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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
IN ENGLISH BELOW THE LINE
La Voigtländer Vitessa deu ser una de les cà meres de 35mm més inusuals de la seva època, i compta amb més d'una caracteristica força inusual.
Es tracta d'una cà mera telemetrica de 35mm plegable i amb fotometre, fabricada el 1956. Fins aquà res d'especial. El fotometre es de seleni d'un tipus una mica inusual però res més. Però la manera com es plega aixà com avança la pel·licula son especials. L'objectiu es desplega i replega rera unes "portes de graner" dobles, força inusuals. Amb tot, hi ha alguna altra cà mera amb "portes de graner", com la Chinon Bellami.
El que sà sembla realment unic és l'avençador de pel·licula/carregador del obturador. Es tracta d'un gran "embol" a la part superior que funciona apretant-lo fins a baix de tot després de cà da fotografia. També es plega manualment un cop s'ha tancat l'objectiu rera les "barn doors".
Per tot plegat la Vitessa sembla una curiositat amb més interès com a col·leccionisme que per a fer-la servir com a cà mera, però he vist que és obviament prou valida (és una Voigtlander, després de tot). Obviament, com indica el seu nom, es força rà pida de fer anar, amb aquest llarg "carregador".
www.youtube.com/watch?v=CApMpt9hU7c
voigtlander.pagesperso-orange.fr/cameras.htm
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The Voigtländer Vitessa must be one of the most unusual 35mm cameras of its time, and it has more than one rather unusual feature.
To see it in folded position: flic.kr/p/2oQtyLJ
It is a 35mm folding rangefinder camera with photometer made in 1956. So far nothing special. The light meter is of selenium and of a somewhat unusual type but nothing else. But the way the camera unfolds and advances film are special. The lens unfolds and folds behind some rather unusual double "barn doors". There are only a few of other cameras with "barn doors", such as the Chinon Bellami.
What does seem really unique is the film advancer/shutter loader. It's a big "rod" at the top that works by squeezing it all the way down after each shot. It also can be folded manually once the objective has been closed behind the "barn doors".
All in all the Vitessa seems like a curiosity with more interest as a collectible than for use as a camera, but I've seen that it's obviously valid enough (it's a Voigtlander, after all). Obviously, as the name suggests, it is quite quick to operate, with this long "loader" rod.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Isolette, Plus-x @ ISO 400 in efd,
SE15 Polychrome two tray Lith & Siena developer untoned on the left.
Right: Selenium toner 1+20 2 mins for contrast and MT4 1+35 20 secs for colour.
Back from Morocco, where we've spent a lovely time in Fez and Meknes. Walking around in the old medinas feels like having been transported back in time for at least 140 years. I tried to reflect this feeling in my compositions and prints. By the way, it was an interesting exercise in street photography (which is not my usual style), using a Hasselblad 500 c/m.
Camera: Hasselblad 500 c/m with 2.8/80mm Carl Zeiss Planar
Film: Ilford FP4+
Development: R09 1:25 for 9:00 minutes
Dark Room Print: Fomabrom 111 in WA developer, toned in 1+19 selenium and very briefly in Foma Sepia (bleach 5 seconds).
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
One day solargraphy
pinhole box + RC paper + Fomatol P (1+10, 15° ) + Selenium bath for a little intensification
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Hasselblad SWC 903 with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Select Sepia VC
Developed in Meritol
Toned in Selenium / Thiourea / Viradon
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Polaroid Week, Octobre 2018. Day 1. (2/2)
Instant Lab with Polaroid Originals, I-TYPE B&W.
Emulsion lift on Strathmore Watercolor, S400B, 140 lb
Selenium toned.
Dans la série, «Fragments de villes»; Prague, Czech Republic.
Façade de la Galerie Foto Graphic.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Lith print in Moersch Easy Lith on Fomatone 532. I used a very long exposure (>3 min) to get more detail in the lith print.
Toned for >15 min in Foma Selenium 1+19, in order to change the greenish tone of this paper into brown.
I realise my record on the times is not very precise, next time I'll have to improve on that...
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Minolta X-700, 58mm, macro bellows
HP5, f4 1/125
Lith printed on Ektalure E, toned in selenium. Ladybug on a lovage flower.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
iPhone snapshot of an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
iPhone snapshot of an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Ilford multigrade fb classic 1k 24x30cm/ 20x20cm
PQ universal
stop bath water
Alkaline Fixer
Selenium toner 1+24 2min.
Sepia toner 2min.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Fallrohr-Sticker
Sticker on a downpipe
Nikon F6, 55mm Makro, Kodak TriX in Moersch EFD, Lithprint auf Fomatone MG 131; Moersch SE5 (first tray 50 A , 50 B 1000 H2O, 40 D; second tray 5 Lith Omega 500 H2O), partially bleached, partially selenium toned
The constellation of Orion photographed in deep red Hydrogen-Alpha light and rendered in monochrome. The filtered view brings out the very faint nebulosity in and around Orion, most invisible to the eye.
The Belt of Orion is just below centre, with the region of the Horsehead Nebula below the left star of the Belt, Alnitak. Below it is the very bright Orion Nebula. Surrounding the left side of Orion is the arc of Barnard’s Loop, now thought to be a supernova remnant.
The large circular nebula around Orion’s head is the Lambda Orionis Nebula or Sharpless 2-264. At left in Monoceros is the bright Rosette Nebula, NGC 2237, and above it the fainter nebulosity Sharpless 2-273 around the Cone Nebula. The small patch at top is Lower’s Nebula, Sharpless 2-261.
Betelgeuse, at a record dim magnitude visually at this time, here looks more normal in brightness, at least brighter than Bellatrix at right, as seen here in red light, as Betelgeuse is a red giant star.
I shot this using an Astronomik 12nm clip-in H-alpha filter on the Canon EOS Ra camera, a factory-modified red-sensitive mirrorless camera designed to pick up more of this deep red H-a nebulosity than can a normal camera. As the original image is simply deep red, it is best rendered as a monochrome image. However, this could be combined with colour images to make an enhanced full-colour image.
This is a stack of 9 x 8-minute exposures at f/2.2 with the Sigma 50mm lens and Canon EOS Ra at ISO 1600, on the iOptron Sky Guider Pro tracker. Taken before moonrise on February 12, 2020. Stacked, registered and blended with Photoshop 2020. Nik Silver EFX selenium and Luminar Flex Soft Glow filters added for artistic effect, to add a soft blue glow to the image, not red.
The temperature was about -15° C this night with a fine chill wind!
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper