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I will never get tired of watching the 1971 sci-fi thriller "The Omega Man" (top) with the man's man, Charlton Heston.
What wasn't shot on a studio backlot was shot on the empty streets of Los Angeles.
In the movie's opening sequence we see Robert Neville (Heston) driving through deserted L.A. This is Santee Street where Neville stops his car to shoot at one of the mutants he spots in an upstairs window.
Free photographs of sequences to use for any reason. Check out TheWriteMoms.com for more free stuff including photoshop patterns of these.
The secondary flaps sequence on the backside all differed and werent exact so I wasn't satisfied. Figuring out the sequence for a neatness stage/lock and to get them to all look the same was actually pretty tricky.. First on the previous fold had to adjust and redesigned a way for it to lay on the creases probably (as you see above).. THEN refold the model from scratch to this stage (thats 3 hours to reach the neatness factor). Finally see what creases the flaps lay on which.. I attempt to make the reference as smooth as possible hopefully. Anyway once segment is done diagramming, the whole model is done!
Delrin, Black, 800mm * 800mm * 800mm
Fabricated with CnC,
3 axis rapid prototype machine
Form derived from 2D graphical notation
"North Sketch Sequence"
By Jan van der Beugel
jacobvanderbeugel.com/work/item/the-north-sketch-sequence...
Chatsworth House
Derbyshire, The United Kingdom
(October 10, 2022)
the ulterior epicure | Twitter | Facebook | Instagram | Bonjwing Photography
Chatsworth House
Derbyshire, The United Kingdom
(October 10, 2022)
Sequence of game of children at a playground.
This video can buy licenses at the following address:
www.pond5.com/stock-footage/48239214/playground-sequence....
Eruption Sequence: Shot 2
The predictable nature of this geyser allowed me to setup and plan for a sequence of shots showing the progression of an eruption. It was also so predictable that I could get really close to it without worrying about getting myself or my equipment drenched in the scalding hot water. This is a seven shot sequence that took place in just over 1 full second.
Although one of the main attractions of Iceland's "Golden Circle" is Geysir, the original Geyser from which the phenomenon was named, I found it's neighbor, "Strokkur," to be much more exciting.
The Great Geysir erupts at unpredictable frequencies and sometimes not at all. Strokkur, however, erupts every 4-8 minutes, making it much more predictable and easier to photograph, with a little patience.
We arrived toward the end of sunset, which made for some relatively moody images.
I used a 2-stop soft edged graduated neutral density filter to balance the sky with the foreground.
From Wikipedia:
Geysir, sometimes known as The Great Geysir, is a geyser in southwestern Iceland. It was the first geyser described in a printed source and the first known to modern Europeans.[citation needed] The English word geyser (a spouting hot spring) derives from Geysir. The name Geysir itself is derived from the Icelandic verb geysa, "to gush", the verb from Old Norse. Geysir lies in the Haukadalur valley on the slopes of Laugarfjall hill, which is also the home to Strokkur geyser about 50 metres south.
Eruptions at Geysir can hurl boiling water up to 70 metres in the air. However, eruptions may be infrequent, and have in the past stopped altogether for years at a time.
Strokkur (Icelandic for "churn") is a fountain geyser in the geothermal area beside the Hvítá River in Iceland in the southwest part of the country, east of Reykjavík. It is one of Iceland's most famous geysers, erupting about every 4–8 minutes 15 – 20m high (50-65ft), sometimes up to 40m high (130ft).
Nikon D800
16-35mm f/4 Lens
Lee Filters 0.6 Soft Edge GND Resin Filter
Jack Russells on a race course. Because of their natural competitive spirit, the muzzels keep them focused on the race and not nipping at their opponents. It also keeps down the vet bills. My two dogs Kobe & Chase (L-R) are in the center positions.
Instructions: Create a color sequence & insert a mistake somewhere.
I planned to create a grand and obvious mistake, however fate intervened.
When I was drawing the colored lines, I made a mistake in the color series. Oops! So I went with the accidental mistake as opposed to creating an intentional mistake.
Can you see my mistake?
Artist: Richard Serra
2006
Weathered Steel
On loan from the Fisher Family
Photographed at Cantor Arts Center, Stanford University, Palo Alto, California
Four seasons sequence in Belgium.
It is hard to find images of landscapes throughout the four seasons. Here you can enjoy the result of a full year of work: www.4seasons2enjoy.com
“Let’s Get to Work” is a stripped down animation. Only key frames are shown. There is no tweening. What is important in this brief work is the reflection that happens, not the motion.
I began this strip a few weeks after 9/11. Rather than a call to war, I felt a call to work, to build, was a better idea. Sometime in 2002 I stopped working on “Let’s Get to Work” and moved on to other projects. I came back to it from time to time, but never really finished it.
Then, Apple changed its operating system. A lot of my animated cartoon no longer worked. Finally, after 17 years, I came back again because I felt it might be of value during and after the ruinous presidency of Trump. There are better days ahead of us, so “Let’s Get to Work!”
LAS VEGAS - DECEMBER 07: Presenters Hayden Christensen (L) and Rachel Bilson speak during the Spike TV's 2007 "Video Game Awards" at the Mandalay Bay Events Center on December 7, 2007 in Las Vegas, Nevada. (Photo by Ethan Miller/Getty Images)
Artist: Richard Serra
2006
Weathered Steel
On loan from the Fisher Family
Photographed at Cantor Arts Center, Stanford University, Palo Alto, California
The annular eclipse of 2005 October 3 taken in Zamora (Spain), versus the total solar eclipse of 2010 July 11, observed from the Hao atoll (French Polynesia). Both the sequences was taken with the same telephoto: 200 mm focal length, f/5.6, same solar filter (neutral density 5), same exposures: 1/15 of second every 5 minutes (begin of the sequences 15 minutes before time of maximum phase. Also the totality shot was 1/15, but without the filter!), same slide film: Kodak Elite 100 ISO.The only difference was the moon distance!