld Institute of Art, Alden B Dow Museum of Art, Falmouth Museum, and the Cameron Art Museum. Martiny’s work is represented by galleries in Europe, the US and Australia and is collected internationally. His work has been featured in the Huffington Post, NPR, Philadelphia Inquirer, VOGUE LIVING | Australia, New American Paintings | South, Decor Magazine, Hong Kong Tatler and Woven Tale Press.
In 2015 Martiny received a commission from the Durst Organization to create two monumental paintings that are permanently installed in the lobby of One World Trade Center in New York City.
Ian Chan's Library Leaves. Laser cut leaves (from newspaper) installed in the Art Library reading room
@algonquinoutfit : RT @Algonquin_PP: Pics from the carcass - 2 Fishers at once. Large and amazing weasels @OntarioParks t.co/KWp87ijPzH (via Twitter twitter.com/algonquinoutfit/status/824255821248872450)
Girls specific freestylers. With all the main features of the Punx but with a few tweaks for the girls. Slightly lighter construction and flex make them more agile in female hands and better suited to lighter weights. The graphics are quite clean and do have appeal without being too girly and the She Devil has all the abilities to be an excellent freestyle to allround mountain ski for the advanced to expert skier.
What's in a color? Plenty, if you're giving a rose. Each color has specific meanings, according to those who follow such things, and some colors have many.
Here's a quick reference guide to the most common colors and the baggage they tote.
Red. Love, beauty, courage, respect.
Yellow. Joy, friendship, delight, the promise of a new beginning.
Orange. Desire, enthusiasm.
White. Purity, innocence, secrecy, humility.
Pink. Appreciation, thanks, grace, happiness, admiration.
Dead rose (regardless of color). It's over.
Thornless rose (is there such a thing?). Love at first sight (is there such a thing?).
It gets thornier. There's also symbolism behind certain color combinations and behind how many roses you give.
And if you entwine two roses, well—that's a subject for another photo.
Photographed at the Berkeley Rose Garden, Berkeley, CA.
Best big, just like a bouquet.
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A site-specific sonic event that’s both performance and installation, Sound Spandrel: Science Museum highlights peripheral and overlooked building spaces by exploring their musical attributes. The tonalities of heating and cool- ing systems, the buzz of light bulbs, the percussive pat- terns of footsteps and door slams, all inspire a live score sourced from the sounds of the building itself, and elec- tronically blended back into the space by the artists.
Performing musicians include: Charles Gillett, John Kannenberg, Bethany Lacktorin, Joe Nagel, and Davu Seru. Instrumentation features guitar, saxophone, zither, cymbal, bells, mbira, and digitally manipulated recordings of the actual space.
Photograph courtesy the artist.
northernspark.org/projects/sound-spandrel-science-museum....
My first attempt at the Droste effect. A specific kind of recursive picture one that in heraldry is termed mise en abyme. An image exhibiting the Droste effect depicts a smaller version of itself in a place where a similar picture would realistically be expected to appear. This smaller version then depicts an even smaller version of itself in the same place, and so on. Only in theory could this go on forever; practically, it continues only as long as the resolution of the picture allows, which is relatively short, since each iteration geometrically reduces the picture's size. It is a visual example of a strange loop, a self-referential system of instancing which is the cornerstone of fractal geometry
© 2011 Mike Johnson
Match specific front cover of a programme issued in April 2015 by Hunslet Club Parkside during their first season as members of amateur rugby league's flagship National Conference League. This 16-pager (£2, with admission), featuring a rather confused and confusing front cover, was produced for a Third Division fixture against Thornhill Trojans. Parkside won 20-16 in front of 210 spectators. Astonishingly, Parkside subsequently went through all four divisions in consecutive seasons, capping their climb to the summit by winning the Premier Division Grand Final in 2018.
