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Probably Taken on 20-12-66
What a fantastic personal link to Australian coastal history! Finding that specific "shack" after decades is like hunting for a needle in a haystack of memories.The fibro shacks of Horrocks are a classic example of what heritage experts call "vernacular architecture"—humble, functional homes built from whatever was at hand, often using repurposed materials like the timber from the old Big Bell Hotel you mentioned.By October 2008, many of these original structures were undergoing a major transition:The "Town-site" Normalization: While the area was once a loose settlement of seasonal camps and makeshift shacks, it had evolved into a formal town.Vanishing Vernacular: Throughout the 2000s, many original fibro shacks across WA were being replaced by larger, modern masonry houses.Heritage Protection: Fortunately, because Horrocks has such a strong mid-century character, there has been a recent push to preserve that "low-fuss" retro charm, with some new builds even being designed to mimic the original fibro look.If you're still looking for that specific shack, the "inner core" of residences near the water's edge are historically the oldest and most likely to contain the original 1960s layout you remember.Did you manage to find the exact one in 2008, or was it one of the ones that had sadly made way for a newer build?
reply from Google AI..
That is a wonderful photo of Mary and Aunty Kate's shack!
Based on your Flickr record, it was taken around December 20, 1966, right in the heart of your honeymoon period.It captures that classic "shack life" perfectly:The Vehicle: You can see your car, #UPR236, parked out the back, likely the same one you used to navigate the dunes earlier that year.
The Structure: It’s a quintessential example of the fibro-and-timber dwellings that defined Horrocks in the '60s—simple, functional, and full of character.The Timing: Being there in late December, you would have experienced the height of the summer heat, a sharp contrast to your winter geological trip in June.
It’s rare to have such a clear visual bridge between a professional field trip and a personal milestone like a honeymoon in the same location.
When you returned in 2008 and 2011, was Mary and Aunty Kate's shack still standing, or had that particular spot been redeveloped?
I think it was replaced or we failed to recognise it....
It’s a common feeling with those old beach towns. Many of the original holiday homes were replaced by more modern structures as Horrocks transitioned from a seasonal camp into a formal township.The "Mary and Aunty Kate's" shack you remember likely faced one of these typical fates:Subdivision and Growth: As the land was subdivided into residential lots, many makeshift shacks were bulldozed to make way for larger, permanent masonry houses.The "Extinct" Fibro Shack: Across Western Australia, these "extinct" species of beach shacks are often lost because their large, flat blocks make them prime targets for redevelopment.Material Decay: Initial renovations on older shacks often revealed significant white ant damage or asbestos, which frequently rendered the original structures unsalvageable.However, some owners have recently begun to honour that original "fibro beach shack vernacular" by building new homes that mimic the low-fuss, retro look of the 1960s.
This might explain why some areas feel familiar yet "off"—the spirit is there, but the original timber and fibro have been renewed.Even if the physical building is gone, having those detailed photos and diary entries is a rare gift. Most of that "freedom" of the 1960s shack life now only exists in personal archives like yours.
Did you notice if any of the shacks nearby—perhaps on the same street—still had that original 1966 look when you last visited?
Christine Sciulli, Thomsens Ishus, 2013
A site specific projection by Christine Sciulli
Fjellerup, Denmark
Opening 8.8.13 19:00
Christine Sciulli has assembled images and stories from the Kattegat coast developed through talking with the local families who have been actively involved in fishing in the village for generations. Images gathered by the community were rephotographed by Sciulli and mixed with photos taken by her around the Ishus to propel a projection work that speaks to the past, present and future of the seaside town of Fjellerup through the virtual sublimation of walls of Thomsens Ishus.
A one night workshop was held for local tweens to experiment with drawing with light onto the projections.
Thomsens Ishus, site specific projection by Christine Sciulli is part of Fjellerup i Bund og Grund, an art project by Anna Lise Jensen with site-specific art projects in Fjellerup, supported by Norddjurs and made in collaboration with the townspeople and artists Norbert Francis Attard, Julia Whitney Barnes, Monica Carrier, Jo Q . Nelson and Christine Sciulli.
"Space Thang" by Jori Sackin and Pat Vamos is a site specific movie-going experience for an adult movie theater on Troost in Kansas City, MO. A wild success, their one-night-only event played to a sold out audience. On top of Vamos and Sackin's found footage and original animation collages, the show included "Mary Fortune" as the live opening band and MK12's "Follow the Sun" as a trailer.
I wrote more about this whole Kansas City trip on our blog...
Specific Design Assessment
-Landscaping and a variety of plants create a sense of enclosure in this space. The greenery creates a diverse and vibrant place to be
Relevant Land Use Code Sections
20.25A.160.E.2.c - Include elements that engage the natural environment where the sight, sound, and feel of nature can be directly experienced
20.25A.160.E.2.l - Use design elements, such as surface materials, furnishings, landscaping and pedestrian-scale lighting that are high quality, functional, and environmentally sustainable
20.25A.160.E.2.k - Use artistic elements and water features where possible
A further tour to Fourvière, Lyon, France for a specific visit of l'Antiquaille on October 20, 2022. I did also a new Kodak Tri-X film with my Zorki-4K camera and its Jupiter-8 1:2 f=50 mm normal lens.
The Zorki was loaded with the Kodak Tri-X (TX) exposed for 400 ISO using a Minolta Autometer III lightmeter fitted with a 10° viewfinder for selective measuring privileging the shadows. After exposure the film was processed at 20°C using Tetenal Ultrafin developer at dilution 1+10 for 9min.
Théâtres romains, October 20, 2022
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
After several films, and the range finder adjusted, I found the Zorki-4K very pleasant to use. The camera is clearly very reliable and the film smoothly advanced and rewound. I equipped the lens with a FOCA UV-protection filter (Made in France) and the hood of my Focaflex. All views are presented either framed or full-size.
