View allAll Photos Tagged shape
A visitor looks up her shape on the exhibition database to see it and to get the coordinates for where it is located in the gallery. (Photo by Andy Daddio)
Black Shapes play at The Actress and Bishop in Birmingham, 27 September 2012.
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The unique root formations of the Pond Cypress at the water's edge. These root knees result from the roots growing out of the soil in an attempt to grow above the water table.
The Annual Masters Historic Festival returned to Brands Hatch for another Year of Amazing and Superb Racing Featuring The LolaT70mk3b's
Ferrari 512M and Historic Formula 1 Championship along with many other familiar faces, the Weekend was shaping up to be another Cracking one for the History Books, With each Driver ready to Take on the Twists and Turns of the Grand Prix Circuit. With Qualifying Underway it was time to see what the Drivers could do.
Equip Libre-Qualifying
The Equip Libre Racing series shows off some of the best sports cars of the 60's and 70's and features a wide range of different classes battling it out for Victory.
After a very Fierce Qualifying Session it was (Alison C and Thompson P) in their Cobra Shelby America who took First Place with a lap time of (1:48.219)
Second place went the way of (Tom Smith) in his MGB with a Lap time of 1:52.849)
Finally in Third Place was (Tucker Lar/Tucker Lau) in their Ford Shelby Mustang GTR350 with a Lap time of 1:52.915.
A Fantastic Qualifying session for the top three and lots to look forward to in their first Race of the Weekend.
Gentlemen Drivers-Qualifying
The Gentlemen Drivers series made an Exciting return to Brands Hatch for the Masters Festival showcasing cars from a time where many Gentlemen Alike Drove with Spirit and the Determination to both enjoy themselves and be competitive on the Race Track. Many cars such as Cobras TVR'S and Jaguars were amongst the Field.
In First Place was (Oliver Bryant) in his AC Cobra with a very fast Lap time of 1:42.589 showcasing some incredible driving skill and determination behind the wheel.
In Second Place was (Mike Whitaker) in his TVR Griffith with a lap time of 1:42.616 Pushing his TVR Griffith to the limit in terms of Traction and Speed.
In Third Place was (Thomas J/Lockie C) with their Beautiful Shelby Cobra Daytona Coupe with a lap time of 1:42.687, Even the Great Carol Shelby would have been Impressed with that run.
Another Amazing Session of Qualifying showing just how close to top three Drivers are and this should make for some amazing Racing come Race Day.
Masters Endurance Legends-Qualifying
The Masters Endurance Legends made its Rare Appearance at Brands Hatch having not been back to the circuit since 2017 and showcased some Amazing and Impressive Machinery from the days of Le Mans. Such cars out there were the Aston Martin DBR9 ORECA 03 LMP2 and The Lola Judd B12/60. The Cars were Ready to Take on the Grand Prix circuit with the crowds waiting in anticipation to see who would emerge Victorious in Qualifying.
In First Place with an Immense Lap time of 1:23.007 was the Lola-Judd B12/60 of (Steve Tandy) Eric Broadly would have loved to have seen that.
In Second Place was (Shaun Lynn) in his BR01 with an Equally Impressive lap time of 1:23.647 Following Closely behind that Of Steve Tandy.
In Third Place was (Mark Higson) with his Oreca 03 LMP2 setting a lap time of 1:24.661
A Fast time for the Oreca around the Grand Prix Circuit.
All Three Drivers were looking very close to each other indeed but out of the three who would be the one to take Victory Come Race Day. Only time will tell.
Masters Historic Formula One-Qualifying
The Historic Formula One Cars were to make their Annual Appearance at Brands Hatch and with them came some of the most Iconic and Intense Looking Racing Machines from the James Hunt Emerson Fitipauldi and Jody Shecker Era of Racing. With Tough Competition Things looked to be Getting Heated in this Qualifying Session.
