View allAll Photos Tagged selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Holga 120N, Efke IR 820 (filter 715nm) in eco film developer
Print negative 20x22 cm on Wephota FO5
Vandyke on Arches Platine
Toning: MT3 Vario Schwefeltoner followed by MT1 Selenium toner
MT3 bleach 1+100 15 secs, thiourea toner setting A (bright yellow) 45 secs
MT1 Selenium 1+200 45 secs
view large
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Hahnemühle Platinum Rag, Sodium citrate developer.
untoned
MT16 Selenium 1+100 4min
MT16 4min - bleach 1+80 30secs MT3 Vario (thiourea) setting A yellow
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Scanned toned IR lith print.
Mamiya 645 ProTL w/ M-S 45 mm/f2.8 + Hoya R72 IR filter.
Feb 2015.
Rollei IR 400 in FX-39 1+9, 5 min.
Lith printed on Foma Retrobrom 151 Sp and developed in Moersch Easy Lith (25A+25B+100OB+650H2O).
Nov 4, 2024.
A dark print bleached in Hexacyanoferrat/Bromide (Moersch).
Toned in Se 1+9, 2 min.
The purple color evolves with Selenium toning when taking it further than just darkening the shadows (@ 1+9 > 45 sec).
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Previously known as 'curious leaves'.
Dark room print on FB paper, slight toning with selenium and sepia.
Negative shot by 6x6 Dacora I with Ennagon 75mm/f3.5, aperture fully open and focus at 1 meter.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD
Printed on Ilford Art 300
Developed in Catechol/Sepia
Toned in Selenium / MT3
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Best viewed on a large screen/monitor. Otherwise, the deatil gets lost and it seems too dark. I got up to close the window and this is the view I had from my living room window. Well, not quite. The view I had was in colour, but I took the liberty of converting it to monochrome (selenium) in Silver Efex 9
As small as it was, the exposure was based on the moon.
IMG_2321 (monochrome)
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request
An experiment being possible thanks to Solarixx's kindness. She allowed her Flickr's friends to process one of her pics. I love such crossing creativity. Original shot here : www.flickr.com/photos/solarixx/3449884104/
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Canon EOS 50E (Elan Iie)
Canon EF 50mm 1.8
Agfa APX 100
Rodinal 1:100
Stand development
Scan from print
Lith print:
Rollei Superlith (170) aprox. 15 min.
Paper: Adox Fine Print Variotone Premium (Matt)
Toned with selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Part 1 of a new series on day time long exposures called Time Lapse
Time-lapse is a cinematography technique whereby each film frame is captured at a rate much slower than it will be played back.
Although this photo has nothing to do with cinematography the idea behind this has some similarities, and I just thought it was a nice title for a new series.
In this new series the emphasis will be more on architectural shots and combining this with long exposures. Usually I would take a shot like this from a different angle, very often standing much closer to the architectural object that I want to capture to create a dramatic and dynamic feel.
But when I saw the cloud formation I decided to step back a few metres. Although I didn't know beforehand what the actual result would be, I was quite pleased with the final result.
Technical info:
10 stops ND filter
Polarization Filter - 2 stops
f/22
ISO100
181s (3 min) exposure
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - Yellow Filter - Selenium toning
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
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Kodak Brownie Cresta II with Kodak Tri-X 400 developed in Ilfotec DD-X.
Printed on Forte Fortezo
Two trays lith:
SE5/D/E - G/NH4Cl/Catechol
Selenium toned