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Place-specific game developed by IDM12 students and presented at Malmö PlayDays (playdaysfestival.wordpress.com) in October 2013.

Photo by Amanda Bergknut.

The Final Day of Racing At Brands Hatch for The Superprix Weekend and After a Really Busy and Scattered Set Of Races The Previous day it was time to see which of the Drivers could Brave the Circuit One Last Time and Take Home Either a Championship Win or a Victory in their Specific Race.

 

Lets Get Straight to the Results.

 

Classic Formula Ford/Historic Formula 3 (Race 2 Result)

 

Classic Formula Ford and Historic Formula 3 Were up First and it was Time to see who could be The one to take the Checkered Flag First when they crossed the Line.

 

In First Place was (Cameron Jackson) in his Winkelmann WDF2 with a Lap Time of 1:39.257 and a Top Speed of 86.59mph. A Fantastic Victory Cameron Showing Incredible Car Control and Commitment to Win the Race.

 

In Second Place was (Ben Tinkler) in his Van Diemen RF80 with a Lap Time of 1:39.986 and a Top Speed of 85.77mph. A Really Great Drive from Ben to stay so close to Cameron and Keep Him on his toes the entire Time while Fighting for the Lead of the Race.

 

In Third Place was (Jordan Harrison) in his Lola T540E with a Lap Time of 1:39.994 and a Top Speed of 85.54mph. A Really Wonderfully Deserved Third Place for Jordan Pushing that Lola for everything it Has got to gain Third Place. Well Done.

 

Three Fantastically Fast Drivers all with Incredible Speed and Talent Showcasing The Best of what they Bring to Brands Hatch Every Year. An Amazing Last Race to Witness. Congratulations to The Race Winner and Keep Trying Hard Everyone Else.

 

HGPCA Pre 66 Grand Prix Cars (Race 20)

 

Next It was The Historic Grand Prix Cars and with a Massive Turn out for them it looks like Another Cracking Race to see from Start till Finish. Lets see who came out on Top.

 

In First Place was (Sam Wilson) in his Lotus 18 with a Lap Time of 1:39.384 and a Top Speed of 86.55mph. Amazing Work Sam Showing Colin Chapman How it Should be Done. He would have been Proud to Witness that Victory.

 

In Second Place was (Peter Horsman) in his Lotus 18/21 with a Lap Time of 1:41.296 and A Top Speed of 84.90mph. A Fantastic Drive by Peter to take Second Place in the Race.

 

In Third Place was (Miles Griffiths) in his Scarab Offenhauser with A Lap Time of 1:41.501 and A Top Speed of 84.38mph A Really Good Job there Miles Almost Matching Lap Times with Peter and Showing Some Incredible Car Control during The Race.

 

Another Fantastic Race for The Historic Grand Prix Cars and a Huge Congratulations to Sam for Taking Victory in the Last Race. Avery Well Done to Both Peter and Miles as well.

 

HSCC 70's Road Sports (Race 19)

 

Historic Road Sports took to the Track next and with some Legendary Cars from the Likes of Lotus Morgan and TVR it was Time to see who Had Stormed to Victory in the Last Race and Taken the Victory.

 

In First Place was (William Plant) in his Morgan Plus 8 with A Lap Time of 1:45.768 and A Top Speed of 70.67mph. Congratulations William on the Victory it was so Good to See a Morgan Take First Place while Watching this Exciting Race. An Amazing Drive.

 

In Second Place was (Jim Dean) in his Lotus Europa with A Lap Time of 1:46.411 and A Top Speed of 70.66mph. Another Incredible Drive from Jim to Take Second Place. Well Done

 

In Third Place was (Richard Plant) in his Morgan Plus 8 with A Lap Time of 1:47.697 and a Top Speed of 70.31mph. A Very Committed Drive from Richard and a Fantastic Third Place Finish that I'm sure the Whole Family will be Proud of.

 

Fantastic Racing from the 70's Road Sports to Finish the Days Racing for them Congratulations to William, Jim and Richard. Hope to see you Three Battling it out Again Soon.

 

Aurora Trophy With Geoff Lees Trophy

 

The Arora Trophy Roared onto the Grand Prix Circuit Next with Powerful V8 Engines thease Racing Cars could make the Ground Shake as they Thunder their way around the Race Track. Lets see who Managed to take that All Important Victory for their Final Race.

 

In First Place was (Martin Stretton) in his March 712 with a Lap Time of 1:25.976 and A Top Speed of 101mph. A Very Brave and Committed drive from Martin to Take Victory, Really Pushing the March to its Limits and hanging onto the Lead thought the Race.

 

In Second Place was (Mathew Wrigley) in his March 782 with a Lap Time of 1:25.127 and A Top Speed of 100.96mph. Another Incredible Driver Taking his Machinery to New heights and Keeping the March Name Alive in Historic Racing. Amazing Work Mathew.

 

In Third Place was (Samuel Harrison) in his Dallara 389 with A Lap Time of 1:29.552 and A Top Speed of 95.04mph. Amazing work Sam showing Insane Car Control even when Racing so Fast and for such A Long Time. Congratulations.

 

Another Amazing Race to Keep the Day going and showing the Amazing work that Each Team Does to ensure that their Driver and His Car are Ready to go. Well Done to all of the Teams and to the First Second and Third Place Winners as well. Looking Forward To seeing more Action this Year from the Aurora Trophy.

 

Guards Trophy (Race 21)

 

Next Up Guards Trophy with Another Range of Racing Machines from the Likes of Brabham Chevron and Lotus Lets see what will Happen and Who will be able to Drive their way to Victory in This Race.

 

In First Place was (Andy Newall) in his Chevron B6 with A Lap Time of 1:38.258 and A Top Speed of 83.84mph. Very Well Driven and Raced by Andy Showcasing the Power of the Chevron and taking it too its Limits in terms of Raw Speed and Performance.

 

In Second Place was the Duo of (Jackson S and Jackson C) in their Lenham P70 with A Lap Time of 1:38.008 and A Top Speed of 83.45mph. Fantastic Work to The Two Jacks who Really showed what Working Together Can Achieve during A Race. Well Done

 

In Third Place was the Duo of (Mitchell W and Mitchell B) in their Chevron B8 with A Lap Time of 1:38.368 and A Top Speed of 82.49mph. Another Amazing Duo who Have Taken Third Place and Kept the Fight Alive in their Respective Championship. Amazing work.