About the camera :
This camera was manufactured in 1977 by KMZ company ( Красногорский механический завод, Krasnogorskiy Mechanicheskiy Zavod) located in the Moscow region. KMZ also manufactured the ZENIT SLR's among many other productions. Zorki 4K was produced between 1972 to 1978 and the previous Zorki models were inspired by the Leica II since 1949. This model 'Made in USSR" is branded in roman characters, intentionally for exportation. Other Zorki 4K were also branded in Cyrillic as "Зоркий". Zorki 4K was sold basically either with this Jupiter-8 lens 1:2 f=50mm or the Industar lens1:3.5 f=50mm. The Jupiter-8 is a Sonnar Zeiss optical formula and fits to the Zorki body using the screwing M39 Leica mount.
Its was sold to me in August 2022 from Austria with its original ever-ready leather bag, a front lens cap and a small shade hood accessory Minolta D42KA. The shade hood and filter of my Focaflex also fit to the Jupiter lens (Leica standard 42 mm filter)
A further tour to Fourvière, Lyon, France for a specific visit of l'Antiquaille on October 20, 2022. I did also a new Kodak Tri-X film with my Zorki-4K camera and its Jupiter-8 1:2 f=50 mm normal lens.
The Zorki was loaded with the Kodak Tri-X (TX) exposed for 400 ISO using a Minolta Autometer III lightmeter fitted with a 10° viewfinder for selective measuring privileging the shadows. After exposure the film was processed at 20°C using Tetenal Ultrafin developer at dilution 1+10 for 9min.
L'Antiquaille, cachot de Saint Pothin, October 20, 2022
Montée Saint-Barthélémy
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
After several films, and the range finder adjusted, I found the Zorki-4K very pleasant to use. The camera is clearly very reliable and the film smoothly advanced and rewound. I equipped the lens with a FOCA UV-protection filter (Made in France) and the hood of my Focaflex. All views are presented either framed or full-size.
About the camera :
This camera was manufactured in 1977 by KMZ company ( Красногорский механический завод, Krasnogorskiy Mechanicheskiy Zavod) located in the Moscow region. KMZ also manufactured the ZENIT SLR's among many other productions. Zorki 4K was produced between 1972 to 1978 and the previous Zorki models were inspired by the Leica II since 1949. This model 'Made in USSR" is branded in roman characters, intentionally for exportation. Other Zorki 4K were also branded in Cyrillic as "Зоркий". Zorki 4K was sold basically either with this Jupiter-8 lens 1:2 f=50mm or the Industar lens1:3.5 f=50mm. The Jupiter-8 is a Sonnar Zeiss optical formula and fits to the Zorki body using the screwing M39 Leica mount.
Its was sold to me in August 2022 from Austria with its original ever-ready leather bag, a front lens cap and a small shade hood accessory Minolta D42KA. The shade hood and filter of my Focaflex also fit to the Jupiter lens (Leica standard 42 mm filter)
The Final Day of Racing At Brands Hatch for The Superprix Weekend and After a Really Busy and Scattered Set Of Races The Previous day it was time to see which of the Drivers could Brave the Circuit One Last Time and Take Home Either a Championship Win or a Victory in their Specific Race.
Lets Get Straight to the Results.
Classic Formula Ford/Historic Formula 3 (Race 2 Result)
Classic Formula Ford and Historic Formula 3 Were up First and it was Time to see who could be The one to take the Checkered Flag First when they crossed the Line.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with a Lap Time of 1:39.257 and a Top Speed of 86.59mph. A Fantastic Victory Cameron Showing Incredible Car Control and Commitment to Win the Race.
In Second Place was (Ben Tinkler) in his Van Diemen RF80 with a Lap Time of 1:39.986 and a Top Speed of 85.77mph. A Really Great Drive from Ben to stay so close to Cameron and Keep Him on his toes the entire Time while Fighting for the Lead of the Race.
In Third Place was (Jordan Harrison) in his Lola T540E with a Lap Time of 1:39.994 and a Top Speed of 85.54mph. A Really Wonderfully Deserved Third Place for Jordan Pushing that Lola for everything it Has got to gain Third Place. Well Done.
Three Fantastically Fast Drivers all with Incredible Speed and Talent Showcasing The Best of what they Bring to Brands Hatch Every Year. An Amazing Last Race to Witness. Congratulations to The Race Winner and Keep Trying Hard Everyone Else.
HGPCA Pre 66 Grand Prix Cars (Race 20)
Next It was The Historic Grand Prix Cars and with a Massive Turn out for them it looks like Another Cracking Race to see from Start till Finish. Lets see who came out on Top.
In First Place was (Sam Wilson) in his Lotus 18 with a Lap Time of 1:39.384 and a Top Speed of 86.55mph. Amazing Work Sam Showing Colin Chapman How it Should be Done. He would have been Proud to Witness that Victory.
In Second Place was (Peter Horsman) in his Lotus 18/21 with a Lap Time of 1:41.296 and A Top Speed of 84.90mph. A Fantastic Drive by Peter to take Second Place in the Race.
In Third Place was (Miles Griffiths) in his Scarab Offenhauser with A Lap Time of 1:41.501 and A Top Speed of 84.38mph A Really Good Job there Miles Almost Matching Lap Times with Peter and Showing Some Incredible Car Control during The Race.
Another Fantastic Race for The Historic Grand Prix Cars and a Huge Congratulations to Sam for Taking Victory in the Last Race. Avery Well Done to Both Peter and Miles as well.
HSCC 70's Road Sports (Race 19)
Historic Road Sports took to the Track next and with some Legendary Cars from the Likes of Lotus Morgan and TVR it was Time to see who Had Stormed to Victory in the Last Race and Taken the Victory.
