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Part of a site-specific installation produced for Constance ARI in April, 2013. Drawn internal plans of each level (detail).
The explanation of the supposed "redevelopment":
"To coincide with Inflight’s change of name and scope, the existing gallery building at 100 Goulburn St will be redeveloped. Based on current trends in museum architecture, the humble ARI will be transformed into a cutting edge monument to rival institutions such as the Guggenheim(s), the New Museum, the Tel Aviv Museum of Art and MONA. The redevelopment will retain the building’s existing white cubic base, but will have three additional levels on top, will include the neighbouring apartment in the same building, and convert the current carpark into a concrete-paved sculpture garden.
The art museum is no longer built in the image of a Greek temple. Instead, it strives to be unique in every way, from the toilets to the shiny coloured enamel exterior. However, the features designed to create a unique structure paradoxically tend to be common to most new museum buildings. These features include bizarre angles, curved or polished concrete, confusing layout, large entrance courtyards, water features, unlikely toilets, rust, and floating or unusual staircases. The institution will encourage site-specific artworks that respond to the architecture, with art invading the lift shafts, stairs and toilets. Importantly, the ‘visitor experience’ is enhanced through the provision of a gift shop, bar, restaurant and/or café. I have identified the most common of these features and have attempted to apply as many as possible to the new Constance ARI design, with the aim of providing Hobart with (another) ‘unique’ contemporary art museum."
Photos:
Rachel Adams Photography www.racheladamsphotography.com
Images from Plastic by 30 Bird Productions. This site-specific performance takes place Thu 22 to Sat 24 October in the amazing confines of Manchester's Victoria Baths.
Shows: 7pm and 8:30pm (Thu & Fri). 5pm and 7pm (Sat).
Tickets: £10/6
Booking: 0161 274 0600 / www.contact-theatre.org
You’re a man and you want to become a woman? Sex change, botox, pickle and jam, 30 Bird Productions invites you to experience a world of dark humour, music, dance and striking images taking place in the atmospheric confines of Manchester's Victoria Baths.
Plastic explores one man's quest to become a woman in a dynamic and stylish piece that combines video, theatre, music and dance in an intimate and surreal show.
'Took my breath away'
'Visually stunning'
'Incredibly atmospheric'
'Brilliant dance and movement'
'Have never seen Victoria Baths used so well - the space was tranformed'
Audience quotes from the preview on Wed 21 October
‘A succession of stylised vignettes whose relationship remains teasing and enigmatic’ The Guardian (four stars)
'All senses are arrested by this surreal, stylish, site specific piece’ 3 Weeks (four stars)
‘Superb dance and movement’ The Scotsman
‘Like an underworld imagined by Cocteau’ The List
Suitable for ages 12+.
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Features:
RG6 Copper Clad Steel Quad Shield
Cable swep tested at 3GHz
18 AWG CCS, 1000 Ft.
60% + 40% Aluminum braiding with 100% Mylar shield between layers
Sequential foot markers for ease of installation
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Aus der Serie „Sommerfrische“. 2015
Site-specific Performance und Intervention
Hotel Panhans Semmering
Performance, Fotografie und Installation
Performance: Andrea Nagl & Markus Wintersberger
Fotografie: Andrea Nagl & Markus Wintersberger
Nagl ~ Wintersberger 2015
From 20 November 2007, the government of Japan has branded all foreigners (with a few specific exceptions) as potential terrorists.
My home is in Japan, my business is in Japan, I pay tax in Japan, I submit my personal details in order to be eligible for a visa (for which I must also pay, as well as an additional fee if I wish to leave and re-enter the country). I carry a foreigners' ID card with at all times, and failure to produce it when asked by the police can result in my arrest.
Now I am to be fingerprinted, like a common criminal. Except of course that I haven't done anything. And the same will happen to you if you visit Japan.
At first the Japanese government said it was to catch terrorists. You could point out that it won't, but you could also just ask them why they're not fingerprinting Japanese citizens. The only terrorism Japan has suffered has been perpetrated by Japanese citizens, after all.
Then they said it was to catch criminals. But, again, they're not fingerprinting Japanese citizens. Aren't criminals also Japanese?
So it's basically about illegal immigration. Japan has a miniscule illegal immigration problem. Both the UK and France (half the size of Japan, population-wise) estimate they have nearly half a million illegal immigrants. Japan reckons on 10,000.
So they're spending billions of tax-payers' yen to crack this tiny nut.
And offend the dignity of every foreign resident of and visitor to Japan.
Tract originates from Re-entry Japan.
an Installation Art inside the Bonifacio High Street made by Filipino Sculptor, Reg Yuson -- a suspended boulder fountain which highlights the connection between the audience as a mobile participant and their primordial affinity to gravity.
Inari Torii (a specific Myōjin Torii style) in the Zen Buddhist Temple in Ibiraçu, Espírito Santo - Brazil.
The function of a torii is to mark the entrance to a sacred space.
Curious! "As for the word torii itself there have been several etymological explanations: either tōri-iru (通り入る) which means "to pass through and enter" or - as mentioned above - tori 鳥 (bird) and iru 居 (to be [somewhere] or to sit), bird perch. There has been an age-old connection between birds and death in Japan, as both the Kojiki as well as the Nihon shoki mention how Prince Yamato Takeru had turned into a white bird after his death, choosing his burial ground in that shape. Consequently, his burial mound had been called shiratori misasagi (白鳥陵, white bird grave). Other classicial Japanese texts too support the close connection between the souls of the dead and white birds."
SPECIFIC is an Innovation and Knowledge Centre. It aims to develop coated glass and steel products that capture, store and release solar energy, turning buildings into power stations. The centre brings together world class academic and industrial expertise in the fields of photovoltaics, solar thermal, batteries, chemical conversion and wide area lighting, alongside unique sheet and coil printing and coating facilities.
SPECIFIC is led by Swansea University in partnership with industrial partners Tata Steel, BASF and NSG Pilkington and research partners Imperial College London, Cardiff University, Bath University, Bangor University and Sheffield University; it is funded by EPSRC, Technology Strategy Board and the Welsh Government.
SPECIFIC's aim is to transform world-class research and innovative technology into a new, £1billion industry.
(further information and pictures you can see by clicking on the link at the end of page!)
Schottenstift
Schottenstift Exterior - © Schottenstift
In the heart of Vienna lies the abbey of Our Lady to the Scots, the habitat of Benedictine monks who know themselves addressed by this sentence from the book of Psalms in person.
By the aim of the search for God and by the concrete form of life the monks are associated with the many Benedictine monks and Benedictine nuns all over the world. In addition, they know themselves in solidarity with all people of good will, like them, seeking true life.
Schottenstift - © Schottenstift
Following the Benedictine rules, the monastery but provides also very specific services. In the spirit of Benedictine hospitality the Schottenstift offers »monastery for a limited time", in the as a bed and breakfast run Benediktushaus guests from all over the world are welcome. The pastoral and spiritual care are just as much part of everyday life of the members of the Convention as the teaching in the traditional Scots high school and youth work in the basement. In the spirited Scots parish a lively cultural activity can unfold.
