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ID: 24
8inch Eclipse record from the 1930s. www.tedstaunton.com/labels/1930_1939/pages/Eclipse_1/ecli...
Listen to this record here youtu.be/3ALNTp50G28
Album title: Hot Jazz Classics
Artist: Fletcher Henderson
Label: Columbia
Year: 1933?
Catalog Number/Other Info: 4 record set C-30;
Sugar Foot Stomp, C-30 1, 35668 (140639), original issue Columbia 385-D
What-Cha-Call-‘Em Blues, C-30 2, 35668 (140640), original issue Columbia 395-D
Money Blues, C-30 3, 35669 (CO 29174) original issue Columbia 383-D
Stampede, C-30 4, 35669 (142205) original issue Columbia 654-D
Hop Off, C-30 5, 35670 (144955), previously unissued
Snag It, C-30 6,35670 (CO27904), previous issue Harmony 353-H
Can’t You Take It, C-30 7, 35671 (13830) original issue Vocalion 2853 Second Master
New King Porter Stomp, C-30 8, 35671 (152325) original issue Okeh 41565
Taken by Cory Funk.
Shellac Futurist
self-released
SHELLAC RECORD No. 9
LP
1997
Mastered By - John Golden
Bob Weston - Bass
Steve Albini - Guitar
Todd Trainer - Drums
Originally recorded for La La La Human Steps, Montreal (dance troupe). Both sides are instrumental, not counting a shortwave radio collage interlude on side B.
Recorded in Chicago & Angers, 1995
Distributed to the "friends" listed on the front cover, each copy had the recipient's name circled in marker (or written in the box at the bottom) for personalization (and sale deterrence). Just under 800 people are listed on the cover.
A Untitled
B Untitled
one of my favorite monoprints i made recently with a 'shellac plate'
more of my monoprints here:
picasaweb.google.com/shannonkringen/Monoprint#
If you'd like to buy a painting of mine more info here: shannonkringen.com/paintingsforsale.htm
Here is one of the latest pieces I am working on for my show that I install on March 29th. This is a shellac resist technique where you paint shellac onto to dry greenware, porcelain or clay with no grog or sand works best. Let the piece dry overnight then wipe back the exposed areas with a wet sponge. This creates a beautiful raised area for glaze to pool around and highlight. The shellac burns out in the bisque firing and you need to wipe/sand off the shellac ash that is left on the piece before glazing. Fun technique!
An example of a couple of wooden pencil boxes I have just finished for two nephews.
Box joints using Red oak and Poplar.
The name was printed out on a colour laser printer, and attached to the timber using gel medium. After drying, the paper was rubbed off to leave the name.
Finished off with 6 or so coats of white shellac.