 

A Fantastic Race for the Guards Trophy Showing the Power of Each Race Car and what they Are Capable of When put into The Hands of the Right Drivers. Congratulations to Andy Mitchell W and Mitchell B as well as Jackson S and Jackson C for putting on One Hell of a Race. Keep up the Good Work Everyone Else and Never Stop Fighting for your Own Victories.

 

Historic Formula Ford (Race 16)

 

Next Up was Historic Formula Ford and some very Twitchy and Tricky Cars to be Driven Round the Circuit at Hight Speed. With Light Weight Chassis and Small Cockpits this was going to be a Very Exciting Race to Watch. Lets see who Came out Best of the Rest.

 

In First Place was (Cameron Jackson) in his Winkelmann WDF2 with A Lap Time of 1:38.596 and A Top Speed of 87.95mph. Another Incredible Drive From Cameron to Take Victory and show what A Truly Committed and Self Determined Driver is. He is an Inspiration to All Up Coming Formula Ford Racers.

 

In Second Place was (Tom Macarthur) in his Titan MK3 with A Lap Time of 1:38.484 and A Top Speed of 87.94mph. Another Really Brave and Heroic Driver Pushing His Formula Ford to its Limits and Keeping his Eye's on the Race Track. Amazing Work Tom.

 

In Third Place was (Horatio Fitzsimon) in his Merlin MK20A with A Lap Time of 1:38.513 And A Top Speed of 87.90mph. Very Well Done Horatio Fantastic Driving and A Well Deserved Third Place.

 

An Amazing Final Heat Race for the Formula Fords with Everyone Pushing As Hard as they Could for Victory. Keep Working Hard Everyone and Congratulations to Cameron Tom and Horatio.

 

Historic Road Sports (Race 17)

 

Historic Road Sports Next and it was Time to see what Each Driver could do in their Respective Race Car. Lets see how things Stacked up and who Came out on Top in the Race.

 

In First Place was (Kevin Kivlochan) in his AC Cobra with a Lap Time of 1:46.891 and A Top Speed of 72.19mph. What A Drive From Kevin to Take Victory Keeping that Cobra Far Ahead of the Rest of the Pack and Taking A Dominant Victory. Carol Shelby would have Loved to See That.

 

In Second Place was (John Davidson) in his Lotus Elan S1 with A Lap Time of 1:46.052 And A Top Speed of 72.16mph. Amazing Work John Keeping that Lotus on the Tarmac and Putting on One Hell of a Race for Everyone. Amazing Job.

 

In Third Place was (Rupert Ashdown) in his Lotus Elan S1 with A Lap Time of 1:47.481and A Top Speed of 71.61mph. Another Incredible Drive by Rupert Taking Third Place Very Well Deserved.

 

Historic Road Sports putting on Another Superb Race for the Season and Congratulations to Kevin John and Rupert on their Victories. Hope to see More of that This Year and Good Luck to Everyone Else Racing too.

 

Historic Touring Cars (Race 22)

 

The Final Race of The Day was Here and The Historic Touring Car Club did not Disappoint with Lotus Cortina's Mini Cooper S's and Ford Mustangs This was going to be a Final Battle of Titans. Lets See Who Managed to Take that Last Checkered Flag of the Day.

 

In First Place was (Steve Soper) in his Ford Mustang with A Lap Time of 1.47.084 and A Top Speed of 71.51mph. Awesome Drive Steve Fantastic to see that He Still has it in him After all The Years of Racing.

 

In Second Place was (Rob Fen) in his Ford Mustang with A Lap Time of 1:49.031 and A Top Speed of 70.93mph. Amazing Work Rob Pushing that Mustang Far and Wide to Hang onto that Second Place. Excellent Drive.

 

In Third Place was (Mark Martin in his Ford Lotus Cortina with A Lap Time of 1:49.905 and A Top Speed of 70.70mph. Very Well Done Mark Great Driving and Even a Wheel in the Air on Some Occasions Heading onto the Grand Prix Loop. What A Sight that Was to See.

 

And With that The Days Events came to an End for another year of Superprix Racing at Brands Hatch Amazing work to all of the Organisers and Race Drivers who took Part and Congratulations once again to all of the Race Winners. Keep Fighting Keep Wining and I'm Sure we will do it All Again Next Year.

At 18 November 2009 video performance Omega-level mutant by radical phenomenologist Edwin Stolk went into premiere on You Tube, the performance refers to a next stage in human evolution, a new time-specific non-fixed era, rooted in subjective complexity and depending on rhizomatic-mobility.

 

The artist becomes an Omega-level mutant; a prototype of the contemporary traveller whos passage through signs and formats refers to a contemporary experience of what I call rhizomatic-mobility (5) . The contemporary traveller could also been seen as a subjective- terrorist. When you critically study the work, a new type of form is appearing, the journey-form, made of lines drawn both in space and time, materialising trajectories rather than destinations. The form of the video performance expresses a course, a wandering, rather than a fixed space-time.

 

Video you can find here:

 

www.youtube.com/watch?v=y7MK6ng9zvE

 

Equilibria is a site-specific info-game installed in Venice’s Rialto market area, where people come every evening to relax and drink, and incorporates some of its site’s historic features. A line of ‘stepping stones’, it tests the player’s mental and physical state, and provides entertainment for bystanders.

 

"Equilibria" is a project from "Signals in Space" an interaction design studio course in the graduate programme in Communication and Multimedia Design in the Faculty of Design and Arts, Iuav University of Venice, 2009/10.

 

Gillian Crampton Smith

Facoltà di Design e Arti

IUAV Università di Venezia

www.iuav.it

www.interaction-venice.com

cell + 39 335 134 1660

 

Gillian Crampton Smith

Philip Tabor

San Marco 2818

30124 Venezia, Italy

tel + 39 041 522 1838

cell + 39 335 134 1660

cell + 39 3466 73 53 73

www.interaction-venice.com

www.iuav.it

The medical 3D models that are produced by ACRM Corp are patient-specific and are derived from CT or MRI scans (typically using DICOM image data). These models are used by physicians, orthopaedic surgeons and neurosurgeons to aid in pre-surgical planning and diagnoses for conditions ranging from spine conditions like scoliosis and kyphosis to skull-related issues like hydrocephalus and craniosynostosis. 3D brain models, hips and knees are also commonly replicated items. There is a case study store (www.Medical3Dmodels.com) where you can order physical 3D models of all of the items shown in these videos. If you are looking to get a 3D model for a specific patient, visit our corporate site (www.ACRMcorp.com) for details on how we can create a custom 3D medical model for that patient.