History of the Schottenstift
Duke Henry II Jasomirgott made Vienna the residence of Babenbergerreiches (Kingdom of the Babenberg). To emphasize the importance of the new capital, he convened in 1155 iroschottische (Irish-Scottish) monks from the St. Jakob monastery in Regensburg to Vienna. The new foundation in the first place should be a place of prayer, but then also a place where pilgrims and guests could find admission, a refuge for asylum seekers (the name "Freyung" still today reminds of that) and a center of cultural life.
Scots Church - © S. Gaube, Citype Scots Church - © S. Gaube, Citype
In the years from 1160 to 1200 outside the former city limits arose a mighty Romanesque church, which was a lot bigger than today's church, and the eastern part of the Roman church reached about 25 meters beyond the east wall of the present house of worship. In 1200, the church and convent were consecrated by the Bishop of Passau Wolfger von Ellenbrechtskirchen. Already in 1276 much of this troublesome erected complex fell victim to a fire. Earthquakes in the years 1348 and 1443 again left traces of destruction. In the mid-15th Century thus arose a new monastery.
Scots Church - © S. Gaube, Citype
In 1418 the era of Irish-Scottish monks ended, since in the course of the Melker Reform they were encouraged also to integrate locals into their ranks because junior staff more and more became sparse. The Iroschotten but prefered to return to their mother abbey in Regensburg. The name "Scots" but remained to this day.
Schottenstift Deed - © Schottenstift
Deed of Foundation
The fundamental redesign of Scots Abbey falls in the 17th and 18th Century. 1648, the present church was completed, in the following decades the monastery complex was changed from its very foundations.
Decisive role in these buildings had Abbot Carl Fetzer (1705-1750). Today's "Schottenhof (Court)" under abbot Andreas Wenzel (1807-1831) by the architect Josef Kornhäusel was classicist redesigned. The intensive study of science and close ties to the in 1365 founded University of Vienna resulted yet in the times of irish-scottish monks in the emergence of a first library. Although from those roots today almost nothing remains, the number of medieval manuscripts and incunabula in the following centuries grew. In this regard, wrote Albert P. Huebl (1867-1931) all currently valid printed catalogs. During the reorganization of the monastery, a new library hall was built under Abbot Andreas Wenzel for printed books, whose current division Vincent P. Knauer (1828-1894) had created. Under his leadership, a handwritten nominal catalog of books was created in 1883.
In 1807 on the request of the emperor it came to the foundation of the "Schottengymnasium" which took up the old school tradition of the house on the Freyung and should it continue. The prestigious school has become a main area of work of the monks. Concerning the building structure, the two world wars the Schottenstift on the whole has survived intact, for the Convention itself they entailed great damage, be it the economic troubles after the first world war or the great human bloodletting in the years 1939 to 1945. Numerous brothers fell in the war or did not return, the gates of the school remained closed from 1938 to 1945. The Second Vatican Council for the Scots Abbey, too, entailed the profound reflection upon the peculiarities of the monastic life and the tasks, which a Benedictine community in the world of today should and can shoulder.
The museum in Schottenstift
Schottenstift - © Schottenstift
Important art dating back several centuries
The Vienna Schottenstift on Freyung is among the most important Benedictine monasteries in Austria. Yet in the 15th Century, the Abbey of the Scots developed into a center of the Vienna spiritual and city life. Not coincidentally shows the Scots masters altar the first topographically correct view of the city of Vienna. The reign of Barockabtes (Baroque abbot) Carl Fetzer (1705-1750) was an economic and cultural heyday. The 1826-1832 by Josef Kornhäusel designed Prelature now houses the "Museum in the Abbey of the Scots". In addition to an extensive collection of paintings, furniture, tapestries, vestments and liturgical utensils and vestments, it shows an impressive documentation of the monastery history.
Schottenstift - © Schottenstift
Scots Champion - © Schottenstift Scots Masters - © Schottenstift
The high altar of the original Gothic collegiate church was removed about 1640. Today, the altar of the "Wiener Scots Master (Schottenmeister)", originating from 1469 to 1480, is a masterpiece of late Gothic painting in Austria and the center of the museum in Schottenstift. History, development process, workshop operations, among others, illustrates an informative documentary, which complement the successor works to Flemish painting of the 17th Century by Josse de Momper the Younger and David Vinckboons.
In Schottenstift the Interested visitor finds in addition to major religious paintings (among others by Peter Paul Rubens, Jan Cossiers and Giovanni Battista Pittoni), portrait and landscape painting of the 17th and 18th Century (eg by Johann Christian Brand, Christian Seybold, Christoph Paudiss and Simon de Vos) and Vienna Biedermeier painting by Johann Baptist Drechsler, Johann Knapp, Thomas Ender and Johann Peter Krafft. Works of the Dutch and Austrian still life painting of the 17th and 18th Century complement the valuable private collection. The large-sized former Baroque high altar painting by Joachim von Sandrart »The heavenly glory" (1671) in Prälatensaal is, like the lecture hall with works of Austrian baroque painters, as Peter Paul Strudel and Tobias Pock, integrated into the museum complex.
2021-10-24 encore Body Guarding NADYA ZEITLIN Dance ATL Elevate ATL at 54 Columns by Sol LeWitt Ptar Flamming Dima Alekceev
We are excited to be a part of the ELEVATE Atlanta 2021!
A free site-specific dance theater performance and installation that can be enjoyed over a picnic with friends and family.
Bring your own chairs or blankets, please. The length of the work is about 25 - 30 minutes.
Show dates:
Saturday, September 25th at 6pm,
Sunday, September 26th at 5pm.
This work explores and celebrates the new post-Covid corporeality – its key theme is the human body in a post-pandemic world.
= THE INDIVIDUAL BODY facing the invisible and omnipresent danger of the pandemic, brought to the threshold of physical existence, vulnerable and isolated, nervously checking for symptoms of disease. The state of lockdowns, quarantines and social distancing has made us sensitive to our own body, rediscovering its daily routine, weak but also strong – as many people invested in physical fitness, exercised, or engaged in other bodily activities.
= On the other hand, we have also discovered a COLLECTIVE BODY of the society, with an unprecedented mutual dependence in the much-sought “herd immunity”. The ideas of common good and collective action have come to the fore in an individualistic society, as we have experienced new forms of solidarity and alienation, selfless sacrifice and conspiracy theories. Each of these fields is explored in the performance by means of choreography, sculpture, music, showing bodies isolated and reunited, injured and healed, locked and liberated. This will be a reunion of the artists and the public to take stock of what had happened to our bodies, to understand the profound transformation of our societies, and to celebrate the opening of the cities and communities to the new normal.
Choreography: Nadya Zeitlin in collaboration with dancers: Juliana Feracota, Porter Grubbs, Amber Kirchner, Jenna Latham, Ellie Tsuchiya.
Jacquelyn Pritz, Christina Massad, and Alisa Ershtein contributed to this work as well.
Text description of the work: Sergey Medvedev.
Costumes: Nadya Zeitlin.
Set design: Dima Alekseev.
Music: Ptar Flemming.
Stage manager: Loren McFalls.
This work is supported by Fulton County Public Arts Program.
ELEVATE: REOPEN, REIGNITE & RECONNECT will take place on weekends from September 10
through October 31. In partnership with art galleries, museums, theaters, performance venues,
restaurants
and bars, the public art festival will help ignite interest in arts and cultural events in
communities across Atlanta, from Buckhead to Downtown and Old Fourth Ward to West End.
