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As modern buses go I like the enviro 500, ADL has seen success with export orders but a batch do run closer to home in Glasgow. Here 38215 is seen one evening in Milton to the North of the city illustrating the refreshed livery. I was told some time ago some of these were earmarked for transfer to Aberdeen during 2015 .....
I have added photos from Russia at different times, so they don't appear next to each other in my photostream. To see them all together, go to my Russia set:
www.flickr.com/photos/28095414@N02/sets/72157605883738629...
Спасский собор - одно из самых древних зданий Москвы. В этом монастыре Андрей Рублёв служил монахом, и ему приписывают дизайн этого собора. На территории монастыря открыт музей русских икон.
The Cathedral of the Savior is one of the most ancient buildings in Moscow. Andrei Rublev, the famous Russian medieval painter, was a monk at this monastery, and design of the cathedral is attributed to him. There is a museum of Russian icons in the monastery.
Catedral del Salvador en el Monasterio de San Andronicus en Moscu es uno de los edificios mas antiguos de la ciudad. Andrei Rublev, el famoso pintor ruso, era un monjo en este monasterio, y le atribuyen el diseño y decoracion de la catedral. En el monasterio esta ubicado el museo de iconografia rusa.
Holy Savior Cathedral (Armenian: Սուրբ Ամենափրկիչ Վանք, Surp Amenaprgich Vank; Persian: کلیسای وانک or آمنا پرکیج, Kelisa-ye Vank or Amenapergich; ), also known as Vank Cathedral and The Church of the Saintly Sisters, is a cathedral in Isfahan, Iran. Vank means "monastery" or "convent" in the Armenian language.
Taken @Esfahan, Iran
St Saviour , Ellerby Road, Leeds :: Shared Description
St Saviour's Church, is thought to be the first Anglo Catholic church built outside London in 1845. Built with an anonymous gift of £10,000 later discovered to be from E.B. Pusey the Regius Professor of Hebrew for Oxford University.
The church was designed by Irish architect John Macduff Derick who under instruction from Pusey included the inscription 'Ye who enters this holy place pray for the sinner that built it'. Pusey encouraged High Anglican worship, a section of the Anglican Church who followed the Catholic traditions of confession and confirmation. It was for this reason that the building of the church and clergy house were held up, by the Bishop of Ripon who objected to the strong Catholic architecture traditions followed in the design.
Finally completed, the 550 capacity church was consecrated by the Bishop of Ripon, 28th October 1845. St Saviour's was a poor parish whose locals suffered many socio-economic problems which the clergy attempted to alleviate.
In 1849 during a virulent cholera outbreak they went to the parishioners to give medical care and support, also besieging the council with demands for assistance and improvements in living conditions. The vicarage garden is a consecrated area containing graves and possibly a cholera pit from the 1849 epidemic.
The tower is a later addition from 1937 when the original wooden spire was destroyed during a gale. Sam Smith OBE, founder and managing director of Ringtons Tea Merchants gave an anonymous monetary gift for the construction.
St. Saviour's is the sister church of St. Bartholomew's.
It is rumoured to have more stained glass than any other church in Yorkshire.
It's commonly chosen over Leeds Minster for choir concerts as it's believed to have some of the nicest acoustics in th
"It was on Holy Saturday in 1880 when the Vorya River flooded and people from nearby villages had no opportunity to cross the river and attend the Easter service in the church, they directed their steps to the estate because they knew that the matins would be held there. The Abramtsevo manor house was full of worshippers and Savva Mamontov got the idea to correct the situation and to build a separate chapel... But the idea did not come true, – recalled Natalya Polenova, the participant of the Abramtsevo Colony. – In 1881 the spring was wonderful, the matins were organized in the Manor House and then the idea was brought up again. But everybody decided that a chapel would be too small and that it would be better to build a church. We chose the appropriate place in the park and were determined to build a church in the name of the Icon of Christ of Edessa, on the model of Old Russian cathedrals".
The basic project for the church was worked out by Vasily Polenov and the prototype for it became the Church of the Saviour at Nereditsa (12th century) located near Novgorod. This project outlined the main proportions and forms of the future building. The dome reposed on the massive drum crowing the high pyramidal roof. The portal of the main façade with the Icon of Christ of Edessa had the look of a belfry. Three apses were at the eastern sanctuary part. For the northern façade the artist designed two windows: the triple one and the small semi-oval window. The walls were strengthened with buttresses. The main difficulty was the southern façade. Well observed through the alley of the park it was as important as the western one. Vasily Polenov left the project unfinished.
Viktor Vasnetsov continued the work at the project. "I was keen on the Kremlin and Moscow churches, later on the Yaroslavl and Rostov ones", – he wrote in his letter to Vladimir Stasov. The artist changed the proportions, made the walls higher and the roof lower. The two windows of the northern façade were shifted to the southern one thus making it impressive and letting more light into the church. The Vasnetsov's church became proportional and harmonious, it better corresponded to its purpose – to be a small estate church, nestled in the Abramtsevo park.
