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A view from the summit of Ben Lomond, Queenstown. I loved the effect of the sunlight and shadows on the rippled mountains.
4162.
This ended up being half shadow and half reflection. But it is definitely a long one. I am only 5'2", and this shadow makes me about 11' tall.
ODC: Group1: 2/7/2013: Long Shadows.
I love when the sunlight shining through the window creates a new window on my wall :)
And there's also something exciting about it, because it only happens during a limited time - so you have to be there and use the opportunity.
Mark ‘Spoonman’ Petrakis and I are developing a shadow puppet show we call ‘Ubu’s Dreams’.
This short series of sketches stars Père Ubu, the hero of french poet Alfred Jarry’s surreal plays. In this show, Ubu is constantly dreaming, playing with archetypal characters from our collective unconscious.
For this project, we are creating a variety of wooden figures with a laser cutter: big faces, music notes, dancers, trees and graveyards, to name but a few. We then tape our puppets on wooden sticks, and wave them across the stage to bring them to life, with a projector over our heads.
We plan to continue this experiment through the summer and perform a first puppet show during our Dada exhibit at the Canessa Gallery in North Beach, from Nov. 3 to 12, 2016.
I also plan to use some of these techniques with our lower and middle school students, for the Maker Art courses I will be teaching this fall.
From shadow puppets to poetic robots, these interactive storytelling experiments have the potential to engage us at a deeper level and help us learn more about ourselves.
View more pictures of this Magic Theater project on Flickr:
www.flickr.com/photos/fabola/albums/72157664637863884
Learn more about Ubu’s Dreams:
Learn more about the Magic Theater project (originally called Théâtre Mécanique):
Oblique morning sun beams create stark shadow lines from the building of health clinic in Chapel Hill, NC.
We all walk attached to a shadow. Some to a very long one...
Barcelona airport,
Barcelona, Spain.
Taken with a 3G iPhone using Camera Bag app (Mono style)
I was having a slow day in the woods, so I used the subjects at hand. The snow was far too deep and soft for the tripod, so this was the closest that I came to taking a selfie.
"WHAT?!" you ask. "YU-GI-OH??!?!? But I thought you were cool!"
Wait, wait, hear me out! Sometimes there can be something cool in, uh... well, yeah. Yu-Gi-Oh started out as a ripoff of Magic: The Gathering, and it does have occasional moments of good art... most of which has totally passed me by, since the SHadow Ghoul is one of about two or three cool monsters I actually know. I saw this little guy for sale years ago, and picked it up because it's a five-legged multi-eyed undead Lovecraft monster. You complaining about that? I've since looked up the card, and found that it gets stronger whenever an ally dies - so it eats their corpses, I guess?
Cool monster.
From my walk through Keyport a week ago Monday. Kiev II, Silberra 160 Color (shot at EI 100 because the last time I shot it at 160 it was underexposed), ECN-2 development. Shot for the Shitty Camera Challenge on Mastodon and Bluesky.
The Amber Shadow has the same modular configuration as the Ellaria. By default the Amber Shadow consists of the forward section containing the bridge, bunks, refresher, reliquary, and the main corridor opening up to the boarding ramp. The mid section being a dual bay cargo hold, with extendable loading ramps, complete with a plethora of tools/maintenance equipment, weapons, secret storage compartments, as well as 2 Jetpack charging/upgrade stations. The rear section consists of a small cargo hold and engineering containing the 2 primary thrusters, as well as an additional boarding/cargo ramp. Each section of the Ellaria and Amber Shadow are interchangeable as needed.
Amber Shadow Loadout:
• A deployable heavy fighter, the Shadow Dart, equipped with quad laser cannons and two proton torpedoes. It can be controlled by the Amber Shadow when connected, adding to the ship’s firepower.
• Dual forward-facing 6-barreled gatling blaster cannons.
• Two shield projectors mounted on the forward wings.
• Four dual-barreled Point Defense Cannons (PDCs) atop the cargo hold doors.
• Deployable from a hatch below the bridge: 6-14 Spider-like infiltrator drones with micro boosters and a variety of tools for independent or coordinated operations. These drones stealthily infiltrate target ships to hack systems, disable external components, conduct reconnaissance, or neutralize targets with stun blasters when needed.
The Courtyard of the Lions (Spanish: Patio de los Leones - Arabic: بهو السباع‎) is the main courtyard of the Nasrid dynasty Palace of the Lions, in the heart of the Alhambra, the Moorish citadel formed by a complex of palaces, gardens and forts in Granada, Spain. It was commissioned by the Nasrid sultan Muhammed V of the Emirate of Granada in Al-Andalus. Its construction started in the second period of his reign, between 1362 and 1391 AD
The Alhambra, Granada, Spain