Neck (site-specific sculpture)
Year: 2005
Materials: polyurethane, acrylic, glitter flake, feather boas, faux pearls, felt, rope, cardboard
Dimensions: 118 x 54 x 54 inches
Information: For my 1-month residency at BUILD, I presented “Neck”, that I assembled at the gallery site. Combining experimental materials such as glitter-flaked polyurethane, feather boas, and faux pearls I created a large-scale sculpture that evoked the cheap luster associated with child Beauty Pageants, celebrity tabloids, and the tawdry unsolved murder of JonBenet Ramsey. I activated the space with an imposing piece that drew its inspiration from dark source material, but maintained a lighter-than-air opulence that spoke to my interests in extravagant impulses and transmogrified beauty.
Fairy Ring, temporary site-specific installation
thermoplastic objects, organic matter, time, light, nature
2021 | 962 square feet | 26 ft. inner diameter
I Heart Rail Trail: Lights | temporary site-specific, pubic work at Atherton Mill, Charlotte, NC by Artist: Meredith Connelly
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Vernacular signs— "local, site-specific, handmade or hand-crafted signage produced as a unique piece of art or a small run advertisement..."
Advertisements painted by hand directly onto the brickwork of buildings were once a common sight in cities, towns and villages across the country. The rise of printed billboards soon led to their decline but many still survive, often faded, clinging to the walls that host them. These 'Ghostsigns' provide a window into the past and evidence of the craftsmanship that once went into their production. However, they are disappearing fast, often due to weathering but also as a result of property development and demolition.
Sheridan, WY is lucky to have a good deal of these signs still remaining....
Actress: Emilia Brandi
Photographer: Angelo Maggio
Onions - In Pasto Al Mare was a site-specific play I directed for the Caparrotti beach, Pizzo, Calabria, Italy at the CaLABria, theatre lab Aug-Sep, 2014. In October the piece preformed at the Quarticciolo theatre in Rome.
AERIAL BOUNDARIES by Loris Cecchini
(taking down)
Site-specific installation for the courtyard of Palazzo Strozzi in Florence
curated by Franziska Nori
30 April to 1 July 2012
photo © Martino Margheri
Site-Specific Installation at the 2008 Three Rivers Arts Festival. The piece changed over the course of the exhibition and prints were removed for purchase. As the prints were taken away, zeros and ones in the binary code were also deleted, allowing the translation of the code to dissolve it's meaning.
PrintOclock - Tarifs et dlais de choc
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General
Category: Phosphate mineral
Formula: Ca5(PO4)3(F,Cl,OH)
Strunz classification: 8.B
Crystal system: Hexagonal
Identification
Color: Transparent - translucent, usually green, less often colorless, yellow, blue to violet, pink, brown.
Crystal habit: Tabular, prismatic crystals, massive, compact or granular
Cleavage: [0001] indistinct, [1010] indistinct
Mohs scale hardness: 5
Luster: Vitreous to subresinous
Streak: White
Diaphaneity: Transparent to translucent
Specific gravity: 3.16–3.22
Polish luster: Vitreous
Optical properties: Double refractive, uniaxial negative
Refractive index: 1.634–1.638 (+0.012, −0.006)
Birefringence: 0.002–0.008
Pleochroism: Blue stones – strong, blue and yellow to colorless. Other colors are weak to very weak
Dispersion: 0.013
I was blessed to travel to many towns in Germany. This specific town was where Martin Luther nailed the 95 theses and started the protestant reformation that reformed the christian faith especially to this day. The church is called All Saints Church or Schlosskirche. I loved Germany, it is by far one of the most rich cultures I have come into contact with.
To view my photo post on Wittenberg visit - dougklembara.com/journal/?p=677
To view more of my photography visit my site: www.dougklembara.com
Fan on Facebook: www.facebook.com/pages/Doug-Klembara-Photographer/2442026...
Twitter: twitter.com/#!/@dougklembara
Any specific names or locations?
