View allAll Photos Tagged savior
La Iglesia del Salvador sobre la Sangre Derramada o Iglesia de la Resurrección de Cristo (en ruso:Храм Спаса на Крови) es una iglesia de San Petersburgo, situada en la orilla del canal Griboyédova (nombrado en honor de Aleksandr Griboyédov) cerca del parque del Museo Ruso y de la Avenida Nevski. El nombre oficial en ruso es Собор Воскресения Христова, que significa catedral de la Resurrección de Cristo, y fue construida sobre el lugar donde el zar Alejandro II de Rusia fue asesinado, víctima de un atentado el 13 de marzo de 1881 (1 de marzo para el calendario juliano, en vigor en Rusia en esa época). Durante la Segunda Guerra Mundial y el bloqueo de la ciudad, una bomba cayó encima de la cúpula más alta de la iglesia. La bomba no explotó y estuvo dentro de la cúpula de la iglesia durante 19 años. Sólo cuando los obreros subieron a la cúpula para remendar las goteras, la bomba fue encontrada y retirada. Entonces se decidió comenzar la restauración de la Iglesia de la sangre derramada. Tras 27 años de restauración, la Iglesia del Salvador sobre la Sangre Derramada fue inaugurada como museo estatal donde los visitantes pueden conocer la historia del asesinato de Alejandro II.
La iglesia fue diseñada en estilo ecléctico conjuntamente por el arquitecto Alfred Parland y el archimandrita Ignati (nombre secular Mályshev), rector del monasterio Tróitse-Sérguievski. La construcción de la iglesia se inició en 1883 durante el reinado de Alejandro III, como conmemoración a su padre asesinado en ese mismo lugar dos años antes. Los trabajos se prolongaron y fue finalizada en 1907, bajo el reinado de Nicolás II: los fondos necesarios procedieron de las arcas de la familia imperial y de numerosas donaciones privadas.
A finales de marzo de 1883, el Zar aprobó la composición de la Comisión de Consolidación con el Gran Duque Vladímir Aleksándrovich como su director. La primera sesión de la Comisión decidió el nombre del templo, como la Iglesia de la Resurrección de Cristo, como lo sugirió el archimandrita Ignati.
Un fragmento de la barandilla de hierro fundido, pedazos de granito y algunas piedras manchadas de sangre de Alejandro II fueron retirados del lugar para mantenerse como reliquias en la capilla en la Plaza de Konyúshennaya. Posteriormente, volvieron a donde pertenecían y fue erigido sobre el lugar un pabellón, como solía hacerse en las tradiciones de la arquitectura rusa. El 6 de octubre de 1883, se celebró la ceremonia de colocación de la primera piedra, con asistencia del metropolitano Isidoro de San Petersburgo y Nóvgorod y miembros de la familia imperial.
La Iglesia de la Resurrección tardó 24 años en construirse. Este lapso relativamente largo puede ser atribuido a la decoración abundante y variada y al uso en la construcción de técnicas de ingeniería innovadoras en la época. Los cimientos de estacas fueron abandonados por primera vez en la historia de San Petersburgo, a favor de unos de cemento. Un sofisticado aislamiento hidráulico fue desarrollado para proteger a la iglesia de las aguas del canal. Calefacción de vapor y sistemas eléctricos se instalaron después.
El 19 de agosto de 1907, el Metropolitano Antonio de San Petersburgo y Ládoga consagró la iglesia. El nuevo templo surgió junto al canal Griboyédova (anteriormente llamado Canal de Catalina), para perpetuar la memoria del emperador asesinado, Alejandro II.
