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Specific Design Assessment
-Site building and design promotes the use and accessibility of this open space, particularly with the galleria’s connection to two sidewalks and a Seattle Streetcar stop. There are visible connections through the space
-Wayfinding signs clearly point out connections to transit and local businesses
Relevant Land Use Code Sections
20.25A.160.D.3.e - Signage (identify circulation routes)
20.25A.160.D.4.c - Incorporate design elements of the adjacent right-of-way, such as paving, lighting, landscaping, and signage to identify the through-block pedestrian connection as a public space
A further tour to Fourvière, Lyon, France for a specific visit of l'Antiquaille on October 20, 2022. I did also a new Kodak Tri-X film with my Zorki-4K camera and its Jupiter-8 1:2 f=50 mm normal lens.
The Zorki was loaded with the Kodak Tri-X (TX) exposed for 400 ISO using a Minolta Autometer III lightmeter fitted with a 10° viewfinder for selective measuring privileging the shadows. After exposure the film was processed at 20°C using Tetenal Ultrafin developer at dilution 1+10 for 9min.
Funiculaires de Lyon (documents à l'affichage sur le quai de la station Vieux-Lyon) October 20, 2022
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
After several films, and the range finder adjusted, I found the Zorki-4K very pleasant to use. The camera is clearly very reliable and the film smoothly advanced and rewound. I equipped the lens with a FOCA UV-protection filter (Made in France) and the hood of my Focaflex. All views are presented either framed or full-size.
About the camera :
This camera was manufactured in 1977 by KMZ company ( Красногорский механический завод, Krasnogorskiy Mechanicheskiy Zavod) located in the Moscow region. KMZ also manufactured the ZENIT SLR's among many other productions. Zorki 4K was produced between 1972 to 1978 and the previous Zorki models were inspired by the Leica II since 1949. This model 'Made in USSR" is branded in roman characters, intentionally for exportation. Other Zorki 4K were also branded in Cyrillic as "Зоркий". Zorki 4K was sold basically either with this Jupiter-8 lens 1:2 f=50mm or the Industar lens1:3.5 f=50mm. The Jupiter-8 is a Sonnar Zeiss optical formula and fits to the Zorki body using the screwing M39 Leica mount.
Its was sold to me in August 2022 from Austria with its original ever-ready leather bag, a front lens cap and a small shade hood accessory Minolta D42KA. The shade hood and filter of my Focaflex also fit to the Jupiter lens (Leica standard 42 mm filter)
As the name implies, the sculpture is in the form of an actual corridor. It measures eight feet tall, forty feet in length, and with a width of ten feet. The facing walls of the corridor are each formed by ten carved blocks of laminated sugar pine planks for an overall measurement each of 8' x 24½" x 16".
Within the concept “One man=all men,” VATICAN CORRIDOR, A Non-Specific Autobiography was conceived as an actual and metaphorical record of the journey through the life of the artist and, by extension, a projection of the possibilities we all share and may attain. Within both of the facing walls are ten carved life-size figures symbolically conjoined by arches to form a “corridor of the self.”
Prior to acquiring the materials necessary for the actualizing of the sculpture in wood, Robert Cremean spent two months creating a detailed preparatory study of the entire work, a process he had followed on only two prior occasions, one for DONOR WITH CRUCIFIXION and the other, although more suggestive than detailed, for HOMAGE TO PAUL APOSTLE. All of the pages of the original manuscript were published by Manuscript Press and may be found on its open website therein. From the first three pages of searching to the final pages of resolution, the artist’s graphic description of the three dimensional work provides us with the opportunity to read the artist’s philosophical concepts for that specific work of art and to understand how these concepts are interpreted symbolically through the human figure. Since this is an actual and a metaphorical autobiography, the Preparatory Study literarily addresses both.
It is very rare that a writer permits us to study his original unrevised and unedited manuscript and even more rare to have an opportunity to study the preparatory drawings and writings for a three dimensional work by a sculptor. With Vatican Corridor, A Non-Specific Autobiography we are permitted to experience, from the first three pages of searching to the final pages of resolution, the artist’s graphic description of a three dimensional work. This manuscript provides us with the opportunity to read the artist’s philosophical concepts for that specific work of art and to understand how these concepts are interpreted symbolically through the human figure. Because the basic philosophy—one man equals all men—is inherent in the work, the artist’s non-specific autobiography contains and is an extension of our own. And because each of the ten arches in the Preparatory Study and in the completed sculpture spans a period of three years in the artist’s life, the tenth arch was a projection five years into the future at last updated twenty two years later in the writing in 1995 and with the publication by Manuscript Press in 1996 of The Tenth Arch, the sculptural tenth arch realized in the form of a book.
The first figure of the Outer Wall is nearly fully revealed in the round. But by the Tenth Arch, it has been transposed into a negative, much like a waste-mold, only the egg shape of the final transposition still in place. Block by block and transposition after transposition, the three-dimensional figure is displaced by a concavity as the wall that contained it grows thicker and thicker. The reverse is true in each of the corresponding figures and blocks of the Inner Wall. Each part of the human figure is symbolic of a particular sense and/or concept and with its transference the figure of the Inner Wall becomes more complete.
But why is the piece called VATICAN CORRIDOR? When the artist first walked through the almost endless corridors of the Vatican Museum, he was struck by the glory and spaciousness of the place, by the number of sculptures there, by the fact that they were neutered by a fig leaf and that only a few of the works met his definition of being a “transparency.”As a result of this experience, he chose to name the sculpture VATICAN CORRIDOR, A Non-Specific Autobiography. On the fourth page of the manuscript, based upon this experience, is provided a statement as to the philosophical intent of the sculpture:
"The enclosure of one metaphor by another—one culture by another—one time segment by another. 'Paganism' is preserved through forfeit of genitalia—neutered by a fig leaf. Miles of historical artifacts enclosed within an historical artifact. And yet there are a few presences that are not dead—not neutered. A few glimpses—Man existing without metaphor. A few Transparencies. Are these not worth the endless walk?"
1973-1974
Preparatory Study for VATICAN CORRIDOR, A Non-Specific Autobiography
Number 122 of 200, signed and numbered
17¾" x 15½"
Collection:
Crocker Art Museum
Sacramento, California
SPECIFIC INFO:
GENERAL INFO: St. Patrick's Parade day at P.J.'s Lager House, Corktown, Detroit, Sunday, March 13, 2011. Photographs by Donna Terek, 313-598-0179
Archbishop Richard Clarke and Bishop Alan Abernethy joined with other leaders in church life and community relations for CMS Ireland’s Crossing Bridges event at Parliament Buildings, Stormont, on Tuesday, 11th October.
The event included a contribution from the Rt Revd Justin Badi, Bishop of Maridi, on how the Episcopal Church in South Sudan is working for peace and reconciliation in the midst of its ongoing civil war. Almost one in four South Sudanese people are refugees while another quarter have been internally displaced and are unable to flee the country; the remainder mainly live in extreme poverty. Bishop Badi explained that the Church is responding in four ways: prayer; providing shelter; advocating on behalf of those who are weak and voiceless; and preaching and teaching the Word of God.
“Prayer might be seen as a weak thing to do,” he remarked, “but prayer is powerful. The Bible says in James that anyone in trouble should pray (James 1.13).” Churches are providing shelter for tens of thousands of people regardless of ethnicity or religion, thus fulfilling the biblical call to practice hospitality. Members of the Mothers’ Union teach respect for human life to husbands and children who are involved in the conflict. He encouraged the Church of Ireland to continue to support South Sudan – through prayer, visits, advocacy for peace, and providing resources for leadership – “so that the people there may know that they are not alone in their situation.”
Connecting
Archbishop Clarke, a patron of CMS Ireland, spoke on ‘connecting’ – one of CMS Ireland’s three themes, alongside equipping and transformation – by drawing on examples shared at the recent Anglican Primates Meeting in Canterbury.
Dr Clarke encouraged delegates to firstly connect with their own practical responsibilities. He highlighted exploitative mining practices in Ghana, deforestation in Kenya and the disappearance of small islands in the South Pacific as consequences of irresponsible consumption in the UK and Ireland.
Connecting with “the other” always involves “walking the second mile” and often without recognition or appreciation: “It’s not just doing what we have to do.” He noted how Christians facing hostility for their faith in Malaysia and Pakistan shared food and provided education and healthcare to their Muslim neighbours.
Finally, peace-making connects with the heart of the Gospel. “Very often we need to remind ourselves that the Cross can never be cheap and never can the Cross be ‘factory-made,’” he affirmed. “At the heart of all peace and reconciliation for all Christian people has to be the Cross.” It meant making “individual, difficult and risky” choices – as Jesus did – and a commitment to continuing for the long haul.
Local lessons
Bishop Abernethy spoke of how he witnessed sectarianism whilst growing up in East Belfast and how his commitment to reconciliation developed through meeting Catholic friends at Queen’s University. From his ministry in North Belfast, as Bishop of Connor, he noted that reconciliation is first and foremost relational; it involves helping people to tell their stories and being a prophetic voice into society: “We need our hearts changed in this country and I believe that the one person who can change that is Jesus.” The grace of God has “absolutely no bounds and no barriers.”
CMS Ireland’s Director, Jenny Smyth, thanked David Ford MLA, who hosted the event, and all speakers who shared their insights, including Mrs Myrtle Kerr (co-founder of the Christian Renewal Centre, Rostrevor) and Pádraig Ó Tuama (Leader of the Corrymeela Community). Mrs Smyth noted that the local Church is best placed to know the specific needs of communities and is often the only remaining institution in countries affected by conflict. Highlighting the construction of the new Freedom Bridge in Juba, South Sudan’s capital, she concluded: “We hope that the connections that we can make as God’s people will be connections that bring freedom.”
A set that transports the audience to another era - but no specific era, just that of the "generic past." But, in lieu of actual people moving about in the corridor upstairs, we have something that looks like multimedia screen projectors.
Posted by Second Life Resident Ina Centaur. Visit Shakespeare.
[Caption: Maulana Asghar Imam Mehndi Salafi, General Secretary, Jamiat e Ahle Hadith //
Anis Ansari, V.C. Khwaja Moinudddin Chishti Urdu Arabic Farsi University., Lucknow //
Farid Shaikh, Aman Committee, Mumbai //
Navaid Hamid, General Secretary, MOEMIN & Peoples’ Integration Council //
Nusrat Ali, General Secretary, Jamaat i Islami Hind //
Dr. Zafrul Islam Khan, President, All India Muslim Majlis e Mushawarat]
Muslim delegation meet Sonia Gandhi over Muslim-specific issues
twocircles.net/2014mar12/muslim_delegation_meet_sonia_gan...
