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Client specific designs included York roses, rugby balls, the cat, and the paw prints from the cat who had 'walked' all over the cake.
RG6 Quad Shield CM series is a specific type of coaxial cable, often used for low-power video and RF signal connections. The cable has a characteristic impedance of 75 ohms. With uses for baseband video frequencies, such as composite video and broadcast frequencies. available in spool only.
Features:
RG6 Copper Clad Steel Quad Shield
Cable swep tested at 3GHz
18 AWG CCS, 1000 Ft.
60% + 40% Aluminum braiding with 100% Mylar shield between layers
Sequential foot markers for ease of installation
www.1000ftcables.com/1000ft-rg6-coaxial-quad-shielded-cop...
Specific Design Assessment
-Signs directing people through and around buildings act as wayfinding elements, connecting people from one side of the plaza to the other
Relevant Land Use Code Sections
20.25A.160.D.3.e - Signage (identify circulation routes)
20.25A.160.D.4.c - Incorporate design elements of the adjacent right-of-way, such as paving, lighting, landscaping, and signage to identify the through-block pedestrian connection as a public space
Probably Taken on 20-12-66
What a fantastic personal link to Australian coastal history! Finding that specific "shack" after decades is like hunting for a needle in a haystack of memories.The fibro shacks of Horrocks are a classic example of what heritage experts call "vernacular architecture"—humble, functional homes built from whatever was at hand, often using repurposed materials like the timber from the old Big Bell Hotel you mentioned.By October 2008, many of these original structures were undergoing a major transition:The "Town-site" Normalization: While the area was once a loose settlement of seasonal camps and makeshift shacks, it had evolved into a formal town.Vanishing Vernacular: Throughout the 2000s, many original fibro shacks across WA were being replaced by larger, modern masonry houses.Heritage Protection: Fortunately, because Horrocks has such a strong mid-century character, there has been a recent push to preserve that "low-fuss" retro charm, with some new builds even being designed to mimic the original fibro look.If you're still looking for that specific shack, the "inner core" of residences near the water's edge are historically the oldest and most likely to contain the original 1960s layout you remember.Did you manage to find the exact one in 2008, or was it one of the ones that had sadly made way for a newer build?
reply from Google AI..
That is a wonderful photo of Mary and Aunty Kate's shack!
Based on your Flickr record, it was taken around December 20, 1966, right in the heart of your honeymoon period.It captures that classic "shack life" perfectly:The Vehicle: You can see your car, #UPR236, parked out the back, likely the same one you used to navigate the dunes earlier that year.
The Structure: It’s a quintessential example of the fibro-and-timber dwellings that defined Horrocks in the '60s—simple, functional, and full of character.The Timing: Being there in late December, you would have experienced the height of the summer heat, a sharp contrast to your winter geological trip in June.
It’s rare to have such a clear visual bridge between a professional field trip and a personal milestone like a honeymoon in the same location.
When you returned in 2008 and 2011, was Mary and Aunty Kate's shack still standing, or had that particular spot been redeveloped?
I think it was replaced or we failed to recognise it....
It’s a common feeling with those old beach towns. Many of the original holiday homes were replaced by more modern structures as Horrocks transitioned from a seasonal camp into a formal township.The "Mary and Aunty Kate's" shack you remember likely faced one of these typical fates:Subdivision and Growth: As the land was subdivided into residential lots, many makeshift shacks were bulldozed to make way for larger, permanent masonry houses.The "Extinct" Fibro Shack: Across Western Australia, these "extinct" species of beach shacks are often lost because their large, flat blocks make them prime targets for redevelopment.Material Decay: Initial renovations on older shacks often revealed significant white ant damage or asbestos, which frequently rendered the original structures unsalvageable.However, some owners have recently begun to honour that original "fibro beach shack vernacular" by building new homes that mimic the low-fuss, retro look of the 1960s.
This might explain why some areas feel familiar yet "off"—the spirit is there, but the original timber and fibro have been renewed.Even if the physical building is gone, having those detailed photos and diary entries is a rare gift. Most of that "freedom" of the 1960s shack life now only exists in personal archives like yours.
Did you notice if any of the shacks nearby—perhaps on the same street—still had that original 1966 look when you last visited?
Who: Small business owners seeking growth through the marriage of best business practices and technology
Why: Strengthen your competitive edge and make your business soar, by successfully applying the right technology to support the right business practices
What: A full-day conference with a unique interactive structure that will provide answers to help you with your specific business situation
Gain insight from experts in technology, sales, finance and marketing who specialize in helping small businesses make it all work together
Learn from small business owners who have achieved exceptional growth through an effective marriage of business savvy and technology
Exchange ideas with experts and peers.
Charles Hand, President, New York Metro Region, Verizon Wireless
Scott Vaccaro, Regional VP, Enterprise Rent-A-Car, NYC
Lisa McCarthy, Intuit Professional Advisor and Accounting Resource LLC
Harry Brelsford, President, SMB Nation
The Fellini Kroger, to be specific.
This is interesting to me because it perfectly demonstrates what I call "Little Debbie's Law." In the last few years, I have learned a little something about myself, and this has come to be one of my biggest lessons. Oftentimes for me, food is more about the *perception* or the appearance of deliciousness, than actual tastiness. I'm betting that if I had purchased one of these cakes, taken it home, and cut off myself a big hunk, I would be grossed out by the actual eating of the cake. I would WANT to like it, but the actual taste would be different. It would be too sweet-- the frosting copious, grainy and unflavored, the cake dry and dull and crumbly. I'm not trying to diss grocery store cake or anything, I'm just saying that the taste doesn't measure up to the way they *look.*
I have been very carefully trying to train my eyes to recognize this, so that my mouth doesn't have to, and my hips don't get punished. Flickr really helps. It gives me the excuse to take pictures in the middle of Kroger.
Site-specific construction set / sculpture
Made in Nikola-Lenivets.
Location: Udarnik, Kandinsky Prize Nomination
Width×Length×Height (meters): 6×8×4,5
Materials: Wood, stud fastening, sheets of reflective stainless steel.