La Iglesia de la Resurrección (Iglesia del Salvador sobre la Sangre Derramada) es una de las iglesias más significativas en San Petersburgo. Su composición vibrante, pictórica y la decoración multicolor lo convierten en un punto destacado y distintivo en la arquitectura del entorno del centro de la ciudad. La Iglesia de San Salvador puede ser correctamente llamada un monumento de "estilo ruso" en San Petersburgo. Conforme a lo solicitado por Alejandro III, Alfred Parland diseñó la iglesia en el estilo del siglo XVIII y la arquitectura de Moscú y Yaroslavl. Él imaginariamente reelaboró las ideas de la arquitectura eclesiástica de la época anterior a Pedro el Grande para crear una iglesia que personificara el templo ortodoxo ruso.
El plan de la iglesia es una estructura compacta de cinco cúpulas, se completa con tres ábsides semicirculares en la parte este y un enorme pilar como la torre de campana en el extremo oeste. El techo de carpa octogonal de la torre ocupa la posición central. Este elemento tiene una estrecha afinidad con una serie de iglesias monumentales conmemorativas que datan de los siglos XVI al XVII.
La Iglesia es de ladrillo rojo y marrón, toda la superficie de sus paredes está cubierta de adornos elaborados y detallados, similares a los producidos por maestros del siglo XVII en Moscú y Yaroslavl. Bandas y cruces de ladrillo de color, azulejos policromados establecido en los huecos de la pared, "shirinka", azulejos en los tejados de las torres y coberturas piramidales, ábside, pequeños arcos de calado, las columnas en miniatura y kokoshniki (arcos de ménsula) de mármol blanco. Los mosaicos desempeñan un papel importante en la creación de aspecto festivo de la Iglesia acentuando los elementos arquitectónicos principales: kokoshniki, puertas de dique, y frontones.
Las cinco cúpulas centrales de la Iglesia son únicas, chapadas en cobre y esmalte de diferentes colores, que recuerdan a las cúpulas policromadas de la Catedral de San Basilio en Moscú, que a menudo es comparada a la Iglesia de la Resurrección, a pesar de su diferencia total en la ordenación en planta. Las cúpulas más pequeñas en forma de cebolla sobre los ábsides y la cúpula del campanario son, como es habitual, doradas.
El nivel inferior de la torre del campanario está decorada con 134 mosaicos de escudos de armas de las provincias y pueblos rusos que hicieron donaciones para la construcción de la iglesia. Estos escudos de armas componen una colección heráldica única.
La Iglesia de la Resurrección de Cristo fue concebida como una de las principales iglesias de la capital, diseñada para servir como un recordatorio de las grandes hazañas realizadas por el zar Alejandro II, el Libertador.
es.wikipedia.org/wiki/Iglesia_del_Salvador_sobre_la_sangr...
The Church of the Savior on Spilled Blood (Russian: Церковь Спаса на Крови, Tserkovʹ Spasa na Krovi) is one of the main sights of Saint Petersburg, Russia. Other names include the Church on Spilled Blood (Russian: Церковь на Крови, Tserkov’ na Krovi), the Temple of the Savior on Spilled Blood (Russian: Храм Спаса на Крови, Khram Spasa na Krovi), and the Cathedral of the Resurrection of Christ (Russian: Собор Воскресения Христова, Sobor Voskreseniya Khristova).
This church was built on the site where Emperor Alexander II was fatally wounded by political nihilists in March 1881. The church was built between 1883 and 1907. The construction was funded by the imperial family.
Construction began in 1883 during the reign of Alexander III, 2 years after the assassination of his father Alexander II. The church was dedicated to be a memorial to his father, Alexander II. Estimates suggest that the construction cost 4.5 million rubles. The construction was completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
The church is prominently situated along the Griboedov Canal; paved roads run along both sides of the canal. On March 13, 1881 (Julian date: March 1), as Tsar Alexander II's carriage passed along the embankment, a grenade thrown by an anarchist conspirator exploded. The tsar, shaken but unhurt, got out of the carriage and started to remonstrate with the presumed culprit. A second conspirator took the chance to throw another bomb, killing himself and mortally wounding the tsar. The tsar, bleeding heavily, was taken back to the Winter Palace, where he died a few hours later.