The lawyers hold a incredibly significant standing in the contemporary society and their expert services are considerably necessary. Specific laws and regulations are necessary to manage the contemporary society. These laws are there to make positive that everything operates in proportion and that state and federal government is maintained. Lawyers are the folks who have the overall detailed familiarity with these rules and are needed to assist folks when they want assistance in legal matters. You may need law firms in daily life to guide you through problems, an criminal offense is not the lone rationale an attorney needs to defend or file a suit in the courtroom. Take a family lawyer or attorney as an illustration. Marriage Lawyers make sure that all legal formalities involved with a marriage are complete. The notary has to ensure that the single position of each party and keep up with the important records and the prenuptial legal contracts etc. along with other items. Joining the politics requires hiring the services of a lawyer. An election attorney at law is a essential component of an election strategy of any stage. This individual makes sure that his or her clientele knows all the laws and guides him about his or her behavior all the way through and after the promotional event. These law firms also have to manage almost all controversies which could develop concerning their prospect. when you are buying or selling you might need a lawyer or attorney. There are thousands of legal issues associated with this discipline and legal advice is required to guarantee that all proceedings of the deal is allowed by the law and suitable. Each of the customer as well as the owner need law firms to complete the documents of the contract in obedience with the regulation of the county. To guarantee honest transations and therefore no regulations are lost in the course of the sales and buying of real estate property, legal professionals are participating. when issues based on enterprise must be handled, a commitment lawyer or attorney is necessary. There exists a comprehensive number of rules on how a small business needs to be conducted. A business man just isn't alert to every one of the issues, as a result a prosperous entrepreneur has always a legal contract lawyer or attorney as a right hand man and adviser. The composing of most legal documents and contracts are performed from the lawyer or attorney as well as offerings on the brink of being built with patrons are researched by them. In occurrence of somebody's demise, a probate lawyer or attorney takes care of the will as well as other appropriate things. The entire operation of the splitting of material goods as the will declares is handled by the lawyer or attorney. In case a will is left out a probate is liable to look after the monetary assets of the departed human being as per the family laws. Each of us has to fork out income taxes even though they aren't happy with carrying out all the records included in the practice. A broad false impression is the fact that a income tax lawyer or attorney is necessary each time a hoax is perpetrated. That's not the truth. A taxeslawyer or attorney will allow you to fill in your taxes paperwork and respond to your entire concerns. You will notice from these handful of ideas that how crucial Driving while intoxicated legal professionals are going to assist you get along with day after day enterprise effortlessly.

    

Driving while intoxicated legal professionals are experts in an exceedingly certain part of regulation. Their concentrate is at battling to get a men and women privileges that has been involved in Driving under the influence. www.youtube.com/watch?v=yzbxuRTbbDI

Any specific names or locations?

 

Any contributions to the Bapco Photographic and Film Archive will be gratefully accepted, please contact the Public Relations Department on pr_department@bapco.net so we can safely archive any old Bahrain film or images.

 

Part of a set of site-specific sculptures that play on architectural landmarks, this one (at Broadway and 24rd Street) neatly rolls up the Met Life tower.

Zürcher Hochschule der Künste (Zürich), 11.05.2019, uxcamp 2019, Carol Lieb talking during the session « Discussing the specificities on designing for employees »

 

(Claudio Schwarz, claudioschwarz.com)

Order of the Inner Sanctum Guard, Centurion

0012

COMMENDATION: Operation Blue Mountain

SPECIFIC is an Innovation and Knowledge Centre. It aims to develop coated glass and steel products that capture, store and release solar energy, turning buildings into power stations. The centre brings together world class academic and industrial expertise in the fields of photovoltaics, solar thermal, batteries, chemical conversion and wide area lighting, alongside unique sheet and coil printing and coating facilities.

 

specific.eu.com/

www.swansea.ac.uk/research/

 

Specific Beauty's Skin Brightening Serum and Dr. Heather Woolery-Lloyd featured in Ladies' Home Journal!

The medical 3D models that are produced by ACRM Corp are patient-specific and are derived from CT or MRI scans (typically using DICOM image data). These models are used by physicians, orthopaedic surgeons and neurosurgeons to aid in pre-surgical planning and diagnoses for conditions ranging from spine conditions like scoliosis and kyphosis to skull-related issues like hydrocephalus and craniosynostosis. 3D brain models, hips and knees are also commonly replicated items. There is a case study store (www.Medical3Dmodels.com) where you can order physical 3D models of all of the items shown in these videos. If you are looking to get a 3D model for a specific patient, visit our corporate site (www.ACRMcorp.com) for details on how we can create a custom 3D medical model for that patient.

Nike Air Trainer 1.3 Max Breathe MP Manny Pacquiao, Men’s Size 11, White, Varsity Royal, Varsity Red, 513697-100, UPC: 00883212824851, 2011, 360 Max Air unit, Manny Pacquiao edition, white Hyperfuse as the base, gradient Blue to Red Midsole, Nike Swoosh Branding, Icy Outsole, Pac Man Trainer, Manny-specific colors and logos, custom insoles, anodized finish on the heel, embossed Manny Pacquiao's logo, Low top men's sneaker, colorway that mimics the flag of the Philippines, Pacquiao graphics on the tongue, "PAC" and "MAN" is written on the lace tips, the phrase 'Equality, Valor, Truth' written on inner tongue, limited release, Translucent Outsole, 777, Reddealsonline, Sneaker collection

The game-specific front cover of a 32-page programme issued in February 2001 by Shaw Cross Sharks for the visit to Leeds Road, Dewsbury, of Rochdale Mayfield in Division One of amateur rugby league's flagship National Conference League. Mayfield won a tight encounter 8-6 in front of 150 spectators.

The Final Day of Racing At Brands Hatch for The Superprix Weekend and After a Really Busy and Scattered Set Of Races The Previous day it was time to see which of the Drivers could Brave the Circuit One Last Time and Take Home Either a Championship Win or a Victory in their Specific Race.

 

Lets Get Straight to the Results.

 

Classic Formula Ford/Historic Formula 3 (Race 2 Result)

 

Classic Formula Ford and Historic Formula 3 Were up First and it was Time to see who could be The one to take the Checkered Flag First when they crossed the Line.

 

In First Place was (Cameron Jackson) in his Winkelmann WDF2 with a Lap Time of 1:39.257 and a Top Speed of 86.59mph. A Fantastic Victory Cameron Showing Incredible Car Control and Commitment to Win the Race.

 

In Second Place was (Ben Tinkler) in his Van Diemen RF80 with a Lap Time of 1:39.986 and a Top Speed of 85.77mph. A Really Great Drive from Ben to stay so close to Cameron and Keep Him on his toes the entire Time while Fighting for the Lead of the Race.