Made myself some iPhone wallpaper for my 2 fav sports teams & 2 fav bands. If you happen to share the same tastes then feel free to use ;-) #notgonnabecommon
Salem United Church, Salem, Ontario, Canada.
OES
Members of the Order are aged 18 and older; men must be Master Masons and women must have specific relationships with Masons. Originally, a woman would have to be the daughter, widow, wife, sister, or mother of a master Mason, but the Order now allows other relatives[2] as well as allowing Job's Daughters, Rainbow Girls, Members of the Organization of Triangles (NY only) and members of the Constellation of Junior Stars (NY only) to become members when of age.
The Order was created by Rob Morris in 1850 when he was teaching at the Eureka Masonic College in Richland, Mississippi. While confined by illness, he set down the principles of the order in his Rosary of the Eastern Star. By 1855, he had organized a "Supreme Constellation" in New York, which chartered chapters throughout the United States.
In 1866, Dr. Morris started working with Robert Macoy, and handed the Order over to him while Morris was traveling in the Holy Land. Macoy organized the current system of Chapters, and modified Dr. Morris' Rosary into a Ritual.
On December 1, 1874, Queen Esther Chapter No. 1 became the first Prince Hall Affiliatechapter of the Order of the Eastern Star when it was established in Washington, D.C. by Thornton Andrew Jackson.[3]
The "General Grand Chapter" was formed in Indianapolis, Indiana on November 6, 1876. Committees formed at that time created the Ritual of the Order of the Eastern Star in more or less its current form.[4]
The emblem of the Order is a five-pointed star with the white ray of the star pointing downwards towards the manger. In the Chapter room, the downward-pointing white ray points to the West. The character-building lessons taught in the Order are stories inspired by Biblical figures:
Adah (Jephthah's daughter, from the Book of Judges)
Ruth, the widow from the Book of Ruth
Esther, the wife from the Book of Esther
Martha, sister of Mary and Lazarus, from the Gospel of Luke and the Gospel of John
Electa (the "elect lady" from II John), the mother
Order of the Eastern Star:
General Grand Chapter logo:
The Order of the Eastern Star is a Freemasonicappendant body open to both men and women. It was established in 1850 by lawyer and educator Rob Morris, a noted Freemason. The order is based on teachings from the Bible,[1] but is open to people of all religious beliefs. It has approximately 10,000 chapters in twenty countries and approximately 500,000 members under its General Grand Chapter.
Members of the Order are aged 18 and older; men must be Master Masons and women must have specific relationships with Masons. Originally, a woman would have to be the daughter, widow, wife, sister, or mother of a master Mason, but the Order now allows other relatives[2] as well as allowing Job's Daughters, Rainbow Girls, Members of the Organization of Triangles (NY only) and members of the Constellation of Junior Stars (NY only) to become members when of age.
History:
The Order was created by Rob Morris in 1850 when he was teaching at the Eureka Masonic College in Richland, Mississippi. While confined by illness, he set down the principles of the order in his Rosary of the Eastern Star. By 1855, he had organized a "Supreme Constellation" in New York, which chartered chapters throughout the United States.
In 1866, Dr. Morris started working with Robert Macoy, and handed the Order over to him while Morris was traveling in the Holy Land. Macoy organized the current system of Chapters, and modified Dr. Morris' Rosary into a Ritual.
On December 1, 1874, Queen Esther Chapter No. 1 became the first Prince Hall Affiliatechapter of the Order of the Eastern Star when it was established in Washington, D.C. by Thornton Andrew Jackson.[3]
The "General Grand Chapter" was formed in Indianapolis, Indiana on November 6, 1876. Committees formed at that time created the Ritual of the Order of the Eastern Star in more or less its current form.[4]
Emblem and heroines:
The emblem of the Order is a five-pointed star with the white ray of the star pointing downwards towards the manger. In the Chapter room, the downward-pointing white ray points to the West. The character-building lessons taught in the Order are stories inspired by Biblical figures:
Adah (Jephthah's daughter, from the Book of Judges)
Ruth, the widow from the Book of Ruth
Esther, the wife from the Book of Esther
Martha, sister of Mary and Lazarus, from the Gospel of Luke and the Gospel of John
Electa (the "elect lady" from II John), the mother
Officers
Officers representing the heroines of the order sit around the altar in the center of the chapter room.
Eastern Star meeting room:
There are 18 main officers in a full chapter:
Worthy Matron – presiding officer
Worthy Patron – a Master Mason who provides general supervision
Associate Matron – assumes the duties of the Worthy Matron in the absence of that officer
Associate Patron – assumes the duties of the Worthy Patron in the absence of that officer
Secretary – takes care of all correspondence and minutes
Treasurer – takes care of monies of the Chapter
Conductress – Leads visitors and initiations.
Associate Conductress – Prepares candidates for initiation, assists the conductress with introductions and handles the ballot box.
Chaplain – leads the Chapter in prayer
Marshal – presents the Flag and leads in all ceremonies
Organist – provides music for the meetings
Adah – Shares the lesson of Duty of Obedience to the will of God
Ruth – Shares the lesson of Honor and Justice
Esther – Shares the lesson of Loyalty to Family and Friends
Martha – Shares the lesson of Faith and Trust in God and Everlasting Life
Electa – Shares the lesson of Charity and Hospitality
Warder – Sits next to the door inside the meeting room, to make sure those that enter the chapter room are members of the Order.
Sentinel – Sits next to the door outside the chapter room, to make sure those that wish to enter are members of the Order.
Traditionally, a woman who is elected Associate Conductress will be elected to Conductress the following year, then the next year Associate Matron, and then next year as Worthy Matron. A man elected Associate Patron will usually be elected Worthy Patron the following year. Usually the woman who is elected to become Associate Matron will let it be known who she wishes to be her Associate Patron, so the next year they will both go to the East together as Worthy Matron and Worthy Patron. There is no male counterpart to the Conductress and Associate Conductress. Only women are allowed to be Matrons, Conductresses, and the Star Points (Adah, Ruth, etc.) and only men can be Patrons.
Once a member has served a term as Worthy Matron or Worthy Patron, they may use the post-nominal letters, PM or PP respectively.
Headquarters:
The International Temple in Washington, D.C.
Main article: International Temple
The General Grand Chapter headquarters, the International Temple, is located in the Dupont Circleneighborhood of Washington, D.C., in the former Perry Belmont Mansion. The mansion was built in 1909 for the purpose of entertaining the guests of Perry Belmont. This included Britain's Prince of Wales in 1919. General Grand Chapter purchased the building in 1935. The secretary of General Grand Chapter lives there while serving his or her term of office. The mansion features works of art from around the world, most of which were given as gifts from various international Eastern Star chapters.
Charities:
The Order has a charitable foundation[5] and from 1986-2001 contributed $513,147 to Alzheimer's disease research, juvenile diabetes research, and juvenile asthma research. It also provides bursaries to students of theology and religious music, as well as other scholarships that differ by jurisdiction. In 2000 over $83,000 was donated. Many jurisdictions support a Masonic and/or Eastern Star retirement center or nursing home for older members; some homes are also open to the public. The Elizabeth Bentley OES Scholarship Fund was started in 1947.[6][7]
Eureka Masonic College, also known as The Little Red Schoolhouse, birthplace of the Order of the Eastern Star
Signage at the Order of the Eastern Star birthplace, the Little Red Schoolhouse
Notable members
Clara Barton[8]
J. Howell Flournoy[9]
Eva McGown[10]
James Peyton Smith[11]
Lee Emmett Thomas[12]
Laura Ingalls Wilder[13]
H. L. Willis[14]
See also:
Achoth
Omega Epsilon Sigma
References:
^ "Installation Ceremony". Ritual of the Order of the Eastern Star. Washington, DC: General Grand Chapter, Order of the Eastern Star. 1995 [1889]. pp. 120–121.
^ "Eastern Star Membership". General Grand Chapter. Retrieved 2010-06-03. These affiliations include: * Affiliated Master Masons in good standing, * the wives * daughters * legally adopted daughters * mothers * widows * sisters * half sisters * granddaughters * stepmothers * stepdaughters * stepsisters * daughters-in-law * grandmothers * great granddaughters * nieces * great nieces * mothers-in-law * sisters-in-law and daughters of sisters or brothers of affiliated Master Masons in good standing, or if deceased were in good standing at the time of their death
^ Ayers, Jessie Mae (1992). "Origin and History of the Adoptive Rite Among Black Women". Prince Hall Masonic Directory. Conference of Grand Masters, Prince Hall Masons. Retrieved 2007-10-25.
^ "Rob Morris". Grand Chapter of California. Archived from the original on 2007-09-28. Retrieved 2007-10-01.
^ "OES Charities". Retrieved 2016-04-15.
^ "Elizabeth Bentley Order Of The Eastern Star Scholarship Award". Yukon, Canada. Retrieved 2009-11-05.
^ "Eastern Star has enjoyed long history". Black Press. Retrieved 2009-11-05. The Eastern Star Bursary, later named the Elizabeth Bentley OES Scholarship Fund, was started in 1947.[dead link]
^ Clara Barton, U.S. Nurse Masonic First Day Cover
^ "Sheriff 26 Years – J. H. Flournoy Dies," Shreveport Journal, December 14, 1966, p. 1
^ by Helen L. Atkinson at ALASKA INTERNET PUBLISHERS, INC
^ "James P. Smith". The Bernice Banner, Bernice, Louisiana. Retrieved September 13,2013.
^ "Thomas, Lee Emmett". Louisiana Historical Association, A Directory of Louisiana Biography (lahistory.org). Retrieved December 29, 2010.
^ Big Muddy online publications
^ "Horace Luther Willis". The Alexandria Daily Town Talk on findagrave.com. Retrieved July 25, 2015.
Official website:
Eastern Star Organizations at DMOZ
Pride of the North Chapter Number 61, Order of the Eastern Star Archival Collection, located at Shorefront Legacy Center, Evanston, Illinois, USA.
