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“Let’s Get to Work” is a stripped down animation. Only key frames are shown. There is no tweening. What is important in this brief work is the reflection that happens, not the motion.
I began this strip a few weeks after 9/11. Rather than a call to war, I felt a call to work, to build, was a better idea. Sometime in 2002 I stopped working on “Let’s Get to Work” and moved on to other projects. I came back to it from time to time, but never really finished it.
Then, Apple changed its operating system. A lot of my animated cartoon no longer worked. Finally, after 17 years, I came back again because I felt it might be of value during and after the ruinous presidency of Trump. There are better days ahead of us, so “Let’s Get to Work!”
Artist: Richard Serra
2006
Weathered Steel
On loan from the Fisher Family
Photographed at Cantor Arts Center, Stanford University, Palo Alto, California
Winner Levi Sherwood had waste time to remove the cap of champagne, after that pushing away Dany Torres and Remi Bizouard then poured a shower to presenter girls @ Red Bull X-Fighters Osaka
The annular eclipse of 2005 October 3 taken in Zamora (Spain), versus the total solar eclipse of 2010 July 11, observed from the Hao atoll (French Polynesia). Both the sequences was taken with the same telephoto: 200 mm focal length, f/5.6, same solar filter (neutral density 5), same exposures: 1/15 of second every 5 minutes (begin of the sequences 15 minutes before time of maximum phase. Also the totality shot was 1/15, but without the filter!), same slide film: Kodak Elite 100 ISO.The only difference was the moon distance!
The Fibonacci sequence or numbers is by definition a mathematical formulae.
www.world-mysteries.com/sci_17.htm
But it's much more than that, it's a golden rule that manifests itself in nature.
Why are petals in 3, why do Pine cones have a certain arrangement, why are some shapes more pleasing to the eyes than others.
The formula shows that everything in nature follows a particular pattern or sequence.
The somewhat concentric circles in this flower reminded me of it.
But let me stop before I start talking about entropy and disorder
This looks good - Doctor Tweek can supply the parts for this synth -sequencer schematic. Bolt on some more goodies (like a delay) and this could be amazing.
By Hesham Tawfik
Gear: Canon 60D | Canon EF-S 18-135mm f/3.5-5.6 IS | Yongnuo Speedlite YN465 Flash
Settings: ISO 100 | ƒ/16 | 1/250
From the foundation studio, this is a one week project where students examine sequences in spatial experiences, and architectural vocabulary. How do spaces unfold, and become delineated with light? What role does an architectural vocabulary play in indentifying uses of spaces? How can tectonic form provide cues to activities and use?
In Mark's model, the occupied spaces collide with a static cube. The white foamcore material is coded as the space for occupation. The canted planes can be used for lounging, leaning or laying down, and the repeated foamcore rectangles offer opportunities for climbing or sitting or perching.
The glass wall also cants. It is a fountain, where water cascades down, catching and running along the cuts on the glass.
via KrakyLand.net Sequences with Ibbleobble Free Download IPA Full Version www.krakyland.net/2015/12/sequences-with-ibbleobble-free-...
Porter running under the bridge. Forgot to do levels and all the things to make it pretty. I'll do that later.
Lifestyle section of an re video shoot
cameras used:
Canon 6d
Canon 5d mkii
Lenses used
Canon 16-35 f2.8 mkii L
Canon 24 mm TS mkii
Sigma 50mm f1.4
slider, jib and some tripods
Monday's supermoon. Composite of 6 images layered in photoshop.
This would look much better if I had actually taken the effect properly (and if I had a proper telelphoto)
Basel, Unfinished, 2mm
Fabricated with laser cut,
manual assembly
Form derived from 2D graphical notation
This image of was taken in the Mount Field National Park in Tasmania, Australia. There are three falls in the park including Russell Falls, Lady Baron Falls and Horseshoe Falls. I now have images of these 3 falls and other parts of the park which I will be gradually posting in this photostream.