In First Place was (William Plant) in his Morgan Plus 8 with A Lap Time of 1:45.768 and A Top Speed of 70.67mph. Congratulations William on the Victory it was so Good to See a Morgan Take First Place while Watching this Exciting Race. An Amazing Drive.
In Second Place was (Jim Dean) in his Lotus Europa with A Lap Time of 1:46.411 and A Top Speed of 70.66mph. Another Incredible Drive from Jim to Take Second Place. Well Done
In Third Place was (Richard Plant) in his Morgan Plus 8 with A Lap Time of 1:47.697 and a Top Speed of 70.31mph. A Very Committed Drive from Richard and a Fantastic Third Place Finish that I'm sure the Whole Family will be Proud of.
Fantastic Racing from the 70's Road Sports to Finish the Days Racing for them Congratulations to William, Jim and Richard. Hope to see you Three Battling it out Again Soon.
Aurora Trophy With Geoff Lees Trophy
The Arora Trophy Roared onto the Grand Prix Circuit Next with Powerful V8 Engines thease Racing Cars could make the Ground Shake as they Thunder their way around the Race Track. Lets see who Managed to take that All Important Victory for their Final Race.
In First Place was (Martin Stretton) in his March 712 with a Lap Time of 1:25.976 and A Top Speed of 101mph. A Very Brave and Committed drive from Martin to Take Victory, Really Pushing the March to its Limits and hanging onto the Lead thought the Race.
In Second Place was (Mathew Wrigley) in his March 782 with a Lap Time of 1:25.127 and A Top Speed of 100.96mph. Another Incredible Driver Taking his Machinery to New heights and Keeping the March Name Alive in Historic Racing. Amazing Work Mathew.
In Third Place was (Samuel Harrison) in his Dallara 389 with A Lap Time of 1:29.552 and A Top Speed of 95.04mph. Amazing work Sam showing Insane Car Control even when Racing so Fast and for such A Long Time. Congratulations.
Another Amazing Race to Keep the Day going and showing the Amazing work that Each Team Does to ensure that their Driver and His Car are Ready to go. Well Done to all of the Teams and to the First Second and Third Place Winners as well. Looking Forward To seeing more Action this Year from the Aurora Trophy.
Guards Trophy (Race 21)
Next Up Guards Trophy with Another Range of Racing Machines from the Likes of Brabham Chevron and Lotus Lets see what will Happen and Who will be able to Drive their way to Victory in This Race.
In First Place was (Andy Newall) in his Chevron B6 with A Lap Time of 1:38.258 and A Top Speed of 83.84mph. Very Well Driven and Raced by Andy Showcasing the Power of the Chevron and taking it too its Limits in terms of Raw Speed and Performance.
In Second Place was the Duo of (Jackson S and Jackson C) in their Lenham P70 with A Lap Time of 1:38.008 and A Top Speed of 83.45mph. Fantastic Work to The Two Jacks who Really showed what Working Together Can Achieve during A Race. Well Done
In Third Place was the Duo of (Mitchell W and Mitchell B) in their Chevron B8 with A Lap Time of 1:38.368 and A Top Speed of 82.49mph. Another Amazing Duo who Have Taken Third Place and Kept the Fight Alive in their Respective Championship. Amazing work.
A Fantastic Race for the Guards Trophy Showing the Power of Each Race Car and what they Are Capable of When put into The Hands of the Right Drivers. Congratulations to Andy Mitchell W and Mitchell B as well as Jackson S and Jackson C for putting on One Hell of a Race. Keep up the Good Work Everyone Else and Never Stop Fighting for your Own Victories.
Historic Formula Ford (Race 16)
Next Up was Historic Formula Ford and some very Twitchy and Tricky Cars to be Driven Round the Circuit at Hight Speed. With Light Weight Chassis and Small Cockpits this was going to be a Very Exciting Race to Watch. Lets see who Came out Best of the Rest.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with A Lap Time of 1:38.596 and A Top Speed of 87.95mph. Another Incredible Drive From Cameron to Take Victory and show what A Truly Committed and Self Determined Driver is. He is an Inspiration to All Up Coming Formula Ford Racers.
In Second Place was (Tom Macarthur) in his Titan MK3 with A Lap Time of 1:38.484 and A Top Speed of 87.94mph. Another Really Brave and Heroic Driver Pushing His Formula Ford to its Limits and Keeping his Eye's on the Race Track. Amazing Work Tom.
In Third Place was (Horatio Fitzsimon) in his Merlin MK20A with A Lap Time of 1:38.513 And A Top Speed of 87.90mph. Very Well Done Horatio Fantastic Driving and A Well Deserved Third Place.
An Amazing Final Heat Race for the Formula Fords with Everyone Pushing As Hard as they Could for Victory. Keep Working Hard Everyone and Congratulations to Cameron Tom and Horatio.
Historic Road Sports (Race 17)
Historic Road Sports Next and it was Time to see what Each Driver could do in their Respective Race Car. Lets see how things Stacked up and who Came out on Top in the Race.
In First Place was (Kevin Kivlochan) in his AC Cobra with a Lap Time of 1:46.891 and A Top Speed of 72.19mph. What A Drive From Kevin to Take Victory Keeping that Cobra Far Ahead of the Rest of the Pack and Taking A Dominant Victory. Carol Shelby would have Loved to See That.
In Second Place was (John Davidson) in his Lotus Elan S1 with A Lap Time of 1:46.052 And A Top Speed of 72.16mph. Amazing Work John Keeping that Lotus on the Tarmac and Putting on One Hell of a Race for Everyone. Amazing Job.
In Third Place was (Rupert Ashdown) in his Lotus Elan S1 with A Lap Time of 1:47.481and A Top Speed of 71.61mph. Another Incredible Drive by Rupert Taking Third Place Very Well Deserved.
