View allAll Photos Tagged specific
A further tour to Fourvière, Lyon, France for a specific visit of l'Antiquaille on October 20, 2022. I did also a new Kodak Tri-X film with my Zorki-4K camera and its Jupiter-8 1:2 f=50 mm normal lens.
The Zorki was loaded with the Kodak Tri-X (TX) exposed for 400 ISO using a Minolta Autometer III lightmeter fitted with a 10° viewfinder for selective measuring privileging the shadows. After exposure the film was processed at 20°C using Tetenal Ultrafin developer at dilution 1+10 for 9min.
Théâtres romains, October 20, 2022
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
After several films, and the range finder adjusted, I found the Zorki-4K very pleasant to use. The camera is clearly very reliable and the film smoothly advanced and rewound. I equipped the lens with a FOCA UV-protection filter (Made in France) and the hood of my Focaflex. All views are presented either framed or full-size.
About the camera :
This camera was manufactured in 1977 by KMZ company ( Красногорский механический завод, Krasnogorskiy Mechanicheskiy Zavod) located in the Moscow region. KMZ also manufactured the ZENIT SLR's among many other productions. Zorki 4K was produced between 1972 to 1978 and the previous Zorki models were inspired by the Leica II since 1949. This model 'Made in USSR" is branded in roman characters, intentionally for exportation. Other Zorki 4K were also branded in Cyrillic as "Зоркий". Zorki 4K was sold basically either with this Jupiter-8 lens 1:2 f=50mm or the Industar lens1:3.5 f=50mm. The Jupiter-8 is a Sonnar Zeiss optical formula and fits to the Zorki body using the screwing M39 Leica mount.
Its was sold to me in August 2022 from Austria with its original ever-ready leather bag, a front lens cap and a small shade hood accessory Minolta D42KA. The shade hood and filter of my Focaflex also fit to the Jupiter lens (Leica standard 42 mm filter)
A further tour to Fourvière, Lyon, France for a specific visit of l'Antiquaille on October 20, 2022. I did also a new Kodak Tri-X film with my Zorki-4K camera and its Jupiter-8 1:2 f=50 mm normal lens.
The Zorki was loaded with the Kodak Tri-X (TX) exposed for 400 ISO using a Minolta Autometer III lightmeter fitted with a 10° viewfinder for selective measuring privileging the shadows. After exposure the film was processed at 20°C using Tetenal Ultrafin developer at dilution 1+10 for 9min.
Jardin de la Visitation, October 20, 2022
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
After several films, and the range finder adjusted, I found the Zorki-4K very pleasant to use. The camera is clearly very reliable and the film smoothly advanced and rewound. I equipped the lens with a FOCA UV-protection filter (Made in France) and the hood of my Focaflex. All views are presented either framed or full-size.
About the camera :
This camera was manufactured in 1977 by KMZ company ( Красногорский механический завод, Krasnogorskiy Mechanicheskiy Zavod) located in the Moscow region. KMZ also manufactured the ZENIT SLR's among many other productions. Zorki 4K was produced between 1972 to 1978 and the previous Zorki models were inspired by the Leica II since 1949. This model 'Made in USSR" is branded in roman characters, intentionally for exportation. Other Zorki 4K were also branded in Cyrillic as "Зоркий". Zorki 4K was sold basically either with this Jupiter-8 lens 1:2 f=50mm or the Industar lens1:3.5 f=50mm. The Jupiter-8 is a Sonnar Zeiss optical formula and fits to the Zorki body using the screwing M39 Leica mount.
Its was sold to me in August 2022 from Austria with its original ever-ready leather bag, a front lens cap and a small shade hood accessory Minolta D42KA. The shade hood and filter of my Focaflex also fit to the Jupiter lens (Leica standard 42 mm filter)
28 August 2021 - Rabi’e Bada’am from FAO Implementing Partner BCHR speaks on the radio in Mukalla in Hadramout governorate to raise awareness about COVID-19. Radio-based spots and programmes for COVID-19 sensitization complemented site-specific posters, brochure and flier distribution, in-person trainings, and provision of face masks.
The radio component of the awareness raising campaign took two forms. “The first was through broadcasting outreach sessions about COVID-19 protection measures and the impact of this pandemic on people’s living conditions. The second form was through broadcasting a number of short radio spots at different times throughout the day,” said Bada’am. “Thanks to these methods, many people were educated on COVID-19 prevention measures.”
Photo credits must be given to: ©FAO/Sulaiman Al-Sharabi. Editorial use only. Copyright FAO.
A trading system is simply a group of specific rules, or parameters, that determine entry and exit points for a given equity.
These points, known as signals, are often marked on a chart and prompt the execution of a trade.
A good trading system must make money, limit risk, be composed of stable parameters and have a stable time series.
Excella Trader is a powerful trading system. With Excella Trader you can get number of technical indicators, Chart, Trading Systems, Option Stratagies ….etc.
Calculations can be based upon historical price data.
The historical price is downloaded by the software manually.
This software can be used for anyone who is having basic computer knowledge.
This system is meant to generate buy/sell tips for NSE listed stocks as well as futures.
if you are ready to buy this software this please contact brijeshmaniyath@gmail.com
for demo contact 9605995500
For more details visit excellatrader.com or excellatrader.blogspot.in .
To Share a Photo on Facebook:
1. Click on the set you would like to browse
2. Click on a specific photo
3. Click on the square with an arrow coming out in the bottom corner of the photo
4. Click on the Facebook icon in the popup window
4. Follow instructions in pop-up window
To Download a Photo:
1. Click on the set you would like to see (Awards, Pre/Post Race, Finish, etc.)
2. Click on a specific photo from the set
3. Right click on the photo and select a size
4. Click the download link above the photo sizes above the photo.
Nayda Collazo-Llorens
Unfolding the Triangle (2009)
wall installation, mixed media
This site-specific project explores location as an imaginary, physical, geographic, and psychological territory. The Bermuda Triangle, an area that encompasses the artist’s native Puerto Rico, becomes distended, its coordinates stretched and its area unfolded into her current site. A series of connections, multiple narratives, and factual data are interwoven into a visual structure that explores navigation and displacement.