Any contributions to the Bapco Photographic and Film Archive will be gratefully accepted, please contact the Public Relations Department on pr_department@bapco.net so we can safely archive any old Bahrain film or images.
Arecibo County, PR
Listed: 01/06/1986
The Teatro Oliver was Arecibo's first structure built for specific use as theater. Prior to its construction in 1876 by a great patron of the arts, the Marquez "de las Claras"; theatrical performances were held in private clubs or houses. The original neoclassic structure had a stagewhere great international artists displayed their talents. Some of these great artists include actress Adelina Patts, opera singers Caruso and Antonio Paoli and during the 1930's Carlos Garde!, the great tango idol, gave one of his last performances on this stage, before his tragic death.
Local actors also displayed their talent on this stage. These performances allowed people from all social echelons to expand their cultural horizon. The Theater gave local playwrighters an opportunity to stage their work. Thanks to this, Arecibo became one of the island's cities to produce great playwrighters such as Rene Marquez, considered as one of Puerto Rico's greatest talents in this artistic labor.
This was a true theater in the old European sense. Its facilities were used not only for theatrical presentation but also for social, sporting, political and other town events. Great public balls, exuberant carnivals and basketball games were held in Theaters' Orchestra level which thanks to a hydraulic system could be elevated to stage level thus making it a great ball room or sport arena. Politicians used the stage for their debates during campaign and schools used it for their graduations.
Sport Specific Performance and our golf supplements were on hand to support Jordan Farmar of the World Champion Los Angeles Lakers at his celebrity golf classic. We talked sports, golf, and more with celebrities including Jordan, Lakers teammate Luke Walton, baseball great Darryl Strawberry, former Laker Byron Scott, PGA Tour pro and recent runner up of the US Open Ricky Barnes, NFL QB and former Heisman Trophy winner Matt Leinart, and more.
'Linked' by Graeme Miller is a permanent site-specific sound art project, broadcast from transmitters positioned along the route of the M11 Link Road (now the A12). It is accessed by walking from Wanstead to Leyton with a dedicated radio receiver to pick up the broadcasts of recorded testimonies from residents of some of the houses which were demolished to build the road.
www.artsadmin.co.uk/projects/linked
A partial walk undertaken as part of a focus group for Sarah Wishart's research: www.sarahwishart.co.uk/?page_id=28
In this specific photo I really wanted to make you feel like you were there shooting this shot, and I think I achieved this with the reflection of the sun hitting the water and creating this sort of light flare onto the water. I didn't adjust the exposure & contrast at all. It was an already a pretty bright photo so no adjustment there was needed. I then brought down the highlights quite a bit, shadows up, whites up and blacks down. Then I added then normal etxture and clairty adjustments, finally finishing it off with adjustments to the colors.
A Room-A Loom began as a site-specific weaving experiment by Julia Sherman at workspace, a small project space in East L.A. Materials used thus far in the L.A. loom have included weeds, old clothing, Halloween costumes, computer cables, bubble wrap, plastic bags, John Baldessari's toilet paper, Sheep Dog fur, raw wool, yarn, pants, jeans, blankets, burlap sacks, palm fronds, pom-poms and more.
Copy is the first of several project spaces spanning the country and beyond to undertake A Room - A Loom. Eventually, there will be a group exhibition with all of the weavings from the various participating spaces.
Page 51
When Robert Cremean walked through the seemingly
endless corridors of the Vatican Museum in Rome, he was
struck not only by the vastness of the place but by the
number of sculptures it contains, many of which are
neutered by a fig leaf. To him, the sculptures in the museum
represented an enormous collection of mixed metaphors and
only a rare few met his definition of “transparency.” On the
fourth page of his Preparatory Study for VATICAN
CORRIDOR, A Non-Specific Autobiography he wrote:
The enclosure of one metaphor by another—one culture by
another—one time segment by another. “Paganism” is preserved
through forfeit of genitalia—neutered by a fig leaf. Miles of
historical artifacts enclosed within an historical artifact. And yet
there are a few presences that are not dead—not neutered. A few
glimpses— Man existing without metaphor. A few Transparencies.
