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Richard Serra, Sequence, 2006, steel, 388.62 x 1240.47 x 1986.76 cm (The Doris and Donald Fisher Collection currently at Stanford University, © Richard Serra)
Exporting a TGA sequence from Processing 2.0a4. Apparently, Mac OS X Lion has some troubles with the images. QuickLook shows a glitched preview. I've used Apple Motion to make a video of the images, and they also appear glitched over here. Photoshop doesn't have any issues with the TGA files, and displays them correctly.
See the video on Vimeo: vorm.pl/us/a1
Daisuke Suzuki AKA "Daice" doing 360-NacNac at Japanese FMX contest GO BIG rnd.1 in MOTO PARK MORI, Samegawa Fukushima.
Written and directed by Juan González-Páramo, for the short film Serendipia.
In the scene, Pedro and Laura go to his place and they make love.
I wanted to portray effectively a sex scene without showing anything explicitly, with detail shots of her hands, his back, their feet, her clothes on the floor. Then marvellous music was composed by a friend of mine, and it suits the scene perfectly.
Winner Levi Sherwood had waste time to remove the cap of champagne, after that pushing away Dany Torres and Remi Bizouard then poured a shower to presenter girls @ Red Bull X-Fighters Osaka
Jumping sequence in the swimming pool (from right to left)
Nikon D300 with Nikon AF 24-70 f/2.8 @ 70mm;
Exposure: f/5 @ 1/500 sec, ISO 200, AWB, spot metering, EV +0.67 due to the background white walls;
This sequence of photographs demonstrates the sequence of operations involved in the making of common frame and box joints. Covered here are; the end lap joint, the cross halving joint, the mitre bridle joint, the finger or comb joint, the mortice and tenon joint and the dovetail joint.
All S3 Craft & Design pupils work on a box project so that they can develop some basic woodworking skills. This year S4 have all been encouraged to work on frame and carcase construction techniques. This is mainly due to the large numbers being presented this session but also due to the fact that we have acquire a lot of high quality hardwoods at a bargain price. For these reasons a more prescriptive approach has been taken than the last few years. This should help make the large number of projects a bit easier to manage whilst also displaying the materials and pupils' skill to best effect.
I'll try and annotate these better over the next week or so.
Part of a title sequence I did recently for a feature film depicting the back story of three female characters.
Unfortunately due to the quick turn over of these I did not have time to professionally photograph the sequence and so some photos are distorted due to the reflection of the medium I used and the lighting.