A temporary shrine was erected on the site of the attack while plans and fundraising for a more permanent memorial were undertaken. In order to build a permanent shrine on the exact spot where the assassination took place, it was decided to narrow the canal so that the section of road on which the tsar had been driving could be included within the walls of the church. An elaborate shrine, in the form of a ciborium, was constructed at the end of the church opposite the altar, on the exact place of Alexander's assassination. It is embellished with topaz, lazurite and other semi-precious stones, making a striking contrast with the simple cobblestones of the old road, which are exposed in the floor of the shrine.
Architecturally, the cathedral differs from Saint Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The church contains over 7500 square meters of mosaics—according to its restorers, more than any other church in the world. This record may be surpassed by the Cathedral Basilica of St. Louis, which houses 7700 square meters of mosaics. The interior was designed by some of the most celebrated Russian artists of the day—including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in Saint Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the church's construction ran well over budget, having been estimated at 3.6 million rubles but ending up costing over 4.6 million. The walls and ceilings inside the church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in 1932. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the church passed to Saint Isaac's Cathedral and it was used as a museum. The proceeds from the Cathedral funded the restoration of the church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship. The Church of the Saviour on Blood is a museum of mosaics. In the pre-Revolution period it was not used as a public place of worship. The church was dedicated to the memory of the assassinated tsar and only panikhidas (memorial services) took place. The church is now one of the main tourist attractions in Saint Petersburg.
In 2005, the State Museum of St. Isaac's Cathedral began the recreation of the Holy Gates (permanently lost in the 1920s during the Soviet period). Entirely produced with enamels and based on the pictures and lithographies of the time, the new Holy Gates were designed by V. J. Nikolsky and S. G. Kochetova and reified by the famous enamel artist L. Solomnikova and her atelier. Orthodox bishop Amvrosij of Gatchina celebrated the consecration of these new Holy Gates on 14 March 2012, the 129th anniversary of Alexander II's assassination.
Inspired architecture does not change lives; nor do big buildings impart spiritual power.
Charles Colson
Mark Water, The New Encyclopedia of Christian Quotations (Alresford, Hampshire: John Hunt Publishers Ltd, 2000), 144.
"You offer hope when our hearts
have
Hopelessly lost our way
Oh, we've hopelessly lost the
way" - Wonderful Merciful Savior
by Sounds Like Reign
My weak faith in an almighty God can become the great faith that moves mountains.
Andrew Murray and Barbour Publishing, 199 Treasures of Wisdom on Talking with God (Uhrichsville, OH: Barbour, 2007).
SO MANY OCs! Also, this will be a really long post, so just sit tight and relax.
Left-Right:
Goop:
Real Name: Unknown
Powers/Abilities, Can shapeshift into any shape at will and power absorption.
Weaknesses: Weighs one pound and a small gust of wind can easily blow him away.
Equipment: Rainboots
Backstory: A cosmic rock hit Earth's surface causing a hunk of goop to explode out. The goop would soon get into a school and mutated into a child's art project making Goop. Goop would soon go into the Saviors' Headquarters by accident and gets recruited by showing his powers.
-----------------------------------
Botanist:
Real Name: Jerry Cruz
Powers/Abilities: Plant Empowerment (gives strength and durability after getting some life force from plants.) and Plant Growth
Weaknesses: Has a soft side for animals.
Equipment: Uniform and fertilizer.
Backstory: Jerry's parents were botanists. They converted their garage and backyard to plant research facilities and Jerry was tired of unable to be in certain rooms, so he decided to start destroying the plants. However, he accidentally broke a shelf and an experimental plant fell and hit his head causing a concussion. A few years later, Jerry learned about his powers and joined the Saviors. Soon after the Saviors hired Goop, Jerry took care of Goop and even decided to adopt it.
-----------------------------------
Firestarter:
Real Name: Robby Hildebrant
Powers/Abilities: Fire Generation, Temperature Manipulation, and is Fireproof
Weaknesses: Water can extinguish his fires, needs to drink water in order to stay hydrated in the heat, and is heavy due to his Flamethrower.