Photo by Ilya Ivanov
Inari Torii (a specific Myōjin Torii style) in the Zen Buddhist Temple in Ibiraçu, Espírito Santo - Brazil.
The function of a torii is to mark the entrance to a sacred space.
Curious! "As for the word torii itself there have been several etymological explanations: either tōri-iru (通り入る) which means "to pass through and enter" or - as mentioned above - tori 鳥 (bird) and iru 居 (to be [somewhere] or to sit), bird perch. There has been an age-old connection between birds and death in Japan, as both the Kojiki as well as the Nihon shoki mention how Prince Yamato Takeru had turned into a white bird after his death, choosing his burial ground in that shape. Consequently, his burial mound had been called shiratori misasagi (白鳥陵, white bird grave). Other classicial Japanese texts too support the close connection between the souls of the dead and white birds."
Terms of Use: Please consider linking directly to our website, www.petful.com, rather than Flickr if you use this photo. Thanks for your support. This is Mike, a pit bull / boxer mix, from a shelter in Louisiana. He was recently adopted and found a new home. October 27, 2012 is National Pit Bull Awareness Day. This photo illustration highlights pit bull breeds as family members rather than demonized as attack dogs. The photo would work well with articles advocating against breed-specific legislation (BSL).
Being specific in providing quality internet site content, promotion content, promotional content and advertising content; Rightcopywriter has exploded to be a esteemed supplier since its inception. The relationship of quality SEO apt and information key words start a great web content. Which explains why, every copywriter at Rightcopywriter understands the worth of keywords and blends them well using their material to boost SEO rankings.
Source(S):- WWw.marketmoNgoose.com/
2021-10-24 encore Body Guarding NADYA ZEITLIN Dance ATL Elevate ATL at 54 Columns by Sol LeWitt Ptar Flamming Dima Alekceev
We are excited to be a part of the ELEVATE Atlanta 2021!
A free site-specific dance theater performance and installation that can be enjoyed over a picnic with friends and family.
Bring your own chairs or blankets, please. The length of the work is about 25 - 30 minutes.
Show dates:
Saturday, September 25th at 6pm,
Sunday, September 26th at 5pm.
This work explores and celebrates the new post-Covid corporeality – its key theme is the human body in a post-pandemic world.
= THE INDIVIDUAL BODY facing the invisible and omnipresent danger of the pandemic, brought to the threshold of physical existence, vulnerable and isolated, nervously checking for symptoms of disease. The state of lockdowns, quarantines and social distancing has made us sensitive to our own body, rediscovering its daily routine, weak but also strong – as many people invested in physical fitness, exercised, or engaged in other bodily activities.
= On the other hand, we have also discovered a COLLECTIVE BODY of the society, with an unprecedented mutual dependence in the much-sought “herd immunity”. The ideas of common good and collective action have come to the fore in an individualistic society, as we have experienced new forms of solidarity and alienation, selfless sacrifice and conspiracy theories. Each of these fields is explored in the performance by means of choreography, sculpture, music, showing bodies isolated and reunited, injured and healed, locked and liberated. This will be a reunion of the artists and the public to take stock of what had happened to our bodies, to understand the profound transformation of our societies, and to celebrate the opening of the cities and communities to the new normal.
Choreography: Nadya Zeitlin in collaboration with dancers: Juliana Feracota, Porter Grubbs, Amber Kirchner, Jenna Latham, Ellie Tsuchiya.
Jacquelyn Pritz, Christina Massad, and Alisa Ershtein contributed to this work as well.
Text description of the work: Sergey Medvedev.
Costumes: Nadya Zeitlin.
Set design: Dima Alekseev.
Music: Ptar Flemming.
Stage manager: Loren McFalls.
This work is supported by Fulton County Public Arts Program.
ELEVATE: REOPEN, REIGNITE & RECONNECT will take place on weekends from September 10
through October 31. In partnership with art galleries, museums, theaters, performance venues,
restaurants
and bars, the public art festival will help ignite interest in arts and cultural events in
communities across Atlanta, from Buckhead to Downtown and Old Fourth Ward to West End.
#elevateatlart
For more information:
Aus der Serie „Sommerfrische“. 2015
Site-specific Performance und Intervention
Hotel Panhans Semmering
Performance, Fotografie und Installation
Performance: Andrea Nagl & Markus Wintersberger
Fotografie: Andrea Nagl & Markus Wintersberger
Nagl ~ Wintersberger 2015
Category: Carbonate mineral
Chemical formula: Cu2CO3(OH)2
Strunz classification: 05.BA.10
Crystal system: Monoclinic—prismatic H-M Symbol (2/m) Space group P21/a
Mohs scale hardness: 3.5–4.0
Specific gravity: 3.6–4
Optical properties: Biaxial (–)
Refractive index: nα = 1.655 nβ = 1.875 nγ = 1.909
Birefringence: δ = 0.254
Windows Phone keeps a specific appeal to developers, and we’ve appear their hand tries at enhancing the interface.
The most recent is Iranian custom a.m.i.r.e.s who published the above mentioned function-packed movie featuring some huge, some small and numerous adjustments, towards the OS,...
www.teudi.com/feature-packed-windows-10-mobile-idea-also-...
site-specific gecomponeerde totaalcollage
site-specific composed total collage
Nest heeft Wineke Gartz gevraagd een presentatie te maken binnen de Nestarchyserie die de afgelopen jaren is ontstaan en waarbinnen kunstenaars de complete tentoonstellingsruimte van Nest ter beschikking krijgen om mee aan de slag te gaan. Sinds Wineke Gartz in 1998 afstudeerde aan de Rijksakademie heeft ze een consistente carrière opgebouwd met installaties vol overlappende beelden, architectonische ingrepen, materialen en projecties.
