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My first attempt at stitching together a sequence. It was a little tricky because I didn't have it in my mind that I would try to stitch it so I panned with him instead of having a slightly wider angle and holding steady. There are definitely some rough spots (I have done very little photo editing) but the overall effect is pretty cool. This is definitely a set of shots that takes advantage of the faster continuous shot speed of the D90 over my D50.
“The march of the human mind is slow.” - Edmund Burke
Ihagee EXA Ib + CZJ Flektogon 35mmF2.8
/ Ilford PAN400
- selfdeveloping Rodinal 1:50 (push a bit )
- burning/dodging by LR3
- vuescan & GT-X970
Just started getting back into riding with the Wakeboard club and Hunter was killing it so I thought it would be a good opportunity to work on getting some pics to stitch together into a sequence. Still some rough edges, but overall I was pretty pleased. And feel free to correct me if this is not an OHH. Just going from memory since it has been a very long time since I've even entertained the thought of trying some of the tricks he was throwing. :-)
Lifestyle section of an re video shoot
3 cameras used:
Canon 300d
Canon 6d
Canon 5d mkii
Lenses used
canon 18-55
Canon 16-35 f2.8 mkii L
Canon 24 mm TS mkii
Sigma 50mm f1.4
slider and some tripods
Richard Serra sculpture panels for "Sequence " sitting at LACMA lot outside of newly built "BCAM" building. 2007. Photo taken with my Mamiya 645 AF and Kodak 320TXP film. I got to shoot part of the installation thanks to RS since he was working at Gemini GEL with me making etchings at the same time the LACMA install was happening.
I remember talking in alt.coffee about how I was able to get a full centimetre or more of crema on my shots of espresso from home roasting, brewing the coffee at its peak, and not using robusta (which was a big experimenting debate at the time). I was called out on this by a few folk who didn't believe me. So I had to post some photo series to prove it. This is one of the rather crappy digital photos I took at the time. These shots would develop out having 1cm of crema in the glass.
Another from the photo shoot with Derek. This time I was trying to use a strobe and long exposure to make the sequence. Unfortunately being indoors didn't help and since I couldn't afford a super nice strobe, I think it didn't turn on and off fast enough to really stop his action. Still came away with some kinda cool shots though, especially for my first time trying this technique.
My first attempt at an action sequence, very rough, I still need some more practice. Taken at Snow in the Quad at OSU 2010.
Our daughter had her wisdom teeth pulled this morning so we are taking it easy today. She hasn’t lost much of her wisdom, beat me twice!
Detail inside "Sequence," a 1996 work in weathered steel by Richard Serra. This work is adjacent to the north lawn of the Cantor Center for Visual Arts at Stanford University.
Richard Serra sculpture panels for "Sequence " sitting at LACMA lot outside of newly built "BCAM" building. 2007. Photo taken with my Mamiya 645 AF and Kodak 320TXP film. I got to shoot part of the installation thanks to RS since he was working at Gemini GEL with me making etchings at the same time the LACMA install was happening.
Class: Design 3 (3d design)
Assignment: Design a sculpture utilizing 2 measurement systems. The first system must adhere to at least the first 7 digits in the Fibonacci sequence; the second system may be a system of your choosing. All measurements and intervals in the sculpture must conform to one of the 2 systems.
Media: Basswood, balsa wood, museum board, twine.
photo sequence of my sister on the swings, s/o to my sis for walking to the park and back twice because i forgot a part of the tripod for my camera
Daice doing "under flip" in Japanese FMX contest "GO-BIG" final rnd at Fujisawa sports land Fujisawa Iwate Japan.