In First Place was (Steve Hartley with his McLaren MP4/1 Onced Raced By James Hunt with a lap time of 1:21.829 A Lap that Even James Hunt would have said "Hess Got Big Balls That Bloke"
In Second Place was (Warren Briggs) in his McLaren M29 with a lap time of 1:24.789 Another Driver with some very Big Balls Indeed.
In Third Place was (Lucas Halusa) in his McLaren M23 with a lap time of 1:24.818 Another Superb Drive Indeed.
With Qualifying Over it was time to see which Driver would be able to take the Victory on Race Day and which Driver would falter and Potentially Miss the Margin. Lets Just Hope No James Hunt Style First Fights In The Pits.
Historic Sports Cars-Qualifying
Historic Sports Cars Harp back to the Early Days of Sports Prototypes at Le Mans and even in the Lower GT Series. Featuring Many Great Cars such as the Chevron B19 and LolaT70mk3b. With Qualifying Underway Lets See what The Drivers Get Up to.
In First Place was (Gary Pearson and Alex Brundle) in their Lola T70MK3B with a lap time of 1:29.464 Eric Would Be Proud of That One.
In Second Place was (Tom Bradshaw) in his Chevron B19 with a lap time of 1.29.645 A Fitting Tribute to Chevron and their Love of Speed and Reliability.
In Third Place was (Jonathan Mitchell in his Chevron B19 with a lap time of 1:31.100 Some fine turning maybe needed but anything can happen come Race day.
A Beautiful and Fantastic Set of Cars seen and a Real Delight to see a T70MK3B on the front row for the Start of the Race but will Lola and Broadly Prevail or will Chevrons B19's Put up the Fight?
Masters Pre 66 Touring Cars-Qualifying
The Masters Pre 66 Touring Cars were up next and the Cars from this Era we used for what become the modern BTCC that we known of today and this Era is all about the start and how Touring Car style Racing came about. The Ford Mustang Lotus Cortina and Morris Mini Cooper S were just a few cars ahead of a very packed Grid for Qualifying.
In First Place was (Soper S and Mann H) in their Ford Mustang with a lap time of 1:46.506 Ford Of American would have Loved to have seen a Lap of Brands Like That.
In Second Place was (Fenn R and Hill J) with their Ford Mustang with a lap time of 1:47.022 Another Victory for Ford Of America.
In Third Place was (Thomas J and Lockie C) with their Ford Falcon with a lap time of 1:47.724
It looks like its a Ford 1 2 and 3 on the Front Row and the Ford Powered cars have beaten the likes of Austin Mini and Studebaker in the process. Looking forward to the Race its going to be a good one.
Pre 66 Mini's-Qualifying
The Mini's were back at Brands Hatch for another Year with the Masters Festival and on Display were some very well prepared and Race ready Mini's from the later range of Cooper S Variety Although out of the whole field one of them stood out and that was (Mark Burnett) with his Austin Mini Countryman which made for a really entertaining Qualifying Session with the other Coopers.
In First Place was (Jeff Smith) In his Austin Mini Cooper S with a lap time of 1:49.179 Alec Issigonis would have been very proud of that lap.
In Second Place was (Nathen Heathcote) in his Austin Mini Cooper S with a lap time of 1:49.883 Another very impressive lap time on the Grand Prix Circuit.
In Third Place was (Ian Curley) in his Austin Mini Cooper S with a lap time of 1:50.210 All three Drivers very close to Pole Position.
Fantastic to see the Pre 66 Mini's back at Brands and to all other Competitors as well. Looking forward to Race Day where we will definitely see some impressive Machinery Battling it out for a Victory. See you all then.
One has to wonder if Triangle felt like the outcast for being the only shape not ending in "agon". And before any of you ask: No, there was no square (though they did have a rhombus elsewhere)
speaking in Community Reception: Sharing Stories session at the Global Shapers Annual Summit 2025 in Geneva, Switzerland, 10/7/2025, 17:30 – 21:00 at World Economic Forum Headquarters - Garden. Reception. Copyright: World Economic Forum
This photo meets the requirements because, the scroll, with the pegs included, make an interesting different shape.