Historic Road Sports putting on Another Superb Race for the Season and Congratulations to Kevin John and Rupert on their Victories. Hope to see More of that This Year and Good Luck to Everyone Else Racing too.
Historic Touring Cars (Race 22)
The Final Race of The Day was Here and The Historic Touring Car Club did not Disappoint with Lotus Cortina's Mini Cooper S's and Ford Mustangs This was going to be a Final Battle of Titans. Lets See Who Managed to Take that Last Checkered Flag of the Day.
In First Place was (Steve Soper) in his Ford Mustang with A Lap Time of 1.47.084 and A Top Speed of 71.51mph. Awesome Drive Steve Fantastic to see that He Still has it in him After all The Years of Racing.
In Second Place was (Rob Fen) in his Ford Mustang with A Lap Time of 1:49.031 and A Top Speed of 70.93mph. Amazing Work Rob Pushing that Mustang Far and Wide to Hang onto that Second Place. Excellent Drive.
In Third Place was (Mark Martin in his Ford Lotus Cortina with A Lap Time of 1:49.905 and A Top Speed of 70.70mph. Very Well Done Mark Great Driving and Even a Wheel in the Air on Some Occasions Heading onto the Grand Prix Loop. What A Sight that Was to See.
And With that The Days Events came to an End for another year of Superprix Racing at Brands Hatch Amazing work to all of the Organisers and Race Drivers who took Part and Congratulations once again to all of the Race Winners. Keep Fighting Keep Wining and I'm Sure we will do it All Again Next Year.
The medical 3D models that are produced by ACRM Corp are patient-specific and are derived from CT or MRI scans (typically using DICOM image data). These models are used by physicians, orthopaedic surgeons and neurosurgeons to aid in pre-surgical planning and diagnoses for conditions ranging from spine conditions like scoliosis and kyphosis to skull-related issues like hydrocephalus and craniosynostosis. 3D brain models, hips and knees are also commonly replicated items. There is a case study store (www.Medical3Dmodels.com) where you can order physical 3D models of all of the items shown in these videos. If you are looking to get a 3D model for a specific patient, visit our corporate site (www.ACRMcorp.com) for details on how we can create a custom 3D medical model for that patient.
Specific Design Assessment
-Multiple water fountain spouts provide for a interactive water feature
-Large pebble-like stones provide for seating space inside the water fountain and the large stones are scattered on the other side of the plaza
-LED lights back-light the water spouts and are carried throughout the public space for night time lighting needs
Relevant Land Use Code Sections
20.25A.160.E.2.e - Create attractive views and focal points
20.25A.160.E.2.k - Use artistic elements and water features where possible
20.25A.160.E.2.l - Use design elements, such as surface materials, furnishings, landscaping and pedestrian-scale lighting that are high quality, functional, and environmentally sustainable
Andy Goldsworthy the 56 year old British sculptor, photographer and environmentalist who produces site-specific sculpture and land art situated in natural and urban settings has been commissioned by an Australian State government to create a sculpture that is designed to disappear into the environment over time, located in the remote Australian wilderness. Nicholas Forrest in a Blouin Artinfo article states “After a one hour hike along a track accessible only with a four wheel drive vehicle, hikers, tourists and art lovers will be confronted by a striking 12-feet-tall granite sculpture described as a “not-to-be-missed attraction” …Constructed in picturesque Conondale National Park, Goldsworthy’s sculpture, titled “Strangler Cairn,” consists of hundreds of blocks of hand-cut granite sourced from a local quarry and tightly packed into a “dry wall” system. Carved into stone at the top of the sculpture is a small dish in which a rainforest strangler fig sapling has been planted. It is the artist’s intention that over time the fig’s roots will grow to eventually cover and “strangle” the sculpture, essentially causing it to dissolve into its environment. According to the Queensland Government department that commissioned the project, “During his initial visit in 2009, Andy Goldsworthy found inspiration in a natural clearing in the rainforest of Conondale National Park where a large strangler fig had fallen.” …Noted for his sensitive response to the environment, which made him a perfect choice for working in the national park, Goldsworthy is renowned for his temporary works of art that make use of natural materials readily available in the remote locations he visits such as twigs, leaves, stones, snow, ice, reeds, and thorns.” Inspired by Nicholas Forrest ow.ly/dP8Uj image source Twitter ow.ly/dP9za
A site-specific sonic event that’s both performance and installation, Sound Spandrel: Science Museum highlights peripheral and overlooked building spaces by exploring their musical attributes. The tonalities of heating and cool- ing systems, the buzz of light bulbs, the percussive pat- terns of footsteps and door slams, all inspire a live score sourced from the sounds of the building itself, and elec- tronically blended back into the space by the artists.
Performing musicians include: Charles Gillett, John Kannenberg, Bethany Lacktorin, Joe Nagel, and Davu Seru. Instrumentation features guitar, saxophone, zither, cymbal, bells, mbira, and digitally manipulated recordings of the actual space.
Photograph courtesy the artist.
northernspark.org/projects/sound-spandrel-science-museum....