Nayda Collazo-Llorens, born in San Juan, Puerto Rico, is a recent transplant to Pittsburgh, after having spent the last ten years in New York City. She received an MFA from New York University in 2002 and a BFA from Massachusetts College of Art, Boston in 1990. Recent projects include the solo exhibition titled ESC at LMAKprojects, New York, NY, 2009; ESCaperucita & Little Flying Hood, a multi-disciplinary project produced for the 10th Havana Biennial, Havana, Cuba, 2009, and Voiceover, an urban intervention at MediaNoche, New York, NY, 2008.
Notable group exhibitions include: You Are Here, SPACE, Pittsburgh, PA, 2008; IX International Cuenca Biennial in Ecuador, 2007; 12th International Media Art Biennale, Wroclaw, Poland, 2007; Artists’ Books: Transgression/Excess, Space Other, Boston, MA, 2007; None of the Above: Contemporary Works by Puerto Rican Artists, Real Art Ways, Hartford, CT, 2004, and Museo de Arte de Puerto Rico, San Juan, PR, 2005; and Here & There: Six Artists from San Juan, at El Museo del Barrio, NY, 2001 and Blaffer Gallery, University of Houston, TX, 2002. Her work has been reviewed in The New York Times, Art Net, Art US, Art Nexus, Art News and NY Arts, among others.
Fairy Ring, temporary site-specific installation
thermoplastic objects, organic matter, time, light, nature
2021 | 962 square feet | 26 ft. inner diameter
I Heart Rail Trail: Lights | temporary site-specific, pubic work at Atherton Mill, Charlotte, NC by Artist: Meredith Connelly
✩ f o l l o w ➭ A L A I A ✩
Instagram ➭ www.instagram.com/HiAlaia
TikTok ➭ www.tiktok.com/@hialaiashow
Facebook ➭ www.facebook.com/HiAlaiaShow
Website ➭ bit.ly/HiAlaiaWebsite
Subscribe to Hi Alaia Channel ➭ www.youtube.com/@HiAlaia
Alaia - Joyful with such excellence and beauty to inspire with grandeur admiration. ~ @HiAlaia
#HiAlaia #HiAlaiaShow #Alaia #Alaïa
For Business and Promotional Inquiries:
HiAlaia@yahoo.com
I chose Philosophy instead of Art as my specific option during three years of high school. Therefore, I chose Art as my complementary option the last year. Throughout the year, we were assigned to realize a documentary for the Nyon International Film Festival called « Visions du réel ». There is where I met the friend with whom I did the « Broomsticks & Broken glass » project which will be shown later on. We realized the documentary together, it got released on a small TV channel called “Nyon région télévision” and we received an award for it when we graduated. I chose squats as a subject because I was going through a period of my life where normality bored me and I needed originality. I heard there were 4 squats in my small town, which is much given the population. I was very curious to discover alternative culture and to share through the documentary what is so present yet unseen in everyday life. Before filming, this project required a whole process of entering this world, being integrated and gain trust from squatters in front of the camera. We did not set an idea of what we wanted to show on the camera because we wanted to stay as neutral as possible. We lived the experience and filmed the whole time. Nevertheless, I do not think we succeeded in showing a neutral perspective. We received complaints from squatters because they thought we only showed the negative and debauched side. I agree with them that we do not show their cultural and sustainable projects such as saving supermarkets unsold food, permaculture, questioning society, artistic workshops… But it was difficult to make them collaborate with us and we filmed the reality (like the name of the festival indicates) of what we saw and lived.
Specific Design Assessment
-Wooden dock built alongside the water feature and pedestrian sidewalk
Relevant Land Use Code Sections
20.25A.160.E.2.e - Create attractive views and focal points
20.25A.160.E.2.k - Use artistic elements and water features where possible
20.25A.160.E.2.l - Use design elements, such as surface materials, furnishings, landscaping and pedestrian-scale lighting that are high quality, functional, and environmentally sustainable
@algonquinoutfit : RT @Hville_Doppler: It's Wayback Wednesday! This vintage postcard depicts one of the runs at Hidden Valley Ski Club (now @hvhsa). We have no other details — can you help identify the run or the date of this photo? (And click here for details on last week's ski jump photo: t.co/pBp7D7GzHX) t.co/Y8OazoFXKS (via Twitter twitter.com/algonquinoutfit/status/952181643619590145)
Foto / Photo: Filipe Berndt
Mais info / More info: www.projetositu.wordpress.com
A Galeria Leme apresenta o segundo site-specific comissionado para o projeto SITU, curado por Bruno de Almeida, dando continuidade a uma pesquisa mais ampla sobre formas de pensar e discutir a produção do espaço (urbano) através de um diálogo entre arte, arquitetura e cidade.
O projeto de Daniel de Paula reúne inúmeros testemunhos de rocha resultantes de sondagens geotécnicas; processos de perfuração para a exploração e reconhecimento do subsolo, utilizado na engenharia civil para a obtenção de dados geológicos necessários ao dimensionamento e definição do tipo de fundações que servirão de base para a construção.
Estes testemunhos são compostos por camadas rochosas sedimentadas ao longo de milénios, formando uma espécie de linha de tempo que se estende desde a atualidade até a períodos anteriores à história da humanidade. Para a instalação o artista os organiza cronologicamente segundo a sua idade geológica dispondo-os por esta ordem no chão do pátio exterior da galeria.
As amostras coletadas são provenientes de sondagens executadas para obras públicas de mobilidade urbana no Estado de São Paulo, como por exemplo, obras do Metrô e do Rodoanel. Estes grandes eixos de deslocamento são verdadeiros vetores de estruturação urbana, indutores de uma expansão territorial exponencial e fatores determinantes para a formação do preço da terra e dos arranjos dos usos do solo nas cidades.