Canyon Lake, Tonto Nat'l Forest
I really enjoyed picking out specific parts of the canyon wall with the 180mm! The late afternoon light was good but I wish I had a C-PL filter that fits this lens...
In geology, "landslides" are referred to as mass wasting. There are many specific types of mass wasting including mudflows, debris flows, earth flows, rock falls, debris falls, rock slides, debris slides, lahars, avalanches, solifluction, slump, and creep.
This small landslide occurred on a mostly non-vegetated, moderately steep creek bank. The cut consists of weathered dark mudshales of the Lowellville Shale (Lower Pennsylvanian). This landslide is recent. I visited this site in fall 2015, and no landslide was present. This photo was taken in May 2018. Long rain events had occurred in Ohio prior to this visit - the landslide may have occurred 1 or 2 weeks before this.
The landslide may not be entirely natural. The cut is adjacent to an artificial dam and may have been involved in dam-building activity long ago.
Stratigraphy: Lowellville Shale, Pottsville Group, upper Lower Pennsylvanian
Location: Beach City Dam outcrop - exposure on the southern side of Sugar Creek, immediately downstream from Beach City Dam, northern Franklin Township, northwestern Tuscarawas County, northeastern Ohio, USA (40° 38’ 06.71” North latitude, 81° 33’ 21.80” West longitude)
PrintOclock - Tarifs et dlais de choc
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SPECIFIC INFO:
GENERAL INFO: St. Patrick's Parade day at P.J.'s Lager House, Corktown, Detroit, Sunday, March 13, 2011. Photographs by Donna Terek, 313-598-0179
The Final Day of Racing At Brands Hatch for The Superprix Weekend and After a Really Busy and Scattered Set Of Races The Previous day it was time to see which of the Drivers could Brave the Circuit One Last Time and Take Home Either a Championship Win or a Victory in their Specific Race.
Lets Get Straight to the Results.
Classic Formula Ford/Historic Formula 3 (Race 2 Result)
Classic Formula Ford and Historic Formula 3 Were up First and it was Time to see who could be The one to take the Checkered Flag First when they crossed the Line.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with a Lap Time of 1:39.257 and a Top Speed of 86.59mph. A Fantastic Victory Cameron Showing Incredible Car Control and Commitment to Win the Race.
In Second Place was (Ben Tinkler) in his Van Diemen RF80 with a Lap Time of 1:39.986 and a Top Speed of 85.77mph. A Really Great Drive from Ben to stay so close to Cameron and Keep Him on his toes the entire Time while Fighting for the Lead of the Race.
In Third Place was (Jordan Harrison) in his Lola T540E with a Lap Time of 1:39.994 and a Top Speed of 85.54mph. A Really Wonderfully Deserved Third Place for Jordan Pushing that Lola for everything it Has got to gain Third Place. Well Done.
Three Fantastically Fast Drivers all with Incredible Speed and Talent Showcasing The Best of what they Bring to Brands Hatch Every Year. An Amazing Last Race to Witness. Congratulations to The Race Winner and Keep Trying Hard Everyone Else.
HGPCA Pre 66 Grand Prix Cars (Race 20)
Next It was The Historic Grand Prix Cars and with a Massive Turn out for them it looks like Another Cracking Race to see from Start till Finish. Lets see who came out on Top.
In First Place was (Sam Wilson) in his Lotus 18 with a Lap Time of 1:39.384 and a Top Speed of 86.55mph. Amazing Work Sam Showing Colin Chapman How it Should be Done. He would have been Proud to Witness that Victory.
In Second Place was (Peter Horsman) in his Lotus 18/21 with a Lap Time of 1:41.296 and A Top Speed of 84.90mph. A Fantastic Drive by Peter to take Second Place in the Race.
In Third Place was (Miles Griffiths) in his Scarab Offenhauser with A Lap Time of 1:41.501 and A Top Speed of 84.38mph A Really Good Job there Miles Almost Matching Lap Times with Peter and Showing Some Incredible Car Control during The Race.
Another Fantastic Race for The Historic Grand Prix Cars and a Huge Congratulations to Sam for Taking Victory in the Last Race. Avery Well Done to Both Peter and Miles as well.
HSCC 70's Road Sports (Race 19)
Historic Road Sports took to the Track next and with some Legendary Cars from the Likes of Lotus Morgan and TVR it was Time to see who Had Stormed to Victory in the Last Race and Taken the Victory.
In First Place was (William Plant) in his Morgan Plus 8 with A Lap Time of 1:45.768 and A Top Speed of 70.67mph. Congratulations William on the Victory it was so Good to See a Morgan Take First Place while Watching this Exciting Race. An Amazing Drive.
In Second Place was (Jim Dean) in his Lotus Europa with A Lap Time of 1:46.411 and A Top Speed of 70.66mph. Another Incredible Drive from Jim to Take Second Place. Well Done
In Third Place was (Richard Plant) in his Morgan Plus 8 with A Lap Time of 1:47.697 and a Top Speed of 70.31mph. A Very Committed Drive from Richard and a Fantastic Third Place Finish that I'm sure the Whole Family will be Proud of.
Fantastic Racing from the 70's Road Sports to Finish the Days Racing for them Congratulations to William, Jim and Richard. Hope to see you Three Battling it out Again Soon.
Aurora Trophy With Geoff Lees Trophy
The Arora Trophy Roared onto the Grand Prix Circuit Next with Powerful V8 Engines thease Racing Cars could make the Ground Shake as they Thunder their way around the Race Track. Lets see who Managed to take that All Important Victory for their Final Race.
In First Place was (Martin Stretton) in his March 712 with a Lap Time of 1:25.976 and A Top Speed of 101mph. A Very Brave and Committed drive from Martin to Take Victory, Really Pushing the March to its Limits and hanging onto the Lead thought the Race.
In Second Place was (Mathew Wrigley) in his March 782 with a Lap Time of 1:25.127 and A Top Speed of 100.96mph. Another Incredible Driver Taking his Machinery to New heights and Keeping the March Name Alive in Historic Racing. Amazing Work Mathew.
In Third Place was (Samuel Harrison) in his Dallara 389 with A Lap Time of 1:29.552 and A Top Speed of 95.04mph. Amazing work Sam showing Insane Car Control even when Racing so Fast and for such A Long Time. Congratulations.
Another Amazing Race to Keep the Day going and showing the Amazing work that Each Team Does to ensure that their Driver and His Car are Ready to go. Well Done to all of the Teams and to the First Second and Third Place Winners as well. Looking Forward To seeing more Action this Year from the Aurora Trophy.
Guards Trophy (Race 21)
Next Up Guards Trophy with Another Range of Racing Machines from the Likes of Brabham Chevron and Lotus Lets see what will Happen and Who will be able to Drive their way to Victory in This Race.
In First Place was (Andy Newall) in his Chevron B6 with A Lap Time of 1:38.258 and A Top Speed of 83.84mph. Very Well Driven and Raced by Andy Showcasing the Power of the Chevron and taking it too its Limits in terms of Raw Speed and Performance.
In Second Place was the Duo of (Jackson S and Jackson C) in their Lenham P70 with A Lap Time of 1:38.008 and A Top Speed of 83.45mph. Fantastic Work to The Two Jacks who Really showed what Working Together Can Achieve during A Race. Well Done
In Third Place was the Duo of (Mitchell W and Mitchell B) in their Chevron B8 with A Lap Time of 1:38.368 and A Top Speed of 82.49mph. Another Amazing Duo who Have Taken Third Place and Kept the Fight Alive in their Respective Championship. Amazing work.
A Fantastic Race for the Guards Trophy Showing the Power of Each Race Car and what they Are Capable of When put into The Hands of the Right Drivers. Congratulations to Andy Mitchell W and Mitchell B as well as Jackson S and Jackson C for putting on One Hell of a Race. Keep up the Good Work Everyone Else and Never Stop Fighting for your Own Victories.
Historic Formula Ford (Race 16)
Next Up was Historic Formula Ford and some very Twitchy and Tricky Cars to be Driven Round the Circuit at Hight Speed. With Light Weight Chassis and Small Cockpits this was going to be a Very Exciting Race to Watch. Lets see who Came out Best of the Rest.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with A Lap Time of 1:38.596 and A Top Speed of 87.95mph. Another Incredible Drive From Cameron to Take Victory and show what A Truly Committed and Self Determined Driver is. He is an Inspiration to All Up Coming Formula Ford Racers.
In Second Place was (Tom Macarthur) in his Titan MK3 with A Lap Time of 1:38.484 and A Top Speed of 87.94mph. Another Really Brave and Heroic Driver Pushing His Formula Ford to its Limits and Keeping his Eye's on the Race Track. Amazing Work Tom.
In Third Place was (Horatio Fitzsimon) in his Merlin MK20A with A Lap Time of 1:38.513 And A Top Speed of 87.90mph. Very Well Done Horatio Fantastic Driving and A Well Deserved Third Place.
An Amazing Final Heat Race for the Formula Fords with Everyone Pushing As Hard as they Could for Victory. Keep Working Hard Everyone and Congratulations to Cameron Tom and Horatio.
Historic Road Sports (Race 17)
Historic Road Sports Next and it was Time to see what Each Driver could do in their Respective Race Car. Lets see how things Stacked up and who Came out on Top in the Race.
In First Place was (Kevin Kivlochan) in his AC Cobra with a Lap Time of 1:46.891 and A Top Speed of 72.19mph. What A Drive From Kevin to Take Victory Keeping that Cobra Far Ahead of the Rest of the Pack and Taking A Dominant Victory. Carol Shelby would have Loved to See That.
In Second Place was (John Davidson) in his Lotus Elan S1 with A Lap Time of 1:46.052 And A Top Speed of 72.16mph. Amazing Work John Keeping that Lotus on the Tarmac and Putting on One Hell of a Race for Everyone. Amazing Job.
In Third Place was (Rupert Ashdown) in his Lotus Elan S1 with A Lap Time of 1:47.481and A Top Speed of 71.61mph. Another Incredible Drive by Rupert Taking Third Place Very Well Deserved.
Historic Road Sports putting on Another Superb Race for the Season and Congratulations to Kevin John and Rupert on their Victories. Hope to see More of that This Year and Good Luck to Everyone Else Racing too.