Are these not worth the endless walk?
Within the concept “One man=all men,” VATICAN
CORRIDOR, A Non-Specific Autobiography was conceived as
an actual and metaphorical record of the journey through
the life of the artist and, by extension, a projection of the
possibilities we all share and may attain. Within both of the
facing walls are ten carved life-sized figures symbolically
conjoined by arches to form a “corridor of the self. ” As Robert
Cremean wrote:
Each arch represents three years and the Corridor of Self-Analysis
begins with my seventeenth year.
It was within the time span of the First Arch he declared
himself a sculptor.
Prior to acquiring the materials necessary for the actualizing
of the sculpture in wood, he spent two months creating
the detailed preparatory study for the entire work, a process
he had followed on only two prior occasions, one for
DONOR WITH CRUCIFIXION and the other, although more
suggestive than detailed, for HOMAGE TO PAUL APOSTLE.
From the first three pages of searching to the final pages of
resolution, the artist’s graphic description of the threedimensional
work provides us with the opportunity to read
the artist’s philosophical concepts for that specific work of
art and to understand how these concepts are interpreted
symbolically through the human figure. Since this is an
actual and a metaphorical autobiography, the Preparatory
Study for VATICAN CORRIDOR, A Non-Specific Autobiography
literarily addresses both.
Because each of the ten arches in the Preparatory Study
and in the completed sculpture spans a period of three years
in the artist’s life, the Tenth Arch was a projection five years
into the future and was at last updated twenty-two years
later in the writing in 1995, and with the publication by
Manuscript Press in 1996, of THE TENTH ARCH, the sculptural
Tenth Arch realized in the form of a book.
As the name implies, the sculpture is in the form of an
actual corridor. It measures eight feet tall, forty feet in length,
and with a width of ten feet. The facing walls of the corridor
are each formed by ten carved blocks of laminated sugar pine
planks for an overall measurement each of 8' x 24½" x 16".
The first figure of the Outer Wall, the “who,”is nearly fully
revealed in the round. But by the Tenth Arch, it has been transposed
into a negative, much like a waste-mold, only the egg
shape of the final transposition still in place. Block by block
and transposition after transposition, the three-dimensional
figure is displaced by a concavity as the wall that contained it
grows thicker and thicker. The reverse is true in each of the
corresponding figures and blocks of the Inner Wall. Each part
of the human figure is symbolic of a particular sense and/or
concept and with its transference the figure of the Inner Wall,
the “what,” becomes more complete.
Shown here is the final page of the manuscript which
lists the actual parts of the Anatomy of Transposition. It is
followed by the first four pages which serve both as an
explanation of the Preparatory Study and of the concept of
the entire sculpture. Each page of the original manuscript
measures 17" x 14".
Danielle Georgiou and Hillary Holsonback answer the ringing phone in ARTBEEF's work 9728837557
ARTBEEF
9728837557, 2013, multi-media site specific installation.
This project will be an exercise in audience engagement that explores the boundaries that delineate public and private space. Artbeef's piece consists of a telephone that is formally installed in the UT Dallas gallery and only exists for the purpose of its function, to enable two or more people to communicate despite the distance that separates them. The conversation data is gathered and then broadcast, in real time, to a remote location in the gallery for independent consideration. In being allowed access to this information, the audience is authorized to monitor the dialogue that is produced.
The telephone itself will take the form of a landline, a once ubiquitous device that now seems more like an historical artifact. Though an aesthetic anachronism, we were once domestically tethered to these bulky machines as a means of communication with the outside. Within a single generation, our umbilical attachment has been severed and the venue for communication—no longer a physical place—has, through the use of personalized portable social technology become the individual. How has this affected our sense of personal space in respect to the inevitable sea of data that is created by these devices as we interact with one another? Has our need to maintain autonomous mobility, while remaining jointly connected, redefined what we collectively allow to become public information?
