View allAll Photos Tagged shadow
I thought these lines looked interesting but when a person strolled by, it made the shot all the better. So I set up and shot person after person untill this individual entered the shot, and it was best.
The shadows were most interesting although they contribute to a sort of paradox. At first blush they look like they are caused by the pillars that front them. However, the sun is on the pillars so that doesn't quite fit. Rather, there are similar free standing pillars to the left and just out of the image. You probably figured that out but small things entertain this photographer. This is the third in the series "Lines of Edmonton".
•~...muchas personas se cruzarán en el sendero de la vida, pero con pocas podrás compartir..., tu sombra (entiéndase el lado oscuro) ...pocos se quedarán y te ayudarán. Gracias, por formar parte y ayudarme a sentir un poco de adrenalina..., de vida explorando. Bien sabemos que con mi dificultad física no es fácil...~
Number 131 of my 365 photo challenge - A 1:1 macro image of a Daisy surrounded by intense shadows in the afternoon sun.
“A conversation is a dialogue, not a monologue. That's why there are so few good conversations: due to scarcity, two intelligent talkers seldom meet” - Truman Capote
After a rainy evening at the Pike Place market, Seattle. The reflection of Neon lights in the market place added a perfect blend to the mood of this picture
This is my favourite shot of the trip. I thought it was a perfect moment captured. I tried recreating it while waiting for more people to walk by, but none came up as nicely as this one did.
Tate Modern, London, England
#127 on Explore
A while back I happened upon some nice bridge shadows and thought it should be easy to use The Photographer's Ephemeris to figure out when they would be nicely placed on the river and with the low Winter sun would stretch out a long ways down the river too. The TPE bit was easy but there were some unexpected surprises / fun things to learn too - full story in first comment below. From a fun morning chasing shadows with Sarah and Jim/JP Hansen @ Random…¡ Shadow box view. The sun azimuth / altitude was 174.60° / 21.25° when this was taken. NB7568
River side view - taken while on a boat cruise in Kumarakom by late evening. it was a small boat, did not get enough room space to comfortably capture the beauty of these backwaters..! i missed a lot of golden shots that day..!
no dark room effects.!!
Exposure 0.017 sec (1/60)
Aperture f/10.0
Focal Length 18 mm
ISO Speed 320
Lens 18-55 VR
--- © ЯK Photography ---
Shadow managed to climb and jump up on this roof top of an old abandoned Japanese military house. Taiwan. see Time Past 6. this was her way up to the roof.
A photo of Oxford from last year. This one was taken with the fish-eye lens - I know we typically try our best to not get shadows in a photo, but in the case I thought it added to the image.
Very busy and hectic week ahead for me, so will comment whenever I can.
Blimey, after approx 11 months without a photo in Explore just found out that this one has got to #215 in Explore on Tue 19 Mar 2013.
I was going to save this one for later but I guess I'm impatient so I'm posting 2 pictures today. Admittedly they were taken from the same position and involved merely a lens change.
This is the view of downtown San Francisco as seen from Twin Peaks Blvd. It's a two shot panorama, each image being a 3 exposure HDR and represents my first successful attempt at an HDR panorama. This is actually quite a hassle since Photoshop can't merge EXR files. I had hoped to merge in HDR format then tone map the result but I had to do it the other way around. Regardless, I'm still rather happy with the resulting image.
Workflow here was as follows. Export RAWs from the camera and merge to HDR in Photoshop (it does a far better job of fixing slight misalignment than Photomatix). Save the result in OpenEXR format and open in Photomatix. Tone map each file using the same settings and save the result as a 16 bit TIFF. Use Photoshop's PhotoMerge to merge these TIFFs into a single image, straighten, crop and run Noiseware. Save as another 16 bit TIFF. Reimport into Lightroom, desaturate, tweak exposure and curves, split tone to warm the shadows and add a bit of vignetting. Voila!
This is another image you really have to see large - the default size just doesn't work, I'm afraid. The shots for this image were taken with the wonderfully sharp Nikon 24-70mm f/2.8G lens.
I would greatly appreciate your vote in the 2010 Photoblog Awards. Thanks!
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