Historic Touring Cars (Race 22)
The Final Race of The Day was Here and The Historic Touring Car Club did not Disappoint with Lotus Cortina's Mini Cooper S's and Ford Mustangs This was going to be a Final Battle of Titans. Lets See Who Managed to Take that Last Checkered Flag of the Day.
In First Place was (Steve Soper) in his Ford Mustang with A Lap Time of 1.47.084 and A Top Speed of 71.51mph. Awesome Drive Steve Fantastic to see that He Still has it in him After all The Years of Racing.
In Second Place was (Rob Fen) in his Ford Mustang with A Lap Time of 1:49.031 and A Top Speed of 70.93mph. Amazing Work Rob Pushing that Mustang Far and Wide to Hang onto that Second Place. Excellent Drive.
In Third Place was (Mark Martin in his Ford Lotus Cortina with A Lap Time of 1:49.905 and A Top Speed of 70.70mph. Very Well Done Mark Great Driving and Even a Wheel in the Air on Some Occasions Heading onto the Grand Prix Loop. What A Sight that Was to See.
And With that The Days Events came to an End for another year of Superprix Racing at Brands Hatch Amazing work to all of the Organisers and Race Drivers who took Part and Congratulations once again to all of the Race Winners. Keep Fighting Keep Wining and I'm Sure we will do it All Again Next Year.
Specific gemstones and metals are prescribed by Vedic Astrologers to appease the planets and their energies in one's chart. 'Jyoti' is Sanskṛt for light, so Joytish is the study of light, specifically the heavenly bodies.
Beginning October 23, 2010, MASS MoCA will present a new site-specific sculpture by Prague-based artist Federico Díaz. Created from 420,000 black spheres precisely milled and assembled by robotic machines, the 50-feet long by 20-feet high sculpture, Geometric Death Frequency-141, will fill MASS MoCA's entrance courtyard with a fragmented wave seemingly caught between movement and stasis.
Architecture critic and curator Jeff Kipnis calls Diaz's work "re-origination," comparing it to the making of a book into a film. In one sense the film represents the book, yet does so in an entirely new medium, and through this becomes something completely different. In the case of Geometric Death Frequency-141, the "book" is a digital photograph of the museum's clocktower entry courtyard as taken by the artist, which the artist then transforms into pure data, and modulates using analytical and fluid dynamic modeling techniques, finally rendering the data stream into a three-dimensional sculpture using state-of-the-art computer-aided manufacturing methodologies. The new work thus combines elements of photographic manipulation, data analysis, and computer programming, utilizing new techniques to produce a sculpture completely untouched by human hands.
Visually, Geometric Death Frequency-141 combines Diaz's interest in the built environment, deep natural forces such as cellular growth, physics and fluid dynamics to create a massive wave confined within an invisible 50 by 20-foot tank that penetrates the wall of MASS MoCA's lobby from the exterior of the museum's main entrance courtyard. As the wave hits imaginary boundaries, it splashes back and up as high as the second storey galleries of the museum.
An interior installation of one of the robotic machines used to manufacture the work will accompany Díaz's presentation at MASS MoCA. The robot will assemble additional spheres to be later added to the massive sculpture, providing viewers with the opportunity to experience the process by which Geometric Death Frequency-141 is created. The Díaz-developed process is unique-in addition to utilizing modern computer-aided manufacturing techniques, pure data and algorithms based on particle physics are the guiding forces behind the sculpture's shape, texture and size.
MASS MoCA's courtyard, where the natural elements of Natalie Jeremijenko's Tree Logic and a mature blaze maple specimen tree are presented within the industrial confines of MASS MoCA's architecture, provides an ideal ground for Díaz's site-specific creation in which a lifeless, manmade vehicle transforms data into a tangible, material creation (the sculpture).
Artist Federico Díaz comments, "Creating a unique object, which transformed the museum into a new form of algorithmic architecture was a fascinating journey full of unforgettable emotions."
Director of MASS MoCA Joseph C. Thompson comments, "Federico is, in a way, the ultimate shape-shifter, but his works are always deeply rooted in physical reality. In this instance Federico has 'deconstructed' a photographic image of our entrance courtyard. Taking the digital bits and bytes which define the location, depth, and color of the pixels from the photographic image, Federico rearranges them thru the artful application of the laws of fluid dynamics. The three-dimensional black spheres that make up this work are in some ways distant relatives of the pixels of that original, two-dimensional photograph, but instead of being transcribed into a flat image as micro dots of ink on paper, here they well up into great waves that crash against the very walls of their original subject matter. There is something alchemical or magical about it: The bricks and mullions and windows of our buildings become files of digital data, the pixels become black spheres meticulously cut, stacked and assembled, the courtyard becomes and contains sculpture - and all the while Federico remains behind the curtain, as if to say 'look ma, no hands.' If data manipulation sounds dry, this work helps show that data too can fluctuate between stasis and movement, permanence and change, fullness and utter emptiness."
@samanthawpgcom has a special #coupon #code for 50% off Wigaholics4u just in time for #Halloween when your checking out put my special the #promocode #VisualEyeCandy50 & get 50% off your purchase today! (non-premium is not applicable) www.wigaholics.com
www.wigaholics.com/curliscious-harley-black-red
I received this wonderful wig for my cosplay model work and comic con adventures, It's nice starter wig if you have never owned a wig before. Wigaholics is affordable and comes with 4 different products to help style and maintain your wig for cosplay or regular wear. There's a nice paddle brush with bobby pins, wig cap, portable & collapsible wig stand all included with purchase of any wig off the site. This specific wig called curliscious harley black\red with clip in pony tails with sewin in clamping clips and elastic to make your look complete with the extra bonus pony tails. The wig is synthetic fibres and is very soft and doesn't shed to much easy to wear and looks super nice on. I have purchased other wigs the quality is not to bad looks and feels good on if styling with heated styling tool recommend temp up to 248°F/120°C.
winnipegbodypainting.blogspot.ca/2016/09/put-promo-code-visualeyecandy50-get-50.html
The patrol race, specific to the cadet program, is tailor-made for cadets, because it puts more emphasis on teamwork, and on the interdependence between both teammates. Although they have to cover the ski loop at the same pace, they can also take advantage of each other's strengths on the shooting range and in the penalty loops. Indeed, the teammate who has the most difficulty to hit targets, can count on the other to complete the work by hitting his or her targets in crossfire. In addition, if they must ski penalty loops because of missed targets, the one with the greater physical endurance can perform loops, thus giving a break to the other teammate. Or they may share the task. Real teamwork!
President Van Rompuy has also met with the Prime Minister of Malaysia Najib Tun Razak to discuss specific topics.
A site-specific theater piece based on a classical Persian theatrical procession and performance.
Director: Nikoo Mamdoohi
Dramaturg: Ifa Bayeza
Music Director: Sabrina Victor
Costume Designer: Richard Nguyen
Sound Designer: James Busker
Stage Manager: Liz Diamond
Assistant Director: Urgyen Joshi
Assistant Dramaturgs: Jerry Ng and Afrikah Smith
Assistant Costume Designer: Elizabeth Ponce
Assistant Stage Manager: Maeve Connolly
Cultural Advisor: Mohammad Ghadiri
Photo by Jon Crispin. Do not reuse without permission.
'Linked' by Graeme Miller is a permanent site-specific sound art project, broadcast from transmitters positioned along the route of the M11 Link Road (now the A12). It is accessed by walking from Wanstead to Leyton with a dedicated radio receiver to pick up the broadcasts of recorded testimonies from residents of some of the houses which were demolished to build the road.
www.artsadmin.co.uk/projects/linked
A partial walk undertaken as part of a focus group for Sarah Wishart's research: www.sarahwishart.co.uk
ℹ️ A Turkish march in Italian, marcia alla turca is a march written by a classical composer in the Turkish style that includes particular rhythmic patterns and often features piccolos, cymbals, bass drums and triangles.
Turkish March may refer to the following specific pieces of classical music:
- Turkish March, the fourth movement from Beethoven's The Ruins of Athens
- Turkish Rondo, or Rondo alla Turca, the third movement from Mozart's Piano Sonata No. 11
- A section of Beethoven's Symphony No. 9, which is written in the style of a Turkish march
The last movement, marked Alla turca, popularly known as the "Turkish Rondo" or "Turkish March", is often heard on its own and is one of Mozart's best-known piano pieces.
Mozart himself titled the rondo "Alla turca". It imitates the sound of Turkish Janissary bands, the music of which was much in vogue at that time.
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📋 Licence Music: The music used is not copyright free, all rights belong to the rights holders.
➡️ Original Video: youtu.be/NJdzGLK3gfc
♾️ The links:
- For Music (🎵) = COPY & PASTE [---]
- For Video (🎥) = COPY & PASTE [~~~]
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✔️ Download Etoile: www.dropbox.com/sh/zv1o8neqy5zwib1/AADYSR_vsvqIp1phalPUDh...
--- ~~~🎵 MUSIC 🎥 VIDEO:
👸 Yuja Wang
📌 Spotify: open.spotify.com/artist/7HUNjWo242UAVHZvj9zk4w
📌 Youtube: www.youtube.com/channel/UCkbdTxf3Rrfl5Nr2rEgndkg
📌 Soundcloud: soundcloud.com/yujawang
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📌 Website: yujawang.com
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🎥 VIDEO EDITING (Repost):
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🎼Music promoted by eMotion:
📼Video Link: youtu.be/m4-ocS70Ymo
📋WHAT ? 🔽
🌟Yuja Wang - Turkish March
💫Piano Music World
🌌Creative Common Music
✨Music Universe (🎵)
📝Type : 🎵Music (🔊 Instrumental) (Not Creative Common)
🎻 Classical Music 🇦🇹 Austrian Music
🎺 Musical Instruments : 🎹 Piano
🔊 Language: ️ International (🇬🇧 description in English)
WHO ? 🔽
🎵 Music composed by Mozart
🎹 Pianist Yuja Wang
📡 Posted by Vak Karapetian
📡 RePosted by Laurent Guidali
🌅 Thumbnail by Laurent Guidali
️ Video by ?
📍WHERE ? 🔽
🇦🇹 Austria [Music]
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? [Location]
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🎆 1783 [Music]
🎆 2018 [Video Original]
🎆 2022 [eMotion Video]
💌 Contact : emotionetoilecontact@gmail.com
🔖 React with official Hashtags :
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This amused me, he's specific in that he wants a vivacious lady, who enjoys wearing heels, but he's really not fussed about ethinicity, which is nice.