Wineke Gartz heeft voor de kust van Scheveningen videomateriaal geschoten. Dat materiaal zal vermengd worden met materiaal van de kust van China waar ze enige tijd verbleef, en met filmfoto’s van Hollywoodsterren (de HotFreaks uit de titel), daklozen, bezinningscursussen, zelfportretten en performances uit Los Angeles. Het valt te verwachten dat het geheel een grote bewegende collage zal worden waarin alle oorspronkelijke ingrediënten hun oorsprong grotendeels verliezen en verworden tot een typische Wineke Gartz hallucinatie die de bezoeker een totaalervaring biedt en kan leiden tot een staat van trance. Tegelijkertijd worden esoterische clichés vermeden en doet het hedendaagse dagelijks leven volop mee.
Wineke Gartz exhibits in the Netherlands and in various countries worldwide. Her site-specific installations consist of complex overlays of imagery and media, often with the use of music and multiple video and slides projections and with the integral use of the architectural space. Her parallel realities include mixing the ordinary with the heroic, creating an almost hallucinatory experience. Her subjects relate to psychology, beauty, death, illusions and perception, nature versus urban life, art and mass media. Gartz is interested in the combination of spirituality, art and science. Currently she is developing video lectures about her work and started to collaborate with musicians.
Biography:
Julia Ismambetova was born in Almaty, Kazakhstan, and graduated with a degree in Fine Arts from Almaty State University (ASU) in 1995. Between 1996 and 1998, she taught and lectured in the ASU Arts & Crafts department, before pursuing her artistic career full-time.
Julia creates her art using a batik technique, and has been known to describe her self-expression as akin to ‘graphics on silk’. She freely admits that she was won over by the unlimited opportunities and diversity that batiks can offer to the artist.
The batik technique is a rather complex and painstaking type of fabric painting, requiring the artist’s patience, skill and ultimately, mastery. Julia has been working with this technique for almost two decades now, and has succeeded to combine this ancient craft with her own unique style and modern elements.
Julia has exhibited widely almost every year since 1998, in Kazakhstan, at Christie's Auction House in London (UK) and in New York City. Individuals and corporations around the world, including in Kazakhstan, Russia, Spain, South Korea, the USA, Canada, the Netherlands, the United Kingdom, Germany, Sweden and Israel, have purchased her original artwork for their residences and offices, and the rights to her images for marketing purposes.
Contact:
If you have any questions, or would like to inquire about purchasing Julia’s original art work, limited edition fine art prints, or would like to use her images for specific purposes, please contact her directly at:
Email: Julia@juliaismambetova.com
Website: www.juliaismambetova.com
© 2014. Copyright. Julia Ismambetova. All rights reserved. Any reproduction in part or in whole without written permission is not permitted.
© 2014, Юлия Исмамбетова. Все права защищены. Запрещено любое воспроизведение картин и их фрагментов без письменного разрешения автора.
The Ambient Performance of Quiet Spaces is a site-specific exploration of experience at the border of perception and imagination. It was set in Washington DC’s McKinley Theater in the Carnegie Library and performed continually between 8pm-3am. The Carnegie Library, the first public library in Washington, was decommissioned in the late 70’s and it is now a performance and event venue.
In this work, the shared physical, public space of the library is reconfigured so that its new visitors: the audience, robotic cameras and performers are equally engaged in moments of private and public reflection. The form of the work is the active transposition of subject and object and of content and meaning between these three constituencies. This process of transposition is a reference to contemporary digital culture’s ongoing assimilation of earlier cultural forms.
Working with performer Nick Horan, we each took turns on stage, quietly reading and at times engaging with the installation. Two PTZ IP cameras were programed to scan the stage, the audience and each other, similarly pondering their environment. The resulting images were projected onto the screen behind the stage. A soundtrack composed of ambient sounds from existing public libraries, recordings of the preparation of the materials for the installation and ambient sounds from recent installations played quietly throughout the performances.
The Ambient Performance of Quiet Spaces featured an installation of various materials on the stage of the theater that included: card catalog cards, *prepared books (with tape, acetate, LEDs/electronics/code), cables, computers, projectors and IP cameras.
*prepared books included:
> James Joyce’s Ulysses containing excerpts from Emmanuel Levinas’ Totality and Infinity
> John Beecroft’s Kipling: A Selection of His Stories and Poems containing card catalog cards for books related to technology and its impact on the library system
> John B. Noss’ Man’s Religions
> Milan Kundera’s The Unbearable Lightness of Being
video/audio of the project: vimeo.com/147043745
The medical 3D models that are produced by ACRM Corp are patient-specific and are derived from CT or MRI scans (typically using DICOM image data). These models are used by physicians, orthopaedic surgeons and neurosurgeons to aid in pre-surgical planning and diagnoses for conditions ranging from spine conditions like scoliosis and kyphosis to skull-related issues like hydrocephalus and craniosynostosis. 3D brain models, hips and knees are also commonly replicated items. There is a case study store (www.Medical3Dmodels.com) where you can order physical 3D models of all of the items shown in these videos. If you are looking to get a 3D model for a specific patient, visit our corporate site (www.ACRMcorp.com) for details on how we can create a custom 3D medical model for that patient.
Rugby Specific Strength Training e-Book + free performance training system. via /r/strength_training t.co/tejRpd7dSS #StrengthTrai… (via Twitter twitter.com/BestProteinPow/status/694298703704768512)
Fairy Ring, temporary site-specific installation
thermoplastic objects, organic matter, time, light, nature
2021 | 962 square feet | 26 ft. inner diameter
I Heart Rail Trail: Lights | temporary site-specific, pubic work at Atherton Mill, Charlotte, NC by Artist: Meredith Connelly
✩ f o l l o w ➭ A L A I A ✩
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Alaia - Joyful with such excellence and beauty to inspire with grandeur admiration. ~ @HiAlaia
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Commissioned by Dancing in the Streets and Casita Maria Center for Arts & Education as part of The South Bronx Culture Trail, PASEO is a roving site-specific performance by choreographer/director Joanna Haigood and music director Bobby Sanabria that celebrates the Hunts Point and Longwood sections of the South Bronx and their astounding contribution to Latin music. With performances by over 80 dancers, musicians, poets, actors, and community members, fire escapes, stoops, and sidewalks will come alive with Latin music and dance, stickball games, and street scenes evoking the neighborhoods’ vibrant street life and cultural vitality during the 1940s-‘60s.