 

In Third Place was (Jordan Harrison) in his Lola T540E with a Lap Time of 1:39.994 and a Top Speed of 85.54mph. A Really Wonderfully Deserved Third Place for Jordan Pushing that Lola for everything it Has got to gain Third Place. Well Done.

 

Three Fantastically Fast Drivers all with Incredible Speed and Talent Showcasing The Best of what they Bring to Brands Hatch Every Year. An Amazing Last Race to Witness. Congratulations to The Race Winner and Keep Trying Hard Everyone Else.

 

HGPCA Pre 66 Grand Prix Cars (Race 20)

 

Next It was The Historic Grand Prix Cars and with a Massive Turn out for them it looks like Another Cracking Race to see from Start till Finish. Lets see who came out on Top.

 

In First Place was (Sam Wilson) in his Lotus 18 with a Lap Time of 1:39.384 and a Top Speed of 86.55mph. Amazing Work Sam Showing Colin Chapman How it Should be Done. He would have been Proud to Witness that Victory.

 

In Second Place was (Peter Horsman) in his Lotus 18/21 with a Lap Time of 1:41.296 and A Top Speed of 84.90mph. A Fantastic Drive by Peter to take Second Place in the Race.

 

In Third Place was (Miles Griffiths) in his Scarab Offenhauser with A Lap Time of 1:41.501 and A Top Speed of 84.38mph A Really Good Job there Miles Almost Matching Lap Times with Peter and Showing Some Incredible Car Control during The Race.

 

Another Fantastic Race for The Historic Grand Prix Cars and a Huge Congratulations to Sam for Taking Victory in the Last Race. Avery Well Done to Both Peter and Miles as well.

 

HSCC 70's Road Sports (Race 19)

 

Historic Road Sports took to the Track next and with some Legendary Cars from the Likes of Lotus Morgan and TVR it was Time to see who Had Stormed to Victory in the Last Race and Taken the Victory.

 

In First Place was (William Plant) in his Morgan Plus 8 with A Lap Time of 1:45.768 and A Top Speed of 70.67mph. Congratulations William on the Victory it was so Good to See a Morgan Take First Place while Watching this Exciting Race. An Amazing Drive.

 

In Second Place was (Jim Dean) in his Lotus Europa with A Lap Time of 1:46.411 and A Top Speed of 70.66mph. Another Incredible Drive from Jim to Take Second Place. Well Done

 

In Third Place was (Richard Plant) in his Morgan Plus 8 with A Lap Time of 1:47.697 and a Top Speed of 70.31mph. A Very Committed Drive from Richard and a Fantastic Third Place Finish that I'm sure the Whole Family will be Proud of.

 

Fantastic Racing from the 70's Road Sports to Finish the Days Racing for them Congratulations to William, Jim and Richard. Hope to see you Three Battling it out Again Soon.

 

Aurora Trophy With Geoff Lees Trophy

 

The Arora Trophy Roared onto the Grand Prix Circuit Next with Powerful V8 Engines thease Racing Cars could make the Ground Shake as they Thunder their way around the Race Track. Lets see who Managed to take that All Important Victory for their Final Race.

 

In First Place was (Martin Stretton) in his March 712 with a Lap Time of 1:25.976 and A Top Speed of 101mph. A Very Brave and Committed drive from Martin to Take Victory, Really Pushing the March to its Limits and hanging onto the Lead thought the Race.

 

In Second Place was (Mathew Wrigley) in his March 782 with a Lap Time of 1:25.127 and A Top Speed of 100.96mph. Another Incredible Driver Taking his Machinery to New heights and Keeping the March Name Alive in Historic Racing. Amazing Work Mathew.

 

In Third Place was (Samuel Harrison) in his Dallara 389 with A Lap Time of 1:29.552 and A Top Speed of 95.04mph. Amazing work Sam showing Insane Car Control even when Racing so Fast and for such A Long Time. Congratulations.

 

Another Amazing Race to Keep the Day going and showing the Amazing work that Each Team Does to ensure that their Driver and His Car are Ready to go. Well Done to all of the Teams and to the First Second and Third Place Winners as well. Looking Forward To seeing more Action this Year from the Aurora Trophy.

 

Guards Trophy (Race 21)

 

Next Up Guards Trophy with Another Range of Racing Machines from the Likes of Brabham Chevron and Lotus Lets see what will Happen and Who will be able to Drive their way to Victory in This Race.

 

In First Place was (Andy Newall) in his Chevron B6 with A Lap Time of 1:38.258 and A Top Speed of 83.84mph. Very Well Driven and Raced by Andy Showcasing the Power of the Chevron and taking it too its Limits in terms of Raw Speed and Performance.

 

In Second Place was the Duo of (Jackson S and Jackson C) in their Lenham P70 with A Lap Time of 1:38.008 and A Top Speed of 83.45mph. Fantastic Work to The Two Jacks who Really showed what Working Together Can Achieve during A Race. Well Done

 

In Third Place was the Duo of (Mitchell W and Mitchell B) in their Chevron B8 with A Lap Time of 1:38.368 and A Top Speed of 82.49mph. Another Amazing Duo who Have Taken Third Place and Kept the Fight Alive in their Respective Championship. Amazing work.

 

A Fantastic Race for the Guards Trophy Showing the Power of Each Race Car and what they Are Capable of When put into The Hands of the Right Drivers. Congratulations to Andy Mitchell W and Mitchell B as well as Jackson S and Jackson C for putting on One Hell of a Race. Keep up the Good Work Everyone Else and Never Stop Fighting for your Own Victories.

 

Historic Formula Ford (Race 16)

 

Next Up was Historic Formula Ford and some very Twitchy and Tricky Cars to be Driven Round the Circuit at Hight Speed. With Light Weight Chassis and Small Cockpits this was going to be a Very Exciting Race to Watch. Lets see who Came out Best of the Rest.

 

In First Place was (Cameron Jackson) in his Winkelmann WDF2 with A Lap Time of 1:38.596 and A Top Speed of 87.95mph. Another Incredible Drive From Cameron to Take Victory and show what A Truly Committed and Self Determined Driver is. He is an Inspiration to All Up Coming Formula Ford Racers.

 

In Second Place was (Tom Macarthur) in his Titan MK3 with A Lap Time of 1:38.484 and A Top Speed of 87.94mph. Another Really Brave and Heroic Driver Pushing His Formula Ford to its Limits and Keeping his Eye's on the Race Track. Amazing Work Tom.