By London area, I suspect he means Guildford. People that are from Guildford say that they're from London.
A further tour to Fourvière, Lyon, France for a specific visit of l'Antiquaille on October 20, 2022. I did also a new Kodak Tri-X film with my Zorki-4K camera and its Jupiter-8 1:2 f=50 mm normal lens.
The Zorki was loaded with the Kodak Tri-X (TX) exposed for 400 ISO using a Minolta Autometer III lightmeter fitted with a 10° viewfinder for selective measuring privileging the shadows. After exposure the film was processed at 20°C using Tetenal Ultrafin developer at dilution 1+10 for 9min.
L'Antiquaille, cachot de Saint Pothin, October 20, 2022
Montée Saint-Barthélémy
69005 Lyon
France
After process the film was digitalized using a Sony A7 body and a Minolta Slide Duplicator with a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5.
After several films, and the range finder adjusted, I found the Zorki-4K very pleasant to use. The camera is clearly very reliable and the film smoothly advanced and rewound. I equipped the lens with a FOCA UV-protection filter (Made in France) and the hood of my Focaflex. All views are presented either framed or full-size.
About the camera :
This camera was manufactured in 1977 by KMZ company ( Красногорский механический завод, Krasnogorskiy Mechanicheskiy Zavod) located in the Moscow region. KMZ also manufactured the ZENIT SLR's among many other productions. Zorki 4K was produced between 1972 to 1978 and the previous Zorki models were inspired by the Leica II since 1949. This model 'Made in USSR" is branded in roman characters, intentionally for exportation. Other Zorki 4K were also branded in Cyrillic as "Зоркий". Zorki 4K was sold basically either with this Jupiter-8 lens 1:2 f=50mm or the Industar lens1:3.5 f=50mm. The Jupiter-8 is a Sonnar Zeiss optical formula and fits to the Zorki body using the screwing M39 Leica mount.
Its was sold to me in August 2022 from Austria with its original ever-ready leather bag, a front lens cap and a small shade hood accessory Minolta D42KA. The shade hood and filter of my Focaflex also fit to the Jupiter lens (Leica standard 42 mm filter)
The Final Day of Racing At Brands Hatch for The Superprix Weekend and After a Really Busy and Scattered Set Of Races The Previous day it was time to see which of the Drivers could Brave the Circuit One Last Time and Take Home Either a Championship Win or a Victory in their Specific Race.
Lets Get Straight to the Results.
Classic Formula Ford/Historic Formula 3 (Race 2 Result)
Classic Formula Ford and Historic Formula 3 Were up First and it was Time to see who could be The one to take the Checkered Flag First when they crossed the Line.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with a Lap Time of 1:39.257 and a Top Speed of 86.59mph. A Fantastic Victory Cameron Showing Incredible Car Control and Commitment to Win the Race.
In Second Place was (Ben Tinkler) in his Van Diemen RF80 with a Lap Time of 1:39.986 and a Top Speed of 85.77mph. A Really Great Drive from Ben to stay so close to Cameron and Keep Him on his toes the entire Time while Fighting for the Lead of the Race.
In Third Place was (Jordan Harrison) in his Lola T540E with a Lap Time of 1:39.994 and a Top Speed of 85.54mph. A Really Wonderfully Deserved Third Place for Jordan Pushing that Lola for everything it Has got to gain Third Place. Well Done.
Three Fantastically Fast Drivers all with Incredible Speed and Talent Showcasing The Best of what they Bring to Brands Hatch Every Year. An Amazing Last Race to Witness. Congratulations to The Race Winner and Keep Trying Hard Everyone Else.
HGPCA Pre 66 Grand Prix Cars (Race 20)
Next It was The Historic Grand Prix Cars and with a Massive Turn out for them it looks like Another Cracking Race to see from Start till Finish. Lets see who came out on Top.
In First Place was (Sam Wilson) in his Lotus 18 with a Lap Time of 1:39.384 and a Top Speed of 86.55mph. Amazing Work Sam Showing Colin Chapman How it Should be Done. He would have been Proud to Witness that Victory.
In Second Place was (Peter Horsman) in his Lotus 18/21 with a Lap Time of 1:41.296 and A Top Speed of 84.90mph. A Fantastic Drive by Peter to take Second Place in the Race.
In Third Place was (Miles Griffiths) in his Scarab Offenhauser with A Lap Time of 1:41.501 and A Top Speed of 84.38mph A Really Good Job there Miles Almost Matching Lap Times with Peter and Showing Some Incredible Car Control during The Race.
Another Fantastic Race for The Historic Grand Prix Cars and a Huge Congratulations to Sam for Taking Victory in the Last Race. Avery Well Done to Both Peter and Miles as well.
HSCC 70's Road Sports (Race 19)
Historic Road Sports took to the Track next and with some Legendary Cars from the Likes of Lotus Morgan and TVR it was Time to see who Had Stormed to Victory in the Last Race and Taken the Victory.
In First Place was (William Plant) in his Morgan Plus 8 with A Lap Time of 1:45.768 and A Top Speed of 70.67mph. Congratulations William on the Victory it was so Good to See a Morgan Take First Place while Watching this Exciting Race. An Amazing Drive.
In Second Place was (Jim Dean) in his Lotus Europa with A Lap Time of 1:46.411 and A Top Speed of 70.66mph. Another Incredible Drive from Jim to Take Second Place. Well Done
In Third Place was (Richard Plant) in his Morgan Plus 8 with A Lap Time of 1:47.697 and a Top Speed of 70.31mph. A Very Committed Drive from Richard and a Fantastic Third Place Finish that I'm sure the Whole Family will be Proud of.
Fantastic Racing from the 70's Road Sports to Finish the Days Racing for them Congratulations to William, Jim and Richard. Hope to see you Three Battling it out Again Soon.
Aurora Trophy With Geoff Lees Trophy
The Arora Trophy Roared onto the Grand Prix Circuit Next with Powerful V8 Engines thease Racing Cars could make the Ground Shake as they Thunder their way around the Race Track. Lets see who Managed to take that All Important Victory for their Final Race.
In First Place was (Martin Stretton) in his March 712 with a Lap Time of 1:25.976 and A Top Speed of 101mph. A Very Brave and Committed drive from Martin to Take Victory, Really Pushing the March to its Limits and hanging onto the Lead thought the Race.
In Second Place was (Mathew Wrigley) in his March 782 with a Lap Time of 1:25.127 and A Top Speed of 100.96mph. Another Incredible Driver Taking his Machinery to New heights and Keeping the March Name Alive in Historic Racing. Amazing Work Mathew.
In Third Place was (Samuel Harrison) in his Dallara 389 with A Lap Time of 1:29.552 and A Top Speed of 95.04mph. Amazing work Sam showing Insane Car Control even when Racing so Fast and for such A Long Time. Congratulations.
Another Amazing Race to Keep the Day going and showing the Amazing work that Each Team Does to ensure that their Driver and His Car are Ready to go. Well Done to all of the Teams and to the First Second and Third Place Winners as well. Looking Forward To seeing more Action this Year from the Aurora Trophy.
Guards Trophy (Race 21)
Next Up Guards Trophy with Another Range of Racing Machines from the Likes of Brabham Chevron and Lotus Lets see what will Happen and Who will be able to Drive their way to Victory in This Race.
In First Place was (Andy Newall) in his Chevron B6 with A Lap Time of 1:38.258 and A Top Speed of 83.84mph. Very Well Driven and Raced by Andy Showcasing the Power of the Chevron and taking it too its Limits in terms of Raw Speed and Performance.
In Second Place was the Duo of (Jackson S and Jackson C) in their Lenham P70 with A Lap Time of 1:38.008 and A Top Speed of 83.45mph. Fantastic Work to The Two Jacks who Really showed what Working Together Can Achieve during A Race. Well Done
In Third Place was the Duo of (Mitchell W and Mitchell B) in their Chevron B8 with A Lap Time of 1:38.368 and A Top Speed of 82.49mph. Another Amazing Duo who Have Taken Third Place and Kept the Fight Alive in their Respective Championship. Amazing work.
A Fantastic Race for the Guards Trophy Showing the Power of Each Race Car and what they Are Capable of When put into The Hands of the Right Drivers. Congratulations to Andy Mitchell W and Mitchell B as well as Jackson S and Jackson C for putting on One Hell of a Race. Keep up the Good Work Everyone Else and Never Stop Fighting for your Own Victories.
Historic Formula Ford (Race 16)
Next Up was Historic Formula Ford and some very Twitchy and Tricky Cars to be Driven Round the Circuit at Hight Speed. With Light Weight Chassis and Small Cockpits this was going to be a Very Exciting Race to Watch. Lets see who Came out Best of the Rest.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with A Lap Time of 1:38.596 and A Top Speed of 87.95mph. Another Incredible Drive From Cameron to Take Victory and show what A Truly Committed and Self Determined Driver is. He is an Inspiration to All Up Coming Formula Ford Racers.
In Second Place was (Tom Macarthur) in his Titan MK3 with A Lap Time of 1:38.484 and A Top Speed of 87.94mph. Another Really Brave and Heroic Driver Pushing His Formula Ford to its Limits and Keeping his Eye's on the Race Track. Amazing Work Tom.
In Third Place was (Horatio Fitzsimon) in his Merlin MK20A with A Lap Time of 1:38.513 And A Top Speed of 87.90mph. Very Well Done Horatio Fantastic Driving and A Well Deserved Third Place.
An Amazing Final Heat Race for the Formula Fords with Everyone Pushing As Hard as they Could for Victory. Keep Working Hard Everyone and Congratulations to Cameron Tom and Horatio.
Historic Road Sports (Race 17)
Historic Road Sports Next and it was Time to see what Each Driver could do in their Respective Race Car. Lets see how things Stacked up and who Came out on Top in the Race.
In First Place was (Kevin Kivlochan) in his AC Cobra with a Lap Time of 1:46.891 and A Top Speed of 72.19mph. What A Drive From Kevin to Take Victory Keeping that Cobra Far Ahead of the Rest of the Pack and Taking A Dominant Victory. Carol Shelby would have Loved to See That.
In Second Place was (John Davidson) in his Lotus Elan S1 with A Lap Time of 1:46.052 And A Top Speed of 72.16mph. Amazing Work John Keeping that Lotus on the Tarmac and Putting on One Hell of a Race for Everyone. Amazing Job.