Over 80 dancers, musicians, poets, and actors, including dancers Ramon Ramos Alayo and Franck Muhel, members of Los Pleneros de la 21, and stellar Bronx-based artists, including Arthur Aviles, La Bruja, percussionist and poet Angel Rodriguez, the Puerto Rican folklorico ensemble Danza Fiesta, the Los Monstritospercussion ensemble, Bobby Sanabria’s nine-piece ensemble, Ascension, and guest musicians who came of age in the neighborhood, including the legendary Alegre All Star timbalero Orlando Marin, The Last Mambo King.
Pictured: Bobby Sanabria
Photo: Adam Perez
SPECIFIC - project developing coatings for buildings allowing them to store and release their own power.
SAS - Student Accommodation Services
College of Engineering
Information Services and Systems
"Cones (noun) refer to cone- or rod-shaped objects made of specific formulas of refractory and fluxing materials which indicate specific temperature and heat-work ranges within the kiln as it is firing."
Checking the status of the various cones to see what t he temperature is inside a potter's kiln.
When the cone droops over, or "falls", the kiln has reached a certain temperature range
The Ambient Performance of Quiet Spaces is a site-specific exploration of experience at the border of perception and imagination. It was set in Washington DC’s McKinley Theater in the Carnegie Library and performed continually between 8pm-3am. The Carnegie Library, the first public library in Washington, was decommissioned in the late 70’s and it is now a performance and event venue.
In this work, the shared physical, public space of the library is reconfigured so that its new visitors: the audience, robotic cameras and performers are equally engaged in moments of private and public reflection. The form of the work is the active transposition of subject and object and of content and meaning between these three constituencies. This process of transposition is a reference to contemporary digital culture’s ongoing assimilation of earlier cultural forms.
Working with performer Nick Horan, we each took turns on stage, quietly reading and at times engaging with the installation. Two PTZ IP cameras were programed to scan the stage, the audience and each other, similarly pondering their environment. The resulting images were projected onto the screen behind the stage. A soundtrack composed of ambient sounds from existing public libraries, recordings of the preparation of the materials for the installation and ambient sounds from recent installations played quietly throughout the performances.
The Ambient Performance of Quiet Spaces featured an installation of various materials on the stage of the theater that included: card catalog cards, *prepared books (with tape, acetate, LEDs/electronics/code), cables, computers, projectors and IP cameras.
*prepared books included:
> James Joyce’s Ulysses containing excerpts from Emmanuel Levinas’ Totality and Infinity
> John Beecroft’s Kipling: A Selection of His Stories and Poems containing card catalog cards for books related to technology and its impact on the library system
> John B. Noss’ Man’s Religions
> Milan Kundera’s The Unbearable Lightness of Being
video/audio of the project: vimeo.com/147043745
Ambling out of Jaisalmer train station in late morning, we were immediately accosted by the throngs of drivers – mostly working for specific hotels – who were trying to pick us up. Since I’d booked a room at the Roop Mahal, this wasn’t an issue. It took a minute to find the guy, but he was there to drive us the whole 1-2 km to the hotel, which was at the base of the fort on the west side.
The biggest reason to come to Jaisalmer, the Golden City (since most places are primarily built of sandstone) is to see the fort, which is on a bit of a hill overlooking an otherwise flat desert. As it’s in the desert, the temperatures in the day, even in late September, were close to 40 degrees Celsius (a little over 100F).
According to Lonely Planet India, the fort was built in 1156 by the Rajput ruler Jaisal and reinforced by subsequent rulers. It “was the focus of a number of battles between the Bhatis, the Mughals of Delhi and the Rathores of Jodhpur.”
Nowadays, it’s a living fort. Jaisalmer Fort has plenty of residents, restaurants, souvenir stands, havelis (old-style housing with ornate architecture: carved stone doorways, lattice screens, balconies, and turrets). The havelis are often hotels now, and almost every hotel here has a rooftop restaurant to enjoy the surrounding view. Our hotel, the Roop Mahal, also had a rooftop restaurant where I ate a few times. The food was…not great, but certainly not bad.
In addition to the havelis, there are also quite a few temples. Specifically, there are seven Jain temples (that you can tour for 150 rupees/15 RMB/$2.50USD). These temples were visually quite attractive inside – some more than others – and also had plenty of worshippers coming in and out. I was impressed by the intricacy of the details and sandstone carving, the intimacy of the art, and the way natural light was used in the temples. I don’t believe tripods were allowed inside the temple, which made a lot of shooting quite difficult, but not impossible. The only other rule is that you have to take your shoes off outside and pay someone (usually about 100 rupee) to “watch” your shoes.
After having a meal in the fort (and, excitedly, finding a spice shop where I bought the first of many Indian spices to bring back to China with me), my travel partner arranged for us to go out to the desert and ride camels. (The hotelier also offered something similar, but was a bit expensive.)
Later in the day, around 5:00, if I recall correctly, a guy came to pick us up at the hotel in a jeep and four of us – me, my travel partner, and two Israeli women – started our drive out to Sam, about 50 km west of Jaisalmer (and less than 100 km – maybe less than 50 – from the Pakistani border to the west).
En route, we had to make a few required stops (per our drivers). The first place was so forgettable that I can’t even recall the name of it or what it was. The second place was just to see a small village (really, two buildings) and a whole lot of kids running up to you begging for money in exchange for pictures.
After that, we finally made it out to the desert, where we rode camels for about half an hour and then stopped at a rather random place where we were eventually given a home-cooked Indian meal, vegetarian, that consisted of dal, naan, and a few curries. It was delicious, and had to be eaten completely in Indian style (no utensils of any kind).
While watching the sunset and the subsequent moonrise, we eventually bade our Israeli friends farewell (as they were spending the night in the desert) and headed back to town. Along the way, I caught a glimpse of a late night cricket match, and it was the only time during this trip I’d see that. When we got back to the hotel, we just needed to wait there for an hour or two before they were kind enough to drive us to the train station around 11:00 p.m. so we could catch our midnight train to Jodhpur…the Blue City.
Specific to Santa Fe - Emergency!
3 fingers up. Requires Immediate Attention.