 

In Third Place was (Horatio Fitzsimon) in his Merlin MK20A with A Lap Time of 1:38.513 And A Top Speed of 87.90mph. Very Well Done Horatio Fantastic Driving and A Well Deserved Third Place.

 

An Amazing Final Heat Race for the Formula Fords with Everyone Pushing As Hard as they Could for Victory. Keep Working Hard Everyone and Congratulations to Cameron Tom and Horatio.

 

Historic Road Sports (Race 17)

 

Historic Road Sports Next and it was Time to see what Each Driver could do in their Respective Race Car. Lets see how things Stacked up and who Came out on Top in the Race.

 

In First Place was (Kevin Kivlochan) in his AC Cobra with a Lap Time of 1:46.891 and A Top Speed of 72.19mph. What A Drive From Kevin to Take Victory Keeping that Cobra Far Ahead of the Rest of the Pack and Taking A Dominant Victory. Carol Shelby would have Loved to See That.

 

In Second Place was (John Davidson) in his Lotus Elan S1 with A Lap Time of 1:46.052 And A Top Speed of 72.16mph. Amazing Work John Keeping that Lotus on the Tarmac and Putting on One Hell of a Race for Everyone. Amazing Job.

 

In Third Place was (Rupert Ashdown) in his Lotus Elan S1 with A Lap Time of 1:47.481and A Top Speed of 71.61mph. Another Incredible Drive by Rupert Taking Third Place Very Well Deserved.

 

Historic Road Sports putting on Another Superb Race for the Season and Congratulations to Kevin John and Rupert on their Victories. Hope to see More of that This Year and Good Luck to Everyone Else Racing too.

 

Historic Touring Cars (Race 22)

 

The Final Race of The Day was Here and The Historic Touring Car Club did not Disappoint with Lotus Cortina's Mini Cooper S's and Ford Mustangs This was going to be a Final Battle of Titans. Lets See Who Managed to Take that Last Checkered Flag of the Day.

 

In First Place was (Steve Soper) in his Ford Mustang with A Lap Time of 1.47.084 and A Top Speed of 71.51mph. Awesome Drive Steve Fantastic to see that He Still has it in him After all The Years of Racing.

 

In Second Place was (Rob Fen) in his Ford Mustang with A Lap Time of 1:49.031 and A Top Speed of 70.93mph. Amazing Work Rob Pushing that Mustang Far and Wide to Hang onto that Second Place. Excellent Drive.

 

In Third Place was (Mark Martin in his Ford Lotus Cortina with A Lap Time of 1:49.905 and A Top Speed of 70.70mph. Very Well Done Mark Great Driving and Even a Wheel in the Air on Some Occasions Heading onto the Grand Prix Loop. What A Sight that Was to See.

 

And With that The Days Events came to an End for another year of Superprix Racing at Brands Hatch Amazing work to all of the Organisers and Race Drivers who took Part and Congratulations once again to all of the Race Winners. Keep Fighting Keep Wining and I'm Sure we will do it All Again Next Year.

Category: Carbonate mineral

 

Chemical formula: MgCO3

 

Strunz classification: 05.AB.05

 

Crystal system: Trigonal - Hexagonal Scalenohedral H-M Symbol 32/m Space Group: R3c

 

Mohs scale hardness: 3.5 - 4.5

 

Specific gravity: 3.0 - 3.2

 

Optical properties: Uniaxial (-)

 

Refractive index: nω=1.508 - 1.510 nε=1.700

 

Mohs scale hardness: 3.5 - 4.5

  

The medical 3D models that are produced by ACRM Corp are patient-specific and are derived from CT or MRI scans (typically using DICOM image data). These models are used by physicians, orthopaedic surgeons and neurosurgeons to aid in pre-surgical planning and diagnoses for conditions ranging from spine conditions like scoliosis and kyphosis to skull-related issues like hydrocephalus and craniosynostosis. 3D brain models, hips and knees are also commonly replicated items. There is a case study store (www.Medical3Dmodels.com) where you can order physical 3D models of all of the items shown in these videos. If you are looking to get a 3D model for a specific patient, visit our corporate site (www.ACRMcorp.com) for details on how we can create a custom 3D medical model for that patient.

The medical 3D models that are produced by ACRM Corp are patient-specific and are derived from CT or MRI scans (typically using DICOM image data). These models are used by physicians, orthopaedic surgeons and neurosurgeons to aid in pre-surgical planning and diagnoses for conditions ranging from spine conditions like scoliosis and kyphosis to skull-related issues like hydrocephalus and craniosynostosis. 3D brain models, hips and knees are also commonly replicated items. There is a case study store (www.Medical3Dmodels.com) where you can order physical 3D models of all of the items shown in these videos. If you are looking to get a 3D model for a specific patient, visit our corporate site (www.ACRMcorp.com) for details on how we can create a custom 3D medical model for that patient.

site-specific intervention / installation

in collaboration with Yevgeniya Kaganovich

breathing sculptures

latex, rubber, custom electronics + software

dimensions variable, 2011

The medical 3D models that are produced by ACRM Corp are patient-specific and are derived from CT or MRI scans (typically using DICOM image data). These models are used by physicians, orthopaedic surgeons and neurosurgeons to aid in pre-surgical planning and diagnoses for conditions ranging from spine conditions like scoliosis and kyphosis to skull-related issues like hydrocephalus and craniosynostosis. 3D brain models, hips and knees are also commonly replicated items. There is a case study store (www.Medical3Dmodels.com) where you can order physical 3D models of all of the items shown in these videos. If you are looking to get a 3D model for a specific patient, visit our corporate site (www.ACRMcorp.com) for details on how we can create a custom 3D medical model for that patient.

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*site specific

 

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gabrieow@gmail.com

 

verão 2011

The Ambient Performance of Quiet Spaces is a site-specific exploration of experience at the border of perception and imagination. It was set in Washington DC’s McKinley Theater in the Carnegie Library and performed continually between 8pm-3am. The Carnegie Library, the first public library in Washington, was decommissioned in the late 70’s and it is now a performance and event venue.

 

In this work, the shared physical, public space of the library is reconfigured so that its new visitors: the audience, robotic cameras and performers are equally engaged in moments of private and public reflection. The form of the work is the active transposition of subject and object and of content and meaning between these three constituencies. This process of transposition is a reference to contemporary digital culture’s ongoing assimilation of earlier cultural forms.

 

Working with performer Nick Horan, we each took turns on stage, quietly reading and at times engaging with the installation. Two PTZ IP cameras were programed to scan the stage, the audience and each other, similarly pondering their environment. The resulting images were projected onto the screen behind the stage. A soundtrack composed of ambient sounds from existing public libraries, recordings of the preparation of the materials for the installation and ambient sounds from recent installations played quietly throughout the performances.