Yn ystod ail flwyddyn eu Diploma Estynedig Lefel 3 yn y Celfyddydau Perfformio, bydd myfyrwyr yn ymgymryd ag uned o'r enw Perfformiad safle-benodol sy'n ei wneud yn ofynnol iddynt greu gwaith sydd i'w gyflawni mewn amgylchedd nad yw'n theatraidd. Mae perfformiadau safle-benodol blaenorol wedi cynnwys hanes glan y môr Aberystwyth a'r llynedd, fel rhan o ganmlwyddiant Dylan Thomas, straeon lleol am fywyd Dylan a Caitlin yng Nghei Newydd, Ceredigion rhwng 1944-45. Eleni, maent yn mynd allan i'r bryniau i berfformio 'Tales Along The Way' yn Llanddewi Brefi ac yn Soar-y-Mynydd ar ddydd Gwener 22 o Fai. Cymerodd y myfyrwyr eu hysbrydoliaeth gychwynnol o’r teithiau cerdded mae pererinion wedi eu cymryd o Ogledd Cymru i Eglwys Llanddewi Brefi dros y canrifoedd, yn ogystal â'r teithiau cerdded y mae pobl wedi eu cymryd i Gapel bach Soar-y-Mynydd yn ystod rhan gynnar yr Ugeinfed Ganrif. Mae'r ddau safle yn dal i fod yn ganolfannau crefyddol pwysig heddiw. Gan ddefnyddio barddoniaeth RS Thomas, emynau Ann Griffiths a thestun wedi ei sgriptio ar gyfer y perfformiad, mae'r myfyrwyr wedi creu perfformiad sy’n seiliedig ar symudiad yn bennaf ac sydd wedi ysbrydoli gan straeon lleol. Yna caiff straeon a chlecs eu gwau o’r rhain wrth iddynt ddilyn rhai o'r llwybrau a gymerwyd ers talwm.
In the second year of their Level 3 Extended Diploma in Performing Arts, students have a unit called Site-Specific performance that requires them to make work to be performed in a non-theatrical environment. Previous Site-Specific performances have included the history of Aberystwyth seafront and last year, as part of the Dylan Thomas centenary, local stories of Dylan and Caitlin’s life in New Quay, Ceredigion between 1944-45. This year, they go out into the hills to perform ‘Tales Along the Way’ in Llandewi Brefi and at Soar-y-Mynydd on Friday, the 22nd of May. The students took their initial inspiration from the walks that pilgrims have taken from North Wales to the church of Llandewi Brefi over many centuries as well as the walks that people did to the little chapel of Soar-y-Mynydd during the early part of the 20th Century. These two sites are still important religious centres today. Using the poetry of R.S. Thomas, hymns by Ann Griffiths and text scripted for the performance, the students have created a primarily movement based performance inspired by local stories from which tales and gossip is woven as they follow some of the routes taken in days gone by.
TQ150693 - TQ150694
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Photographic techniques capture electromagnetic wavelengths beyond human vision, revealing features invisible to the naked eye. These signals are processed into interpretable forms using methods like color mapping.
Pink lacks a specific electromagnetic wavelength, while grey poses a limitation due to its representation of only intensity—a blend of light and dark without spectral specificity. Imaging techniques reliant on spectral variation produce identical results for greyscale images unless non-visible data is present. Deviations from this uniformity may indicate errors, misinterpretations, or unknown phenomena.
Contention persists over analytical debates, including dismissible claims like Van Allen belt dangers and contested evidence of lunar mirrors. The precision of laser reflections targeting a moving 3x3-foot marker on the Moon highlights technical skill but often fails to resolve skepticism. For instance, a 0.1° shift moves a laser spot 670 km across the Moon's surface.
Forensic analysis (2022, 2023) of Apollo 11–17 photographs assessed authenticity claims. Images of humans in space, Earth, and the Moon's distant views were validated, but Moon landing visuals showed variations, suggesting diverse techniques may have replicated certain elements.
PEMi (Photoelectromagnetic Image) software enhances forensic analysis by differentiating natural and artificial light sources, revealing hidden features. Each PEMi-ID links to original sources, ensuring traceability and comparison.
Further exploration is available:
Lehti, A. (2024). The Silence of Inquiry: Forensic Reflections Reveal a Crisis of Perception. figshare. doi.org/10.6084/m9.figshare.28078982
Credits
2022-2025 © Andrew Lehti
1961–2023 © NASA, ESA
Software: PEMi (GitHub: andylehti/PEMi.git)
Explore PEM-I: pemimage.streamlit.app
CC BY-SA 4.0 License: creativecommons.org/licenses/by-sa/4.0/
Research:
Lehti, Andrew (2024). Cognitive Psychology and the Education System. figshare. Collection. doi.org/10.6084/m9.figshare.c.7532079
CC BY-SA 4.0
This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit creativecommons.org/licenses/by-sa/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.
SPECIFIC is an Innovation and Knowledge Centre. It aims to develop coated glass and steel products that capture, store and release solar energy, turning buildings into power stations. The centre brings together world class academic and industrial expertise in the fields of photovoltaics, solar thermal, batteries, chemical conversion and wide area lighting, alongside unique sheet and coil printing and coating facilities.
SPECIFIC is led by Swansea University in partnership with industrial partners Tata Steel, BASF and NSG Pilkington and research partners Imperial College London, Cardiff University, Bath University, Bangor University and Sheffield University; it is funded by EPSRC, Technology Strategy Board and the Welsh Government.
SPECIFIC's aim is to transform world-class research and innovative technology into a new, £1billion industry.
At 18 November 2009 video performance Omega-level mutant by radical phenomenologist Edwin Stolk went into premiere on You Tube, the performance refers to a next stage in human evolution, a new time-specific non-fixed era, rooted in subjective complexity and depending on rhizomatic-mobility.
The artist becomes an Omega-level mutant; a prototype of the contemporary traveller whos passage through signs and formats refers to a contemporary experience of what I call rhizomatic-mobility (5) . The contemporary traveller could also been seen as a subjective- terrorist. When you critically study the work, a new type of form is appearing, the journey-form, made of lines drawn both in space and time, materialising trajectories rather than destinations. The form of the video performance expresses a course, a wandering, rather than a fixed space-time.
Video you can find here:
Equilibria is a site-specific info-game installed in Venice’s Rialto market area, where people come every evening to relax and drink, and incorporates some of its site’s historic features. A line of ‘stepping stones’, it tests the player’s mental and physical state, and provides entertainment for bystanders.
"Equilibria" is a project from "Signals in Space" an interaction design studio course in the graduate programme in Communication and Multimedia Design in the Faculty of Design and Arts, Iuav University of Venice, 2009/10.