Equipment: Flamethrower, uniform, grapple hook, and foldable hatchet
Backstory: Robby had an average childhood and life. Nothing really happened until his family’s home started burning with flames. Robby was the only one home and he knew he had to do something to stop it. He tried all of the things expected to stop a fire, but it kept burning. It was only until he stepped in the fire that he learnt that he had superpowers. After turning 18, he set out to become the superhero he thought of as Firestarter.
-----------------------------------
Blackhawk
Real Name: Frank Willis
Powers/Abilities: Smart Engineer with Superhuman Strength and Durability.
Weaknesses: Frank is an alcoholic.
Equipment: A specially designed pistol (Taser and grapple-hook), a lasso, and a variety of grenades.
Backstory: A former professional pilot and actor that needed to have some fun. Life was boring for him so Frank decided to start stopping small crimes. Apparently he got praise from it and decided to fight more. The people also agreed, so Frank started the Saviors group. After a few superheroes joined, Frank bought out a small area of an office building and converted it into a tourist attraction and the Saviors' Headquarters. Sadly, during the first phases of the Saviors Group, the superheroes that joined were killed during a mission causing Willis to become an alcoholic. He would have the same charm during a mission, but he ain't what he was after. A few years later, he reopened the Saviors group and he hired 6 heroes, Firestarter, Phaser, Streak, Titan, Botanist and Goop.
-----------------------------------
Titan:
Real Name: Chandler Timberland
Powers/Abilities: Size Manipulation (Strength and Durability when he grows)
Weaknesses: Slower the bigger he gets, also, Chad has a tendency of not planning ahead.
Equipment: Uniform
Backstory: Chandler used to be a bully at school. He would get people to do his homework until one day, the bully victims decided to teach him a lesson. They made him a pill that would supposedly make him fat, instead it made Chandler grow in size. Realizing what happened, Chandler tried to say sorry, instead he crushed 5 people. He ran off into an alleyway and got help from a fellow student, Autumn Hendricks. Chandler soon joined the Saviors with his new girlfriend, Autumn Hendricks and they are known as Titan and Streak.
-----------------------------------
Streak:
Real Name: Autumn Hendricks
Powers/Abilities: Super-Human Speed and Durability
Weaknesses: Motion Sickness while running at fast speeds
Equipment: Uniform
Backstory: Autumn who was born in a family with lots of health issues. She was the only lucky one with an issue that would be useful. She was born with superhuman speed. Autumn would grow up always knowing that she had powers and she is extremely skilled with them. During her high-school years, she met someone in an alleyway. His name was Chandler (Titan). She taught him how to use his powers for good. Chandler and Autumn soon joined the Saviors as Titan and Streak.
-----------------------------------
Phaser:
Real Name: Clark Jenkins
Powers/Abilities: Can phase through any object
Weaknesses: Often works alone and has no super-human strength whatsoever.
Equipment: Uniform and Pepper-Spray
Backstory: Clark has been lifelong friends to another hero, Firestarter (Robby Hildebrante). When Clark was a little boy, his parents were desperate for money and needed to feed Clark. They got a job from a scientist and Clark’s parents were supposed to make a formula that would grant the powers of Jesus Christ. Unfortunately, Clark as a young child accidentally drank the formula. Clark had no idea that he had powers until a fight happened at school where Clark phased through a bully’s punch and threw him (Buckshot) through a window injuring his arm and messing up his face. Clark would soon be expelled from school and spend some time in jail. After being released, he realized he needed to use his powers for good. Clark would go back to his parents’ home and ask them to make a costume for him that was made of unstable molecules so he can stay in his costume and phase through objects at the same time (his parents lost the science job and got money from buying stocks.) Clark finally knowing his powers would go out into the world fighting small crimes as Phaser.
