View allAll Photos Tagged selective

Shot @ Chitra Sante,Bangalore,Jan09.

 

Well, for the past few years, The Karnataka ChitraKala Parishath, an art school in Bengaluru(Bangalore), India has been conducting an art festival not just on its preimises but also on the road leading up to its campus. It has been a hit right from the start featuring over 1000 artists and carftsmen.

It is usually conducted on the 31st of december but due to the recent terror attacks in Mumbai, the event was postponed to the 25th of january.

 

It attracts large crowds comprising of all ages and creates what i believe is one of the largest gallery shows in India. Artists can not only exhibit their works but also sell them. This provides for a common man to well, look around and pickup something he might like rather than to dress fancy and attend a regular gallery and feel downright out of place.

 

The entire road is blocked off from any flow of traffic till the event comes to an end late in the evening.

 

According to Chitrakala Parishad President, the Chitra Sante links and brings the aspirations of the artists and art lovers.

 

"It was a riot of colours at the Kumarakrupa Road in Bangalore. Thousands of people through out the day thronged and interacted with the artists taking the culture to a new high. Responding to the Chitra Sante many of them shared their thoughts and felt elated on reviving the art link," said T.Prabhakar, the President of Chitrakala Parishad President.

 

Had fun taking these with the in camera selective colour on the Nikon.

 

Noosa River views.

...attention

SOOC

Sign at a small independent car dealers at the top of Gloucester Road. I wonder what they give you in exchange for a non-cash-worthy motor?

I'm pretty sure this is the last one.

#HongKong #Protest #AntiExtraditionBill

#MongKok

#FiveDemandsNotOneLess #Chinazi

 

Only shops of China related business being attacked by protesters.

model - becca

photographer/director - me

 

one of a few for a project im doing.

she looks like a smurfette, i love it [:

Selective coloring with my friend, Patricia! so obviously this isnt sooc. please view this on black, this is another pic of our little salamander pic :-)

 

an up-close pic of this salamander can be found here!!!

Just a selective color of the HDR Horse Photo.

Selective coloring was achieved by Color Splash on the iPhone. New York University, NY

Whether you are a fan of selective color, or not (and this couple definitely was, as they requested this process), it still works well in wedding portraiture.

Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved

Por favor, no use esta imagen en su web, blogs u otro medio de comunicación sin mi aprobación explícita. © Todos los derechos reservados

I think the depth of field is quite good considering i'm using a happy-snap camera

When you photograph people in colour you photograph their clothes. But when you photograph people in B&W, you photograph their souls!

Tlaquepaque shopping center in Sedona, Arizona, 2004

Flickr came to West Chester, PA yesterday! A great afternoon -- beautiful

autumn weather and a fantastic group of people.

 

The flickrng includes:

 

Laura, aka helveticaneue

 

Diana, aka lil'erna

 

Adrian, aka Velvet G

 

Ken, aka mathface

 

Dustin, aka Beyonce Knowles it all

 

Korey, aka Ethics

 

Also appearing, Adrian's friend Doug from DC.

 

Thanks everyone!

Dubita che le stelle sian fuoco,

dubita che il sole si muova,

dubita che la verità sia mentitrice,

ma non dubitar mai del mio amore

 

--W.Shakespeare--

Iquitos | Peru | South America

Taken during my recent skiing holiday in Verbier, the Swiss Alps with my Panasonic Lumix G1, 45-200mm lens.

 

Processing carried out in CS3, with some assistance from Topaz filters.

 

Much better when viewed in large.

It's all grapes. Really. You just think there's an apple stashed back there.

 

To the blog.

Taken on an Olympus MJU-1.

Prank in our freshman dorm--resulting in a chase around the quad and a beating

sali, bewafa nikli

These two images are screenshots from a program I just wrote in Processing. The were taken just a few seconds apart under the same lighting conditions. The dramatic change in perceived lighting is due to a selective emphasis that has been applied automatically, in live, real-time, to images coming from the webcam on top of a modern iMac.

 

A region of interest is selected by the user by either moving object or the camera to place the interesting region in the center of the image. Given a rudimentary guess of a foreground-background segmentation using a circular lump about the center of the screen, the algorithm begins to repeatedly build a model of color likelihood given a segmentation label (a value between 0 and 255) then relabel each pixel with its most likely label. At the end of each pass the label image is smoothed with a small Gaussian kernel. Passes are synchronized with grabbing of new frames from the camera so, in this way, the label image from the previous frame becomes the prior labels for the next frame, exploiting temporal coherence.

 

The combined sharing of information across space and time allows the algorithm to track moving regions of interest even under drastic appearance changes. This comes with a trade-off for the region of interest shifting undesirably in some occasions. Though it is uncommon, it is quite possible for the region of interest to become disconnected. In the right image, several distinct blobs are visible on the door.

 

To create visual emphasis, the areas outside of the region of interest are darkened and blurred slightly.

 

Source and binary (128k, requires quicktime for camera access): adamsmith.as/typ0/sketch_070813a-001.zip

Light and feathery snow clung to everything on this cold February monring. I liked the way it stuck around the whole clothspin.

 

I am considering this photo for the NYIP Photo Project Assignment - "Using selective focus to make the subject stand out. Photograph a person, animal, or object fairly close up. Your subject should fill most of the frame, but some of the background should also be visible. Choose a location in shich the background is busy and whould be distracting if it were in focus; do not use a featureless background such as sky, water, or a blank wall. To achieve a shallow depth of field, set you lens aperture to its widest opening, such as f/3.5 of f/4. Remember that small F-numbers indicate a wide lens opening.

 

I used f/8.0 - but I still think the photo fullfulls the assingment requirements.

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