In Third Place was (Rupert Ashdown) in his Lotus Elan S1 with A Lap Time of 1:47.481and A Top Speed of 71.61mph. Another Incredible Drive by Rupert Taking Third Place Very Well Deserved.
Historic Road Sports putting on Another Superb Race for the Season and Congratulations to Kevin John and Rupert on their Victories. Hope to see More of that This Year and Good Luck to Everyone Else Racing too.
Historic Touring Cars (Race 22)
The Final Race of The Day was Here and The Historic Touring Car Club did not Disappoint with Lotus Cortina's Mini Cooper S's and Ford Mustangs This was going to be a Final Battle of Titans. Lets See Who Managed to Take that Last Checkered Flag of the Day.
In First Place was (Steve Soper) in his Ford Mustang with A Lap Time of 1.47.084 and A Top Speed of 71.51mph. Awesome Drive Steve Fantastic to see that He Still has it in him After all The Years of Racing.
In Second Place was (Rob Fen) in his Ford Mustang with A Lap Time of 1:49.031 and A Top Speed of 70.93mph. Amazing Work Rob Pushing that Mustang Far and Wide to Hang onto that Second Place. Excellent Drive.
In Third Place was (Mark Martin in his Ford Lotus Cortina with A Lap Time of 1:49.905 and A Top Speed of 70.70mph. Very Well Done Mark Great Driving and Even a Wheel in the Air on Some Occasions Heading onto the Grand Prix Loop. What A Sight that Was to See.
And With that The Days Events came to an End for another year of Superprix Racing at Brands Hatch Amazing work to all of the Organisers and Race Drivers who took Part and Congratulations once again to all of the Race Winners. Keep Fighting Keep Wining and I'm Sure we will do it All Again Next Year.
This site specific house was designed with the desire to maximise privacy and the natural sun path to the rear of the site. The barn / cluster concept of the design gives the design a rural quality whilst retaining a contemporary feel for the dwelling. Large sliding windows give good light to the main living spaces. The house creates a quiet garden area to the rear which is south facing maximising sunshine and heat gained by the windows.
Training Properly With Us Using A Spirotiger Will Increase Your Lung Capacity
and Overall Performance in Weeks
SPORT SPECIFIC BREATHING FOR HOCKEY
•Improved Physical Performance—Longer High Intensity Shifts
•Shorter Recovery Times During the Game—Less Time on Bench
•Strengthening of the Neck, Core, and Back Muscles
•Reduced Recovery Time between Games/Training Sessions
•Maintenance Training during breaks in Competition and Injury
•Reduced Dyspnea (difficult or labored breathing)
SPIROTIGER HEALTH BENEFITS
•Better Quality of Life
•Increase Mobility of Thoracic Spine & Costovertebral Joints
•Enlarge Vital Capacity by .5 to 1 liter in 10 weeks
•Increase Strength of main Stability muscle: Diaphragm
•Shorter Recovery Time during and after Competition/Training
•Increase Strength, Coordination (Speed), & Endurance of Respiratory System
•Substantial Improvement in Endurance and Performance
•Increase Strength in Core, Back, & Neck muscles
•Plus more heath benefits…
Respiratory Training for the Next Level
The Final Day of Racing At Brands Hatch for The Superprix Weekend and After a Really Busy and Scattered Set Of Races The Previous day it was time to see which of the Drivers could Brave the Circuit One Last Time and Take Home Either a Championship Win or a Victory in their Specific Race.
Lets Get Straight to the Results.
Classic Formula Ford/Historic Formula 3 (Race 2 Result)
Classic Formula Ford and Historic Formula 3 Were up First and it was Time to see who could be The one to take the Checkered Flag First when they crossed the Line.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with a Lap Time of 1:39.257 and a Top Speed of 86.59mph. A Fantastic Victory Cameron Showing Incredible Car Control and Commitment to Win the Race.
In Second Place was (Ben Tinkler) in his Van Diemen RF80 with a Lap Time of 1:39.986 and a Top Speed of 85.77mph. A Really Great Drive from Ben to stay so close to Cameron and Keep Him on his toes the entire Time while Fighting for the Lead of the Race.
In Third Place was (Jordan Harrison) in his Lola T540E with a Lap Time of 1:39.994 and a Top Speed of 85.54mph. A Really Wonderfully Deserved Third Place for Jordan Pushing that Lola for everything it Has got to gain Third Place. Well Done.
Three Fantastically Fast Drivers all with Incredible Speed and Talent Showcasing The Best of what they Bring to Brands Hatch Every Year. An Amazing Last Race to Witness. Congratulations to The Race Winner and Keep Trying Hard Everyone Else.
HGPCA Pre 66 Grand Prix Cars (Race 20)
Next It was The Historic Grand Prix Cars and with a Massive Turn out for them it looks like Another Cracking Race to see from Start till Finish. Lets see who came out on Top.
In First Place was (Sam Wilson) in his Lotus 18 with a Lap Time of 1:39.384 and a Top Speed of 86.55mph. Amazing Work Sam Showing Colin Chapman How it Should be Done. He would have been Proud to Witness that Victory.
In Second Place was (Peter Horsman) in his Lotus 18/21 with a Lap Time of 1:41.296 and A Top Speed of 84.90mph. A Fantastic Drive by Peter to take Second Place in the Race.
In Third Place was (Miles Griffiths) in his Scarab Offenhauser with A Lap Time of 1:41.501 and A Top Speed of 84.38mph A Really Good Job there Miles Almost Matching Lap Times with Peter and Showing Some Incredible Car Control during The Race.
Another Fantastic Race for The Historic Grand Prix Cars and a Huge Congratulations to Sam for Taking Victory in the Last Race. Avery Well Done to Both Peter and Miles as well.
HSCC 70's Road Sports (Race 19)
Historic Road Sports took to the Track next and with some Legendary Cars from the Likes of Lotus Morgan and TVR it was Time to see who Had Stormed to Victory in the Last Race and Taken the Victory.
In First Place was (William Plant) in his Morgan Plus 8 with A Lap Time of 1:45.768 and A Top Speed of 70.67mph. Congratulations William on the Victory it was so Good to See a Morgan Take First Place while Watching this Exciting Race. An Amazing Drive.
In Second Place was (Jim Dean) in his Lotus Europa with A Lap Time of 1:46.411 and A Top Speed of 70.66mph. Another Incredible Drive from Jim to Take Second Place. Well Done
In Third Place was (Richard Plant) in his Morgan Plus 8 with A Lap Time of 1:47.697 and a Top Speed of 70.31mph. A Very Committed Drive from Richard and a Fantastic Third Place Finish that I'm sure the Whole Family will be Proud of.
Fantastic Racing from the 70's Road Sports to Finish the Days Racing for them Congratulations to William, Jim and Richard. Hope to see you Three Battling it out Again Soon.
Aurora Trophy With Geoff Lees Trophy
The Arora Trophy Roared onto the Grand Prix Circuit Next with Powerful V8 Engines thease Racing Cars could make the Ground Shake as they Thunder their way around the Race Track. Lets see who Managed to take that All Important Victory for their Final Race.
In First Place was (Martin Stretton) in his March 712 with a Lap Time of 1:25.976 and A Top Speed of 101mph. A Very Brave and Committed drive from Martin to Take Victory, Really Pushing the March to its Limits and hanging onto the Lead thought the Race.
In Second Place was (Mathew Wrigley) in his March 782 with a Lap Time of 1:25.127 and A Top Speed of 100.96mph. Another Incredible Driver Taking his Machinery to New heights and Keeping the March Name Alive in Historic Racing. Amazing Work Mathew.
In Third Place was (Samuel Harrison) in his Dallara 389 with A Lap Time of 1:29.552 and A Top Speed of 95.04mph. Amazing work Sam showing Insane Car Control even when Racing so Fast and for such A Long Time. Congratulations.
Another Amazing Race to Keep the Day going and showing the Amazing work that Each Team Does to ensure that their Driver and His Car are Ready to go. Well Done to all of the Teams and to the First Second and Third Place Winners as well. Looking Forward To seeing more Action this Year from the Aurora Trophy.
Guards Trophy (Race 21)
Next Up Guards Trophy with Another Range of Racing Machines from the Likes of Brabham Chevron and Lotus Lets see what will Happen and Who will be able to Drive their way to Victory in This Race.
In First Place was (Andy Newall) in his Chevron B6 with A Lap Time of 1:38.258 and A Top Speed of 83.84mph. Very Well Driven and Raced by Andy Showcasing the Power of the Chevron and taking it too its Limits in terms of Raw Speed and Performance.
In Second Place was the Duo of (Jackson S and Jackson C) in their Lenham P70 with A Lap Time of 1:38.008 and A Top Speed of 83.45mph. Fantastic Work to The Two Jacks who Really showed what Working Together Can Achieve during A Race. Well Done
In Third Place was the Duo of (Mitchell W and Mitchell B) in their Chevron B8 with A Lap Time of 1:38.368 and A Top Speed of 82.49mph. Another Amazing Duo who Have Taken Third Place and Kept the Fight Alive in their Respective Championship. Amazing work.
A Fantastic Race for the Guards Trophy Showing the Power of Each Race Car and what they Are Capable of When put into The Hands of the Right Drivers. Congratulations to Andy Mitchell W and Mitchell B as well as Jackson S and Jackson C for putting on One Hell of a Race. Keep up the Good Work Everyone Else and Never Stop Fighting for your Own Victories.
Historic Formula Ford (Race 16)
Next Up was Historic Formula Ford and some very Twitchy and Tricky Cars to be Driven Round the Circuit at Hight Speed. With Light Weight Chassis and Small Cockpits this was going to be a Very Exciting Race to Watch. Lets see who Came out Best of the Rest.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with A Lap Time of 1:38.596 and A Top Speed of 87.95mph. Another Incredible Drive From Cameron to Take Victory and show what A Truly Committed and Self Determined Driver is. He is an Inspiration to All Up Coming Formula Ford Racers.
In Second Place was (Tom Macarthur) in his Titan MK3 with A Lap Time of 1:38.484 and A Top Speed of 87.94mph. Another Really Brave and Heroic Driver Pushing His Formula Ford to its Limits and Keeping his Eye's on the Race Track. Amazing Work Tom.