AERIAL BOUNDARIES by Loris Cecchini (setting)
Site-specific installation for the courtyard of Palazzo Strozzi in Florence
curated by Franziska Nori
30 April to 1 July 2012
photo © Martino Margheri
The Final Day of Racing At Brands Hatch for The Superprix Weekend and After a Really Busy and Scattered Set Of Races The Previous day it was time to see which of the Drivers could Brave the Circuit One Last Time and Take Home Either a Championship Win or a Victory in their Specific Race.
Lets Get Straight to the Results.
Classic Formula Ford/Historic Formula 3 (Race 2 Result)
Classic Formula Ford and Historic Formula 3 Were up First and it was Time to see who could be The one to take the Checkered Flag First when they crossed the Line.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with a Lap Time of 1:39.257 and a Top Speed of 86.59mph. A Fantastic Victory Cameron Showing Incredible Car Control and Commitment to Win the Race.
In Second Place was (Ben Tinkler) in his Van Diemen RF80 with a Lap Time of 1:39.986 and a Top Speed of 85.77mph. A Really Great Drive from Ben to stay so close to Cameron and Keep Him on his toes the entire Time while Fighting for the Lead of the Race.
In Third Place was (Jordan Harrison) in his Lola T540E with a Lap Time of 1:39.994 and a Top Speed of 85.54mph. A Really Wonderfully Deserved Third Place for Jordan Pushing that Lola for everything it Has got to gain Third Place. Well Done.
Three Fantastically Fast Drivers all with Incredible Speed and Talent Showcasing The Best of what they Bring to Brands Hatch Every Year. An Amazing Last Race to Witness. Congratulations to The Race Winner and Keep Trying Hard Everyone Else.
HGPCA Pre 66 Grand Prix Cars (Race 20)
Next It was The Historic Grand Prix Cars and with a Massive Turn out for them it looks like Another Cracking Race to see from Start till Finish. Lets see who came out on Top.
In First Place was (Sam Wilson) in his Lotus 18 with a Lap Time of 1:39.384 and a Top Speed of 86.55mph. Amazing Work Sam Showing Colin Chapman How it Should be Done. He would have been Proud to Witness that Victory.
In Second Place was (Peter Horsman) in his Lotus 18/21 with a Lap Time of 1:41.296 and A Top Speed of 84.90mph. A Fantastic Drive by Peter to take Second Place in the Race.
In Third Place was (Miles Griffiths) in his Scarab Offenhauser with A Lap Time of 1:41.501 and A Top Speed of 84.38mph A Really Good Job there Miles Almost Matching Lap Times with Peter and Showing Some Incredible Car Control during The Race.
Another Fantastic Race for The Historic Grand Prix Cars and a Huge Congratulations to Sam for Taking Victory in the Last Race. Avery Well Done to Both Peter and Miles as well.
HSCC 70's Road Sports (Race 19)
Historic Road Sports took to the Track next and with some Legendary Cars from the Likes of Lotus Morgan and TVR it was Time to see who Had Stormed to Victory in the Last Race and Taken the Victory.
In First Place was (William Plant) in his Morgan Plus 8 with A Lap Time of 1:45.768 and A Top Speed of 70.67mph. Congratulations William on the Victory it was so Good to See a Morgan Take First Place while Watching this Exciting Race. An Amazing Drive.
In Second Place was (Jim Dean) in his Lotus Europa with A Lap Time of 1:46.411 and A Top Speed of 70.66mph. Another Incredible Drive from Jim to Take Second Place. Well Done
In Third Place was (Richard Plant) in his Morgan Plus 8 with A Lap Time of 1:47.697 and a Top Speed of 70.31mph. A Very Committed Drive from Richard and a Fantastic Third Place Finish that I'm sure the Whole Family will be Proud of.