Check out the brand new Occupy Santa Fe pool, a group with very practical discussion threads:
Volkswagen Professionnels
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BANQUETTE ARRIÈRE COULISSANTE SUR 18CM
La nouvelle Golf Sportsvan est un modèle de modularité.
Grâce à la banquette arrière coulissante vous pouvez maximiser, selon vos besoins, l'habitabilité des places arrière ou
le volume de chargement.
Conso. mixte/urbaine
/extra-urbaine (l/km)
3,9 / 4,5 / 3,5
Émissions de CO2
101g/KM
TVS
404 €
LLD sur 48 mois et 80000 km avec apport*, perte financière incluse**, contrat de maintenance aux professionnels et véhicule de
remplacement inclus***. Offre valable du 01/04/2015 au 30/06/2015.
(1) Offre de Location Longue Durée sur 48 mois et 80000 km pour une Golf Sportsvan Trendline Business 1,6 TDI 90 BVM5, 47 loyers de 276€ TTC
après un premier loyer majoré de 2678€ TTC.
Modèle présenté : Golf Sportsvan Confortline Business 1,6 TDI 110 BVM6 BlueMotion avec option peinture métallisée
(640€TTC) au prix catalogue de 30 230€ TTC. Tarifs au 01/04/2015. Loyer du modèle présenté : 47 loyers de 317€ TTC/mois
après un premier loyer majoré de 3023€ TTC pour 80 000 km parcourus.
Cycles mixtes/urbains/extra-urbains du modèle présenté : 3,6 / 4,1 / 3,4 (l/100km)
* Offre réservée à la clientèle professionnelle, hors taxis, loueurs et flottes, chez tous les Distributeurs Volkswagen participant
à l’opération de financement, sous réserve d'acceptation du dossier par Volkswagen Fleet Solutions, division de Volkswagen Bank
GmbH – SARL de droit allemand – Capital 318 279 200 € - Succursale France : Bâtiment Ellipse, 15 Avenue de la Demi-Lune, 95700 Roissy en
France - RCS Pontoise 451 618 904 - Mandataire d’assurance et mandataire d’intermédiaire d’assurance enregistré à
l’ORIAS: 08 040 267 (www.orias.fr). Montants exprimés TTC, hors prestations facultatives.
** Perte Financière obligatoire incluse dans les loyers souscrite auprès de COVEA FLEET SA - Capital de 93 714 549 € - RCS Le Mans B 342 815
339 -160, rue Henri-Champion - 72100 LE MANS. Entreprise régie par le code des assurances soumise à l'Autorité de contrôle
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*** Contrat de Maintenance obligatoire souscrit auprès de Volkswagen Bank GmbH ; Garantie Véhicule de Remplacement incluse dans les loyers,
souscrite auprès d’Europ Assistance France SA – RCS Nanterre 451 366 405 : Entreprises régies par le Code des assurances et soumises
à l'Autorité de Contrôle Prudentiel (ACP) - 61 rue Taitbout 75009 PARIS.
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The medical 3D models that are produced by ACRM Corp are patient-specific and are derived from CT or MRI scans (typically using DICOM image data). These models are used by physicians, orthopaedic surgeons and neurosurgeons to aid in pre-surgical planning and diagnoses for conditions ranging from spine conditions like scoliosis and kyphosis to skull-related issues like hydrocephalus and craniosynostosis. 3D brain models, hips and knees are also commonly replicated items. There is a case study store (www.Medical3Dmodels.com) where you can order physical 3D models of all of the items shown in these videos. If you are looking to get a 3D model for a specific patient, visit our corporate site (www.ACRMcorp.com) for details on how we can create a custom 3D medical model for that patient.
SPECIFIC is an Innovation and Knowledge Centre. It aims to develop coated glass and steel products that capture, store and release solar energy, turning buildings into power stations. The centre brings together world class academic and industrial expertise in the fields of photovoltaics, solar thermal, batteries, chemical conversion and wide area lighting, alongside unique sheet and coil printing and coating facilities.
Specific Design Assessment
-Signs are posted at various scales
-Signs are posted at alley entrances
-Business signs are oriented towards pedestrian traffic through the alley
-Signs to public amenities, such as restrooms, are clearly marked
Relevant Land Use Code Sections
20.25A.160.D.3.e - Signage (identify circulation routes)
20.25A.160.D.4.c - Incorporate design elements of the adjacent right-of-way, such as paving, lighting, landscaping, and signage to identify the through-block pedestrian connection as a public space
20.25A.160.D.4.d - Accentuate and enhance access to the through-block pedestrian connection from the right-of-way by use of multiple points of entry that identify it as a public space
SPECIFIC is an Innovation and Knowledge Centre. It aims to develop coated glass and steel products that capture, store and release solar energy, turning buildings into power stations. The centre brings together world class academic and industrial expertise in the fields of photovoltaics, solar thermal, batteries, chemical conversion and wide area lighting, alongside unique sheet and coil printing and coating facilities.
SPECIFIC is led by Swansea University in partnership with industrial partners Tata Steel, BASF and NSG Pilkington and research partners Imperial College London, Cardiff University, Bath University, Bangor University and Sheffield University; it is funded by EPSRC, Technology Strategy Board and the Welsh Government.
SPECIFIC's aim is to transform world-class research and innovative technology into a new, £1billion industry.
The medical 3D models that are produced by ACRM Corp are patient-specific and are derived from CT or MRI scans (typically using DICOM image data). These models are used by physicians, orthopaedic surgeons and neurosurgeons to aid in pre-surgical planning and diagnoses for conditions ranging from spine conditions like scoliosis and kyphosis to skull-related issues like hydrocephalus and craniosynostosis. 3D brain models, hips and knees are also commonly replicated items. There is a case study store (www.Medical3Dmodels.com) where you can order physical 3D models of all of the items shown in these videos. If you are looking to get a 3D model for a specific patient, visit our corporate site (www.ACRMcorp.com) for details on how we can create a custom 3D medical model for that patient.