#elevateatlart
For more information:
site-specific gecomponeerde totaalcollage
site-specific composed total collage
Nest heeft Wineke Gartz gevraagd een presentatie te maken binnen de Nestarchyserie die de afgelopen jaren is ontstaan en waarbinnen kunstenaars de complete tentoonstellingsruimte van Nest ter beschikking krijgen om mee aan de slag te gaan. Sinds Wineke Gartz in 1998 afstudeerde aan de Rijksakademie heeft ze een consistente carrière opgebouwd met installaties vol overlappende beelden, architectonische ingrepen, materialen en projecties.
Wineke Gartz heeft voor de kust van Scheveningen videomateriaal geschoten. Dat materiaal zal vermengd worden met materiaal van de kust van China waar ze enige tijd verbleef, en met filmfoto’s van Hollywoodsterren (de HotFreaks uit de titel), daklozen, bezinningscursussen, zelfportretten en performances uit Los Angeles. Het valt te verwachten dat het geheel een grote bewegende collage zal worden waarin alle oorspronkelijke ingrediënten hun oorsprong grotendeels verliezen en verworden tot een typische Wineke Gartz hallucinatie die de bezoeker een totaalervaring biedt en kan leiden tot een staat van trance. Tegelijkertijd worden esoterische clichés vermeden en doet het hedendaagse dagelijks leven volop mee.
Wineke Gartz exhibits in the Netherlands and in various countries worldwide. Her site-specific installations consist of complex overlays of imagery and media, often with the use of music and multiple video and slides projections and with the integral use of the architectural space. Her parallel realities include mixing the ordinary with the heroic, creating an almost hallucinatory experience. Her subjects relate to psychology, beauty, death, illusions and perception, nature versus urban life, art and mass media. Gartz is interested in the combination of spirituality, art and science. Currently she is developing video lectures about her work and started to collaborate with musicians.
The medical 3D models that are produced by ACRM Corp are patient-specific and are derived from CT or MRI scans (typically using DICOM image data). These models are used by physicians, orthopaedic surgeons and neurosurgeons to aid in pre-surgical planning and diagnoses for conditions ranging from spine conditions like scoliosis and kyphosis to skull-related issues like hydrocephalus and craniosynostosis. 3D brain models, hips and knees are also commonly replicated items. There is a case study store (www.Medical3Dmodels.com) where you can order physical 3D models of all of the items shown in these videos. If you are looking to get a 3D model for a specific patient, visit our corporate site (www.ACRMcorp.com) for details on how we can create a custom 3D medical model for that patient.
Specific Design Assessment
-Signs are posted at various scales
-Signs are posted at alley entrances
-Business signs are oriented towards pedestrian traffic through the alley
-Signs to public amenities, such as restrooms, are clearly marked
Relevant Land Use Code Sections
20.25A.160.D.3.e - Signage (identify circulation routes)
20.25A.160.D.4.c - Incorporate design elements of the adjacent right-of-way, such as paving, lighting, landscaping, and signage to identify the through-block pedestrian connection as a public space
20.25A.160.D.4.d - Accentuate and enhance access to the through-block pedestrian connection from the right-of-way by use of multiple points of entry that identify it as a public space
Fairy Ring, temporary site-specific installation
thermoplastic objects, organic matter, time, light, nature
2021 | 962 square feet | 26 ft. inner diameter
I Heart Rail Trail: Lights | temporary site-specific, pubic work at Atherton Mill, Charlotte, NC by Artist: Meredith Connelly
✩ f o l l o w ➭ A L A I A ✩
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Commissioned by Dancing in the Streets and Casita Maria Center for Arts & Education as part of The South Bronx Culture Trail, PASEO is a roving site-specific performance by choreographer/director Joanna Haigood and music director Bobby Sanabria that celebrates the Hunts Point and Longwood sections of the South Bronx and their astounding contribution to Latin music. With performances by over 80 dancers, musicians, poets, actors, and community members, fire escapes, stoops, and sidewalks will come alive with Latin music and dance, stickball games, and street scenes evoking the neighborhoods’ vibrant street life and cultural vitality during the 1940s-‘60s.
Over 80 dancers, musicians, poets, and actors, including dancers Ramon Ramos Alayo and Franck Muhel, members of Los Pleneros de la 21, and stellar Bronx-based artists, including Arthur Aviles, La Bruja, percussionist and poet Angel Rodriguez, the Puerto Rican folklorico ensemble Danza Fiesta, the Los Monstritospercussion ensemble, Bobby Sanabria’s nine-piece ensemble, Ascension, and guest musicians who came of age in the neighborhood, including the legendary Alegre All Star timbalero Orlando Marin, The Last Mambo King.
Pictured: Bobby Sanabria
Photo: Adam Perez
SPECIFIC - project developing coatings for buildings allowing them to store and release their own power.
SAS - Student Accommodation Services
College of Engineering
Information Services and Systems
Camera-Specific Properties:
Equipment Make:NIKON
Camera Model:COOLPIX S3100
Camera Software:COOLPIX S3100V1.0
Maximum Lens Aperture:f/3.2
Focal Length (35mm Equiv):26 mm
Image-Specific Properties:
Image Orientation:Top, Left-Hand
Horizontal Resolution:300 dpi
Vertical Resolution:300 dpi
Image Created:2011:12:04 17:34:04
Exposure Time:1/100 sec
F-Number:f/3.2
Exposure Program:Normal Program
ISO Speed Rating:80
Exposure Bias:0 EV
Metering Mode:Pattern
Light Source:Unknown
Flash:No Flash, Compulsory
Focal Length:4.60 mm
Color Space Information:sRGB
Image Width:4320
Image Height:3240
Rendering:Normal
Exposure Mode:Auto
Scene Capture Type:Standard
Gain Control:None
Subject Distance Range:Unknown
ISO Speed Used:80
Color Mode:VIVID
Image Quality:FINE
White Balance:AUTO
Image Sharpening:AUTO
Focus Mode:AF-C
ISO Selection:MANUAL
Image Adjustment:NORMAL
Auto Focus:Center
Saturation:Normal
Noise Reduction:OFF
A further tour to Fourvière, Lyon, France for a specific visit of l'Antiquaille on October 20, 2022. I did also a new Kodak Tri-X film with my Zorki-4K camera and its Jupiter-8 1:2 f=50 mm normal lens.
The Zorki was loaded with the Kodak Tri-X (TX) exposed for 400 ISO using a Minolta Autometer III lightmeter fitted with a 10° viewfinder for selective measuring privileging the shadows. After exposure the film was processed at 20°C using Tetenal Ultrafin developer at dilution 1+10 for 9min.
L'Antiquaille, cachot de Saint Pothin, October 20, 2022
Montée Saint-Barthélémy
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
After several films, and the range finder adjusted, I found the Zorki-4K very pleasant to use. The camera is clearly very reliable and the film smoothly advanced and rewound. I equipped the lens with a FOCA UV-protection filter (Made in France) and the hood of my Focaflex. All views are presented either framed or full-size.