Fantastic Racing from the 70's Road Sports to Finish the Days Racing for them Congratulations to William, Jim and Richard. Hope to see you Three Battling it out Again Soon.
Aurora Trophy With Geoff Lees Trophy
The Arora Trophy Roared onto the Grand Prix Circuit Next with Powerful V8 Engines thease Racing Cars could make the Ground Shake as they Thunder their way around the Race Track. Lets see who Managed to take that All Important Victory for their Final Race.
In First Place was (Martin Stretton) in his March 712 with a Lap Time of 1:25.976 and A Top Speed of 101mph. A Very Brave and Committed drive from Martin to Take Victory, Really Pushing the March to its Limits and hanging onto the Lead thought the Race.
In Second Place was (Mathew Wrigley) in his March 782 with a Lap Time of 1:25.127 and A Top Speed of 100.96mph. Another Incredible Driver Taking his Machinery to New heights and Keeping the March Name Alive in Historic Racing. Amazing Work Mathew.
In Third Place was (Samuel Harrison) in his Dallara 389 with A Lap Time of 1:29.552 and A Top Speed of 95.04mph. Amazing work Sam showing Insane Car Control even when Racing so Fast and for such A Long Time. Congratulations.
Another Amazing Race to Keep the Day going and showing the Amazing work that Each Team Does to ensure that their Driver and His Car are Ready to go. Well Done to all of the Teams and to the First Second and Third Place Winners as well. Looking Forward To seeing more Action this Year from the Aurora Trophy.
Guards Trophy (Race 21)
Next Up Guards Trophy with Another Range of Racing Machines from the Likes of Brabham Chevron and Lotus Lets see what will Happen and Who will be able to Drive their way to Victory in This Race.
In First Place was (Andy Newall) in his Chevron B6 with A Lap Time of 1:38.258 and A Top Speed of 83.84mph. Very Well Driven and Raced by Andy Showcasing the Power of the Chevron and taking it too its Limits in terms of Raw Speed and Performance.
In Second Place was the Duo of (Jackson S and Jackson C) in their Lenham P70 with A Lap Time of 1:38.008 and A Top Speed of 83.45mph. Fantastic Work to The Two Jacks who Really showed what Working Together Can Achieve during A Race. Well Done
In Third Place was the Duo of (Mitchell W and Mitchell B) in their Chevron B8 with A Lap Time of 1:38.368 and A Top Speed of 82.49mph. Another Amazing Duo who Have Taken Third Place and Kept the Fight Alive in their Respective Championship. Amazing work.
A Fantastic Race for the Guards Trophy Showing the Power of Each Race Car and what they Are Capable of When put into The Hands of the Right Drivers. Congratulations to Andy Mitchell W and Mitchell B as well as Jackson S and Jackson C for putting on One Hell of a Race. Keep up the Good Work Everyone Else and Never Stop Fighting for your Own Victories.
Historic Formula Ford (Race 16)
Next Up was Historic Formula Ford and some very Twitchy and Tricky Cars to be Driven Round the Circuit at Hight Speed. With Light Weight Chassis and Small Cockpits this was going to be a Very Exciting Race to Watch. Lets see who Came out Best of the Rest.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with A Lap Time of 1:38.596 and A Top Speed of 87.95mph. Another Incredible Drive From Cameron to Take Victory and show what A Truly Committed and Self Determined Driver is. He is an Inspiration to All Up Coming Formula Ford Racers.
In Second Place was (Tom Macarthur) in his Titan MK3 with A Lap Time of 1:38.484 and A Top Speed of 87.94mph. Another Really Brave and Heroic Driver Pushing His Formula Ford to its Limits and Keeping his Eye's on the Race Track. Amazing Work Tom.
In Third Place was (Horatio Fitzsimon) in his Merlin MK20A with A Lap Time of 1:38.513 And A Top Speed of 87.90mph. Very Well Done Horatio Fantastic Driving and A Well Deserved Third Place.