-----------------------------------
Clicked@Pondicherry.
“In each individual the spirit is made flesh, in each one the whole of creation suffers, in each one a Savior is crucified.”
He protects his brother like the same pose for every big wave, hope it continuous in life..........
The Church of the Savior on Spilled Blood (Russian: Церковь Спаса на Крови, Tserkovʹ Spasa na Krovi) is one of the main sights of St. Petersburg, Russia. It is also variously called the Church on Spilt Blood (Russian: Церковь на Крови, Tserkov’ na Krovi) and the Cathedral of the Resurrection of Christ (Russian: Собор Воскресения Христова, Sobor Voskreseniya Khristova), its official name.
"The preferred Russian name for this great church is Храм Спаса на Крови (Khram Spasa na Krovi), but each English-language tourist publication seems to list it under a different name. The moniker of "Spilled Blood" is most popular in preference to the likes of the Church of the Resurrection, Church of our Savior on the Blood, Cathedral of the Ascension, Resurrection of the Christ, or Assumption, Church of the Redeemer, or any permutation of the above."
This Church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory.
Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
The Church is prominently situated along the Griboedov Canal. The embankment at that point runs along either side of a canal. On March 13, 1881 (Julian date: March 1), as Tsar Alexander's carriage passed along the embankment, a grenade thrown by an anarchist conspirator exploded. The tsar, shaken but unhurt, got out of the carriage and started to remonstrate with the presumed culprit. A second conspirator took the chance to throw another bomb, killing himself and mortally wounding the tsar. The tsar, bleeding heavily, was taken back to the Winter Palace where he died a few hours later.
rchitecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics—according to its restorers, more than any other church in the world. This record may be surpassed by the Cathedral Basilica of St. Louis, which houses 7700 square meters of mosaics. The interior was designed by some of the most celebrated Russian artists of the day—including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
Detail of the richly decorated façade and onion domes
A temporary shrine was erected on the site of the attack while the project for a more permanent memorial was undertaken. It was decided that the section of the street where the assassination had taken place was to be enclosed within the walls of a church. The embankment was therefore extended out into the canal to allow the shrine to fit comfortably within the building and to provide space on the exterior wall for a memorial marking the spot where the assassination took place. Inside, an elaborate shrine was constructed on the exact place of Alexander's death, garnished with topaz, lazurite and other semi-precious stones. Amid such rich decoration, the simple cobblestones on which the tsar's blood was spilled and which are exposed in the floor of the shrine provide a striking contrast.
Oh the joy come over me
When you came into my life
Sweet love that you bring me
Cut through my darkness like a knife
And when I thought my life was almost at an end
You gave me the strength to start it over again
I want you to know I'm so thankful
For the sweet love that you bring
I want you to know
You've become my everything
There is no denying
What you've done for me
For you opened up my eyes
And you made me see
I never knew the meaning of true love
Until you came into my life
I never knew the meaning of true love
Until you came into my life
From: Ann Peebles
"Until You Came Into My Life"
www.lonelyplanet.com/spain/andalucia/ubeda
Úbeda es una ciudad española y un municipio de la provincia de Jaén, capital de la comarca de La Loma de Úbeda, en la comunidad autónoma de Andalucía. La ciudad, junto a la cercana Baeza, fue declarada Patrimonio Cultural de la Humanidad por la Unesco el 3 de julio de 2003, debido a la calidad y buena conservación de sus numerosos edificios renacentistas y de su singular entorno urbanístico.
Llamada «la ciudad de los cerros», constituye un importante centro de atracción, cuenta con hospital comarcal, centros educativos y escuelas universitarias (UNED y SAFA), delegaciones de Hacienda y de la seguridad social, juzgados, capitanía de zona, Centro del Profesorado (CEP), etc., derivando en uno de los índices de centralidad más altos de toda Andalucía. Según el anuario de La Caixa, se trata de la capital de una de las provincias económicas de España, con una zona de influencia de más de 200 000 habitantes que acude habitualmente a comprar en ella., datos que resaltan su centralidad comercial.
