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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
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Hasselblad SWC 903 with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Select Sepia VC
Developed in Meritol
Toned in Selenium / Thiourea / Viradon
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Back from Morocco, where we've spent a lovely time in Fez and Meknes. Walking around in the old medinas feels like having been transported back in time for at least 140 years. I tried to reflect this feeling in my compositions and prints. By the way, it was an interesting exercise in street photography (which is not my usual style), using a Hasselblad 500 c/m.
Camera: Hasselblad 500 c/m with 2.8/80mm Carl Zeiss Planar
Film: Ilford FP4+
Development: R09 1:25 for 9:00 minutes
Dark Room Print: Fomabrom 111 in WA developer, toned in 1+19 selenium and very briefly in Foma Sepia (bleach 5 seconds).
Polaroid Week, Octobre 2018. Day 1. (2/2)
Instant Lab with Polaroid Originals, I-TYPE B&W.
Emulsion lift on Strathmore Watercolor, S400B, 140 lb
Selenium toned.
Dans la série, «Fragments de villes»; Prague, Czech Republic.
Façade de la Galerie Foto Graphic.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Another rather challenging print from an overdeveloped negative, originally taken in 2012. Balancing out the reflection and the top part of the image took some intricate dodging and burning.
Taken with Mamiya M645 on Ilford Delta 100, developed in Rodinal
Printed on Ilford MG CT, developed in Moersch ECO and Selenium toned
New border added post print scan
Print ID: 17-P-82, Negative 54-8
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request.
Isolette, Plus-x @ ISO 400 in efd,
SE15 Polychrome two tray Lith & Siena developer untoned on the left.
Right: Selenium toner 1+20 2 mins for contrast and MT4 1+35 20 secs for colour.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Scan from darkroom print, 25 x 25 cm.
Expired AGFA APX 25 at box speed, rodinal 1:100 60 min semistand.
Printed on Fomatone IV 123 in Ilford MG developer.
Hasselblad 501 and 150 mm.
Selenium 1:5 for 3 min.
Lith print in Moersch Easy Lith on Fomatone 532. I used a very long exposure (>3 min) to get more detail in the lith print.
Toned for >15 min in Foma Selenium 1+19, in order to change the greenish tone of this paper into brown.
I realise my record on the times is not very precise, next time I'll have to improve on that...
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
The constellation of Orion photographed in deep red Hydrogen-Alpha light and rendered in monochrome. The filtered view brings out the very faint nebulosity in and around Orion, most invisible to the eye.
The Belt of Orion is just below centre, with the region of the Horsehead Nebula below the left star of the Belt, Alnitak. Below it is the very bright Orion Nebula. Surrounding the left side of Orion is the arc of Barnard’s Loop, now thought to be a supernova remnant.
The large circular nebula around Orion’s head is the Lambda Orionis Nebula or Sharpless 2-264. At left in Monoceros is the bright Rosette Nebula, NGC 2237, and above it the fainter nebulosity Sharpless 2-273 around the Cone Nebula. The small patch at top is Lower’s Nebula, Sharpless 2-261.
Betelgeuse, at a record dim magnitude visually at this time, here looks more normal in brightness, at least brighter than Bellatrix at right, as seen here in red light, as Betelgeuse is a red giant star.
I shot this using an Astronomik 12nm clip-in H-alpha filter on the Canon EOS Ra camera, a factory-modified red-sensitive mirrorless camera designed to pick up more of this deep red H-a nebulosity than can a normal camera. As the original image is simply deep red, it is best rendered as a monochrome image. However, this could be combined with colour images to make an enhanced full-colour image.
This is a stack of 9 x 8-minute exposures at f/2.2 with the Sigma 50mm lens and Canon EOS Ra at ISO 1600, on the iOptron Sky Guider Pro tracker. Taken before moonrise on February 12, 2020. Stacked, registered and blended with Photoshop 2020. Nik Silver EFX selenium and Luminar Flex Soft Glow filters added for artistic effect, to add a soft blue glow to the image, not red.
The temperature was about -15° C this night with a fine chill wind!
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.