About the camera :
This camera was manufactured in 1977 by KMZ company ( Красногорский механический завод, Krasnogorskiy Mechanicheskiy Zavod) located in the Moscow region. KMZ also manufactured the ZENIT SLR's among many other productions. Zorki 4K was produced between 1972 to 1978 and the previous Zorki models were inspired by the Leica II since 1949. This model 'Made in USSR" is branded in roman characters, intentionally for exportation. Other Zorki 4K were also branded in Cyrillic as "Зоркий". Zorki 4K was sold basically either with this Jupiter-8 lens 1:2 f=50mm or the Industar lens1:3.5 f=50mm. The Jupiter-8 is a Sonnar Zeiss optical formula and fits to the Zorki body using the screwing M39 Leica mount.
Its was sold to me in August 2022 from Austria with its original ever-ready leather bag, a front lens cap and a small shade hood accessory Minolta D42KA. The shade hood and filter of my Focaflex also fit to the Jupiter lens (Leica standard 42 mm filter)
(more pictures you can see by clicking on the link at the end of the side!)
Photo: Vienna City Park plan - Flower - Lake
City Park Plan - Flower - Lake Ltd. © Vienna - specific
The Viennese City Park stretches from the park ring in the first district of Vienna up to the Haymarket in the third district of Vienna and is a of both tourists and local citizens well-visited park in Vienna. Its area is 65,000 m².
History
Yet in the Biedermeier the Water Glacis was a popular entertainment venue before the Karolinenstadttor (city gate). As part of the by the demolition of the city wall happened remodeling in the Ringstrasse, the project of a public park has been promoted on that site by the then Mayor of Vienna, Andreas Zelinka. This park was designed in the style of English gardens by the landscape painter Josef Selleny, the plannings were carried out by the city gardener Rudolf Siebeck. On 21th August 1862 the city park was opened as the first public park in Vienna.
Vienna River flows through the city park
The Wien River flows through the city park, Vienna © concrete
"Wien" (Vienna River) in the city park
On the right bank of the river Wien (Wienfluss) was 1863 the so-called children's park, today mainly characterized by paved playgrounds and sports facilities, which over the Karoline bridge (Karolinenbrücke) (since 1918 Stadtparkbrücke), built in 1857, with the on the left bank situated town park is connected.
In the years 1903-1907 was in the parking area after the regulation a by Friedrich Ohmann and Josef Hackhofer planned Vienna river engineering structure with the river gate, pavilions and river banks built, which is one of the sights in the park.
In earlier times visitors of the park for the stay in placed chairs had to pay fees that were collected by the chair women (the so-called Sesselweiber).
Attractions in the park
Kursalon
The Kursalon
The water Glacis was a spa pavilion in which healing waters for drinking cures were served. To that affect, in the years 1865 to 1867 for the city park also the Kursalon was built according to plans of Johann Garben. This historicist imposing home in the style of the Italian Renaissanceg is located at the John street (Johannesgasse) and has a large terrace in the park:
After the opening on 8th May 1867 were originally forbidden pleasures. As this concept was not adopted, yet on 15th October in 1868 was taking place the first concert of Johann Strauss (son) whereupon became the Kursalon a popular dance and concert venue in particular at the time of the Strauss brothers. Today, the Kursalon after a renovation phase is again venue for balls, concerts, clubbings and conferences and houses a café-restaurant.
Photo: Johann Strauss monument in the city park; © RM
Monuments
With the gilded bronze statue of Johann Strauss (son) stands in the city park one of the best known and most frequently photographed monuments in Vienna. It was on 26th June 1921 unveiled and is framed of a marble relief by Edmund Hellmer. The gilding was removed in 1935 and in 1991 applied again. Other monuments there are, for example, of Franz Schubert, Franz Lehar and Robert Stolz and Hans Makart, the City Park is in monuments and sculptures the richest park in Vienna.
The dairy (Meierei)
The former milk bar was built as part of the Wienflußverbauung (Vienna river engineering structure) according to plans by Friedrich Ohmann and Josef Hackhofer from 1901 until 1903. After suffering heavy damages during the Second World War the building was extended in the reconstruction. Today is in the dairy after another annex a restaurant.
Planting
The planting of the city park is characterized by a great diversity of species and is, as possible, focused on a year-round flowering. Through an avenue to the ring road noise and exhaust gases are filtered. Some trees are protected, such as a ginkgo, a crown of thorns (Honeylocust, Christusdorn), cottonwood tree and Caucasian wingnut.
Volkswagen Professionnels
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BANQUETTE ARRIÈRE COULISSANTE SUR 18CM
La nouvelle Golf Sportsvan est un modèle de modularité.
Grâce à la banquette arrière coulissante vous pouvez maximiser, selon vos besoins, l'habitabilité des places arrière ou
le volume de chargement.
Conso. mixte/urbaine
/extra-urbaine (l/km)
3,9 / 4,5 / 3,5
Émissions de CO2
101g/KM
TVS
404 €
LLD sur 48 mois et 80000 km avec apport*, perte financière incluse**, contrat de maintenance aux professionnels et véhicule de
remplacement inclus***. Offre valable du 01/04/2015 au 30/06/2015.
(1) Offre de Location Longue Durée sur 48 mois et 80000 km pour une Golf Sportsvan Trendline Business 1,6 TDI 90 BVM5, 47 loyers de 276€ TTC
après un premier loyer majoré de 2678€ TTC.
Modèle présenté : Golf Sportsvan Confortline Business 1,6 TDI 110 BVM6 BlueMotion avec option peinture métallisée
(640€TTC) au prix catalogue de 30 230€ TTC. Tarifs au 01/04/2015. Loyer du modèle présenté : 47 loyers de 317€ TTC/mois
après un premier loyer majoré de 3023€ TTC pour 80 000 km parcourus.
Cycles mixtes/urbains/extra-urbains du modèle présenté : 3,6 / 4,1 / 3,4 (l/100km)
* Offre réservée à la clientèle professionnelle, hors taxis, loueurs et flottes, chez tous les Distributeurs Volkswagen participant
à l’opération de financement, sous réserve d'acceptation du dossier par Volkswagen Fleet Solutions, division de Volkswagen Bank
GmbH – SARL de droit allemand – Capital 318 279 200 € - Succursale France : Bâtiment Ellipse, 15 Avenue de la Demi-Lune, 95700 Roissy en
France - RCS Pontoise 451 618 904 - Mandataire d’assurance et mandataire d’intermédiaire d’assurance enregistré à
l’ORIAS: 08 040 267 (www.orias.fr). Montants exprimés TTC, hors prestations facultatives.
** Perte Financière obligatoire incluse dans les loyers souscrite auprès de COVEA FLEET SA - Capital de 93 714 549 € - RCS Le Mans B 342 815
339 -160, rue Henri-Champion - 72100 LE MANS. Entreprise régie par le code des assurances soumise à l'Autorité de contrôle
prudentiel - 61 rue Taitbout 75009 PARIS.
*** Contrat de Maintenance obligatoire souscrit auprès de Volkswagen Bank GmbH ; Garantie Véhicule de Remplacement incluse dans les loyers,
souscrite auprès d’Europ Assistance France SA – RCS Nanterre 451 366 405 : Entreprises régies par le Code des assurances et soumises
à l'Autorité de Contrôle Prudentiel (ACP) - 61 rue Taitbout 75009 PARIS.