An Amazing Final Heat Race for the Formula Fords with Everyone Pushing As Hard as they Could for Victory. Keep Working Hard Everyone and Congratulations to Cameron Tom and Horatio.
Historic Road Sports (Race 17)
Historic Road Sports Next and it was Time to see what Each Driver could do in their Respective Race Car. Lets see how things Stacked up and who Came out on Top in the Race.
In First Place was (Kevin Kivlochan) in his AC Cobra with a Lap Time of 1:46.891 and A Top Speed of 72.19mph. What A Drive From Kevin to Take Victory Keeping that Cobra Far Ahead of the Rest of the Pack and Taking A Dominant Victory. Carol Shelby would have Loved to See That.
In Second Place was (John Davidson) in his Lotus Elan S1 with A Lap Time of 1:46.052 And A Top Speed of 72.16mph. Amazing Work John Keeping that Lotus on the Tarmac and Putting on One Hell of a Race for Everyone. Amazing Job.
In Third Place was (Rupert Ashdown) in his Lotus Elan S1 with A Lap Time of 1:47.481and A Top Speed of 71.61mph. Another Incredible Drive by Rupert Taking Third Place Very Well Deserved.
Historic Road Sports putting on Another Superb Race for the Season and Congratulations to Kevin John and Rupert on their Victories. Hope to see More of that This Year and Good Luck to Everyone Else Racing too.
Historic Touring Cars (Race 22)
The Final Race of The Day was Here and The Historic Touring Car Club did not Disappoint with Lotus Cortina's Mini Cooper S's and Ford Mustangs This was going to be a Final Battle of Titans. Lets See Who Managed to Take that Last Checkered Flag of the Day.
In First Place was (Steve Soper) in his Ford Mustang with A Lap Time of 1.47.084 and A Top Speed of 71.51mph. Awesome Drive Steve Fantastic to see that He Still has it in him After all The Years of Racing.
In Second Place was (Rob Fen) in his Ford Mustang with A Lap Time of 1:49.031 and A Top Speed of 70.93mph. Amazing Work Rob Pushing that Mustang Far and Wide to Hang onto that Second Place. Excellent Drive.
In Third Place was (Mark Martin in his Ford Lotus Cortina with A Lap Time of 1:49.905 and A Top Speed of 70.70mph. Very Well Done Mark Great Driving and Even a Wheel in the Air on Some Occasions Heading onto the Grand Prix Loop. What A Sight that Was to See.
And With that The Days Events came to an End for another year of Superprix Racing at Brands Hatch Amazing work to all of the Organisers and Race Drivers who took Part and Congratulations once again to all of the Race Winners. Keep Fighting Keep Wining and I'm Sure we will do it All Again Next Year.
Jan. 6, 2016. Boston, MA.
More than 150 people holding signs and candles attended a vigil, organized by Centro Presente, at the Massachusetts State House to protest the arrest of 121 immigrants last weekend, primarily in Texas, Georgia, and North Carolina, targeting a specific group of adults and children from Central America who arrived illegally after May 1, 2014, and had been ordered deported by an immigration judge. Although nobody has been detained in New England advocates are planning forums to educate immigrants about their rights in case of a raid.
© 2016 Marilyn Humphries
A site-specific sonic event that’s both performance and installation, Sound Spandrel: Science Museum highlights peripheral and overlooked building spaces by exploring their musical attributes. The tonalities of heating and cool- ing systems, the buzz of light bulbs, the percussive pat- terns of footsteps and door slams, all inspire a live score sourced from the sounds of the building itself, and elec- tronically blended back into the space by the artists.
Performing musicians include: Charles Gillett, John Kannenberg, Bethany Lacktorin, Joe Nagel, and Davu Seru. Instrumentation features guitar, saxophone, zither, cymbal, bells, mbira, and digitally manipulated recordings of the actual space.