I rate this National Park as the most photogenic place I have been to in Tasmania. Next time I will be focussing on the Talls Trees Circuit and macro images of this wonderful rainforest environment.
Geology
The park lies to the west of the Derwent Graben, formed during the mid-Tertiary. Outcropping to the west of the park, and underlying it as basement rock, are strongly folded older successions of Ordovician and Siluro-Devonian sediments including the Gordon limestone and its equivalents. Jurassic dolerite is ubiquitous above about 760 metres, with Triassic and Permian sediments outcropping at lower altitudes.
The Triassic and Jurassic rocks of the park and reserves show strong Gondwanic links with those of the Transantarctic Mountains in Antarctica. The Triassic sequence of sedimentary rocks is very uniform, non-marine in origin and contains evidence of lacustrine and fluvial conditions with basic intrusive material.
The basalt dyke visible near Mt Bridges above Lake Seal is evidence of a recent intrusion in the faulted dolerite. The Jurassic dolerite (170 million years old) provides a firm link with Antarctica being of identical age.
Lady Barron Falls, Horseshoe Falls and Russell Falls are composed of horizontally bedded marine Permian siltstone benches. The vertical faces of the waterfalls are composed of the more resistant sandstone layers along vertical joint.
Aboriginal Heritage
Limited archaeological surveys in the park have shown that Aborigines used the land and waters of the park; more extensive surveys of the nearby Florentine Valley have shown Aboriginal occupation of over 30,000 years.
To date there have been no systematic archaeological surveys conducted in the park and reserves. Two Aboriginal sites have been identified inside the park boundaries, located near Lake Fenton and Lake Dobson.
The park fell within the territory of the Big River people, who occupied territory ranging from the Great Western Tiers to Mount Wellington. The Pangerninghe band located at the junction of the Derwent and Clyde Rivers near the present-day township of Hamilton, were the closest band to the park and reserves area.
European History
Early reports by white settlers noted the presence of Aboriginal people in the Russell Falls area. One such report dated 1827 noted an Aboriginal party of some 60 persons engaged in a skirmish with landowner Charles Abbott's servants, until the overseer arrived and "prudently settled all differences by the distribution of some provision amongst them" (The Tasmanian, 16 November 1827 p.2 col.1.).
From the 1830s, trappers and snarers worked the high country around Mt Field, coming in from Montos Marsh (now Ellendale). Bushrangers and escaped convicts were known to have hidden out in the country around Bushy Park in the 1840s, trapping and taking advantage of local farms such as Fenton Forest.
Prior to 1910, the only access to the high country was by pack track from Ellendale. In 1869, the eminent botanist Baron von Mueller visited Mt Field East on a week-long collecting trek, guided by the Rayner brothers, local trappers. He described the snow gum (Eucalyptus coccifera), the urn gum (E. urnigera), the cider gum (E. gunnii) and cushion plants (Donatia novaezelandie) from the meadows around Lake Fenton. The botanist Leonard Rodway also explored the area from the 1850s.
The first non-Aboriginal to encounter Russell Falls was a settler named Browning in 1856. The falls became known as Brownings Falls until about 1884 when confusion caused them to be referred to as Russell Falls, and by the turn of the century, the name was firmly established.
The original Russell Falls, named for a member of an exploration party in the Derwent Valley, was actually located on the Tyenna River, which was previously known as Russell Falls River. Frodsham surveyed the area in 1884, and the Falls Reserve was proclaimed in 1885.
Source: www.parks.tas.gov.au/index.aspx?base=3601
FOOTNOTE.
Apart from cropping and brightness/contrast adjustments, all of my images are presented as they were when the shutter closed, unless otherwise stated
Just started getting back into riding with the Wakeboard club and Hunter was killing it so I thought it would be a good opportunity to work on getting some pics to stitch together into a sequence. Still some rough edges, but overall I was pretty pleased. And feel free to correct me if this is not an OHH. Just going from memory since it has been a very long time since I've even entertained the thought of trying some of the tricks he was throwing. :-)