I took this photo by taking pictures of different parts of my violin like the f holes, the bridge, the strings, and the scroll. The scroll had the most interesting shape so I laid the violin down on its side next to my window on a black piece of fabric and starting taking pictures of the scroll at an angle.
The photo didn’t need much editing but I did edit the hue of red and orange which made the wood stand out more and I darkened the picture just a little bit by lowering the contrast.
Strengths of the image are the shape and the close up angle that made the scroll take up most of the image. A weakness is I wish I would’ve used a blacker piece of fabric and straitened it out more so you cant see the creases in it.
1. F-Stop= f/8.0
2. Shutter Speed= 1/13
3. ISO= 80
4. I took this picture inside the school. I set my ISO until I found a good looking view. I close up on the subject so it can show the shapes.
5. I used lines, texture, and shapes to create this image. This picture was also created using a pattern or repetition.
6. The guideline that I used was simplicity, the background is simple, without any confusions.
7. The photo emphasis is on shapes and the background is not distracting. The important part of the shape is shown. Simplicity is followed, along with a clear focus.
• Title : Shapes
• Subject : Square
• Location : UNIMAS
• Tags : Project1ElementandPrinciple, GKG2144
Shape is an area enclosed by a line. It visually describes an object. It is two-dimensional with height and width. Shapes can be geometric with straight edges and angels, such as squares, rectangles, or triangles or circles; or they can be organic with irregular and curvilinear lines. Organic shapes are found in nature-seashells, flower petals, insects, animals, people!
Form looks like a three-dimensional shape. The object looks as if it has height, width and depth. Artists use shading to create the illusion of form. The shading indicates depth by creating shadows.
Now it's your turn to create shapes and forms.
Kim Stanley Robinson is a writer of landscapes—both real and imagined. His work is grounded in the grit of Earth’s geology, the physics of climate, and the political and social structures that shape human life. When I photographed him at Fort Mason for the Long Now Foundation’s Long Now Talks, we spoke about Mars and Antarctica, two places that have defined his thinking about the future. It was an easy conversation, shaped by a shared affinity for that part of the planet—its vast, glacial quiet, its lessons in resilience.
Robinson’s fiction defies easy classification. He is one of the most celebrated science fiction writers of our time, but his books are as much about ecology, economics, and governance as they are about space exploration. His Mars Trilogy does not simply imagine a human settlement on the Red Planet—it builds a civilization from the ground up, with the careful hand of a scientist and the moral weight of a historian. His attention to detail is obsessive in the best way. He once spent weeks backpacking in the Sierra Nevada to better understand the rhythms of life in a place untouched by modernity, a practice that shaped much of his writing.
Antarctica, a place he has visited extensively, is another world to him—an Earthly analog to Mars, a frontier that demands ingenuity, cooperation, and resilience. His novel Antarctica captures the vast silence of the continent, its brutal beauty, and the way it forces people into a kind of existential clarity. In his mind, the two places—Mars and Antarctica—are linked, both revealing what it takes for humans to survive in extreme environments.
Despite the scope of his ideas, Robinson is remarkably down-to-earth. He speaks with the clarity of someone who has spent decades thinking deeply but never lost his sense of wonder. He is, above all, an optimist. Not in a naive or sentimental way, but in the sense that he believes human ingenuity, if properly harnessed, can solve even the most daunting planetary crises. His later novels, particularly The Ministry for the Future, take this optimism and run with it, presenting climate change solutions that feel as tangible as they are urgent.
For Robinson, science fiction isn’t about predicting the future but about expanding the realm of possibility. It serves as a tool for stretching human imagination, for testing the limits of what we believe is achievable. His vision of the future isn’t about escape but about adaptation. Whether on another planet or in the shifting climate of our own, survival depends on cooperation, scientific literacy, and an ability to reimagine how we live.
Robinson doesn’t just write about the future—he studies it, inhabits it, and challenges others to think beyond their own lifetimes. His work insists that our fate is not sealed, that the future is something we build.