 

The Ambient Performance of Quiet Spaces featured an installation of various materials on the stage of the theater that included: card catalog cards, *prepared books (with tape, acetate, LEDs/electronics/code), cables, computers, projectors and IP cameras.

 

*prepared books included:

> James Joyce’s Ulysses containing excerpts from Emmanuel Levinas’ Totality and Infinity

> John Beecroft’s Kipling: A Selection of His Stories and Poems containing card catalog cards for books related to technology and its impact on the library system

> John B. Noss’ Man’s Religions

> Milan Kundera’s The Unbearable Lightness of Being

 

video/audio of the project: vimeo.com/147043745

Car specific mounting adapter bolted in. Numbers on adapter towards rear of car. Bolts used are 5/16-18 x1" grade 8 with double washers.

Site-Specific Video Installation by Lucia Jeesun Lee @ 3LD Art Technology Center

 

February 13th (Wednesday) ~15th (Friday), 6pm~8pm

February 22nd(Thursday) ~23rd(Friday), 6pm~8pm

 

As the sun goes down, an abandoned lower manhattan building reveals its ghost residents of all New York characters in their cells. Visitors are invited to be inside one of the cells - the biggest one - by entering video-booth installed in 3LD, 80 Greenwich.

Installation Art ?

 

site specific art ?

 

public art ?

   

Ian Chan's Library Leaves. Laser cut leaves (from newspaper) installed in the Art Library reading room

Additional photo specific captions to follow!

 

--------

 

Something that has always stuck with me is, "weather is the convergence of two or more fronts." That is to say it might rain, it might snow on its own, but severe weather is the result of two different and potentially harmless fronts colliding and forming a storm! The more fronts that converge, or the greater the difference in the two fronts, the worse the weather that generally results.

 

While Mount Washington has notoriously erratic weather, the Northern Presidential’s largely share the same weather. Generally wind gust on mount Washington are slightly stronger because of it's prominence, but if Mount Washington is being hit with 100mph winds, it's not unreasonable based on extrapolation to determine that the neighboring summits are receiving AT LEAST hurricane force winds of 70mph!

 

Mount Washington and the Northern Presidential’s, including Clay, Jefferson, Adams (and sub summits), and Madison weather patterns are partly due to the convergence of several storm tracks. Along with it's location relatively close to the coast, it's prominence (height above the neighboring land), proximity to converging storm tracks (Atlantic, Pacific, Gulf and Arctic), and it's north-south orientation which prevents movement of fronts by prevailing westerly winds; low-pressure systems are notoriously prone to develop along the coastline in the winter months. The relative temperature differences between the interior Northeast and the Atlantic Ocean, along with arctic fronts drifting in from Canada and beyond are primarily responsible for the diverse and completely unpredictable weather in this region.

 

Mount Washington holds the world record for surface wind speed, at 231 mph (372 km/h) since April 12, 1934. It's entirely possible stronger winds have occurred on earth. Specifically in F5 tornadoes which often have 300+mph winds above the surface. Winds exceeding hurricane force occur on an average of 110 days per year. During the winter months the weather on the summits of these mountains is exceptionally brutal. With hurricane force winds 2 out of every 3 days, and wind chills often dipping into the -40F/-40C range!

 

In 2004, the summit registered a temperature of −43.6F/−42.0C and sustained winds of 87.5 mph (140.8 km/h). The resultant wind chill was below -100F!! During 3 day period adjoining the day of this -100F wind chill, the combined ambient temperature, and wind speed, never brought wind chill above -50F at any point!

 

The summit of Mount Washington spends approximately 240 days per year on average in the clouds. There is measurable precipitation on the summit of Mount Washington 209 days a year. The summit sees an average of 101 inches of rain, and 259 inches of snow per year.

 

While these numbers might be eclipsed many places in the world in either isolated or routine instances, very few have had the continuous and accurate weather data that this summit has had. There has been a continuously operating weather station on the summit since the 1870s, and it has been a model for weather stations around the world!

 

Beyond the severe weather, and continuously manned and monitored weather station providing perhaps the most detailed historical and confirmed data of any mountain in the world, there is one other aspect to Mount Washington, and the surrounding Northern and Southern Presidential Ranges ACCESS!

 

While many mountains and ranges around the world have arguably worse weather on any given day (and I stress arguably), very few see the sheer volume of hikers, climbers and skiers that this range sees. Within the range is some of the best moderate ice climbing in the Northeastern US, as well as some great alpine rock climbs, the most accessible and reliable backcountry skiing (although the Adirondacks are a close, and less crowded second!!), and an amazing alpine experience for hikers and winter mountaineers! This accessibility has allowed many unprepared backcountry explorers to find themselves in over their heads in rapidly deteriorating conditions. The result, while again debatable, has given Mount Washington, and to a lesser extent the Presidential’s a place as the deadliest small mountain in the world!!

 

-------------------------

(fully weather sealed) Pentax K10D, Sigma 10-20mm.

   

Intel announced that it’s stopped certain mobile chips. Seeking to concentrate on lucrative goods, the chipmaker will not present three chips provided in a-line called SoFIA. These chips mix processor performance for smartphones and device features. It was a 14nm quad core processor...

 

www.teudi.com/intel-stops-providing-specific-mobile-chips...

Any specific names or locations?

 

Any contributions to the Bapco Photographic and Film Archive will be gratefully accepted, please contact the Public Relations Department on pr_department@bapco.net so we can safely archive any old Bahrain film or images.

 

August 27-November 7, 2010

Knoxville Museum of Art

 

"Shifting Structures" is a site-specific project conceived by Brooklyn-based artist Jane South, who has become known internationally for her elaborate sculptural drawings. Using little more than a scalpel and colored inks, she transforms fragile folded paper into structures that appear industrially reinforced.

 

The exhibition consists of a single, monumental work made up of hundreds of individual drawing components that are re-configured according to the specifics of the KMA’s gallery. South is interested in responding to the unique architectural features of the space as a challenge to construct the work in unexpected ways. In two previous locations, the work assumed a shadowy, solid form, and in another location it appeared bright and open, and even allowed viewers to wander inside. Each is made up of a complex network of sculptural drawings resembling cages, boxed grids, latticed arches, and horizontal ladders—some suspended from tiny paper hooks. All her surfaces are defined in some way with colored marks, outlines and crosshatchings. During the latter stages of the installation, museum audiences will be able to watch South assemble her monumental drawing in the gallery.