Ao tornar o espaço externo da galeria num ponto de reunião destas amostras de rocha provenientes de vários pontos da região metropolitana de São Paulo, o artista contrapõe o tempo geológico de formação gradual da crosta terrestre, ao tempo de construção e expansão das cidades. Fazendo conviver duas percepções divergentes de solo, uma pautada pelo seu valor simbólico e outra instituída por um valor de troca e negociação.
//////////////////////////////////////////////////////////////////////////////////
Galeria Leme presents the second site-specific commissioned for SITU, curated by Bruno de Almeida, giving continuity to a broader research on ways of thinking and discussing the production of (urban) space through a dialogue between art, architecture and city.
Daniel de Paula’s project brings together numerous rock core samples resulting from geotechnical surveys, which are perforation processes for the exploration and recognition of the subsoil, used in civil engineering to get the necessary geological information required for dimensioning and defining the type of foundations which will be the basis for a construction.
These core samples are composed by layers of rock that were sedimented over millennia, forming a sort of time-line that ranges from the present day to periods prior to human history. For the installation the artist organizes them chronologically according to their geological age, arranging them in this order on the outdoor patio of the gallery.
The artist collects samples from drillings carried out for public works of urban mobility on the State of São Paulo, such as the Subway and the Rodoanel (Greater São Paulo's Beltway), among others. These major axes of displacement are true vectors of urban structuring, inducers of an exponential territorial expansion and determining factors for the formation of land prices and the arrangements of land use in cities.
By turning the external space of the gallery into a meeting point of these rocky core samples, gathered from various parts of São Paulo’s metropolitan region, the artist contrasts the geological time of the gradual formation of the earth's crust, to the time of construction and expansion of cities. Conjoining two divergent perceptions of soil, one guided by its symbolic value and another instituted by the negotiation and exchange value.
Specific Design Assessment
-The open space is bordered by multiple restaurants, some of which include outdoor seating, and lead to the lobby entrance of the building
-Outdoor restaurant seating includes movable furniture and overhead protection
Relevant Land Use Code Sections
20.25A.160.E.2.h - Define and animate the edges of publicly accessible open space with well-proportioned building bases, permeable façades, and Active Uses at grade
Specific Design Element Assessment
-Public seating is available and easily identified
-Lights are located at a pedestrian scale that provide illumination as well as a sense of familiarity and enclosure
Relevant Land Use Code Sections
20.25A.160.D.4.c - Incorporate design elements of the adjacent right-of-way, such as paving, lighting, landscaping, and signage to identify the through-block pedestrian connection as a public space
20.25A.160.D.4.f - Provide lighting that is pedestrian-scaled, compatible with the landscape design, and improves safety
20.25A.160.D.4.n - Incorporate decorative lighting and seating areas
Capitolo primo. L’astratta qualità del ricordo. (2016/2017) Chapter one. The abstract quality of remembrance. (2016/2017) Site specific installation. Work in progress.
La Delice Pastry Shop and Candy Store Chocolate specific on 3rd Avenue and 27th Street Kips Bay New York City - 03/30/2017 - NYC - Mystery Magic Chef outside mannequin Superchef Comicbook super hero comic book comics standee Halloween stand up store stores popup Bake Bakery Easter candy store entrance Pop n Fresh Mannequins dummy wax sculpture standees butler domestic hat uniform chocolate 2017 Mysterious
"To distill so specific a form from that chaos of improbability, like turning air to gold... That is the crowning unlikelihood. The thermodynamic miracle... But the world is so full of people, so crowded with these miracles that they become commonplace and we forget... I forget.
We gaze continually at the world and it grows dull in our perceptions. Yet seen from another's vantage point, as if new, it may still take the breath away.
Come... dry your eyes, for you are life, rarer than a quark and unpredictable beyond the dreams of Heisenberg; the clay in which the forces that shape all things leave their fingerprints most clearly.
Dry your eyes...
And let's go home."
A site specific graffiti project curated by Anneta Papadatou @ Vamiali's gallery 22 February -24 March 2012
A further tour to Fourvière, Lyon, France for a specific visit of l'Antiquaille on October 20, 2022. I did also a new Kodak Tri-X film with my Zorki-4K camera and its Jupiter-8 1:2 f=50 mm normal lens.
The Zorki was loaded with the Kodak Tri-X (TX) exposed for 400 ISO using a Minolta Autometer III lightmeter fitted with a 10° viewfinder for selective measuring privileging the shadows. After exposure the film was processed at 20°C using Tetenal Ultrafin developer at dilution 1+10 for 9min.
Théâtres romains, October 20, 2022
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
After several films, and the range finder adjusted, I found the Zorki-4K very pleasant to use. The camera is clearly very reliable and the film smoothly advanced and rewound. I equipped the lens with a FOCA UV-protection filter (Made in France) and the hood of my Focaflex. All views are presented either framed or full-size.
About the camera :
This camera was manufactured in 1977 by KMZ company ( Красногорский механический завод, Krasnogorskiy Mechanicheskiy Zavod) located in the Moscow region. KMZ also manufactured the ZENIT SLR's among many other productions. Zorki 4K was produced between 1972 to 1978 and the previous Zorki models were inspired by the Leica II since 1949. This model 'Made in USSR" is branded in roman characters, intentionally for exportation. Other Zorki 4K were also branded in Cyrillic as "Зоркий". Zorki 4K was sold basically either with this Jupiter-8 lens 1:2 f=50mm or the Industar lens1:3.5 f=50mm. The Jupiter-8 is a Sonnar Zeiss optical formula and fits to the Zorki body using the screwing M39 Leica mount.
