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Same again but i really like the colours from the Ektachrome.
Kiev 88cm 4.5x6 filmback CZJ Biometar 80mm/f2.8 extensiontube 0.40 Kodak Ektachrome E100G expired 2001 E6 dev kit Canoscan 9000f markII 2014-07-15
Same shot as usual from Derwentwater!
National Trust’s Centenary Stone by Peter Randall-Page. This sculpture was placed here in 1995 to commemorate 100 years of the National Trust in the Lake District.
Lil Sophisticate, a Perfekta doll and two Dolly Darlings are all wearing the same dress. Thank you to Sally for the pattern. It is so versatile. And thanks to Cricket for helping me find the sandals. All the girls are happy to have dresses and I am happy that the sun is out.
The Austrian Parliament Building, (German: Parlament or Hohes Haus, formerly the Reichsratsgebäude), lies at the Ringstraße in the first district Innere Stadt in Vienna, close by the Hofburg Imperial Palace and the Palace of Justice.The main construction lasted from 1874 to 1883. The architect responsible for the building was Baron Theophil von Hansen, the building is an example of Greek revival.
I took these shots on different days but, luckily, I took them from nearly the same spot. So, while organising my shots I thought of presenting them together... Hope you like them!
Wishing you all a great weekend!!
swan getting out of the water at ackers pit i know its abit like the one i put on last week but i love the sun on his wings,the reason all the wings aren't in frame is that i wa sat down near lady one and then the male one decided he was coming out and flapped his wings on the edge of the pond and i had my 55-200mm lens on and this is the result
Same as the previously posted color version. The richness in detail inspired me to make a BW version as well.
Apologies to Mummi for spelling his nickname wrong and Orcid too :( I was sat to the very side of the screen so I was listening rather than watching the slides!
Southwestern Pennsylvania's musical duo Same Moon, featuring Ellie Lee Oldfield and Vince Bonar.
(I don't typically post two versions of the same image, but I like this in monochrome as well as color.)
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With the words of my nail tech echoing in my head, reminding me of a hot pink acrylic manicure and pedicure with extensions in my future (thus insuring that I'll have to wear sandals every day), I decided to run by my favorite Payless this afternoon. After another visit with the lovely young clerk there, who is always supportive by helping me find what I need, I left with two additional pairs of sandals, one in black, and one in off-white, to coordinate with most any outfit I might wear.
OK girlfriend, now bring on those acrylics! At least I'm prepared....sort of. Though I don't plan to confess that little fact to her...she can simply surprise me the day it happens. It's actually better to not know in advance - I'd spend more time worrying about it than it's worth. I might even try to chicken out, though there isn't the slightest chance she'll let that happen.
When she decides the time is right, I'll be walking out of the salon with gorgeous, long-nailed, feminine hands and feet, that any woman would love. And the day she chooses to apply my new nails will probably be just prior to an event where sporting 20 gorgeous long hot pink nails and having no choice but to wear sandals will be somewhat inconvenient.
Once my new acrylics are on, they're on. Nail polish remover won't remove the color, and there's no way to hide ten long and brightly colored toes leading my way with every step. My only practical option will be to deal with it, most likely precipitating my transition into skirts and dresses, makeup and girly hairdo's. But then, that's been her goal (and the goal of the girls at the hair salon and work, too) for me, anyway!
After all, pretty nails are a girl thing... "Relax, sweetie, after a few weeks to adapt to the length and bright color, you won't even give your new long talons a second thought, or even a glance...that is, until guys (and girls) comment on your lovely nails! It will happen, you can count on it."
Repetition as studied in psychoanalysis can be interesting. It states, the functions and results of repetition can either be constructive or destructive. And in fact, there is often a razor thin line that can separate the two. Repetition is constructive when the effect and function is reinforcement, but at some point it becomes destructive as redundancy is the effect.
Most interesting to me are some of the paradoxes of repetition in psychoanalysis. One paradox, that applies to this photo, is that repetition is everywhere and nowhere at the same time. It is in the eye of the beholder. What is equivalent and what is different? These edges in my image above could be viewed as repeating the ‘same’ by some. Others may find that each line is ‘unique’ with differing light reflections, width, length, etc. So, are these lines the same or different to you?