 

www.knoxart.org/exhibitions/jane-south/

using the embroidery floss leftovers

Natalia using one of the 2 cameras I have been teaching her to use. This is the Kodak Retina Reflex IV

 

on kodak E100G pushed to 125

Specific Design Assessment

-There is a cafe located in the plaza that encourages passive recreation and provides the ability to support active recreation

  

Relevant Land Use Code Sections

20.25A.160.E.1 - “...includes open spaces that encourage active and passive recreation, spontaneous and planned events, and the preservation of the natural environment.”

 

Matadero Madrid presenta Visita guiada, una intervención site specific que ha realizado Elena Alonso (Madrid, 1981) para el programa Abierto x Obras, que tiene lugar en la antigua cámara frigorífica del que fue el matadero de Legazpi. La propuesta de la artista parte de la idea de encontrarnos en una cámara aislada, donde no existe apenas comunicación entre el interior y el exterior, y del concepto de conservación, que ha estado ligado a este espacio a lo largo de su historia.

 

Tras sucesivas visitas a la nave, la artista comenzó a fijarse en toda la información visual que había quedado plasmada en paredes y techos. Lo que más llamó su atención fueron una serie de agujeros repartidos por la cubierta de las naves laterales, clausurados en la última reforma.

La intervención propone un recorrido por la nave utilizando como guía un pasamanos. Una línea trazada en el plano como un dibujo, que en esta ocasión toma forma escultórica. Su elaboración con distintos materiales, como madera, cemento, corcho, escayola pintada o cobre, pone de manifiesto el interés de la artista por la artesanía y el diseño, y ofrecen al visitante el deleite a la vista y al tacto de los materiales trabajados.

 

En la penumbra de la nave encontramos esta particular guía que nos lleva a descubrir una nueva perspectiva del espacio. Los agujeros han sido reabiertos, por ellos entra la luz y se vislumbra otra galería superior, antes oculta a la mirada del visitante.

 

En esta intervención artística hallamos un juego de contrastes, de impedimentos y de posibilidades. En cierta manera, recuerda a las cuevas visitables donde el recorrido nos va mostrando la particular geomorfología que conserva en su ambiente antes estático. En este caso, la cuidada elaboración del pasamanos contrasta con la brutalidad del espacio.

 

El pasamanos es a su vez una guía y una barrera, una línea que sortea y adorna la arquitectura de la nave. Una pieza que podemos ver y tocar, y que nos lleva a descubrir un lugar inesperado sobre nuestras cabezas, pero que solo podemos llegar a entrever desde la distancia.

 

Elena Alonso (Madrid, 1981) Licenciada en Bellas Artes y Máster en Arte, Creación e Investigación por la Universidad Complutense de Madrid, ha realizado también estudios en Suecia y Helsinki. Desarrolla su trabajo principalmente mediante el dibujo, relacionándolo con otras disciplinas como la arquitectura, la artesanía o el diseño, y prestando especial atención a las problemáticas vinculadas a la afectividad con el entorno. Ha expuesto de forma individual en el Museo ABC (El espacio alrededor, 2016); Espacio Valverde (Canto Blando, 2016; Composición de lugar, 2014; La tapadera, 2012); en la Sala de Arte Joven de la Comunidad de Madrid (2011); y en la Cable Factory de Helsinki (Paredes de piel, 2007).

 

Abierto x Obras, en Matadero Madrid, es un programa de intervenciones site specific que invita a artistas a realizar una pieza de nueva producción incentivando el carácter experimental de la creación contemporánea a través de planteamientos que exploran la relación entre el arte y el lugar que lo acoge, la antigua cámara frigorífica del Matadero. Una sala de más de 800 metros cuadrados que todavía conserva su aspecto original y las huellas de un incendio sucedido en los años 90. Un espacio característico por su estructura diáfana de arcos volados y columnas. Desde 2007, Abierto x Obras ha acogido las intervenciones de artistas como Daniel Canogar, Jannis Kounnellis, Román Signer, Carlos Garaicoa, Fernando Sánchez Castillo, Jordi Colomer, Los Carpinteros, Cristina Lucas, Eugenio Ampudia o Darya von Berner, entre otros.

A set that transports the audience to another era - but no specific era, just that of the "generic past." But, in lieu of actual people moving about in the corridor upstairs, we have fleeting images that look as if from a multimedia projector - tying past to present.

 

Want Gory Details? Check out Director's Notes @

The SL Shakespeare Company Twelfth Night Blog

blog.SLshakespeare.com

 

Posted by Second Life Resident Ina Centaur. Visit Shakespeare.

Every highly-specific hobby you can imagine has a dedicated home on YouTube. Backyard metallurgy . 46-minute marathon Kinder Egg openings . Children in suits evaluating junk food . YouTuber ZaziNombies makes Lego game guns, and he’s pieced together everything from the Scout’s Force-A-Nature to a whole series of zappers from Destiny .

  

gameofbattle.com/blog/lifesize-lego-awp-is-impressive-sti...

My 3rd Artweeks exhibition is a curated group show, "The Romance of Dereliction", housed in a decaying leather warehouse in a part of Oxford most tourists don't reach.

The student cuartors' selected artists responded to the specific character of the place and emphasised, rather than hid, the neglected fabric of the building.

Matadero Madrid presenta Visita guiada, una intervención site specific que ha realizado Elena Alonso (Madrid, 1981) para el programa Abierto x Obras, que tiene lugar en la antigua cámara frigorífica del que fue el matadero de Legazpi. La propuesta de la artista parte de la idea de encontrarnos en una cámara aislada, donde no existe apenas comunicación entre el interior y el exterior, y del concepto de conservación, que ha estado ligado a este espacio a lo largo de su historia.

 

Tras sucesivas visitas a la nave, la artista comenzó a fijarse en toda la información visual que había quedado plasmada en paredes y techos. Lo que más llamó su atención fueron una serie de agujeros repartidos por la cubierta de las naves laterales, clausurados en la última reforma.

La intervención propone un recorrido por la nave utilizando como guía un pasamanos. Una línea trazada en el plano como un dibujo, que en esta ocasión toma forma escultórica. Su elaboración con distintos materiales, como madera, cemento, corcho, escayola pintada o cobre, pone de manifiesto el interés de la artista por la artesanía y el diseño, y ofrecen al visitante el deleite a la vista y al tacto de los materiales trabajados.

 

En la penumbra de la nave encontramos esta particular guía que nos lleva a descubrir una nueva perspectiva del espacio. Los agujeros han sido reabiertos, por ellos entra la luz y se vislumbra otra galería superior, antes oculta a la mirada del visitante.