In Third Place was (Horatio Fitzsimon) in his Merlin MK20A with A Lap Time of 1:38.513 And A Top Speed of 87.90mph. Very Well Done Horatio Fantastic Driving and A Well Deserved Third Place.
An Amazing Final Heat Race for the Formula Fords with Everyone Pushing As Hard as they Could for Victory. Keep Working Hard Everyone and Congratulations to Cameron Tom and Horatio.
Historic Road Sports (Race 17)
Historic Road Sports Next and it was Time to see what Each Driver could do in their Respective Race Car. Lets see how things Stacked up and who Came out on Top in the Race.
In First Place was (Kevin Kivlochan) in his AC Cobra with a Lap Time of 1:46.891 and A Top Speed of 72.19mph. What A Drive From Kevin to Take Victory Keeping that Cobra Far Ahead of the Rest of the Pack and Taking A Dominant Victory. Carol Shelby would have Loved to See That.
In Second Place was (John Davidson) in his Lotus Elan S1 with A Lap Time of 1:46.052 And A Top Speed of 72.16mph. Amazing Work John Keeping that Lotus on the Tarmac and Putting on One Hell of a Race for Everyone. Amazing Job.
In Third Place was (Rupert Ashdown) in his Lotus Elan S1 with A Lap Time of 1:47.481and A Top Speed of 71.61mph. Another Incredible Drive by Rupert Taking Third Place Very Well Deserved.
Historic Road Sports putting on Another Superb Race for the Season and Congratulations to Kevin John and Rupert on their Victories. Hope to see More of that This Year and Good Luck to Everyone Else Racing too.
Historic Touring Cars (Race 22)
The Final Race of The Day was Here and The Historic Touring Car Club did not Disappoint with Lotus Cortina's Mini Cooper S's and Ford Mustangs This was going to be a Final Battle of Titans. Lets See Who Managed to Take that Last Checkered Flag of the Day.
In First Place was (Steve Soper) in his Ford Mustang with A Lap Time of 1.47.084 and A Top Speed of 71.51mph. Awesome Drive Steve Fantastic to see that He Still has it in him After all The Years of Racing.
In Second Place was (Rob Fen) in his Ford Mustang with A Lap Time of 1:49.031 and A Top Speed of 70.93mph. Amazing Work Rob Pushing that Mustang Far and Wide to Hang onto that Second Place. Excellent Drive.
In Third Place was (Mark Martin in his Ford Lotus Cortina with A Lap Time of 1:49.905 and A Top Speed of 70.70mph. Very Well Done Mark Great Driving and Even a Wheel in the Air on Some Occasions Heading onto the Grand Prix Loop. What A Sight that Was to See.
And With that The Days Events came to an End for another year of Superprix Racing at Brands Hatch Amazing work to all of the Organisers and Race Drivers who took Part and Congratulations once again to all of the Race Winners. Keep Fighting Keep Wining and I'm Sure we will do it All Again Next Year.
(details tk on specific images) Cargill Learning Journey to South Africa and Zambia, to explore food security issues in the region. June 20-26. These photos are my personal glimpses and impressions over the course of this trip. More information on the substance of this trip can be found here: www.cargill.com/learning-journey/africa/
The new Specific Mechanical brewhouse at Gordon-Biersch Navy Yard consists of this 15-barrel lauter tun and a similarly-sized mash tun/kettle combination vessel.
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A lauter tun is a circular vessel in which sweet wort is separated from spent grain, by means of rakes and a slotted false bottom.
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A pre-opening visit to brewpub Gordon-Biersch Navy Yard.
Washington, D.C.
30 March 2013.
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Due to governmental approval issues, beer is not yet being brewed on-site. Brewer Travis Tedrow expects all to be resolved in short order. Beers for this event —and for the actual public opening (Monday, 1 April 2013: Washington Nationals Opening Day)— were shipped from the Gordon-Biersch in Columbus, Ohio. And, had not suffered from the transit.
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Photo by Yours For Good Fermentables.com.
— Follow on Twitter @Cizauskas.
— Follow on Facebook.
Commercial use requires explicit permission, as per Creative Commons.
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A pre-opening visit to brewpub Gordon-Biersch Navy Yard.
Washington, D.C.
30 March 2013.
*************
Due to governmental approval issues, beer is not yet being brewed on-site. Brewer Travis Tedrow expects all to be resolved in short order. Beers for this event —and for the actual public opening (Monday, 1 April 2013: Washington Nationals Opening Day)— were shipped from the Gordon-Biersch in Columbus, Ohio. And, had not suffered from the transit.
***************
Photo by Yours For Good Fermentables.com.
— Follow on Twitter @Cizauskas.
— Follow on Facebook.
Commercial use requires explicit permission, as per Creative Commons.
Medhat Shafik è il protagonista della prima esposizione d’arte negli spazi del piano terreno dell’edificio B2 del Campus Bovisa, con l’installazione site specific intitolata Palmira. Conflitti e tempo sospeso.
Si tratta di un progetto a cura di Pietro C. Marani che intende valorizzare gli spazi comuni dell’Ateneo, mettendo in risalto artisti contemporanei le cui opere costituiscono un motivo di riflessione per gli studenti e il pubblico. L’iniziativa nasce in rete con altre istituzioni e soggetti del sistema dell’arte e del mondo della cultura, in questo caso in collaborazione con la Galleria Marcorossi artecontemporanea che presenta le opere del ciclo Palmira nelle sue sedi di Verona, Milano e Pietrasanta e con la GAM di Verona che a Palazzo della Ragione espone anch’essa, per il progetto prima pAReTe, curato da Patrizia Nuzzo, un’installazione dell’artista egiziano.
Shafik (El Badari 1956), con questo lavoro, ispirato a Palmira, spettacolare città siriana, luogo di incontro tra Occidente e Oriente, segnata dalle distruzioni dei siti archeologici, ha creato un’installazione di grande fascino e impatto visivo.
In una dimensione artistica avulsa dal naturale scorrere del tempo e dalle controversie religiose e politiche, Shafik attua attraverso le sue opere una ricostruzione poetica dell’antico splendore di Palmira, posta a metà strada tra il Mediterraneo e l’Eufrate, luogo di incontro tra Occidente e Oriente, ed eletta a simbolo di fratellanza.
Dice l’artista ” Ricerco il recupero simbolico dei luoghi archeologici, che sono la memoria dell’uomo, l’essenza della civiltà. Vorrei ricostruire metaforicamente Palmira, che può essere ovunque, proprio perché per me simboleggia il recupero della civiltà, l’onda lunga del nostro essere umani e nel contempo la sua distruzione. Palmira è di tutti noi, anzi, Palmira siamo noi e non deve essere distrutta. Il senso della mostra e dell’installazione creata per il Politecnico è che noi non dobbiamo subire l’abisso, la barbarie e la distruzione portate dai conflitti, ma emanare luce. Nelle mie opere, attraverso il recupero della luce, soffusa e magica, di questi luoghi che palpitano di dolce malinconia ma anche di gioia, cerco il senso delle cose, l’essenza dell’esistenza.”
La sua riflessione infatti non ha implicazioni politiche o religiose, ma è una ricerca universale sulla bellezza e sull’incontro tra civiltà: le tele di juta, i colori a olio e gli acrilici, le garze, i tessuti dai colori splendenti, i legni antichi, gli ossidi, gli stucchi, i pigmenti e i fili di lana dai colori naturali, divengono una metafora delle stratificazioni della storia.
Foto di Marco Ruffo
€30,-
This bracelet is made of two piece nickel press buttons and recycled leather. The special designed studs, that are available in a variety of colours, can be pressed on the bracelet to customize it to your own specific taste.
Material
Nickel/leather
Specific Design Assessment
-Pockets of open space are designed on various levels to provide areas for passive/active recreation
-These areas dually act as gathering places for the two through-block connection intersections
Relevant Land Use Code Sections
20.25A.160.D.4.a - Form logical routes from its origin to its destination
20.25A.160.D.4.b - Offer diversity in terms of activities and pedestrian amenities
20.25A.160.E.2.f - Use publicly accessible open space to provide through-block pedestrian connections where possible
20.25A.160.E.2.g - Include features and programming opportunities to encourage year-round use
A culturally specific post. Just lobster pots! Obviously not much value here. They may not be tossed or discarded but they may as well be.
A thing's worth is often determined by the bearer/owner. A lobster pot may be a means of income, a lawn ornament, or easy kindling for a beach fire. A person's value is a different story. An employer might say it is one's ability to produce. A suitor might say it is all in appearance. A clergy might say it is determined by God. Ultimately, your value is set by YOU!
I had lived trying to measure up and found I couldn't and it was frustrating. I couldn't give people what they expected. Eventually, I switched my approach. I gave what people didn't expect... I gave them ME!
More philosopher than photographer but that's ME!
Enjoy!
There's no ugly beauty more specific than a vehicle with every last desperate ounce of life squeezed out. No more miles, no effort or hope, everything stripped and saved with any use. One bright red beacon in the cold, colourless forest. I walk for an hour, and see nothing else so brightly breaking out of the monochrome. Rolled off the line in the mid-70s, seen through a whole lot of hard effort, then dumped. On the side of this logging road to a lake, grown in on the sides and crowding out of sight. I often think on times like these how I might be the last. Wouldn't be so strange making steps that no one follows, filling distance in with dotted lines, the breadcrumb tracks of memories. The ruts it took to roll in here, now sifted over with undisturbed leaves and needles – it'll sit just as silent till spring shakes us loose. Top of my lungs, bottom of my heart; tip of my tongue, I fill the quiet.
December 11, 2022
Annapolis County, Nova Scotia
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Cardamine pratensis (Cuckoo Flower or Lady's Smock), is a flowering plant in the family Brassicaceae, native throughout most of Europe and Western Asia. The specific name pratensis is Latin for "meadow."
(details tk on specific images) Cargill Learning Journey to South Africa and Zambia, to explore food security issues in the region. June 20-26. These photos are my personal glimpses and impressions over the course of this trip. More information on the substance of this trip can be found here: www.cargill.com/learning-journey/africa/
JETSONORAMA - Door to Door with COLLEEN FLAHERTY
and
KATHY SLOANE - Gardens, Garages and Garbage Cans
Physician by day and artist by night, JETSONORAMA will create a location-specific artwork in collaboration/ assistance with Random Parts' artist, Colleen Flaherty in the East Lake neighborhood of Oakland, California. His intervention will be installed on a wall facing the Random Parts gallery and will become a permanent public artwork on the corner of 13th Avenue and East 12th St. in Oakland.