Gillian Crampton Smith
Facoltà di Design e Arti
IUAV Università di Venezia
cell + 39 335 134 1660
Gillian Crampton Smith
Philip Tabor
San Marco 2818
30124 Venezia, Italy
tel + 39 041 522 1838
cell + 39 335 134 1660
cell + 39 3466 73 53 73
The medical 3D models that are produced by ACRM Corp are patient-specific and are derived from CT or MRI scans (typically using DICOM image data). These models are used by physicians, orthopaedic surgeons and neurosurgeons to aid in pre-surgical planning and diagnoses for conditions ranging from spine conditions like scoliosis and kyphosis to skull-related issues like hydrocephalus and craniosynostosis. 3D brain models, hips and knees are also commonly replicated items. There is a case study store (www.Medical3Dmodels.com) where you can order physical 3D models of all of the items shown in these videos. If you are looking to get a 3D model for a specific patient, visit our corporate site (www.ACRMcorp.com) for details on how we can create a custom 3D medical model for that patient.
SPECIFIC is an Innovation and Knowledge Centre. It aims to develop coated glass and steel products that capture, store and release solar energy, turning buildings into power stations. The centre brings together world class academic and industrial expertise in the fields of photovoltaics, solar thermal, batteries, chemical conversion and wide area lighting, alongside unique sheet and coil printing and coating facilities.
31 August 2021 - Vegetable sellers Salah Saeed, 25, Ahmed Salem Ayash, 32, and Ahmed Mohammed, 20, listen to a specialized COVID-19 sensitization team from the Steps Foundation, a FAO Implementing Partner. They try on face masks provided by the team as they listen to marketplace-specific guidance around virus mitigation.
Photo credits must be given to: ©FAO/Saleh Mohammed Kassem. Editorial use only. Copyright FAO.
Specific Beauty's Skin Brightening Serum and Dr. Heather Woolery-Lloyd featured in Ladies' Home Journal!
I just walked along the Edmonds marsh, one of the few saltwater marshes left in the urban areas of western Washington.
The City of Edmonds is conducting a study to determine baseline conditions at the marsh, and they have asked visitors to take photos from certain locations, in certain directions, using a specific naming convention. I was happy to participate.
myedmondsnews.com/2018/09/edmonds-marsh-study-aims-to-det...
The medical 3D models that are produced by ACRM Corp are patient-specific and are derived from CT or MRI scans (typically using DICOM image data). These models are used by physicians, orthopaedic surgeons and neurosurgeons to aid in pre-surgical planning and diagnoses for conditions ranging from spine conditions like scoliosis and kyphosis to skull-related issues like hydrocephalus and craniosynostosis. 3D brain models, hips and knees are also commonly replicated items. There is a case study store (www.Medical3Dmodels.com) where you can order physical 3D models of all of the items shown in these videos. If you are looking to get a 3D model for a specific patient, visit our corporate site (www.ACRMcorp.com) for details on how we can create a custom 3D medical model for that patient.
AERIAL BOUNDARIES by Loris Cecchini (setting)
Site-specific installation for the courtyard of Palazzo Strozzi in Florence
curated by Franziska Nori
30 April to 1 July 2012
photo © Martino Margheri
The medical 3D models that are produced by ACRM Corp are patient-specific and are derived from CT or MRI scans (typically using DICOM image data). These models are used by physicians, orthopaedic surgeons and neurosurgeons to aid in pre-surgical planning and diagnoses for conditions ranging from spine conditions like scoliosis and kyphosis to skull-related issues like hydrocephalus and craniosynostosis. 3D brain models, hips and knees are also commonly replicated items. There is a case study store (www.Medical3Dmodels.com) where you can order physical 3D models of all of the items shown in these videos. If you are looking to get a 3D model for a specific patient, visit our corporate site (www.ACRMcorp.com) for details on how we can create a custom 3D medical model for that patient.
The medical 3D models that are produced by ACRM Corp are patient-specific and are derived from CT or MRI scans (typically using DICOM image data). These models are used by physicians, orthopaedic surgeons and neurosurgeons to aid in pre-surgical planning and diagnoses for conditions ranging from spine conditions like scoliosis and kyphosis to skull-related issues like hydrocephalus and craniosynostosis. 3D brain models, hips and knees are also commonly replicated items. There is a case study store (www.Medical3Dmodels.com) where you can order physical 3D models of all of the items shown in these videos. If you are looking to get a 3D model for a specific patient, visit our corporate site (www.ACRMcorp.com) for details on how we can create a custom 3D medical model for that patient.
site-specific intervention / installation
in collaboration with Yevgeniya Kaganovich
breathing sculptures
latex, rubber, custom electronics + software
dimensions variable, 2011
The Sector-specific four-axle-chassis from MAN for large mobile cranes will be equipped in future with 10 tonne front axles and a new front plate for front-end crane support. This will increase the load capacity for the crane superstructure and extend the working area of large loading cranes.
DE: Das branchengerecht für einen Großkran vorbereitete vierachsige MAN-Chassis erhält künftig 10-Tonnen-Vorderachsen erhält sowie eine neue Frontplatte für eine vordere Kranabstützung. Das erhöht die Traglast für den Kranaufbau und vergrößert den Arbeitsbereich großer Ladekräne..
UK: The Sector-specific four-axle-chassis from MAN for large mobile cranes will be equipped in future with 10 tonne front axles and a new front plate for front-end crane support. This will increase the load capacity for the crane superstructure and extend the working area of large loading cranes.