Images that inspire me: My Galleries
St Martin’s Church in Zillis, Canton Graubünden, CH
The earliest preserved, figuratively painted wooden ceiling in Europe can be seen above the nave of St Martin's Church in Zillis. Today only three other painted ceilings from the Middle Ages remain: they are located in Hildesheim (St Michael's), in Peterborough Cathedral and in Dadesjo (Sweden). The Swedish church in Sodra Rada was destroyed by fire in 2001.
The ceiling paintings in Zillis demonstrate such a rich variety of form and contents as is only found in great works of art.
And so today the ceiling serves to illustrate the Gospel, Sunday for Sunday, from spring to autumn. In winter the parishioners do without heating in the church for the sake of the paintings and hold their services in the parish hall. Only funeral services and the school Christmas celebrations on Christmas Eve take place in the moderately heated church during the cold season.
St Martin's Church is situated below the historic centre of Zillis. At first, the church possibly stood directly above the wide bed of the Hinterrhein River. Zillis is one of the two settlements nestling at the bottom of the Schams Valley (Romansh: Val Schons), an inner-Alpine valley basin, through which a route has traversed the Alps at least since the Roman era. It used to link Bregenz with Milan, Lake Constance with Lakes Como and Maggiore. The Schams is the secondhighest section of the Hinterrhein Valley. It lies directly south of the Viamala Gorge, which on the northern side of the Alpine ridge represented the main obstacle on the route from Chur over the Splugen Pass to Chiavenna, resp. over the San Bernardino Pass to Bellinzona and Locarno. Throughout all the centuries Zillis occupied a very peripheral position on the inner border of the Alps, but was always on a route connecting the major settlements flanking the Alpine ridge.
THE PAINTED CEILING
THE CONCEPT OF THE PAINTED CEILING
The Zillis ceiling comprises 153 painted panels. They are slotted into longitudinal battens, which until 1938 were attached to the ceiling beams by long nails. Cross-battens are inserted between the painted panels as a connecting link, forming a regular grid. Doubled longitudinal and cross-battens accentuate the junctions of the grid, creating the shape of the cross.
The ceiling is enhanced by a meander frieze which was created at the same time; the greater part of the frieze was restored in 1938-1940. In the frieze we see female busts, representing the Classical sybils, whose prophesies were taken fro(ll late Antiquity onwards as a reference to the Advent of Christ.
The 153 panels are arranged as on a medieval map of the world. There is a border representing the ocean surrounding the Continent, on which the Life of Christ and the legend of St Martin are portrayed.
The border
At the edges of the ceiling, resp. on the borders of the world, swim mythical fish-tailed creatures; there are even some manned boats and music-making sirens on a continuous band of wavy lines, which represent the sea in a simplified and abstract form. Only the angels sounding their horns in the corners, marked as the south wind Auster and the north wind Aquilo, stand on firm land.
The inner cycle
On the interior fields, i.e. the Continent, the Life of Christ is depicted on 98 panels. One half describes Christ's childhood and youth, the other half recounts his miracles, his teaching and Passion. The individual scenes frequently continue over several successive panels. Each half has seven rows with seven panels. The last row of the interior panels is dedicated to the church patron St Martin.
The choir is the best place from which to view the first half of the cycle portraying the Life of Christ. Since the 1940 rearrangement the visitor has been able to «read» the pictures like a text from this vantage point, in rows running from left to right. The cycle begins with a gallery of Christ's ancestors, the Kings of the Old Testament, and the personifications of Synagogue and Ecclesia. The story of Christ's Life begins with the Annunciation of the Blessed Virgin, followed by Joseph's Dream, the Visitation and the four panels on the Nativity.
15 panels describe the Journey of the Three Magi. This is followed by the Purification and the the Presentation of the Infant Jesus in the Temple, the Flight into Egypt and the Massacre of the Innocents in Bethlehem, the Miracle of the Clay Pigeons, the 72-year-old Jesus in the Temple and the Sermons of St John the Baptist.
The second part of the Christological cycle begins with the Baptism of Christ and the Temptation by the Devil. These are followed by cases of miraculous Healings: in addition to the Wedding Feast in Cana and the Raising of Lazarus, we see the Healing of physically and mentally sick persons. The mentally disturbed were considered to be possessed by demons. After the miracles follow the Teachings of Jesus, the Transfiguration on Mount Tabor, the Entry into Jerusalem and the Expulsion of the Moneychangers from the Temple, the Last Supper, the MOunt of Olives, the Betrayal by Judas, Christ before Pilate, the Mocking of Christ and the Crowning with Thorns.