In Gardens, Garages and Garbage Cans, Sloane extends the traditional notion of portraiture to make a different kind of picture in her own neighborhood. She photographs gardens in makeshift pots and containers in front of old Victorian buildings and small apartment houses as well as inside auto body garages that proliferate in an area just east of Lake Merritt; a locale known for its vibrant diversity of immigrants and bustling small businesses. Its a neighborhood that on the surface appears shabby, but Sloane with this series of photographs, captures the beauty and spirit of a community. She gives the viewer a glimpse into a world that at first glance is a gritty concrete jungle but whose inhabitants see beauty in the unexpected and banal. In the words of the artist, these are photographs of gardens that proclaim “someone lives here, works there, who loves life and values beauty.”
JETSONORAMA
DOOR TO DOOR with COLLEEN FLAHERTY
May 17, 2014 - Ongoing
Opening reception: Saturday, May 17 12:00 - 6:00pm
artist talk from 1-2 pm
KATHY SLOANE
GARDENS, GARAGES AND GARBAGE CANS
May 17 - June 8, 2014
Opening reception: Saturday, May 17 12:00 - 6:00pm
artist talk from 1-2 pm
*On Saturday, May 17 from 11am-6pm is the 14th annual Malcolm X Jazz Arts Festival at San Antonio Park, Oakland, CA (5 blocks away from Random Parts)
Random Parts
1206 13th Avenue
Oakland, California 94606
Hours: By appointment only and 11am-5pm during the weekend of June 7 and 8th for the 2014 East Bay Open Studios.
partsrandom@gmail.com
(510) 415-8791
Specific Design Assessment
-Space blends functional pedestrian through-block access with a welcoming public space
-The vantage point at the top of the steps offer a good view of the Puget Sound
Relevant Land Use Code Sections
20.25A.160.E.2.c - Create attractive views and focal points
20.25A.160.D.4.i - Incorporate trees and landscaping to provide enclosure and soften the experience of the built environment
PRESENTAZIONE DEL PROGETTO
Il seminario intende illustrare - attraverso la testimonianza di Katia Golitsyna e Vita Buivid - un’interpretazione della cultura russa contemporanea, cogliendone alcune specificità rispetto alle altre esperienze artistiche europee. Verrà rivolta un'attenzione particolare alla fotografia, strumento contemporaneo e linguaggio internazionale.
Katia Golitsyna crea ritratti in cui la composizione evoca tracce della pittura delle icone, caratteristica dell'antica Moscovia, utilizzando una tecnica che prevede interventi manuali.
Vita Buivid indaga la vita delle grandi metropoli internazionali cogliendone aspetti insoliti, non tanto documentativi quanto emotivi, come nella serie “Paris. Red”. Create durante il Settecento, le basi della moderna cultura nazionale e impadronitisi della pittura di genere e del ritratto, gli artisti e gli scrittori russi, a cominciare dagli anni trenta dell'Ottocento, diedero inizio ad un processo di allontanamento dai modelli occidentali e la nuova tensione verso la realtà nazionale sfociò nel realismo in letteratura (Dostoevskij e Tolstoj), e nelle arti (gli Ambulanti). Solo con la fine dell’Unione Sovietica l’arte ha riconquistato piena libertà di espressione rendendo così nuovamente possibile un continuo confronto con ciò che viene creato fuori dal Paese. Oggi un nuovo importante cambiamento sociale e politico porta l’arte e la fotografia per prima ad essere protagoniste di riflessioni interiori che solo gli artisti sanno esprimere.
Il Workshop al Mima di Verona prevede un incontro attraverso un percorso guidato e la presentazione del progetto “Russian Touch”. Curato da Olga Sviblova, direttrice della House of Photography di Mosca, il progetto coinvolge insieme alle due fotografe russe, l’autore italiano Maurizio Marcato.
Katia Golitsyna - Fotografa
E’ nata nel 1964 a Mosca, dove vive e lavora. Si è diplomata al Moscow State Institute of Printing and Book Design. Dal 1990 espone regolarmente sia in mostre personali che collettive. Dal 1992 fa parte dell’Union of Photoartists of Russia. E’ autrice delle serie e dei progetti: "Portrait of a Saxophone", "Moscow", "Cloth and Flesh", "Oriental Intermezzo", "Chinese Still Life", "Portraits of Fish", "Portrait of the Poet", "Camels", "Beer Still Life", "Moscow in a Mercedes window", "Portrait of a Harley-Davidson" Realizza le sue immagini utilizzando una tecnica personale manuale. Suoi lavori appartengono a numerose gallerie e collezioni private in Russia, Inghilterra, Belgio, Germania, Italia, Francia, Svizzera, Svezia e Stati Uniti.
Vita Bouivid - Fotografa
Verrà presentato l’ultimo lavoro realizzato dalla Buivid, preceduto da un “reportage” dedicato a Mosca, la città in cui vive e lavora. In questo periodo sta realizzando un'altra tappa di questa ricerca fotografica a New York. “Parigi” a Novembre è piena di pace. I turisti se ne sono andati e Natale è ancora lontano. La freschezza cristallina dell’aria e l’abbondante presenza del colore rosso sono la migliore cura alla malinconia autunnale. I parigini adorano il rosso - sciarpe e tende rosse, borse rosse e finestre rosse, scarpe ombrelli e insegne. Il rosso è ovunque: è così ovvio per un fotografo in viaggio. Eppure i parigini sembrano inconsapevoli di questa loro predilezione per il rosso. “Ha rovinato la mia vita, madame. Dopo questa passeggiatina insieme, l’unica cosa che vedo a Parigi è il rosso” - mi ha detto Andre Guchkov, parigino al cento per cento con origini russe. C’è qualche ragione per indignarsi? Il rosso è talmente bello, specialmente a Parigi.” Così Vita Buivid racconta la sua serie “Paris. Red”. Vita (Victoria) Buivid è nata a Dnepropetrovsk (Ucraina) nel 1962. La sua ricerca artistica convive con scatti di moda. Ha esposto sia in Russia che all’estero: nel 1994 alla Photographers Gallery di Londra; nel 1997, alla Gallery Werdermann Art, di Amburgo. Suoi lavori sono presenti nelle collezioni museali ed istituzionali di Mosca (The Schusev museum of Architecture, Moscow house of photography, The Museum of photographical collections), di S. Pietroburgo (The State Russian Museum, New Academy), di Helsinki (Museum of Fine Arts), di Boston (The Forbes Collection. Navigator foundation), di Austin (Harry Ransom Humanities research Center at the University of Texas)oltre che in collezioni private.
Olga Sviblova - Direttrice Museo della Fotografia di Mosca
La Sviblova ha esplorato in maniera professionale la psicologia dei processi creativi, ha scritto saggi e testi sulla cultura russa underground prima che questa diventasse di moda, ha organizzato festival ed eventi in patria e all’estero sull’arte russa e, grazie al suo documentario “Black Square”, agli inizi della perestroika, il mondo intero è venuto a conoscenza dell’arte sovietica che si celava dietro la Cortina di Ferro. I suoi continui scambi culturali con l’occidente ed i contatti che ella coltiva con l’estero sono stati pionieristici. Ora la fotografia russa si inserisce a buon diritto in un contesto internazionale. Soprattutto grazie a lei. L’idea di fondare la House of Photography di Mosca, le viene nel 1994 durante una visita alla Casa Europea della Fotografia a Parigi, con cui tuttora lavora in gemellaggio. Due anni dopo inventa anche il Primo Mese Internazionale della Fotografia, la FotoBiennale ’96 e nel 2000 una scuola di fotografia in un paese in cui non esisteva nulla del genere.
Quest’anno Olga Sviblova ha curato il progetto “Click, I Hope” del Padiglione Russo (commissario: Vasilij Tsereteli) alla 52a Biennale di Venezia
Maurizio Marcato
Una passione nata con la pittura e perpetrata con la fotografia. Maurizio Marcato da sempre rivela la sua personale interpretazione del mondo delle immagini, attraverso una visione filtrata del quotidiano, dove la realtà assume sempre nuovi significati.
Considera la fotografia un mezzo altamente creativo per sperimentare continuamente nella comunicazione visiva; per questo motivo, nel 1980 intraprende la carriera di fotografo professionista.
Successivamente apre uno studio fotografico finalizzato alla creazione di immagini pubblicitarie e industriali. Un’occasione che gli permette di intraprendere la sua personale ricerca nell’immaginario visivo, di curiosare, giocare con le forme e colori, rivisitare concetti, vestendoli di nuovi significati. “Amo il lavoro manuale, tagliare, dipingere, circondarmi di invenzioni”.
Dal 1986 collabora con diverse riviste, soprattutto testate che si occupano della gestione di spazi architettonici, di immagine e design.
E’ stato incaricato dalla Commissione Didattica della Facoltà del Design del Politecnico di Milano, dell’inse-
gnamento per il Corso di Laurea in Design della Moda, nel CI Laboratorio del Disegno “Produzione dell’
magine per il disegno industriale” per l’anno accademico 2004/05 e i seguenti.
Maurizio Marcato é un fotografo poliedrico, sempre attivo anche a livello internazionale. Molti i progetti realizzati tra il Giappone e gli Stati Uniti. I suoi interessi spaziano dal reportage al ritratto, dall’architettura alla paesaggistica fino alle foto d’arte e di ricerca. E la continua ricerca ha portato a concepire una visione più ampia del concetto di comunicazione.
Nasce nel 1994 III Millennium, agenzia che vede un ulteriore sviluppo delle Public Relation attraverso il consolidamento di un network internazionale, organizzazione eventi e servizi di consulenza volti al miglioramento dell’immagine delle aziende clienti.
Nello stesso periodo parte il progetto Black & Light, il marchio che sigla la nascita di un vasto archivio fotografico on line raccolto dai viaggi e dall’esperienza di Maurizio Marcato.
E poi MiMA, l’ultimo progetto frutto di un pensiero lungimirante. E’ una nuova realtà che si pone l’obiettivo di valorizzare l’esperienza della comunicazione, sostenendo iniziative culturali, promuovendo progetti espositivi dedicati all’immagine e alla comunicazione a livello internazionale.