Photograph courtesy the artist.
northernspark.org/projects/sound-spandrel-science-museum....
Custom idea. Custom size/proportion.
I call the process Image-Specific-Framing . . . because the framing elements (including the inner border) are drawn from the original image, the subject's background locale. Assembly from that source promotes a natural, interactive coordination of color and tone. With hundreds of design variation possibilities. Such assembly is an impossible feat for a frame shop. Or, for that matter, for any generic, digital framing program.
So. You may comment on the casually-shot, casual portrait if that's what is prominent for you here. Yes, this is a portrait but it is really the image-to-frame partnership, the special presentation, that is on display here. I make the case that involved, interactive framing such as this can be more individually unique than can conventional framing. And therefore, more personal.
This tailored stylizing is meant to be presented as a custom-sized print mounted with either beveled glass or standard non-glare glass. Assembly is with a clip kit. There you have it. Image-Specific-Framing.
SPECIFIC is an Innovation and Knowledge Centre. It aims to develop coated glass and steel products that capture, store and release solar energy, turning buildings into power stations. The centre brings together world class academic and industrial expertise in the fields of photovoltaics, solar thermal, batteries, chemical conversion and wide area lighting, alongside unique sheet and coil printing and coating facilities.
SPECIFIC is led by Swansea University in partnership with industrial partners Tata Steel, BASF and NSG Pilkington and research partners Imperial College London, Cardiff University, Bath University, Bangor University and Sheffield University; it is funded by EPSRC, Technology Strategy Board and the Welsh Government.
SPECIFIC's aim is to transform world-class research and innovative technology into a new, £1billion industry.
Each of there bodys creates the same shape but a very specific shape there way there feet lay together.
Arecibo County, PR
Listed: 01/06/1986
The Teatro Oliver was Arecibo's first structure built for specific use as theater. Prior to its construction in 1876 by a great patron of the arts, the Marquez "de las Claras"; theatrical performances were held in private clubs or houses. The original neoclassic structure had a stagewhere great international artists displayed their talents. Some of these great artists include actress Adelina Patts, opera singers Caruso and Antonio Paoli and during the 1930's Carlos Garde!, the great tango idol, gave one of his last performances on this stage, before his tragic death.
Local actors also displayed their talent on this stage. These performances allowed people from all social echelons to expand their cultural horizon. The Theater gave local playwrighters an opportunity to stage their work. Thanks to this, Arecibo became one of the island's cities to produce great playwrighters such as Rene Marquez, considered as one of Puerto Rico's greatest talents in this artistic labor.
This was a true theater in the old European sense. Its facilities were used not only for theatrical presentation but also for social, sporting, political and other town events. Great public balls, exuberant carnivals and basketball games were held in Theaters' Orchestra level which thanks to a hydraulic system could be elevated to stage level thus making it a great ball room or sport arena. Politicians used the stage for their debates during campaign and schools used it for their graduations.
dSatellite is a site-specific architectural structure that extends the mission of DFLUX (www.dflux.org), a Detroit-based research studio and residency program, further into its community. DFLUX engages its local neighborhood and the general public with creative actions, research, and workshops. In so doing, they hope to reveal and create emergent and sustainable cottage industries. dSatellite was created with the intention of providing future DFLUX participants and local residents with an outpost to engage in various field research. Constructed with foraged building materials, dSatellite merges both the physical and conceptual characteristics of the DFLUX Residency site and a typical nature blind used by naturalists, scientists, photographers and hunters. dSatellite is currently deployed in a completely razed residential neighborhood of Detroit currently referred to as the "field" by local residents and "Renaissance Zone" by real estate developers. A dense urban forest, rich with wildlife, has grown there, only crumbling roads and alleys, debris piles, and public utilities remain as signs of past use.
dSatellite was created during a research residency at DFLUX in Detroit, MI in collaboration with Joseph G. Cruz (http://josephgcruz.com)