Its was sold to me in August 2022 from Austria with its original ever-ready leather bag, a front lens cap and a small shade hood accessory Minolta D42KA. The shade hood and filter of my Focaflex also fit to the Jupiter lens (Leica standard 42 mm filter)
site-specific intervention / installation
in collaboration with Yevgeniya Kaganovich
breathing sculptures
latex, rubber, custom electronics + software
dimensions variable, 2011
SPECIFIC:
GENERAL: Deadbolt performs at PJ's Lager House. Photographed Sat., Oct. 16, 2010
(Donna Terek )
"Not Scout specific, but still nice: patch received for sleepover. It’ll go on our camping knapsack (and we have to get a similar one from the IronPigs when they get a new batch next year.)"
A trading system is simply a group of specific rules, or parameters, that determine entry and exit points for a given equity.
These points, known as signals, are often marked on a chart and prompt the execution of a trade.
A good trading system must make money, limit risk, be composed of stable parameters and have a stable time series.
Excella Trader is a powerful trading system. With Excella Trader you can get number of technical indicators, Chart, Trading Systems, Option Stratagies ….etc.
Calculations can be based upon historical price data.
The historical price is downloaded by the software manually.
This software can be used for anyone who is having basic computer knowledge.
This system is meant to generate buy/sell tips for NSE listed stocks as well as futures.
if you are ready to buy this software this please contact brijeshmaniyath@gmail.com
for demo contact 9605995500
For more details visit excellatrader.com or excellatrader.blogspot.in .
Photographic documentation of "The Fear of Loss", a site-specific performance piece choreographed by Nadine Joseph with score by Daniel Nubian. The piece was performed by Nadine Joseph and Daniel Nubian in the men's toilet at Wits Theatre, University of the Witwatersrand, Johannesburg, South Africa. 14 May 2015. Shot on Nikon D800 with a single Nikkor 24mmf1.4 lens.
A further tour to Fourvière, Lyon, France for a specific visit of l'Antiquaille on October 20, 2022. I did also a new Kodak Tri-X film with my Zorki-4K camera and its Jupiter-8 1:2 f=50 mm normal lens.
The Zorki was loaded with the Kodak Tri-X (TX) exposed for 400 ISO using a Minolta Autometer III lightmeter fitted with a 10° viewfinder for selective measuring privileging the shadows. After exposure the film was processed at 20°C using Tetenal Ultrafin developer at dilution 1+10 for 9min.
Le Bistrot Tête d'Oie, October 20, 2022
Rue du Président Pierre Marion
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
After several films, and the range finder adjusted, I found the Zorki-4K very pleasant to use. The camera is clearly very reliable and the film smoothly advanced and rewound. I equipped the lens with a FOCA UV-protection filter (Made in France) and the hood of my Focaflex. All views are presented either framed or full-size.
About the camera :
This camera was manufactured in 1977 by KMZ company ( Красногорский механический завод, Krasnogorskiy Mechanicheskiy Zavod) located in the Moscow region. KMZ also manufactured the ZENIT SLR's among many other productions. Zorki 4K was produced between 1972 to 1978 and the previous Zorki models were inspired by the Leica II since 1949. This model 'Made in USSR" is branded in roman characters, intentionally for exportation. Other Zorki 4K were also branded in Cyrillic as "Зоркий". Zorki 4K was sold basically either with this Jupiter-8 lens 1:2 f=50mm or the Industar lens1:3.5 f=50mm. The Jupiter-8 is a Sonnar Zeiss optical formula and fits to the Zorki body using the screwing M39 Leica mount.
Its was sold to me in August 2022 from Austria with its original ever-ready leather bag, a front lens cap and a small shade hood accessory Minolta D42KA. The shade hood and filter of my Focaflex also fit to the Jupiter lens (Leica standard 42 mm filter)
Montage of luna Nera installaiton works for this project in Nizhny Novgorod Russia. Collaboration with Dirizhable.
A specific button was chosen but I decided to make up all the designs into buttons. I liked them all.
Part of a site-specific installation produced for Constance ARI in April, 2009. Drawn external plans.
The explanation of the supposed "redevelopment":
"To coincide with Inflight’s change of name and scope, the existing gallery building at 100 Goulburn St will be redeveloped. Based on current trends in museum architecture, the humble ARI will be transformed into a cutting edge monument to rival institutions such as the Guggenheim(s), the New Museum, the Tel Aviv Museum of Art and MONA. The redevelopment will retain the building’s existing white cubic base, but will have three additional levels on top, will include the neighbouring apartment in the same building, and convert the current carpark into a concrete-paved sculpture garden.
The art museum is no longer built in the image of a Greek temple. Instead, it strives to be unique in every way, from the toilets to the shiny coloured enamel exterior. However, the features designed to create a unique structure paradoxically tend to be common to most new museum buildings. These features include bizarre angles, curved or polished concrete, confusing layout, large entrance courtyards, water features, unlikely toilets, rust, and floating or unusual staircases. The institution will encourage site-specific artworks that respond to the architecture, with art invading the lift shafts, stairs and toilets. Importantly, the ‘visitor experience’ is enhanced through the provision of a gift shop, bar, restaurant and/or café. I have identified the most common of these features and have attempted to apply as many as possible to the new Constance ARI design, with the aim of providing Hobart with (another) ‘unique’ contemporary art museum."
A site-specific sonic event that’s both performance and installation, Sound Spandrel: Science Museum highlights peripheral and overlooked building spaces by exploring their musical attributes. The tonalities of heating and cool- ing systems, the buzz of light bulbs, the percussive pat- terns of footsteps and door slams, all inspire a live score sourced from the sounds of the building itself, and elec- tronically blended back into the space by the artists.
Performing musicians include: Charles Gillett, John Kannenberg, Bethany Lacktorin, Joe Nagel, and Davu Seru. Instrumentation features guitar, saxophone, zither, cymbal, bells, mbira, and digitally manipulated recordings of the actual space.