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(HGM 1205 M, Heisey Glass Museum, Newark, Ohio, USA)
-----------------------------------
"353 Medium Flat Panel" is the designation for a specific glass product design made in Newark, Ohio by the Heisey Glass Company (1896 to 1957). Heisey glass designs are called "patterns". Pattern designations include a number (not necessarily consecutively numbered during the history of the glass factory) and a name. Some pattern names were given by the Heisey company, while others were given by Heisey glass researchers.
"Zircon" refers to a type of colored glass that Heisey made - in this case, greenish.
The source of silica for Heisey glass is apparently undocumented, but was possibly a sandstone deposit in the Glassrock area (Glenford & Chalfants area) of Perry County, Ohio (if anyone can provide verfication of this, please inform me). Quarries in the area targeted the Pennsylvanian-aged Massillon Sandstone (Pottsville Group) and processed it into glass sand suitable for glass making.
-----------------------------------
From Bredehoft (2004):
Zircon: 1936-1939. A turquoise blue-green. The last color introduced before World War II curtailed the use of color. Revamped and reintroduced later as Limelight.
-----------------------------------
From museum signage:
Augustus H. Heisey (1842-1922) emigrated from Germany with his family in 1843. They settled in Merrittown, Pennsylvania and after graduation from the Merrittown Academy, he worked for a short time in the printing business.
In 1861, he began his life-long career in the glass industry by taking a job as a clerk with the King Glass Company of Pittsburgh. After a stint in the Union Army, Heisey joined the Ripley Glass Company as a salesman. It was there that he earned his reputation of "the best glass salesman on the road".
In 1870, Heisey married Susan Duncan, daughter of George Duncan, then part-owner of the Ripley Company and later full owner, at which time he changed its name to George Duncan & Sons. A year later, he deeded a quarter interest to each of his two children. A few years after his death, A.H. Heisey and James Duncan became sole owners. In 1891, the company joined the U.S. Glass Company to escape its financial difficulties. Heisey was the commercial manager.
Heisey began to formulate plans for his own glass company in 1893. He chose Newark, Ohio because there was an abundance of natural gas nearby and, due to the efforts of the Newark Board of Trade, there was plenty of low cost labor available. Construction of the factory at 301 Oakwood Avenue began in 1895 and it opened in April of 1896 with one sixteen-pot furnace. In its heyday, the factory had three furnaces and employed nearly seven hundred people. There was a great demand for the fine glass and Heisey sold it all over the world.
The production in the early years was confined to pressed ware, in the style of imitation cut glass. The company also dealt extensively with hotel barware. By the late 1890s, Heisey revived the colonial patterns with flutes, scallops, and panels which had been so popular decades earlier. These were so well accepted that from that time on, at least one colonial line was made continuously until the factory closed.
A.H. Heisey's name appears on many different design patents including some when he was with George Duncan & Sons. Heisey patterns that he was named the designer include 1225 Plain Band, 305 Punty and Diamond Point, and 1776 Kalonyal.
Other innovations instituted by A.H. Heisey were the pioneering in advertising glassware in magazines nationally, starting as early as 1910 and the first glass company to make fancy pressed stems. That idea caught on quickly and most hand-wrought stemware is made in this manner, even now.
-----------------------------------
Reference cited:
Bredehoft, N. (ed.) (2004) - Heisey glass formulas - and more, from the papers of Emmet E. Olson, Heisey chemist. The West Virginia Museum of American Glass. Ltd.'s Monograph 38.
-----------------------------------
Info. at:
en.wikipedia.org/wiki/Heisey_Glass_Company
and
and
Ferrari 458 Italia GT #2 using the outside of the Caracciola Karussell.
I have a ton of these photos, so if you are looking for something specific, please do not hesitate to contact me. You might also want to check out my friend's set over at www.flickr.com/photos/lastsoul/sets/72157627063236002/
The medical 3D models that are produced by ACRM Corp are patient-specific and are derived from CT or MRI scans (typically using DICOM image data). These models are used by physicians, orthopaedic surgeons and neurosurgeons to aid in pre-surgical planning and diagnoses for conditions ranging from spine conditions like scoliosis and kyphosis to skull-related issues like hydrocephalus and craniosynostosis. 3D brain models, hips and knees are also commonly replicated items. There is a case study store (www.Medical3Dmodels.com) where you can order physical 3D models of all of the items shown in these videos. If you are looking to get a 3D model for a specific patient, visit our corporate site (www.ACRMcorp.com) for details on how we can create a custom 3D medical model for that patient.
SPECIFIC is an Innovation and Knowledge Centre. It aims to develop coated glass and steel products that capture, store and release solar energy, turning buildings into power stations. The centre brings together world class academic and industrial expertise in the fields of photovoltaics, solar thermal, batteries, chemical conversion and wide area lighting, alongside unique sheet and coil printing and coating facilities.
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The Final Day of Racing At Brands Hatch for The Superprix Weekend and After a Really Busy and Scattered Set Of Races The Previous day it was time to see which of the Drivers could Brave the Circuit One Last Time and Take Home Either a Championship Win or a Victory in their Specific Race.
Lets Get Straight to the Results.
Classic Formula Ford/Historic Formula 3 (Race 2 Result)
Classic Formula Ford and Historic Formula 3 Were up First and it was Time to see who could be The one to take the Checkered Flag First when they crossed the Line.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with a Lap Time of 1:39.257 and a Top Speed of 86.59mph. A Fantastic Victory Cameron Showing Incredible Car Control and Commitment to Win the Race.
In Second Place was (Ben Tinkler) in his Van Diemen RF80 with a Lap Time of 1:39.986 and a Top Speed of 85.77mph. A Really Great Drive from Ben to stay so close to Cameron and Keep Him on his toes the entire Time while Fighting for the Lead of the Race.
In Third Place was (Jordan Harrison) in his Lola T540E with a Lap Time of 1:39.994 and a Top Speed of 85.54mph. A Really Wonderfully Deserved Third Place for Jordan Pushing that Lola for everything it Has got to gain Third Place. Well Done.
Three Fantastically Fast Drivers all with Incredible Speed and Talent Showcasing The Best of what they Bring to Brands Hatch Every Year. An Amazing Last Race to Witness. Congratulations to The Race Winner and Keep Trying Hard Everyone Else.
HGPCA Pre 66 Grand Prix Cars (Race 20)
Next It was The Historic Grand Prix Cars and with a Massive Turn out for them it looks like Another Cracking Race to see from Start till Finish. Lets see who came out on Top.
In First Place was (Sam Wilson) in his Lotus 18 with a Lap Time of 1:39.384 and a Top Speed of 86.55mph. Amazing Work Sam Showing Colin Chapman How it Should be Done. He would have been Proud to Witness that Victory.
In Second Place was (Peter Horsman) in his Lotus 18/21 with a Lap Time of 1:41.296 and A Top Speed of 84.90mph. A Fantastic Drive by Peter to take Second Place in the Race.
In Third Place was (Miles Griffiths) in his Scarab Offenhauser with A Lap Time of 1:41.501 and A Top Speed of 84.38mph A Really Good Job there Miles Almost Matching Lap Times with Peter and Showing Some Incredible Car Control during The Race.
Another Fantastic Race for The Historic Grand Prix Cars and a Huge Congratulations to Sam for Taking Victory in the Last Race. Avery Well Done to Both Peter and Miles as well.