 

En esta intervención artística hallamos un juego de contrastes, de impedimentos y de posibilidades. En cierta manera, recuerda a las cuevas visitables donde el recorrido nos va mostrando la particular geomorfología que conserva en su ambiente antes estático. En este caso, la cuidada elaboración del pasamanos contrasta con la brutalidad del espacio.

 

El pasamanos es a su vez una guía y una barrera, una línea que sortea y adorna la arquitectura de la nave. Una pieza que podemos ver y tocar, y que nos lleva a descubrir un lugar inesperado sobre nuestras cabezas, pero que solo podemos llegar a entrever desde la distancia.

 

Elena Alonso (Madrid, 1981) Licenciada en Bellas Artes y Máster en Arte, Creación e Investigación por la Universidad Complutense de Madrid, ha realizado también estudios en Suecia y Helsinki. Desarrolla su trabajo principalmente mediante el dibujo, relacionándolo con otras disciplinas como la arquitectura, la artesanía o el diseño, y prestando especial atención a las problemáticas vinculadas a la afectividad con el entorno. Ha expuesto de forma individual en el Museo ABC (El espacio alrededor, 2016); Espacio Valverde (Canto Blando, 2016; Composición de lugar, 2014; La tapadera, 2012); en la Sala de Arte Joven de la Comunidad de Madrid (2011); y en la Cable Factory de Helsinki (Paredes de piel, 2007).

 

Abierto x Obras, en Matadero Madrid, es un programa de intervenciones site specific que invita a artistas a realizar una pieza de nueva producción incentivando el carácter experimental de la creación contemporánea a través de planteamientos que exploran la relación entre el arte y el lugar que lo acoge, la antigua cámara frigorífica del Matadero. Una sala de más de 800 metros cuadrados que todavía conserva su aspecto original y las huellas de un incendio sucedido en los años 90. Un espacio característico por su estructura diáfana de arcos volados y columnas. Desde 2007, Abierto x Obras ha acogido las intervenciones de artistas como Daniel Canogar, Jannis Kounnellis, Román Signer, Carlos Garaicoa, Fernando Sánchez Castillo, Jordi Colomer, Los Carpinteros, Cristina Lucas, Eugenio Ampudia o Darya von Berner, entre otros.

PrintOclock - Tarifs et dlais de choc

 

/* Client-specific Styles */

#outlook a {padding:0;} /* Force Outlook to provide a "view in browser" menu link. */

body{width:100% !important; -webkit-text-size-adjust:100%; -ms-text-size-adjust:100%; margin:0; padding:0;}

/* Prevent Webkit and Windows Mobile platforms from changing default font sizes, while not breaking desktop design. */

.ExternalClass {width:100%;} /* Force Hotmail to display emails at full width */

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/*IPAD STYLES*/

@media only screen and (max-width: 640px) {

a[href^="tel"], a[href^="sms"] {

text-decoration: none;

pointer-events: none;

cursor: default;

}

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pointer-events: auto;

cursor: default;

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}

/*IPHONE STYLES*/

@media only screen and (max-width: 480px) {

a[href^="tel"], a[href^="sms"] {

text-decoration: none;

color: #ffffff; /* or whatever your want */

pointer-events: none;

cursor: default;

}

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text-decoration: default;

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My 3rd Artweeks exhibition is a curated group show, "The Romance of Dereliction", housed in a decaying leather warehouse in a part of Oxford most tourists never reach.

The student curators' selected artists responded to the specific character of the place and emphasised, rather than hid, the neglected fabric of the building.

The Ambient Performance of Quiet Spaces is a site-specific exploration of experience at the border of perception and imagination. It was set in Washington DC’s McKinley Theater in the Carnegie Library and performed continually between 8pm-3am. The Carnegie Library, the first public library in Washington, was decommissioned in the late 70’s and it is now a performance and event venue.

 

In this work, the shared physical, public space of the library is reconfigured so that its new visitors: the audience, robotic cameras and performers are equally engaged in moments of private and public reflection. The form of the work is the active transposition of subject and object and of content and meaning between these three constituencies. This process of transposition is a reference to contemporary digital culture’s ongoing assimilation of earlier cultural forms.

 

Working with performer Nick Horan, we each took turns on stage, quietly reading and at times engaging with the installation. Two PTZ IP cameras were programed to scan the stage, the audience and each other, similarly pondering their environment. The resulting images were projected onto the screen behind the stage. A soundtrack composed of ambient sounds from existing public libraries, recordings of the preparation of the materials for the installation and ambient sounds from recent installations played quietly throughout the performances.

 

The Ambient Performance of Quiet Spaces featured an installation of various materials on the stage of the theater that included: card catalog cards, *prepared books (with tape, acetate, LEDs/electronics/code), cables, computers, projectors and IP cameras.

 

*prepared books included:

> James Joyce’s Ulysses containing excerpts from Emmanuel Levinas’ Totality and Infinity

> John Beecroft’s Kipling: A Selection of His Stories and Poems containing card catalog cards for books related to technology and its impact on the library system

> John B. Noss’ Man’s Religions

> Milan Kundera’s The Unbearable Lightness of Being

 

video/audio of the project: vimeo.com/147043745

site-specific intervention / installation

in collaboration with Yevgeniya Kaganovich

breathing sculptures

latex, rubber, custom electronics + software

dimensions variable, 2011

The medical 3D models that are produced by ACRM Corp are patient-specific and are derived from CT or MRI scans (typically using DICOM image data). These models are used by physicians, orthopaedic surgeons and neurosurgeons to aid in pre-surgical planning and diagnoses for conditions ranging from spine conditions like scoliosis and kyphosis to skull-related issues like hydrocephalus and craniosynostosis. 3D brain models, hips and knees are also commonly replicated items. There is a case study store (www.Medical3Dmodels.com) where you can order physical 3D models of all of the items shown in these videos. If you are looking to get a 3D model for a specific patient, visit our corporate site (www.ACRMcorp.com) for details on how we can create a custom 3D medical model for that patient.

This specific location on Hanbury Road, Pontypool, with Mount Pleasant Church on the left, was once termed "The Gateway To Pontypool".

 

This image is made from two photographs taken from the same spot, over one hundred years apart.

 

The black and white street view was taken during a quiet period in 1914. The colour image was taken in January 2015.

 

The view looks towards Pontypool Town Hall and on the right side of the scene, an extended stone wall can be seen which has now been removed to make way for public transport stopping points.

  

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