Su riqueza de hoy corresponde a su esplendor antiguo. Úbeda vive principalmente del sector terciario, el comercio y la administración, que ocupan el 49% de la población activa. Pero además el peso de la agricultura ocupa a más de un 50% de la población, siendo el centro neurálgico del olivar y de la producción aceitera, siendo uno de los mayores productores y envasadores de la provincia de Jaén de aceite de oliva, piedra angular de toda su economía. De hecho, la comarca de La Loma viene siendo la mayor productora mundial, con un 15% de toda la producción aceitera mundial. Otras actividades complementarias son la industria, la ganadería y un incipiente turismo cultural.
Úbeda (Spanish pronunciation: [ˈuβeða]; from Arabic Ubbada al-`Arab and this from Iberian Ibiut) is a town in the province of Jaén in Spain's autonomous community of Andalusia, with 34,733 (data 2017) inhabitants. Both this city and the neighbouring city of Baeza benefited from extensive patronage in the early 16th century resulting in the construction of a series of Renaissance style palaces and churches, which have been preserved ever since. In 2003, UNESCO declared the historic cores and monuments of these two towns a World Heritage Site.
The most outstanding feature of the city is the monumental Vázquez de Molina Square, surrounded with imposing Renaissance buildings such as the Palacio de las Cadenas (so named for the decorative chains which once hung from the façade) and the Basílica de Santa María de los Reales Alcázares. The Chapel of the Savior or Capilla del Salvador was constructed to house the tombs of local nobility. Both the interior and exterior are decorated; for example, interior has an elaborate metawork screen by the ironworker Bartolomé de Jaen. The Hospital de Santiago, designed by Vandelvira in the late 16th century, with its square bell towers and graceful Renaissance courtyard, is now the home of the town's Conference Hall. Ubeda has a Parador hotel, housed in a 16th-century palace which was the residence of a high-ranking churchman of that period.
The town lends its name to a common figure of speech in Spanish, andar por los cerros de Úbeda (literally 'to walk around the hills of Úbeda'), meaning 'to go off at a tangent'.
The city possesses 48 monuments, and more of another hundred of buildings of interest, almost all of them of Renaissance style. Though to the romantic travelers of the 18th and 19th centuries it impressed more the Muslim flavor of its streets than this Renaissance brilliance. All this patrimony led Úbeda to being the second city of renowned Spain Historical – artistic Set, in the year 1955. In the year 1975 it received the appointment of the Council of Europe as Exemplary City of the Renaissance. Finally, in 2003 it was named a World Heritage Site, together with Baeza, by UNESCO.
La Sacra Capilla del Salvador del Mundo es un templo construido bajo patrocinio de Francisco de los Cobos como panteón anexo a su palacio de Úbeda (provincia de Jaén), en la actualmente llamada Plaza Vázquez de Molina.
Mandada construir en 1536, formaba parte de un extenso programa artístico (del que formaban parte su Palacio, una Universidad y un Hospital)1 destinado a encumbrar la fama, la fortuna y la gloria personal que había alcanzado el secretario personal de Carlos V; para lo que recurrió a artistas de primer nivel. El proyecto inicial se encargó a Diego de Siloé, mientras que la realización corrió a cargo de Andrés de Vandelvira a partir de 1540. El templo fue consagrado en 1559. Su primer capellán fue el Deán Ortega, para quien se construyó el gran palacio que hay a la izquierda de la fachada principal de la capilla.
