View allAll Photos Tagged shadow
We all walk attached to a shadow. Some to a very long one...
Barcelona airport,
Barcelona, Spain.
Taken with a 3G iPhone using Camera Bag app (Mono style)
I was having a slow day in the woods, so I used the subjects at hand. The snow was far too deep and soft for the tripod, so this was the closest that I came to taking a selfie.
while I was posting this picture I was thinking about a suitable title.... which than came from one of my favorite songs from The Killers.....
captured on the streets of munich, this photo titled "shadows of lamps" plays with the duality of light and shadow. the old lanterns on the facade cast striking shadows on the wall, creating an intriguing pattern of light and dark. the row of lamps and their shadows adds a sense of order and symmetry to the scene, while the texture of the wall and sidewalk enriches the composition. this image captures the simple beauty of everyday life, showing how small details in the urban landscape can be artfully and humorously presented.
"WHAT?!" you ask. "YU-GI-OH??!?!? But I thought you were cool!"
Wait, wait, hear me out! Sometimes there can be something cool in, uh... well, yeah. Yu-Gi-Oh started out as a ripoff of Magic: The Gathering, and it does have occasional moments of good art... most of which has totally passed me by, since the SHadow Ghoul is one of about two or three cool monsters I actually know. I saw this little guy for sale years ago, and picked it up because it's a five-legged multi-eyed undead Lovecraft monster. You complaining about that? I've since looked up the card, and found that it gets stronger whenever an ally dies - so it eats their corpses, I guess?
Cool monster.
The Amber Shadow has the same modular configuration as the Ellaria. By default the Amber Shadow consists of the forward section containing the bridge, bunks, refresher, reliquary, and the main corridor opening up to the boarding ramp. The mid section being a dual bay cargo hold, with extendable loading ramps, complete with a plethora of tools/maintenance equipment, weapons, secret storage compartments, as well as 2 Jetpack charging/upgrade stations. The rear section consists of a small cargo hold and engineering containing the 2 primary thrusters, as well as an additional boarding/cargo ramp. Each section of the Ellaria and Amber Shadow are interchangeable as needed.
Amber Shadow Loadout:
• A deployable heavy fighter, the Shadow Dart, equipped with quad laser cannons and two proton torpedoes. It can be controlled by the Amber Shadow when connected, adding to the ship’s firepower.
• Dual forward-facing 6-barreled gatling blaster cannons.
• Two shield projectors mounted on the forward wings.
• Four dual-barreled Point Defense Cannons (PDCs) atop the cargo hold doors.
• Deployable from a hatch below the bridge: 6-14 Spider-like infiltrator drones with micro boosters and a variety of tools for independent or coordinated operations. These drones stealthily infiltrate target ships to hack systems, disable external components, conduct reconnaissance, or neutralize targets with stun blasters when needed.
Mark ‘Spoonman’ Petrakis and I are developing a shadow puppet show we call ‘Ubu’s Dreams’.
This short series of sketches stars Père Ubu, the hero of french poet Alfred Jarry’s surreal plays. In this show, Ubu is constantly dreaming, playing with archetypal characters from our collective unconscious.
For this project, we are creating a variety of wooden figures with a laser cutter: big faces, music notes, dancers, trees and graveyards, to name but a few. We then tape our puppets on wooden sticks, and wave them across the stage to bring them to life, with a projector over our heads.
We plan to continue this experiment through the summer and perform a first puppet show during our Dada exhibit at the Canessa Gallery in North Beach, from Nov. 3 to 12, 2016.
I also plan to use some of these techniques with our lower and middle school students, for the Maker Art courses I will be teaching this fall.
From shadow puppets to poetic robots, these interactive storytelling experiments have the potential to engage us at a deeper level and help us learn more about ourselves.
View more pictures of this Magic Theater project on Flickr:
www.flickr.com/photos/fabola/albums/72157664637863884
Learn more about Ubu’s Dreams:
Learn more about the Magic Theater project (originally called Théâtre Mécanique):
Walking around the township of Bright with my friend, Dan, and found an old house to experiment with certain shadow and light. I noticed Dan in this doorway and noticed that the light seemed to hit his outline, so I managed to take this shot. Happy for any feedback. Cheers.
He follows me everywhere I go. Most days I don't notice him, but when I am shooting with a fisheye lens he always tries to get in the way.
my shadow cast from a deep sunset casting set in my front room where an old pipe for some inexplicable reason is leaned against a wall - the figures on the shelf (top) are 'ed the duck' and 'mo' from the 3 stooges!!!
Take a turn and see his smile
Made of nothing but loneliness
Just take a walk and be a friend
To the shadow man...
Strong directional light combined with brick and all those shadows and great textures and a neat point of focus made this easy to be drawn to.
Hi everyone!
My name is Yanis Younes, I am a young passionate about photography.
I walk the streets in search of new images, of unique moments.
Lille, France.
To request a shooting, my mail: y.younes14@yahoo.fr
Thank you.
Facebook Page: www.facebook.com/yanisyounesphotography
Clouds at night photography combined can be really dramatic in a city. The city lights help fill some of the shadows which might erase some of the drama that you want, but point the camera up and you might be surprised by the results.
One evening I was intent on photographing a row of coast giant cypress. In trying to find a vantage point I looked down to keep from tripping on rough ground. This is what I saw at my feet. The painted centerline of the rural road can be faintly seen beneath the shadows.
'Shadow lifting' is a very popular term used in many internet photography forums such as dpreview. The usefulness of this is hotly debated as well.
If you are not familiar with the term this is what it means.
In high contrast situations when you have set your exposure to preserve highlights (setting sun in this case) you end up with some very dark areas. In the past you couldn't do much with these dark areas because if you wanted to make these areas bright in Photoshop then all you got was a noisy mess. The situation is not that bad now. Exmor sensor made by Sony and used mainly by Sony and Nikon, is best in this regard. See the next picture.