Photograph courtesy the artist.
northernspark.org/projects/sound-spandrel-science-museum....
i had a specific photo in mind today, actually, i have had the idea for awhile, but it just hasn't worked out yet. the weather or light or tents from a huge ski swap are preventing me from getting this particular photo that i want. it is one i had done way back when i started shooting. its a tree with its red leaves, and blackcomb mountain half covered in snow and a blue sky. my attempt at it last year was okay then, but now i know that the sky is to light blue amongst other things, and i want to reshoot it now with my new knowledge and new equipment. but it hasn't happened yet (you can see the old photo if you go back far enough in my photo stream) anyway, while i was scoping "the shot" i came across some other stuff, like these stairs. i got an idea to do shots with "lines" as a theme. so i have a few here, and i will try to add more. I got excited looking for lines. it was fun having a goal. anyway, that has been my afternoon. and i love having my new and first computer to edit and flickr my photos with. Yeah Macbook Pro. maybe i should photograph it for my photostream. see, another idea. i just LOVE LOVE LOVE photography.
This is the 2nd of 2 forks. The other one got an insert for a brake. This one is getting nothing but a steerer.
A site-specific sonic event that’s both performance and installation, Sound Spandrel: Science Museum highlights peripheral and overlooked building spaces by exploring their musical attributes. The tonalities of heating and cool- ing systems, the buzz of light bulbs, the percussive pat- terns of footsteps and door slams, all inspire a live score sourced from the sounds of the building itself, and elec- tronically blended back into the space by the artists.
Performing musicians include: Charles Gillett, John Kannenberg, Bethany Lacktorin, Joe Nagel, and Davu Seru. Instrumentation features guitar, saxophone, zither, cymbal, bells, mbira, and digitally manipulated recordings of the actual space.
Photograph courtesy the artist.
northernspark.org/projects/sound-spandrel-science-museum....
The medical 3D models that are produced by ACRM Corp are patient-specific and are derived from CT or MRI scans (typically using DICOM image data). These models are used by physicians, orthopaedic surgeons and neurosurgeons to aid in pre-surgical planning and diagnoses for conditions ranging from spine conditions like scoliosis and kyphosis to skull-related issues like hydrocephalus and craniosynostosis. 3D brain models, hips and knees are also commonly replicated items. There is a case study store (www.Medical3Dmodels.com) where you can order physical 3D models of all of the items shown in these videos. If you are looking to get a 3D model for a specific patient, visit our corporate site (www.ACRMcorp.com) for details on how we can create a custom 3D medical model for that patient.
InteliGEN
/* Client-specific Styles */
#outlook a {padding:0;} /* Force Outlook to provide a "view in browser" menu link. */
body{width:100% !important; -webkit-text-size-adjust:100%; -ms-text-size-adjust:100%; margin:0; padding:0;}
/* Prevent Webkit and Windows Mobile platforms from changing default font sizes, while not breaking desktop design. */
.ExternalClass {width:100%;} /* Force Hotmail to display emails at full width */
.ExternalClass, .ExternalClass p, .ExternalClass span, .ExternalClass font, .ExternalClass td, .ExternalClass div {line-height: 100%;} /* Force Hotmail to display normal line spacing. More on that: www.emailonacid.com/forum/viewthread/43/ */
#backgroundTable {margin:0; padding:0; width:100% !important; line-height: 100% !important;}
img {outline:none; text-decoration:none;border:none; -ms-interpolation-mode: bicubic;}
a img {border:none;}
.image_fix {display:block;}
p {margin: 0px 0px !important;}
table td {border-collapse: collapse;}
table { border-collapse:collapse; mso-table-lspace:0pt; mso-table-rspace:0pt; }
a {color: #33b9ff;text-decoration: none;text-decoration:none!important;}
/*STYLES*/
table[class=full] { width: 100%; clear: both; }
/*IPAD STYLES*/
@media only screen and (max-width: 640px) {
a[href^="tel"], a[href^="sms"] {
text-decoration: none;
color: #33b9ff; /* or whatever your want */
pointer-events: none;
cursor: default;
}
.mobile_link a[href^="tel"], .mobile_link a[href^="sms"] {
text-decoration: default;
color: #33b9ff !important;
pointer-events: auto;
cursor: default;
}
table[class=devicewidth] {width: 440px!important;text-align:center!important;}
table[class=devicewidthinner] {width: 420px!important;text-align:center!important;}
table[class=mainsmall1] { float:left!important;}
table[class=mainsmall2] { float:right!important;}
table[class=banner-gap] { display:none!important;}
img[class="bannerbig"] {width: 440px!important;height:371px!important;}
img[class="spacinglines"]{width: 420px!important;}
}
/*IPHONE STYLES*/
@media only screen and (max-width: 480px) {
a[href^="tel"], a[href^="sms"] {
text-decoration: none;
color: #33b9ff; /* or whatever your want */
pointer-events: none;
cursor: default;
}
.mobile_link a[href^="tel"], .mobile_link a[href^="sms"] {
text-decoration: default;
color: #33b9ff !important;
pointer-events: auto;
cursor: default;
}
table[class=devicewidth] {width: 280px!important;text-align:center!important;}
table[class=devicewidthinner] {width: 260px!important;text-align:center!important;}
table[class=mainsmall1] { float:left!important;width: 120px!important;height:90px!important;}
table[class=mainsmall2] { float:right!important;width: 120px!important;height:90px!important;}
img[class=mainsmall1] { width: 120px!important;height:90px!important;}
img[class=mainsmall2] { width: 120px!important;height:90px!important;}
table[class=banner-gap] { display:none!important;}
img[class="bannerbig"] {width: 280px!important;height:236px!important;}
img[class="spacinglines"]{width: 260px!important;}
}
Boost Brain Performance
InteliGEN, the All-Natural Brain Enhancement Supplement
Made from All Natural Nutrients
Over 14 Million Capsules Sold
Clinically Proven to Improve Focus and Energy
No Caffeine, No Gluten and Non-GMO Ingredients
Shown to Help Support Memoryand Concentration
Increases Processing Speed and BrainFunction in Healthy Adults
Limited offer
30% off
100% Natural
30 days moneyback
Boost brain performance
Advanced brain formula
Use this coupon for a
30% Discount
AWESOME
If you do not want to hear from us please unsubscribe
A site specific project based at the Royal William Yard, OSSOGL was a collaborative dance theatre performance piece between Plymouth Youth Dance Company and Strange Young 'Uns.