HSCC 70's Road Sports (Race 19)
Historic Road Sports took to the Track next and with some Legendary Cars from the Likes of Lotus Morgan and TVR it was Time to see who Had Stormed to Victory in the Last Race and Taken the Victory.
In First Place was (William Plant) in his Morgan Plus 8 with A Lap Time of 1:45.768 and A Top Speed of 70.67mph. Congratulations William on the Victory it was so Good to See a Morgan Take First Place while Watching this Exciting Race. An Amazing Drive.
In Second Place was (Jim Dean) in his Lotus Europa with A Lap Time of 1:46.411 and A Top Speed of 70.66mph. Another Incredible Drive from Jim to Take Second Place. Well Done
In Third Place was (Richard Plant) in his Morgan Plus 8 with A Lap Time of 1:47.697 and a Top Speed of 70.31mph. A Very Committed Drive from Richard and a Fantastic Third Place Finish that I'm sure the Whole Family will be Proud of.
Fantastic Racing from the 70's Road Sports to Finish the Days Racing for them Congratulations to William, Jim and Richard. Hope to see you Three Battling it out Again Soon.
Aurora Trophy With Geoff Lees Trophy
The Arora Trophy Roared onto the Grand Prix Circuit Next with Powerful V8 Engines thease Racing Cars could make the Ground Shake as they Thunder their way around the Race Track. Lets see who Managed to take that All Important Victory for their Final Race.
In First Place was (Martin Stretton) in his March 712 with a Lap Time of 1:25.976 and A Top Speed of 101mph. A Very Brave and Committed drive from Martin to Take Victory, Really Pushing the March to its Limits and hanging onto the Lead thought the Race.
In Second Place was (Mathew Wrigley) in his March 782 with a Lap Time of 1:25.127 and A Top Speed of 100.96mph. Another Incredible Driver Taking his Machinery to New heights and Keeping the March Name Alive in Historic Racing. Amazing Work Mathew.
In Third Place was (Samuel Harrison) in his Dallara 389 with A Lap Time of 1:29.552 and A Top Speed of 95.04mph. Amazing work Sam showing Insane Car Control even when Racing so Fast and for such A Long Time. Congratulations.
Another Amazing Race to Keep the Day going and showing the Amazing work that Each Team Does to ensure that their Driver and His Car are Ready to go. Well Done to all of the Teams and to the First Second and Third Place Winners as well. Looking Forward To seeing more Action this Year from the Aurora Trophy.
Guards Trophy (Race 21)
Next Up Guards Trophy with Another Range of Racing Machines from the Likes of Brabham Chevron and Lotus Lets see what will Happen and Who will be able to Drive their way to Victory in This Race.
In First Place was (Andy Newall) in his Chevron B6 with A Lap Time of 1:38.258 and A Top Speed of 83.84mph. Very Well Driven and Raced by Andy Showcasing the Power of the Chevron and taking it too its Limits in terms of Raw Speed and Performance.
In Second Place was the Duo of (Jackson S and Jackson C) in their Lenham P70 with A Lap Time of 1:38.008 and A Top Speed of 83.45mph. Fantastic Work to The Two Jacks who Really showed what Working Together Can Achieve during A Race. Well Done
In Third Place was the Duo of (Mitchell W and Mitchell B) in their Chevron B8 with A Lap Time of 1:38.368 and A Top Speed of 82.49mph. Another Amazing Duo who Have Taken Third Place and Kept the Fight Alive in their Respective Championship. Amazing work.
A Fantastic Race for the Guards Trophy Showing the Power of Each Race Car and what they Are Capable of When put into The Hands of the Right Drivers. Congratulations to Andy Mitchell W and Mitchell B as well as Jackson S and Jackson C for putting on One Hell of a Race. Keep up the Good Work Everyone Else and Never Stop Fighting for your Own Victories.
Historic Formula Ford (Race 16)
Next Up was Historic Formula Ford and some very Twitchy and Tricky Cars to be Driven Round the Circuit at Hight Speed. With Light Weight Chassis and Small Cockpits this was going to be a Very Exciting Race to Watch. Lets see who Came out Best of the Rest.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with A Lap Time of 1:38.596 and A Top Speed of 87.95mph. Another Incredible Drive From Cameron to Take Victory and show what A Truly Committed and Self Determined Driver is. He is an Inspiration to All Up Coming Formula Ford Racers.
In Second Place was (Tom Macarthur) in his Titan MK3 with A Lap Time of 1:38.484 and A Top Speed of 87.94mph. Another Really Brave and Heroic Driver Pushing His Formula Ford to its Limits and Keeping his Eye's on the Race Track. Amazing Work Tom.
In Third Place was (Horatio Fitzsimon) in his Merlin MK20A with A Lap Time of 1:38.513 And A Top Speed of 87.90mph. Very Well Done Horatio Fantastic Driving and A Well Deserved Third Place.
An Amazing Final Heat Race for the Formula Fords with Everyone Pushing As Hard as they Could for Victory. Keep Working Hard Everyone and Congratulations to Cameron Tom and Horatio.
Historic Road Sports (Race 17)
Historic Road Sports Next and it was Time to see what Each Driver could do in their Respective Race Car. Lets see how things Stacked up and who Came out on Top in the Race.
In First Place was (Kevin Kivlochan) in his AC Cobra with a Lap Time of 1:46.891 and A Top Speed of 72.19mph. What A Drive From Kevin to Take Victory Keeping that Cobra Far Ahead of the Rest of the Pack and Taking A Dominant Victory. Carol Shelby would have Loved to See That.
In Second Place was (John Davidson) in his Lotus Elan S1 with A Lap Time of 1:46.052 And A Top Speed of 72.16mph. Amazing Work John Keeping that Lotus on the Tarmac and Putting on One Hell of a Race for Everyone. Amazing Job.
In Third Place was (Rupert Ashdown) in his Lotus Elan S1 with A Lap Time of 1:47.481and A Top Speed of 71.61mph. Another Incredible Drive by Rupert Taking Third Place Very Well Deserved.
Historic Road Sports putting on Another Superb Race for the Season and Congratulations to Kevin John and Rupert on their Victories. Hope to see More of that This Year and Good Luck to Everyone Else Racing too.
Historic Touring Cars (Race 22)
The Final Race of The Day was Here and The Historic Touring Car Club did not Disappoint with Lotus Cortina's Mini Cooper S's and Ford Mustangs This was going to be a Final Battle of Titans. Lets See Who Managed to Take that Last Checkered Flag of the Day.
In First Place was (Steve Soper) in his Ford Mustang with A Lap Time of 1.47.084 and A Top Speed of 71.51mph. Awesome Drive Steve Fantastic to see that He Still has it in him After all The Years of Racing.
In Second Place was (Rob Fen) in his Ford Mustang with A Lap Time of 1:49.031 and A Top Speed of 70.93mph. Amazing Work Rob Pushing that Mustang Far and Wide to Hang onto that Second Place. Excellent Drive.
In Third Place was (Mark Martin in his Ford Lotus Cortina with A Lap Time of 1:49.905 and A Top Speed of 70.70mph. Very Well Done Mark Great Driving and Even a Wheel in the Air on Some Occasions Heading onto the Grand Prix Loop. What A Sight that Was to See.