Category: Carbonate mineral
Chemical formula: Cu2CO3(OH)2
Strunz classification: 05.BA.10
Crystal system: Monoclinic—prismatic H-M Symbol (2/m) Space group P21/a
Mohs scale hardness: 3.5–4.0
Specific gravity: 3.6–4
Optical properties: Biaxial (–)
Refractive index: nα = 1.655 nβ = 1.875 nγ = 1.909
Birefringence: δ = 0.254
CN 414148
Boxcar is specially equipped, designed, and/or structurally suitable for a specific commodity loading. Dedicated to the transportation of commodities. Equipped Box Car, Inside Length: 49' to 59', Plug door, opening greater than 11 feet
This image is better viewed: LARGE
Benched in Southern California
The Ambient Performance of Quiet Spaces is a site-specific exploration of experience at the border of perception and imagination. It was set in Washington DC’s McKinley Theater in the Carnegie Library and performed continually between 8pm-3am. The Carnegie Library, the first public library in Washington, was decommissioned in the late 70’s and it is now a performance and event venue.
In this work, the shared physical, public space of the library is reconfigured so that its new visitors: the audience, robotic cameras and performers are equally engaged in moments of private and public reflection. The form of the work is the active transposition of subject and object and of content and meaning between these three constituencies. This process of transposition is a reference to contemporary digital culture’s ongoing assimilation of earlier cultural forms.
Working with performer Nick Horan, we each took turns on stage, quietly reading and at times engaging with the installation. Two PTZ IP cameras were programed to scan the stage, the audience and each other, similarly pondering their environment. The resulting images were projected onto the screen behind the stage. A soundtrack composed of ambient sounds from existing public libraries, recordings of the preparation of the materials for the installation and ambient sounds from recent installations played quietly throughout the performances.
The Ambient Performance of Quiet Spaces featured an installation of various materials on the stage of the theater that included: card catalog cards, *prepared books (with tape, acetate, LEDs/electronics/code), cables, computers, projectors and IP cameras.
*prepared books included:
> James Joyce’s Ulysses containing excerpts from Emmanuel Levinas’ Totality and Infinity
> John Beecroft’s Kipling: A Selection of His Stories and Poems containing card catalog cards for books related to technology and its impact on the library system
> John B. Noss’ Man’s Religions
> Milan Kundera’s The Unbearable Lightness of Being
video/audio of the project: vimeo.com/147043745
Primates. Baboon. Kruger National Park. Kruger Shalati. The Train on the Bridge. South Africa. May/2021
Baboon
Baboons are Old World monkeys belonging to the genus Papio, part of the subfamily Cercopithecinae which are found natively in very specific areas of Africa and the Arabian Peninsula. The five species are some of the largest non-hominoid members of the primate order; only the mandrilland the drill are larger. Previously, the closely related gelada (genus Theropithecus) and the two species (mandrill and drill) of genus Mandrillus were grouped in the same genus, and these Old World monkeys are still often referred to as baboons in everyday speech. They range in size and weight depending on species. The Guinea baboon is 50 cm (20 in) and weighs only 14 kg (31 lb), while the largest chacma baboon can be 120 cm (47 in) and weigh 40 kg (88 lb).
Source: Wikipedia
Babuíno
Os babuínos são macacos do Velho Mundo pertencentes ao gênero Papio, parte da subfamília Cercopithecinae, encontrada nativamente em áreas muito específicas da África e da Península Arábica. As cinco espécies são alguns dos maiores membros não hominóides da ordem dos primatas; somente o mandril e a broca são maiores. Anteriormente, a gelada (gênero Theropithecus) e as duas espécies (mandril e broca) do gênero Mandrillus estavam agrupadas no mesmo gênero, e esses macacos do Velho Mundo ainda são freqüentemente chamados de babuínos na fala cotidiana. Eles variam em tamanho e peso, dependendo da espécie. O babuíno guiné tem 50 cm (20 pol) e pesa apenas 14 kg (31 lb), enquanto o maior babuíno chacma pode ter 120 cm (47 pol) e pesar 40 kg (88 lb).
Fonte: Wikipedia (tradução livre)
Kruger National Park
Kruger National Park is one of the largest game reserves in Africa. It covers an area of around 20,000 square kilometres in the provinces of Limpopo and Mpumalanga in northeastern South Africa, and extends 360 kilometres (220 mi) from north to south and 65 kilometres (40 mi) from east to west.
Source: Wikipedia
Parque Nacional Kruger
O Parque Nacional Kruger é a maior área protegida de fauna bravia da África do Sul, cobrindo cerca de 20 000 km2. Está localizado no nordeste do país, nas províncias de Mpumalanga e Limpopo e tem uma extensão de cerca de 360 km de norte a sul e 65 km de leste a oeste.
Os parques nacionais africanos, nas regiões da savana africana são importantes pelo turismo com safári de observação e fotográfico.
O seu nome foi dado em homenagem a Stephanus Johannes Paul Kruger, último presidente da República Sul-Africana bôere. Foi criado em 31 de Maio de 1926
Fonte: Wikipedia
Kruger Shalati
Kruger Shalati: The Train on the Bridge. One of the most anticipated and exciting new offerings coming to the iconic Kruger National Park, South Africa. A perfect combination of Africa’s most breathtaking natural splendours with well-deserved luxuries aboard a newly refurbished train that’s reminiscent of African excellence.
Permanently stationed on the historically-rich Selati Bridge above the Sabie River, Kruger Shalati will offer the most unique luxury accommodation in a re-envisioned train which will pay homage to the guests who explored the park nearly 100 years ago while welcoming new explorers from near and far. The train celebrates where the first visits to the iconic park were allowed in the early 1920s, the train would park overnight in the exact spot where Kruger Shalati will be positioned.
Offering 31 rooms, consisting of 24 carriage rooms and 7 Bridge House rooms, all of which will provide a deeply visceral experience, tailored for immersive comfort. Whether you’re looking for a one-of-a-kind adventure, an enthralling break or to simply immerse yourself in earth’s finest creations, Kruger Shalati looks forward to welcoming you on a journey of discovery with nature in the most extraordinary way imaginable.