by Kevin Clifford
Desde el 18 de Septiembre
al 13 de Noviembre de 2011
En Categorías nos encontramos con una pieza ambiciosa tanto en cuestiones formales como conceptuales. Perianes trata de aunar en un solo golpe de vista una situación de contrarios, dos conceptos o categorías simbólicas que bien podrían corresponder a un sótano (donde se gesta la vida y se hallan las raíces) y a un desván (donde se guardan los recuerdos y el saber, lugar de reflexión y muerte). En esta instalación Perianes hace un ejercicio sobre el espacio de Abierto x Obras desde las categorías, conceptos filosóficos básicos con los que opera el pensamiento, que al oponerlos a su contrario revelan su estructura íntima.
“Aprendes a mirar los cuadros expuestos en las galerías de pintura como si fueran trozos de pared, de techo, y las paredes, los techos, como si fuesen lienzos en los que sigues infatigable las decenas, los miles de caminos siempre recomenzados, laberintos inexorables, texto que nadie sabría descifrar, rostros en descomposición”. (G. Perec, Un hombre que duerme)
Imagen: Paco Gómez. Nophoto
All homeowners would like to be able to improve their homes in both small and big ways. You will find this article to be full of great advice on that specific need. You will feel feelings of accomplishment as you complete the projects on your mental checklist. Read on to learn more.
Prevent creaks and squeaks in hardwood flooring with construction adhesives. While this requires you to complete the work from a basement or crawlspace, the result is well worth your trouble. With a caulker, put some glue on all the floor joists, so that glue secures subfloor planks to each joist.
Place holes into the rim of paint cans with a nail. Why? Typically, paint will spill out and run down the can when you put the lid on it. With a nail, several holes can be made in the perimeter allow the channel to stay clear.
Remove or secure the extra cord or loops on your window blinds. Long or dangling cords pose a safety risk to small children and pets, who may become ensnared. Make sure you leave sufficient cord to operate the blinds, but get rid of excess, unnecessary length. Simple safety fixes like this one are free, fast and may even save a life.
Visit open houses or model homes to get some ideas about your home improvement projects. This will give you a good feel for what's trendy and popular in home based decor at the moment, and you'll learn a lot more in a real home than you would browsing the aisles at your local home improvement store. A lot of builders actually hire professional designers to embellish open houses, which can give you some real inspiration and help avoid mistakes.
If one of your windows requires a new screen, but you are unable to locate a replacement that fits, consider how simple it is to just make one of your own. You can cut a frame kit to any size of window. After that, it is a straightforward case of screen attachment with cording and a cheap tool. There are windows that need specific types of screens however, you can put external screens on any window using simple adapters.
Home improvement projects can range from minor to major projects. You are in good company! Clearly, the right tips and tricks will help you accomplish your home improvement tasks with ease. It is hoped that reading this article has provided you with some new ideas. Now it's time to get out there and kick off your next project! www.onelastreview.com/best-dehumidifier-reviews/friedrich...
(more pictures you can see by clicking on the link at the ende of the side!)
Photo: Vienna City Park plan - Flower - Lake
City Park Plan - Flower - Lake Ltd. © Vienna - specific
The Viennese City Park stretches from the park ring in the first district of Vienna up to the Haymarket in the third district of Vienna and is a of both tourists and local citizens well-visited park in Vienna. Its area is 65,000 m².
History
Yet in the Biedermeier the Water Glacis was a popular entertainment venue before the Karolinenstadttor (city gate). As part of the by the demolition of the city wall happened remodeling in the Ringstrasse, the project of a public park has been promoted on that site by the then Mayor of Vienna, Andreas Zelinka. This park was designed in the style of English gardens by the landscape painter Josef Selleny, the plannings were carried out by the city gardener Rudolf Siebeck. On 21th August 1862 the city park was opened as the first public park in Vienna.
Vienna River flows through the city park
The Wien River flows through the city park, Vienna © concrete
"Wien" (Vienna River) in the city park
On the right bank of the river Wien (Wienfluss) was 1863 the so-called children's park, today mainly characterized by paved playgrounds and sports facilities, which over the Karoline bridge (Karolinenbrücke) (since 1918 Stadtparkbrücke), built in 1857, with the on the left bank situated town park is connected.
In the years 1903-1907 was in the parking area after the regulation a by Friedrich Ohmann and Josef Hackhofer planned Vienna river engineering structure with the river gate, pavilions and river banks built, which is one of the sights in the park.
In earlier times visitors of the park for the stay in placed chairs had to pay fees that were collected by the chair women (the so-called Sesselweiber).
Attractions in the park
Kursalon
The Kursalon
The water Glacis was a spa pavilion in which healing waters for drinking cures were served. To that affect, in the years 1865 to 1867 for the city park also the Kursalon was built according to plans of Johann Garben. This historicist imposing home in the style of the Italian Renaissanceg is located at the John street (Johannesgasse) and has a large terrace in the park:
After the opening on 8th May 1867 were originally forbidden pleasures. As this concept was not adopted, yet on 15th October in 1868 was taking place the first concert of Johann Strauss (son) whereupon became the Kursalon a popular dance and concert venue in particular at the time of the Strauss brothers. Today, the Kursalon after a renovation phase is again venue for balls, concerts, clubbings and conferences and houses a café-restaurant.
Photo: Johann Strauss monument in the city park; © RM
Monuments
With the gilded bronze statue of Johann Strauss (son) stands in the city park one of the best known and most frequently photographed monuments in Vienna. It was on 26th June 1921 unveiled and is framed of a marble relief by Edmund Hellmer. The gilding was removed in 1935 and in 1991 applied again. Other monuments there are, for example, of Franz Schubert, Franz Lehar and Robert Stolz and Hans Makart, the City Park is in monuments and sculptures the richest park in Vienna.