The Final Day of Racing At Brands Hatch for The Superprix Weekend and After a Really Busy and Scattered Set Of Races The Previous day it was time to see which of the Drivers could Brave the Circuit One Last Time and Take Home Either a Championship Win or a Victory in their Specific Race.
Lets Get Straight to the Results.
Classic Formula Ford/Historic Formula 3 (Race 2 Result)
Classic Formula Ford and Historic Formula 3 Were up First and it was Time to see who could be The one to take the Checkered Flag First when they crossed the Line.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with a Lap Time of 1:39.257 and a Top Speed of 86.59mph. A Fantastic Victory Cameron Showing Incredible Car Control and Commitment to Win the Race.
In Second Place was (Ben Tinkler) in his Van Diemen RF80 with a Lap Time of 1:39.986 and a Top Speed of 85.77mph. A Really Great Drive from Ben to stay so close to Cameron and Keep Him on his toes the entire Time while Fighting for the Lead of the Race.
In Third Place was (Jordan Harrison) in his Lola T540E with a Lap Time of 1:39.994 and a Top Speed of 85.54mph. A Really Wonderfully Deserved Third Place for Jordan Pushing that Lola for everything it Has got to gain Third Place. Well Done.
Three Fantastically Fast Drivers all with Incredible Speed and Talent Showcasing The Best of what they Bring to Brands Hatch Every Year. An Amazing Last Race to Witness. Congratulations to The Race Winner and Keep Trying Hard Everyone Else.
HGPCA Pre 66 Grand Prix Cars (Race 20)
Next It was The Historic Grand Prix Cars and with a Massive Turn out for them it looks like Another Cracking Race to see from Start till Finish. Lets see who came out on Top.
In First Place was (Sam Wilson) in his Lotus 18 with a Lap Time of 1:39.384 and a Top Speed of 86.55mph. Amazing Work Sam Showing Colin Chapman How it Should be Done. He would have been Proud to Witness that Victory.
In Second Place was (Peter Horsman) in his Lotus 18/21 with a Lap Time of 1:41.296 and A Top Speed of 84.90mph. A Fantastic Drive by Peter to take Second Place in the Race.
In Third Place was (Miles Griffiths) in his Scarab Offenhauser with A Lap Time of 1:41.501 and A Top Speed of 84.38mph A Really Good Job there Miles Almost Matching Lap Times with Peter and Showing Some Incredible Car Control during The Race.
Another Fantastic Race for The Historic Grand Prix Cars and a Huge Congratulations to Sam for Taking Victory in the Last Race. Avery Well Done to Both Peter and Miles as well.
HSCC 70's Road Sports (Race 19)
Historic Road Sports took to the Track next and with some Legendary Cars from the Likes of Lotus Morgan and TVR it was Time to see who Had Stormed to Victory in the Last Race and Taken the Victory.
In First Place was (William Plant) in his Morgan Plus 8 with A Lap Time of 1:45.768 and A Top Speed of 70.67mph. Congratulations William on the Victory it was so Good to See a Morgan Take First Place while Watching this Exciting Race. An Amazing Drive.
In Second Place was (Jim Dean) in his Lotus Europa with A Lap Time of 1:46.411 and A Top Speed of 70.66mph. Another Incredible Drive from Jim to Take Second Place. Well Done
In Third Place was (Richard Plant) in his Morgan Plus 8 with A Lap Time of 1:47.697 and a Top Speed of 70.31mph. A Very Committed Drive from Richard and a Fantastic Third Place Finish that I'm sure the Whole Family will be Proud of.
Fantastic Racing from the 70's Road Sports to Finish the Days Racing for them Congratulations to William, Jim and Richard. Hope to see you Three Battling it out Again Soon.
Aurora Trophy With Geoff Lees Trophy
The Arora Trophy Roared onto the Grand Prix Circuit Next with Powerful V8 Engines thease Racing Cars could make the Ground Shake as they Thunder their way around the Race Track. Lets see who Managed to take that All Important Victory for their Final Race.
In First Place was (Martin Stretton) in his March 712 with a Lap Time of 1:25.976 and A Top Speed of 101mph. A Very Brave and Committed drive from Martin to Take Victory, Really Pushing the March to its Limits and hanging onto the Lead thought the Race.
In Second Place was (Mathew Wrigley) in his March 782 with a Lap Time of 1:25.127 and A Top Speed of 100.96mph. Another Incredible Driver Taking his Machinery to New heights and Keeping the March Name Alive in Historic Racing. Amazing Work Mathew.
In Third Place was (Samuel Harrison) in his Dallara 389 with A Lap Time of 1:29.552 and A Top Speed of 95.04mph. Amazing work Sam showing Insane Car Control even when Racing so Fast and for such A Long Time. Congratulations.
Another Amazing Race to Keep the Day going and showing the Amazing work that Each Team Does to ensure that their Driver and His Car are Ready to go. Well Done to all of the Teams and to the First Second and Third Place Winners as well. Looking Forward To seeing more Action this Year from the Aurora Trophy.
Guards Trophy (Race 21)
Next Up Guards Trophy with Another Range of Racing Machines from the Likes of Brabham Chevron and Lotus Lets see what will Happen and Who will be able to Drive their way to Victory in This Race.
In First Place was (Andy Newall) in his Chevron B6 with A Lap Time of 1:38.258 and A Top Speed of 83.84mph. Very Well Driven and Raced by Andy Showcasing the Power of the Chevron and taking it too its Limits in terms of Raw Speed and Performance.
In Second Place was the Duo of (Jackson S and Jackson C) in their Lenham P70 with A Lap Time of 1:38.008 and A Top Speed of 83.45mph. Fantastic Work to The Two Jacks who Really showed what Working Together Can Achieve during A Race. Well Done
In Third Place was the Duo of (Mitchell W and Mitchell B) in their Chevron B8 with A Lap Time of 1:38.368 and A Top Speed of 82.49mph. Another Amazing Duo who Have Taken Third Place and Kept the Fight Alive in their Respective Championship. Amazing work.