In 1881 Viktor Vasnetsov wrote about the beginning of the construction: "All of us, the artists – Vasily Polenov, Ilya Repin, me – Savva Mamontov and his family set to work together being inspired. Our art assistants – Yelizaveta Mamontova... Yelena Polenova, Natalya Polenova (she was Yakunchikova then), Vera Repina – kept up with us. We were drawing facades and ornaments, painting icons and our ladies were embroidering gonfalons, veils and cloths, they were even carving ornaments in stone standing on the scaffold like real stonemasons. Savva Mamontov was working as a sculptor... There was so much energy and art creativity: everybody was working tirelessly, competing and with interest..."
By the end of July the church was roofed. Decorative work and interior required the detailed studying of the medieval Russian art and participants of the Colony took trips to Rostov, Yaroslavl and other towns. In summer the church was adorned with stone carved ornaments. The ornament of the portal roller had images connected with Christian symbols and Gospel themes: the Lamb personified Christ; the head of a donkey reminded the Christ's entry into Jerusalem; the cock – the denial of the Apostle Peter; the angel, lion, eagle and calf symbolized evangelists and the like. The frieze of coloured tiles made the massive drum more elegant. Later the Icon of Christ of Edessa painted by Vasily Polenov was placed above the portal (1882) and the chimney was covered with tiles (1890s).
The leading role in the interior design was given to Vasily Polenov. His sketches were used to make the iconostasis, icon cases, candleholders, the altarpiece cross, the church chandelier, wedding crowns, gonfalons and other church utensils. The double-level iconostasis dates back to the interiors of the rural churches in the Russian North. Icons of traditional painting collected by the Abramtsevo Colony participants are combined with the authors' icons: "Christ of Edessa" by Ilya Repin (1881–1882), "St. Nicholas" by Nikolay Nevrev (1881), "St. Sergius of Radonezh" and "Virgin and Child" (1881) by Viktor Vasnetsov (1882), "Annunciation" by Vasily Polenov (1882) and other works of the Abramtsevo artists. It was the first time when the icons of the Orthodox Church were painted in realistic manner, anticipating the work of Viktor Vasnetsov in the St. Vladimir's Cathedral of Kiev. The relief "The Head of John the Baptist" on the northern wall was made by Mark Antokolsky (1880s), the icon on the southern wall "St. Prince Fyodor with his Sons Konstantin and David" was painted by Yelena Polenova (1890s). Viktor Vasnetsov painted flowers and butterflies on the choirs. He was also the author of the mosaic floor with a stylized flower and the dates of the construction: 1881–1882 written in Slavonic letters. In 1892 Mikhail Vrubel designed the stove.
Preparation of documents took all summer in 1881. In autumn, when the church was already built, the official laying was held, and the next summer the church was consecrated in the name of the Icon of Christ of Edessa.
the kid said that someone brought these two baby turtles to his home,he didnt like it so he wanted to release these two in to the sea.took this one just before he relesed them.
He never "Fell in love" with a dictator, paid a prostitute, stole Top Secret documents, or inspired a resurrection against the US government.
Explore: Apr 2, 2009 #437
And now the weak say I have strength
By the spirit of power that raised Christ from the dead
And now the poor stand and confess
That my portion is Him and I'm more than blessed
Let now our hearts burn with a flame
A fire consuming all for your Son's holy name
And with the heavens we declare
You are our king
We love you Lord, we worship you
You are our God, you alone are good
You asked your Son to carry this
The heavy cross our weight of sin
I love you Lord, I worship you
Hope which was lost, now stands renewed
I give my life to honor this
The love of Christ, the savior king
Let now your church shine as the bride
That you soar in your heart as you offered up your life
Let now the lost be welcomed home
By the saved and redeemed those adopted as your own
I give my life to honor this
The love of Christ, the savior king
+1 in comments!!
here is the golden hour dream catcher photo i promised. I JUST took a few minutes ago :)
"its not always rainbows and butterflies, its compromise that move us along"
- maroon 5
~VIEW LARGE~
he, with a bottle of alcohol, sitting in front of the city hall, acted as if he is the savior of the world. He preached aloud, pretending not seeing me , less than 2 meters away, at ground level, aiming the lens at him...
San Francisco, CA
The facade of two different stores on Garnet Avenue in Pacific Beach...I wonder if they consulted about the choice of colors ;-))
(Echeveria strictiflora). Davis Mountains, Texas.
One of the Davis Mountains most spectacular botanical residents is the Desert Savior. This succulent member of the stonecrop family (Crassulaceae) is primarily found on rocky canyon walls and slopes of central and northern Mexico. In the United States it is known only from Jeff Davis, Brewster, and Presidio Counties in far West Texas.
We found several growing from rock crevices and the bases of boulders at elevations above 6000 feet. Here they were able to take advantage of minute amounts of soil and moisture that collect over time. In the Davis Mountains they seem to be found primarily in exposed rock outcrops and canyon walls adjacent to rocky streams.
The Desert Savior is a truly spectacular plant. It's stalk of waxy, fiery flowers reaches up to a foot and a half over it's thick, grayish green succulent leaves. Each curled stalk may bare 2 dozen or more flowers that gradually open, unfurling the stalk as they develop and fade. Hummingbirds are likely an important pollinator of these succulents, as evidenced by their bright red coloration, somewhat tubular flowers, and the fact that their peak blooming seems to coincide with the start of hummingbird migration of late summer.