The dairy (Meierei)
The former milk bar was built as part of the Wienflußverbauung (Vienna river engineering structure) according to plans by Friedrich Ohmann and Josef Hackhofer from 1901 until 1903. After suffering heavy damages during the Second World War the building was extended in the reconstruction. Today is in the dairy after another annex a restaurant.
Planting
The planting of the city park is characterized by a great diversity of species and is, as possible, focused on a year-round flowering. Through an avenue to the ring road noise and exhaust gases are filtered. Some trees are protected, such as a ginkgo, a crown of thorns (Honeylocust, Christusdorn), cottonwood tree and Caucasian wingnut.
Franco Menicagli
A CHI NON PIACE GUARDARE IL CIELO?
(allestimento)
Installazione site specific per il Cortile di Palazzo Strozzi (16.10-16.11.2014)
© Fondazione Palazzo Strozzi
photo James O' Mara
Any specific names or locations?
Any contributions to the Bapco Photographic and Film Archive will be gratefully accepted, please contact the Public Relations Department on pr_department@bapco.net so we can safely archive any old Bahrain film or images.
Specific details are missing but these are probably from the late 1980s. Anyone, who was there at the time and can pin them down more accurately, please Flickrmail me.
Franco Menicagli
A CHI NON PIACE GUARDARE IL CIELO?
(allestimento)
Installazione site specific per il Cortile di Palazzo Strozzi (16.10-16.11.2014)
© Fondazione Palazzo Strozzi
photo James O' Mara
Photographs to be used solely for advertising, promotion, publicity or reviews of this specific motion picture and to remain the property of the studio. Not for sale or redistribution.
The Final Day of Racing At Brands Hatch for The Superprix Weekend and After a Really Busy and Scattered Set Of Races The Previous day it was time to see which of the Drivers could Brave the Circuit One Last Time and Take Home Either a Championship Win or a Victory in their Specific Race.
Lets Get Straight to the Results.
Classic Formula Ford/Historic Formula 3 (Race 2 Result)
Classic Formula Ford and Historic Formula 3 Were up First and it was Time to see who could be The one to take the Checkered Flag First when they crossed the Line.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with a Lap Time of 1:39.257 and a Top Speed of 86.59mph. A Fantastic Victory Cameron Showing Incredible Car Control and Commitment to Win the Race.
In Second Place was (Ben Tinkler) in his Van Diemen RF80 with a Lap Time of 1:39.986 and a Top Speed of 85.77mph. A Really Great Drive from Ben to stay so close to Cameron and Keep Him on his toes the entire Time while Fighting for the Lead of the Race.
In Third Place was (Jordan Harrison) in his Lola T540E with a Lap Time of 1:39.994 and a Top Speed of 85.54mph. A Really Wonderfully Deserved Third Place for Jordan Pushing that Lola for everything it Has got to gain Third Place. Well Done.
Three Fantastically Fast Drivers all with Incredible Speed and Talent Showcasing The Best of what they Bring to Brands Hatch Every Year. An Amazing Last Race to Witness. Congratulations to The Race Winner and Keep Trying Hard Everyone Else.
HGPCA Pre 66 Grand Prix Cars (Race 20)
Next It was The Historic Grand Prix Cars and with a Massive Turn out for them it looks like Another Cracking Race to see from Start till Finish. Lets see who came out on Top.
In First Place was (Sam Wilson) in his Lotus 18 with a Lap Time of 1:39.384 and a Top Speed of 86.55mph. Amazing Work Sam Showing Colin Chapman How it Should be Done. He would have been Proud to Witness that Victory.
In Second Place was (Peter Horsman) in his Lotus 18/21 with a Lap Time of 1:41.296 and A Top Speed of 84.90mph. A Fantastic Drive by Peter to take Second Place in the Race.
In Third Place was (Miles Griffiths) in his Scarab Offenhauser with A Lap Time of 1:41.501 and A Top Speed of 84.38mph A Really Good Job there Miles Almost Matching Lap Times with Peter and Showing Some Incredible Car Control during The Race.
Another Fantastic Race for The Historic Grand Prix Cars and a Huge Congratulations to Sam for Taking Victory in the Last Race. Avery Well Done to Both Peter and Miles as well.
HSCC 70's Road Sports (Race 19)
Historic Road Sports took to the Track next and with some Legendary Cars from the Likes of Lotus Morgan and TVR it was Time to see who Had Stormed to Victory in the Last Race and Taken the Victory.
In First Place was (William Plant) in his Morgan Plus 8 with A Lap Time of 1:45.768 and A Top Speed of 70.67mph. Congratulations William on the Victory it was so Good to See a Morgan Take First Place while Watching this Exciting Race. An Amazing Drive.
In Second Place was (Jim Dean) in his Lotus Europa with A Lap Time of 1:46.411 and A Top Speed of 70.66mph. Another Incredible Drive from Jim to Take Second Place. Well Done
In Third Place was (Richard Plant) in his Morgan Plus 8 with A Lap Time of 1:47.697 and a Top Speed of 70.31mph. A Very Committed Drive from Richard and a Fantastic Third Place Finish that I'm sure the Whole Family will be Proud of.
Fantastic Racing from the 70's Road Sports to Finish the Days Racing for them Congratulations to William, Jim and Richard. Hope to see you Three Battling it out Again Soon.
Aurora Trophy With Geoff Lees Trophy
The Arora Trophy Roared onto the Grand Prix Circuit Next with Powerful V8 Engines thease Racing Cars could make the Ground Shake as they Thunder their way around the Race Track. Lets see who Managed to take that All Important Victory for their Final Race.
In First Place was (Martin Stretton) in his March 712 with a Lap Time of 1:25.976 and A Top Speed of 101mph. A Very Brave and Committed drive from Martin to Take Victory, Really Pushing the March to its Limits and hanging onto the Lead thought the Race.