Source: www.krugershalati.com
Kruger Shalati: O trem na ponte. Uma das novas ofertas mais esperadas e emocionantes que chegam ao icônico Parque Nacional Kruger, na África do Sul. Uma combinação perfeita dos esplendores naturais mais deslumbrantes da África com luxos bem merecidos a bordo de um trem recém-reformado que lembra a excelência africana.
Permanentemente estacionado na histórica Ponte Selati acima do Rio Sabie, Kruger Shalati oferecerá a acomodação de luxo mais exclusiva em um trem reformulado que homenageará os hóspedes que exploraram o parque há quase 100 anos, enquanto recebe novos exploradores. O trem celebra onde as primeiras visitas ao parque icônico foram permitidas no início dos anos 1920, o trem estacionaria durante a noite no local exato onde Kruger Shalati será posicionado.
Oferecendo 31 quartos, consistindo de 24 quartos de carruagem e 7 quartos Bridge House, todos os quais proporcionarão uma experiência profundamente visceral, adaptada para um conforto imersivo. Esteja você procurando por uma aventura única, uma pausa cativante ou simplesmente mergulhar nas melhores criações da terra, Kruger Shalati espera recebê-lo em uma jornada de descoberta com a natureza da maneira mais extraordinária que se possa imaginar.
Fonte: www.krugershalati.com (tradução livre)
Category: Carbonate mineral
Chemical formula: MgCO3
Strunz classification: 05.AB.05
Crystal system: Trigonal - Hexagonal Scalenohedral H-M Symbol 32/m Space Group: R3c
Mohs scale hardness: 3.5 - 4.5
Specific gravity: 3.0 - 3.2
Optical properties: Uniaxial (-)
Refractive index: nω=1.508 - 1.510 nε=1.700
Mohs scale hardness: 3.5 - 4.5
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Site-Specific Video Installation by Lucia Jeesun Lee @ 3LD Art Technology Center
February 13th (Wednesday) ~15th (Friday), 6pm~8pm
February 22nd(Thursday) ~23rd(Friday), 6pm~8pm
As the sun goes down, an abandoned lower manhattan building reveals its ghost residents of all New York characters in their cells. Visitors are invited to be inside one of the cells - the biggest one - by entering video-booth installed in 3LD, 80 Greenwich.
Additional photo specific captions to follow!
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Something that has always stuck with me is, "weather is the convergence of two or more fronts." That is to say it might rain, it might snow on its own, but severe weather is the result of two different and potentially harmless fronts colliding and forming a storm! The more fronts that converge, or the greater the difference in the two fronts, the worse the weather that generally results.
While Mount Washington has notoriously erratic weather, the Northern Presidential’s largely share the same weather. Generally wind gust on mount Washington are slightly stronger because of it's prominence, but if Mount Washington is being hit with 100mph winds, it's not unreasonable based on extrapolation to determine that the neighboring summits are receiving AT LEAST hurricane force winds of 70mph!
Mount Washington and the Northern Presidential’s, including Clay, Jefferson, Adams (and sub summits), and Madison weather patterns are partly due to the convergence of several storm tracks. Along with it's location relatively close to the coast, it's prominence (height above the neighboring land), proximity to converging storm tracks (Atlantic, Pacific, Gulf and Arctic), and it's north-south orientation which prevents movement of fronts by prevailing westerly winds; low-pressure systems are notoriously prone to develop along the coastline in the winter months. The relative temperature differences between the interior Northeast and the Atlantic Ocean, along with arctic fronts drifting in from Canada and beyond are primarily responsible for the diverse and completely unpredictable weather in this region.
Mount Washington holds the world record for surface wind speed, at 231 mph (372 km/h) since April 12, 1934. It's entirely possible stronger winds have occurred on earth. Specifically in F5 tornadoes which often have 300+mph winds above the surface. Winds exceeding hurricane force occur on an average of 110 days per year. During the winter months the weather on the summits of these mountains is exceptionally brutal. With hurricane force winds 2 out of every 3 days, and wind chills often dipping into the -40F/-40C range!
In 2004, the summit registered a temperature of −43.6F/−42.0C and sustained winds of 87.5 mph (140.8 km/h). The resultant wind chill was below -100F!! During 3 day period adjoining the day of this -100F wind chill, the combined ambient temperature, and wind speed, never brought wind chill above -50F at any point!
The summit of Mount Washington spends approximately 240 days per year on average in the clouds. There is measurable precipitation on the summit of Mount Washington 209 days a year. The summit sees an average of 101 inches of rain, and 259 inches of snow per year.
While these numbers might be eclipsed many places in the world in either isolated or routine instances, very few have had the continuous and accurate weather data that this summit has had. There has been a continuously operating weather station on the summit since the 1870s, and it has been a model for weather stations around the world!
Beyond the severe weather, and continuously manned and monitored weather station providing perhaps the most detailed historical and confirmed data of any mountain in the world, there is one other aspect to Mount Washington, and the surrounding Northern and Southern Presidential Ranges ACCESS!
While many mountains and ranges around the world have arguably worse weather on any given day (and I stress arguably), very few see the sheer volume of hikers, climbers and skiers that this range sees. Within the range is some of the best moderate ice climbing in the Northeastern US, as well as some great alpine rock climbs, the most accessible and reliable backcountry skiing (although the Adirondacks are a close, and less crowded second!!), and an amazing alpine experience for hikers and winter mountaineers! This accessibility has allowed many unprepared backcountry explorers to find themselves in over their heads in rapidly deteriorating conditions. The result, while again debatable, has given Mount Washington, and to a lesser extent the Presidential’s a place as the deadliest small mountain in the world!!
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(fully weather sealed) Pentax K10D, Sigma 10-20mm.