And With that The Days Events came to an End for another year of Superprix Racing at Brands Hatch Amazing work to all of the Organisers and Race Drivers who took Part and Congratulations once again to all of the Race Winners. Keep Fighting Keep Wining and I'm Sure we will do it All Again Next Year.
The medical 3D models that are produced by ACRM Corp are patient-specific and are derived from CT or MRI scans (typically using DICOM image data). These models are used by physicians, orthopaedic surgeons and neurosurgeons to aid in pre-surgical planning and diagnoses for conditions ranging from spine conditions like scoliosis and kyphosis to skull-related issues like hydrocephalus and craniosynostosis. 3D brain models, hips and knees are also commonly replicated items. There is a case study store (www.Medical3Dmodels.com) where you can order physical 3D models of all of the items shown in these videos. If you are looking to get a 3D model for a specific patient, visit our corporate site (www.ACRMcorp.com) for details on how we can create a custom 3D medical model for that patient.
Roll curb prevents water from entering or leaving a specific part of the asphalt driveway. Constructed from hot commercial asphalt. Resembles a sideways speedbump, only narrower.
Site specific installations by Danh Vo exhibit at the Ng Teng Feng Roof Garden, National Gallery Singapore
The medical 3D models that are produced by ACRM Corp are patient-specific and are derived from CT or MRI scans (typically using DICOM image data). These models are used by physicians, orthopaedic surgeons and neurosurgeons to aid in pre-surgical planning and diagnoses for conditions ranging from spine conditions like scoliosis and kyphosis to skull-related issues like hydrocephalus and craniosynostosis. 3D brain models, hips and knees are also commonly replicated items. There is a case study store (www.Medical3Dmodels.com) where you can order physical 3D models of all of the items shown in these videos. If you are looking to get a 3D model for a specific patient, visit our corporate site (www.ACRMcorp.com) for details on how we can create a custom 3D medical model for that patient.
Specific Design Assessment
-Roof runoff is funneled through a drain and then runs through a channel to a larger water feature in the plaza
-Stormwater management is integrated into open space design
Relevant Land Use Code Sections
20.25A.160.E.2.c - Include elements that engage the natural environment where the sight, sound, and feel of nature can be directly experienced
20.25A.160.E.2.k - Use artistic elements and water features where possible
This tree is a symbol of the friendship between the Japanese Gilu and the Viennese district of Meidling.
City Park
(more pictures you can see by clicking on the link at the end of the side!)
Photo: Vienna City Park plan - Flower - Lake
City Park Plan - Flower - Lake Ltd. © Vienna - specific
The Viennese City Park stretches from the park ring in the first district of Vienna up to the Haymarket in the third district of Vienna and is a of both tourists and local citizens well-visited park in Vienna. Its area is 65,000 m².
History
Yet in the Biedermeier the Water Glacis was a popular entertainment venue before the Karolinenstadttor (city gate). As part of the by the demolition of the city wall happened remodeling in the Ringstrasse, the project of a public park has been promoted on that site by the then Mayor of Vienna, Andreas Zelinka. This park was designed in the style of English gardens by the landscape painter Josef Selleny, the plannings were carried out by the city gardener Rudolf Siebeck. On 21th August 1862 the city park was opened as the first public park in Vienna.
Vienna River flows through the city park
The Wien River flows through the city park, Vienna © concrete
"Wien" (Vienna River) in the city park
On the right bank of the river Wien (Wienfluss) was 1863 the so-called children's park, today mainly characterized by paved playgrounds and sports facilities, which over the Karoline bridge (Karolinenbrücke) (since 1918 Stadtparkbrücke), built in 1857, with the on the left bank situated town park is connected.
In the years 1903-1907 was in the parking area after the regulation a by Friedrich Ohmann and Josef Hackhofer planned Vienna river engineering structure with the river gate, pavilions and river banks built, which is one of the sights in the park.
In earlier times visitors of the park for the stay in placed chairs had to pay fees that were collected by the chair women (the so-called Sesselweiber).
Attractions in the park
Kursalon
The Kursalon
The water Glacis was a spa pavilion in which healing waters for drinking cures were served. To that affect, in the years 1865 to 1867 for the city park also the Kursalon was built according to plans of Johann Garben. This historicist imposing home in the style of the Italian Renaissanceg is located at the John street (Johannesgasse) and has a large terrace in the park:
After the opening on 8th May 1867 were originally forbidden pleasures. As this concept was not adopted, yet on 15th October in 1868 was taking place the first concert of Johann Strauss (son) whereupon became the Kursalon a popular dance and concert venue in particular at the time of the Strauss brothers. Today, the Kursalon after a renovation phase is again venue for balls, concerts, clubbings and conferences and houses a café-restaurant.
Photo: Johann Strauss monument in the city park; © RM
Monuments
With the gilded bronze statue of Johann Strauss (son) stands in the city park one of the best known and most frequently photographed monuments in Vienna. It was on 26th June 1921 unveiled and is framed of a marble relief by Edmund Hellmer. The gilding was removed in 1935 and in 1991 applied again. Other monuments there are, for example, of Franz Schubert, Franz Lehar and Robert Stolz and Hans Makart, the City Park is in monuments and sculptures the richest park in Vienna.
The dairy (Meierei)
The former milk bar was built as part of the Wienflußverbauung (Vienna river engineering structure) according to plans by Friedrich Ohmann and Josef Hackhofer from 1901 until 1903. After suffering heavy damages during the Second World War the building was extended in the reconstruction. Today is in the dairy after another annex a restaurant.
Planting
The planting of the city park is characterized by a great diversity of species and is, as possible, focused on a year-round flowering. Through an avenue to the ring road noise and exhaust gases are filtered. Some trees are protected, such as a ginkgo, a crown of thorns (Honeylocust, Christusdorn), cottonwood tree and Caucasian wingnut.
Michael Helms
Princess Anne Country Club
The tradition terrace was established as a specific place of remembrance and reflects the honor, and gratitude of our members for generations to come. Blank bricks were installed around the flagpole with seating close by. The bricks were sold and personally inscribed. The funds generated were used solely for the purpose of preserving the history and tradition of the Club.
To Share a Photo on Facebook:
1. Click on the set you would like to browse
2. Click on a specific photo
3. Click on the square with an arrow coming out in the bottom corner of the photo
4. Click on the Facebook icon in the popup window
4. Follow instructions in pop-up window
To Download a Photo:
1. Click on the set you would like to see (Awards, Pre/Post Race, Finish, etc.)
2. Click on a specific photo from the set
3. Right click on the photo and select a size
4. Click the download link above the photo sizes above the photo.
Matadero Madrid presenta Visita guiada, una intervención site specific que ha realizado Elena Alonso (Madrid, 1981) para el programa Abierto x Obras, que tiene lugar en la antigua cámara frigorífica del que fue el matadero de Legazpi. La propuesta de la artista parte de la idea de encontrarnos en una cámara aislada, donde no existe apenas comunicación entre el interior y el exterior, y del concepto de conservación, que ha estado ligado a este espacio a lo largo de su historia.
Tras sucesivas visitas a la nave, la artista comenzó a fijarse en toda la información visual que había quedado plasmada en paredes y techos. Lo que más llamó su atención fueron una serie de agujeros repartidos por la cubierta de las naves laterales, clausurados en la última reforma.