A Fantastic Race for the Guards Trophy Showing the Power of Each Race Car and what they Are Capable of When put into The Hands of the Right Drivers. Congratulations to Andy Mitchell W and Mitchell B as well as Jackson S and Jackson C for putting on One Hell of a Race. Keep up the Good Work Everyone Else and Never Stop Fighting for your Own Victories.
Historic Formula Ford (Race 16)
Next Up was Historic Formula Ford and some very Twitchy and Tricky Cars to be Driven Round the Circuit at Hight Speed. With Light Weight Chassis and Small Cockpits this was going to be a Very Exciting Race to Watch. Lets see who Came out Best of the Rest.
In First Place was (Cameron Jackson) in his Winkelmann WDF2 with A Lap Time of 1:38.596 and A Top Speed of 87.95mph. Another Incredible Drive From Cameron to Take Victory and show what A Truly Committed and Self Determined Driver is. He is an Inspiration to All Up Coming Formula Ford Racers.
In Second Place was (Tom Macarthur) in his Titan MK3 with A Lap Time of 1:38.484 and A Top Speed of 87.94mph. Another Really Brave and Heroic Driver Pushing His Formula Ford to its Limits and Keeping his Eye's on the Race Track. Amazing Work Tom.
In Third Place was (Horatio Fitzsimon) in his Merlin MK20A with A Lap Time of 1:38.513 And A Top Speed of 87.90mph. Very Well Done Horatio Fantastic Driving and A Well Deserved Third Place.
An Amazing Final Heat Race for the Formula Fords with Everyone Pushing As Hard as they Could for Victory. Keep Working Hard Everyone and Congratulations to Cameron Tom and Horatio.
Historic Road Sports (Race 17)
Historic Road Sports Next and it was Time to see what Each Driver could do in their Respective Race Car. Lets see how things Stacked up and who Came out on Top in the Race.
In First Place was (Kevin Kivlochan) in his AC Cobra with a Lap Time of 1:46.891 and A Top Speed of 72.19mph. What A Drive From Kevin to Take Victory Keeping that Cobra Far Ahead of the Rest of the Pack and Taking A Dominant Victory. Carol Shelby would have Loved to See That.
In Second Place was (John Davidson) in his Lotus Elan S1 with A Lap Time of 1:46.052 And A Top Speed of 72.16mph. Amazing Work John Keeping that Lotus on the Tarmac and Putting on One Hell of a Race for Everyone. Amazing Job.
In Third Place was (Rupert Ashdown) in his Lotus Elan S1 with A Lap Time of 1:47.481and A Top Speed of 71.61mph. Another Incredible Drive by Rupert Taking Third Place Very Well Deserved.
Historic Road Sports putting on Another Superb Race for the Season and Congratulations to Kevin John and Rupert on their Victories. Hope to see More of that This Year and Good Luck to Everyone Else Racing too.
Historic Touring Cars (Race 22)
The Final Race of The Day was Here and The Historic Touring Car Club did not Disappoint with Lotus Cortina's Mini Cooper S's and Ford Mustangs This was going to be a Final Battle of Titans. Lets See Who Managed to Take that Last Checkered Flag of the Day.
In First Place was (Steve Soper) in his Ford Mustang with A Lap Time of 1.47.084 and A Top Speed of 71.51mph. Awesome Drive Steve Fantastic to see that He Still has it in him After all The Years of Racing.
In Second Place was (Rob Fen) in his Ford Mustang with A Lap Time of 1:49.031 and A Top Speed of 70.93mph. Amazing Work Rob Pushing that Mustang Far and Wide to Hang onto that Second Place. Excellent Drive.
In Third Place was (Mark Martin in his Ford Lotus Cortina with A Lap Time of 1:49.905 and A Top Speed of 70.70mph. Very Well Done Mark Great Driving and Even a Wheel in the Air on Some Occasions Heading onto the Grand Prix Loop. What A Sight that Was to See.
And With that The Days Events came to an End for another year of Superprix Racing at Brands Hatch Amazing work to all of the Organisers and Race Drivers who took Part and Congratulations once again to all of the Race Winners. Keep Fighting Keep Wining and I'm Sure we will do it All Again Next Year.
The medical 3D models that are produced by ACRM Corp are patient-specific and are derived from CT or MRI scans (typically using DICOM image data). These models are used by physicians, orthopaedic surgeons and neurosurgeons to aid in pre-surgical planning and diagnoses for conditions ranging from spine conditions like scoliosis and kyphosis to skull-related issues like hydrocephalus and craniosynostosis. 3D brain models, hips and knees are also commonly replicated items. There is a case study store (www.Medical3Dmodels.com) where you can order physical 3D models of all of the items shown in these videos. If you are looking to get a 3D model for a specific patient, visit our corporate site (www.ACRMcorp.com) for details on how we can create a custom 3D medical model for that patient.
"Space Thang" by Jori Sackin and Pat Vamos is a site specific movie-going experience for an adult movie theater on Troost in Kansas City, MO. A wild success, their one-night-only event played to a sold out audience. On top of Vamos and Sackin's found footage and original animation collages, the show included "Mary Fortune" as the live opening band and MK12's "Follow the Sun" as a trailer.
I wrote more about this whole Kansas City trip on our blog...
This is essentially not a comparison of the specific gear involved in these two shots but is a comparison of the performance I used to get from the D90/Sigma 17-70 combo v. the D610/Sigma 70 combo. It did turn out to be something of an Elements v. On1 comparison as these were both processed in On1 which turned out much better than my Elements attempts with this particular subject matter. The D610 was shot on a tripod while the D90 was shot handheld with the os of the Sigma on. So not scientific but I have shot these two lenses this way in the past as the os of the 17-70 gives me the flexibility of shooting handheld while the macro lens needs to be on a tripod to take advantage of its super close focusing ability. I used live view and manual focus for the tripod shot and single point af for the handheld shot. So, two different methods that are authentic with how I shoot and have shot with these combos.
(The phallic nature of the shots was unintentional; part of the nature of the flower and the pose I needed to use to get both the stigma and the near anther on the same plane of focus in the D610 shot).