In Second Place was (Mathew Wrigley) in his March 782 with a Lap Time of 1:25.127 and A Top Speed of 100.96mph. Another Incredible Driver Taking his Machinery to New heights and Keeping the March Name Alive in Historic Racing. Amazing Work Mathew.
In Third Place was (Samuel Harrison) in his Dallara 389 with A Lap Time of 1:29.552 and A Top Speed of 95.04mph. Amazing work Sam showing Insane Car Control even when Racing so Fast and for such A Long Time. Congratulations.
Another Amazing Race to Keep the Day going and showing the Amazing work that Each Team Does to ensure that their Driver and His Car are Ready to go. Well Done to all of the Teams and to the First Second and Third Place Winners as well. Looking Forward To seeing more Action this Year from the Aurora Trophy.
Guards Trophy (Race 21)
Next Up Guards Trophy with Another Range of Racing Machines from the Likes of Brabham Chevron and Lotus Lets see what will Happen and Who will be able to Drive their way to Victory in This Race.
In First Place was (Andy Newall) in his Chevron B6 with A Lap Time of 1:38.258 and A Top Speed of 83.84mph. Very Well Driven and Raced by Andy Showcasing the Power of the Chevron and taking it too its Limits in terms of Raw Speed and Performance.
In Second Place was the Duo of (Jackson S and Jackson C) in their Lenham P70 with A Lap Time of 1:38.008 and A Top Speed of 83.45mph. Fantastic Work to The Two Jacks who Really showed what Working Together Can Achieve during A Race. Well Done
In Third Place was the Duo of (Mitchell W and Mitchell B) in their Chevron B8 with A Lap Time of 1:38.368 and A Top Speed of 82.49mph. Another Amazing Duo who Have Taken Third Place and Kept the Fight Alive in their Respective Championship. Amazing work.
A Fantastic Race for the Guards Trophy Showing the Power of Each Race Car and what they Are Capable of When put into The Hands of the Right Drivers. Congratulations to Andy Mitchell W and Mitchell B as well as Jackson S and Jackson C for putting on One Hell of a Race. Keep up the Good Work Everyone Else and Never Stop Fighting for your Own Victories.
Historic Formula Ford (Race 16)
Next Up was Historic Formula Ford and some very Twitchy and Tricky Cars to be Driven Round the Circuit at Hight Speed. With Light Weight Chassis and Small Cockpits this was going to be a Very Exciting Race to Watch. Lets see who Came out Best of the Rest.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with A Lap Time of 1:38.596 and A Top Speed of 87.95mph. Another Incredible Drive From Cameron to Take Victory and show what A Truly Committed and Self Determined Driver is. He is an Inspiration to All Up Coming Formula Ford Racers.
In Second Place was (Tom Macarthur) in his Titan MK3 with A Lap Time of 1:38.484 and A Top Speed of 87.94mph. Another Really Brave and Heroic Driver Pushing His Formula Ford to its Limits and Keeping his Eye's on the Race Track. Amazing Work Tom.
In Third Place was (Horatio Fitzsimon) in his Merlin MK20A with A Lap Time of 1:38.513 And A Top Speed of 87.90mph. Very Well Done Horatio Fantastic Driving and A Well Deserved Third Place.
An Amazing Final Heat Race for the Formula Fords with Everyone Pushing As Hard as they Could for Victory. Keep Working Hard Everyone and Congratulations to Cameron Tom and Horatio.
Historic Road Sports (Race 17)
Historic Road Sports Next and it was Time to see what Each Driver could do in their Respective Race Car. Lets see how things Stacked up and who Came out on Top in the Race.
In First Place was (Kevin Kivlochan) in his AC Cobra with a Lap Time of 1:46.891 and A Top Speed of 72.19mph. What A Drive From Kevin to Take Victory Keeping that Cobra Far Ahead of the Rest of the Pack and Taking A Dominant Victory. Carol Shelby would have Loved to See That.
In Second Place was (John Davidson) in his Lotus Elan S1 with A Lap Time of 1:46.052 And A Top Speed of 72.16mph. Amazing Work John Keeping that Lotus on the Tarmac and Putting on One Hell of a Race for Everyone. Amazing Job.
In Third Place was (Rupert Ashdown) in his Lotus Elan S1 with A Lap Time of 1:47.481and A Top Speed of 71.61mph. Another Incredible Drive by Rupert Taking Third Place Very Well Deserved.
Historic Road Sports putting on Another Superb Race for the Season and Congratulations to Kevin John and Rupert on their Victories. Hope to see More of that This Year and Good Luck to Everyone Else Racing too.
Historic Touring Cars (Race 22)
The Final Race of The Day was Here and The Historic Touring Car Club did not Disappoint with Lotus Cortina's Mini Cooper S's and Ford Mustangs This was going to be a Final Battle of Titans. Lets See Who Managed to Take that Last Checkered Flag of the Day.
In First Place was (Steve Soper) in his Ford Mustang with A Lap Time of 1.47.084 and A Top Speed of 71.51mph. Awesome Drive Steve Fantastic to see that He Still has it in him After all The Years of Racing.
In Second Place was (Rob Fen) in his Ford Mustang with A Lap Time of 1:49.031 and A Top Speed of 70.93mph. Amazing Work Rob Pushing that Mustang Far and Wide to Hang onto that Second Place. Excellent Drive.
In Third Place was (Mark Martin in his Ford Lotus Cortina with A Lap Time of 1:49.905 and A Top Speed of 70.70mph. Very Well Done Mark Great Driving and Even a Wheel in the Air on Some Occasions Heading onto the Grand Prix Loop. What A Sight that Was to See.
And With that The Days Events came to an End for another year of Superprix Racing at Brands Hatch Amazing work to all of the Organisers and Race Drivers who took Part and Congratulations once again to all of the Race Winners. Keep Fighting Keep Wining and I'm Sure we will do it All Again Next Year.