El Salvador fue la empresa más ambiciosa de toda la arquitectura religiosa privada del Renacimiento español. Declarado monumento histórico-artístico en 1931, se ha convertido, a su vez, en uno de los más divulgados símbolos de esta ciudad cuyo conjunto monumental renacentista, que junto con el de Baeza, fue declarado Patrimonio de la Humanidad por la Unesco en 2003.2
es.wikipedia.org/wiki/Sacra_Capilla_del_Salvador
This famous chapel, built between 1536 and 1559, is the flagship of Úbeda Renaissance architecture. Commissioned by Francisco de los Cobos y Molina as his family's funerary chapel, it presents a marked contrast between the relatively sober proportions of the interior (by Diego de Siloé, architect of Granada's cathedral) and the more decorative western facade. The facade, a pre-eminent example of plateresque style, was designed by Andrés de Vandelvira, one of Siloé's stonemasons, who took over the project in 1540.
The chapel thus represents the first architectural commission obtained by Vandelvira, who went on to endow Úbeda, Baeza and Jaén with most of their outstanding Renaissance buildings. He worked in tandem with the French sculptor Esteban Jamete, who carved an orgy of classical sculpture depicting Greek gods on the underside of the facade arch, and scattered numerous skulls among the facade's decoration in a reminder that the building is a funerary chapel. Classical figures are also prominent in the sacristy (accessed from the northeast corner of the interior), another Vandelvira creation, but are absent from the main body of the chapel – where the Capilla Mayor sits beneath a stately dome painted in gold, blue and red, and features a grand 1560s altarpiece sculpture of the transfiguration by Alonso de Berruguete.
The Cobos family tombs lie beneath the floor of the chapel and aren't open to visitors. The chapel is still privately owned by the Seville-based Medinaceli ducal family, descendants of the Cobos. The audio guide is full of interesting information and anecdotes and well worth listening to as you go round the chapel.
Next to the chapel stands what was originally its chaplain's residence, the Palacio del Deán Ortega – another Vandelvira creation. The mansion is now Úbeda’s luxurious parador hotel.
www.lonelyplanet.com/spain/ubeda/attractions/sacra-capill...
I don't know what happened with this boy. I guess he fell right after the start and couldn't run again.
Course Titzé de Noël 2018, Sion, Switzerland
Donald Trump has reached a new low as America shows the world how it really feels about life, liberty and the pursuit of happiness.
www.vox.com/policy-and-politics/2018/6/15/17468782/family...
Liu Liu Ling is a new character in Integrity Toys' "The Industry" line. Called "Style Savior" she is a stylist. She is a new sculpt too and the first doll in "The Industry" with flat feet and ankle joints.
I'd like to share my thoughts and impressions with you in a quick review.
Liu Liu's outfit is completely black. The only colors are in her jewelry, her handbag, and – of course – her pale pink hair. The left side of her head is flocked, the rest in long waves and locks, but geled (gel-led?) to death. Due to being stuffed into her box (yes, stuffed, not placed with care) her long hair doesn't hang down over her right shoulder, but stands nearly horizontally to the right. Because of that I can't get the hood of her coat to cover her head. I guess other collectors had better or worse luck with the condition her hair arrived in.
Her hands came covered in tiny plastic bags, so the coat might stain. There was no extra pair of hands in her box.
Like Tate Tanaka's outfit the quality of her whole outfit is impeccable. She comes with a pair of thigh-high boots and a pair of thick-soled sandals. The boots are easier to get on than the sandals, because they have zippers in the back.
One of her accessories is a smartphone with a metal back. I haven't even taken that out of its protective plastic bag yet.
Liu Liu is a new sculpt. She has a smaller head and smaller eyes than other IT dolls. Since head and eyes are in proportion, it works for her. If you just shrink the eyes they look too small for the big head they're on. The latest Colette is an example of that in my opinion.
Her face is cute. I can see hints of mischief, confidence and determination there. She's good at her job, she knows it, and she shows it (all black outfit aside).
I like Liu Liu Ling very much. She's fresh, she's unique, and she photographs like a dream. I could take portraits of her for hours.
Bottom line: While her outfit lacks color and isn't as cutting edge as I'd like "The Industry" to be, it is extremely well made. Liu Liu Ling is new, charming, and fun to photograph.
She's a keeper.