8 OCT 13
I've been playing around with the idea of a watermark with a logo. I've basically been shopping around for ideas. I'm getting bored of the old Pristina print, and its done. I want something that's more specific and meaningful to me. I have one with my real name and stuff for work purposes, but for several reasons, I don't want to use that here on Flickr.
I played around with some designs, but its the same thing where I don't want the first thing someone sees of an image I post to be this giant or brightly colored watermark. There are some nice subtle ones that I've seen from people, but the designs aren't quite my cup-o-tea.
In other news, the government is still shut down. Bunch-o-babies, is what they are. If both sides are screaming that neither will budge, then really what's the point. Pack up your bags, and we shall hold another election filled with people just chomping at the bit to take their places. What absolutely sickens me is that national parks and memorials have been shut down. I remember the first day, the story of the veterans who went to Washington and were denied access into THEIR friggin' memorial until some friendlies thankfully let them in. That is one rule I hold true in life, is that no veteran should ever be denied any service that is due to them especially ones meant to honor them or their fallen. Ugh...come on America?!? Come on already!!! I feel like we as American's are caught in the middle of a nasty divorce. Mom and Dad are fighting and everything we try to do just makes things worse! I've just stopped watching CNN or any other newscast. Just more of the same news conferences where one is "more right" then the other because of course it's the others fault. To think, I stood in line for 2 hours of my time...time in which I could have gotten paid at work...to vote for all these idiots who then turn around and pull this crap. Once again I was fed the slogan that my vote counts, and once again, I am disappointed. The one thing I can say about old politics, was that there was a sense that things must go on and when times are tough, they bound together to at the very least, make an effort to see things through...there is no sense of cease fire and let the ducks cross, in Washington anymore...it's just who wants to jockey harder for 2016.
The two key points I have taken away from this is one, for politicians who talk so much smack about jobs being outsourced and needing to put more jobs in the hands of Americans, they sure have no problem basically blocking thousands of Americans from going to work due to this bs fight. Oh and point two: now...if I'm a farmer and my one and only product is milk from cows...why would I go out into the field and shoot all my cows? Hello! Tea Party?! You don't want a government at all---that, you idiots, will put you out of work as well as thousands of others if that ever really actually occurred which in a way, it kind of is. Guess who isn't going to vote for you next election...the families who are out of work because of you!!!!! This is ridiculous. I get it, they dont' want government in every corner of the bedroom, but there are some things, believe it or not, would be extremely hard to make run smoothly without a big government body at the helm. Rant over. I've got a headache.
Image: I typically freeze a bottle of water when I have to run errands around town, so as I'm in and out, the water is still cold and I can take sips and small drinks of it as it melts all the way up until my last errand. This was such a bottle. The ice started to melt away from the shape of the bottle. Looked pretty cool.
@algonquinoutfit : RT @hvhsa: Great start to a frosty morning! It's the last night for night skiing over the holiday break.… t.co/eXGqxeKNV3 (via Twitter twitter.com/algonquinoutfit/status/817776282285068289)
MURAL DESIGN, The Mural was created over 4 days at the ArtPlay Venue in Moscow, it features around 140 layers of various different stencils all painstakingly cut by hand.
EVENT: Beefeater Gin – Forever London Exhibition
LOCATION: Art-play Moscow
BRIEF:
To create a series of four canvases that embody the spirit of London and then create an site specific Mural working around the same idea.
In August 2010 I was asked by Cement gallery to get involved with the Beefeater Gin – Forever London event that would take place from the end of October 2010 – to mid November. I was asked to create a series of four canvases that captured the London spirit and then pop over to Moscow for a week to create a site specific mural along the same lines, the event culminated in an opening evening where the public could view the work and then an ongoing exhibition lasting for approximately two weeks.
Thanks to Cement and the guys from Chivas & Beefeater for looking after me in Moscow.
Artist Involved:
DBO – www.thisisdbo.com
PURE EVIL - www.flickr.com/pureevilbunny
JAMIE BROWN - www.jamie-brown.co.uk
CEMENT GALLERY - www.cement-gallery.com
www.pleasantlightscapes.com (941) 321-4966 We design and install Florida lighting designs for outdoor landscapes and pool lighting in Sarasota and Bradenton, Florida by Pleasant Lightscapes. Adding lighting to your home will enhance the overall resale of your property and make a stunning statement to the look of your home. Lighting effects can dramatically change the look and feel of your home. All of our lighting systems were chosen for their efficiency, reliability, and long life ensuring our customers’ continued value for making their illumination dreams come true. Out professional grade lighting includes a wide range of specific-purpose, outdoor fixtures, weatherproof transformers, specially insulated cables, and a variety of accessories. Call us today to begin the process of creating a stunning Florida outdoor lighting design.
SPECIFIC is an Innovation and Knowledge Centre. It aims to develop coated glass and steel products that capture, store and release solar energy, turning buildings into power stations. The centre brings together world class academic and industrial expertise in the fields of photovoltaics, solar thermal, batteries, chemical conversion and wide area lighting, alongside unique sheet and coil printing and coating facilities.
SPECIFIC IKC
Baglan Bay Innovation and Knowledge Centre
Baglan Energy Park
Central Avenue
Port Talbot
SA12 7AX
A SPECTRUM is a condition that is not limited to a specific set of values but can vary infinitely within a continuum. The word saw its first scientific use within the field of optics to describe the rainbow of colors in visible light when separated using a prism; it has since been applied by analogy to many fields other than optics. Thus, one might talk about the spectrum of political opinion, or the spectrum of activity of a drug, or the autism spectrum. In these uses, values within a spectrum may not be associated with precisely quantifiable numbers or definitions. Such uses imply a broad range of conditions or behaviors grouped together and studied under a single title for ease of discussion.
In most modern usages of spectrum there is a unifying theme between extremes at either end. Some older usages of the word did not have a unifying theme, but they led to modern ones through a sequence of events set out below. Modern usages in mathematics did evolve from a unifying theme, but this may be difficult to recognize.
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AERIAL BOUNDARIES by Loris Cecchini (setting)
Site-specific installation for the courtyard of Palazzo Strozzi in Florence
curated by Franziska Nori
30 April to 1 July 2012
photo © Martino Margheri