La intervención propone un recorrido por la nave utilizando como guía un pasamanos. Una línea trazada en el plano como un dibujo, que en esta ocasión toma forma escultórica. Su elaboración con distintos materiales, como madera, cemento, corcho, escayola pintada o cobre, pone de manifiesto el interés de la artista por la artesanía y el diseño, y ofrecen al visitante el deleite a la vista y al tacto de los materiales trabajados.
En la penumbra de la nave encontramos esta particular guía que nos lleva a descubrir una nueva perspectiva del espacio. Los agujeros han sido reabiertos, por ellos entra la luz y se vislumbra otra galería superior, antes oculta a la mirada del visitante.
En esta intervención artística hallamos un juego de contrastes, de impedimentos y de posibilidades. En cierta manera, recuerda a las cuevas visitables donde el recorrido nos va mostrando la particular geomorfología que conserva en su ambiente antes estático. En este caso, la cuidada elaboración del pasamanos contrasta con la brutalidad del espacio.
El pasamanos es a su vez una guía y una barrera, una línea que sortea y adorna la arquitectura de la nave. Una pieza que podemos ver y tocar, y que nos lleva a descubrir un lugar inesperado sobre nuestras cabezas, pero que solo podemos llegar a entrever desde la distancia.
Elena Alonso (Madrid, 1981) Licenciada en Bellas Artes y Máster en Arte, Creación e Investigación por la Universidad Complutense de Madrid, ha realizado también estudios en Suecia y Helsinki. Desarrolla su trabajo principalmente mediante el dibujo, relacionándolo con otras disciplinas como la arquitectura, la artesanía o el diseño, y prestando especial atención a las problemáticas vinculadas a la afectividad con el entorno. Ha expuesto de forma individual en el Museo ABC (El espacio alrededor, 2016); Espacio Valverde (Canto Blando, 2016; Composición de lugar, 2014; La tapadera, 2012); en la Sala de Arte Joven de la Comunidad de Madrid (2011); y en la Cable Factory de Helsinki (Paredes de piel, 2007).
Abierto x Obras, en Matadero Madrid, es un programa de intervenciones site specific que invita a artistas a realizar una pieza de nueva producción incentivando el carácter experimental de la creación contemporánea a través de planteamientos que exploran la relación entre el arte y el lugar que lo acoge, la antigua cámara frigorífica del Matadero. Una sala de más de 800 metros cuadrados que todavía conserva su aspecto original y las huellas de un incendio sucedido en los años 90. Un espacio característico por su estructura diáfana de arcos volados y columnas. Desde 2007, Abierto x Obras ha acogido las intervenciones de artistas como Daniel Canogar, Jannis Kounnellis, Román Signer, Carlos Garaicoa, Fernando Sánchez Castillo, Jordi Colomer, Los Carpinteros, Cristina Lucas, Eugenio Ampudia o Darya von Berner, entre otros.
SPECIFIC is an Innovation and Knowledge Centre. It aims to develop coated glass and steel products that capture, store and release solar energy, turning buildings into power stations. The centre brings together world class academic and industrial expertise in the fields of photovoltaics, solar thermal, batteries, chemical conversion and wide area lighting, alongside unique sheet and coil printing and coating facilities.
SPECIFIC is led by Swansea University in partnership with industrial partners Tata Steel, BASF and NSG Pilkington and research partners Imperial College London, Cardiff University, Bath University, Bangor University and Sheffield University; it is funded by EPSRC, Technology Strategy Board and the Welsh Government.
SPECIFIC's aim is to transform world-class research and innovative technology into a new, £1billion industry.
(more pictures you can see by clicking on the link at the end of the side!)
Photo: Vienna City Park plan - Flower - Lake
City Park Plan - Flower - Lake Ltd. © Vienna - specific
The Viennese City Park stretches from the park ring in the first district of Vienna up to the Haymarket in the third district of Vienna and is a of both tourists and local citizens well-visited park in Vienna. Its area is 65,000 m².
History
Yet in the Biedermeier the Water Glacis was a popular entertainment venue before the Karolinenstadttor (city gate). As part of the by the demolition of the city wall happened remodeling in the Ringstrasse, the project of a public park has been promoted on that site by the then Mayor of Vienna, Andreas Zelinka. This park was designed in the style of English gardens by the landscape painter Josef Selleny, the plannings were carried out by the city gardener Rudolf Siebeck. On 21th August 1862 the city park was opened as the first public park in Vienna.
Vienna River flows through the city park
The Wien River flows through the city park, Vienna © concrete
"Wien" (Vienna River) in the city park
On the right bank of the river Wien (Wienfluss) was 1863 the so-called children's park, today mainly characterized by paved playgrounds and sports facilities, which over the Karoline bridge (Karolinenbrücke) (since 1918 Stadtparkbrücke), built in 1857, with the on the left bank situated town park is connected.
In the years 1903-1907 was in the parking area after the regulation a by Friedrich Ohmann and Josef Hackhofer planned Vienna river engineering structure with the river gate, pavilions and river banks built, which is one of the sights in the park.
In earlier times visitors of the park for the stay in placed chairs had to pay fees that were collected by the chair women (the so-called Sesselweiber).
Attractions in the park
Kursalon
The Kursalon
The water Glacis was a spa pavilion in which healing waters for drinking cures were served. To that affect, in the years 1865 to 1867 for the city park also the Kursalon was built according to plans of Johann Garben. This historicist imposing home in the style of the Italian Renaissanceg is located at the John street (Johannesgasse) and has a large terrace in the park:
After the opening on 8th May 1867 were originally forbidden pleasures. As this concept was not adopted, yet on 15th October in 1868 was taking place the first concert of Johann Strauss (son) whereupon became the Kursalon a popular dance and concert venue in particular at the time of the Strauss brothers. Today, the Kursalon after a renovation phase is again venue for balls, concerts, clubbings and conferences and houses a café-restaurant.
Photo: Johann Strauss monument in the city park; © RM
Monuments
With the gilded bronze statue of Johann Strauss (son) stands in the city park one of the best known and most frequently photographed monuments in Vienna. It was on 26th June 1921 unveiled and is framed of a marble relief by Edmund Hellmer. The gilding was removed in 1935 and in 1991 applied again. Other monuments there are, for example, of Franz Schubert, Franz Lehar and Robert Stolz and Hans Makart, the City Park is in monuments and sculptures the richest park in Vienna.
The dairy (Meierei)
The former milk bar was built as part of the Wienflußverbauung (Vienna river engineering structure) according to plans by Friedrich Ohmann and Josef Hackhofer from 1901 until 1903. After suffering heavy damages during the Second World War the building was extended in the reconstruction. Today is in the dairy after another annex a restaurant.
Planting
The planting of the city park is characterized by a great diversity of species and is, as possible, focused on a year-round flowering. Through an avenue to the ring road noise and exhaust gases are filtered. Some trees are protected, such as a ginkgo, a crown of thorns (Honeylocust, Christusdorn), cottonwood tree and Caucasian wingnut.
Traditional Thai silks are woven to specific patterns according to the rank of the wearer. These examples in Aj. Weeratham's collection are extremely old and fragile.
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These specific pictures cover the entire pathway around Pirates' Cove in Blue Bayou Water Park in Baton Rouge, Louisiana. Max LOVES this area of the water park!
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