The cycle then breaks off. There is no consensus among researchers on whether this was, in fact, the original end of the cycle or if the Crucifixion and the Rising from the Dead were formerly depicted on the north wall of the nave or in the former Romanesque choir.
The last seven panels of the interior fields describe episodes from the life of St Martin, commencing with the Sharing of the Cloak, probably the best-known element of the legend. This is followed by the Consecration and the Miracle of the Raising from the Dead. The conclusion comprises three panels on St Martin's Encounter with a King who pretended to be Jesus but turned out to be the Devil.
As mentioned above, the panels were rearranged on the ceiling in 1940, the 1938 sequence having been described by experts as «absurd» und «unsystematic». An attempt to reconstruct the original order, based on the sequence of the pictures before 1938, gives the following results: the panels were arranged to be read by following the rows in an S-shaped order. In the centre of the ceiling there was the depiction of Christ's Baptism; in front of this, the scenes with St John the Baptist; behind, the four panels on the Temptation of Christ by the Devil.
During the Reformation the sequence of the panels was probably altered. In the cycle depicting the Life of St Martin, the consecration scene was removed from the central axis. The sermons of St John the Baptist and the Temptation of Christ by the Devil disappeared from the central row and were replaced by the cases of miraculous healing and depictions of Christ's teachings. From the 16th century until 1938 the Expulsion of the Moneychangers from the Temple, as a symbol of one of the Reformation's main tenets, was set in the centre of the ceiling replacing Christ's Baptism.
Same as the other, just with a texture. Haha. Couldn't decide, so I posted both. Oh wells. :D
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dd Anthorn 18/04/52 - Ford Station Flight 07/05/52 "FD/905" - 806 NAS Brawdy 02/03/53 - Ford Station Flight 23/04/53 "FD/905" - 781 NAS Lee-on-Solent 10/07/53 - Airwork Jet Conversion Unit St Davids 25/09/53 "BY/418" - accident at St Davids 05/04/54 - Flight Refuelling Tarrant Rushton 17/05/54 for Cat.4 repair - AHU Lossiemouth 21/09/54 - Lossiemouth Stn Flt 21/06/55 "LM/905", "LM/935" - Flight Refuelling Tarrant Rushton 01/02/57 for Cat.4 recon - AHU Lossiemouth 15/05/57 - Airwork St Davids 27/05/57 "BY008" - AHU Lossiemouth 22/10/57 - AHU Hal Far 21/02/58 - 728 NAS Hal Far 27/03/58 "HF/571" - stbd u/c failed to lower and a/c swung to stbd after landing 18/05/60 - ARS Hal Far 20/05/60 for repair - 728 NAS Hal Far 28/10/61 "HF/571" - electrical failure and wheels-up landing 27/04/62 - NARIU Lee-on-Solent 21/09/62 - RNAY Fleetlands 22/10/62 - NARIU Lee-on-Solent 20/11/62 - 728 NAS Hal Far 11/12/62 "HF/571", "HF/860" - stbd tyre burst on landing 29/11/66 - shipped to UK - 5 MU Kemble 27/04/67 - Airwork FRU Hurn 03/06/67 "860" - sold to Moston Technical College, Woodford 12/02/69 - SoC RN 11/03/69 - sold to The Aeroplane Collection 74 - Royal Umpire Museum, Croston, Lancs 29/06/74 - to WAM by 08/77 on loan from The Aeroplane Collection - coded "-/888" - to Gordon Yates 03/90 and displayed at the Stratford Aircraft Collection, Long Marston, Warks - Collection disbanded c.91 - to display with the Jet Aircraft Preservation Group at the same location - current
February's Alphabet Fun
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This was also going to be my official photo for the SoulPancake project this week ("eat something that makes you gag") but I have to admit, a dead scorpion just kinda tastes like dirty popcorn hulls. Not gross. Certainly my hair stood on end when, out of the corner of my eye, I saw the little guy on his dish waiting for his photo op, but once he became a mere prop -- a fiddly one at that -- and I was getting annoyed with trying to get a decent shot of it and having my lips look sex-aay at the same time, even the visceral runawayrunaway feeling left me.
So...back to the drawing board on that one...
(Oh, and my lip colour ["V is for vermillion!"] is pure carminic acid -- which is made from the ground up shells of cochineal bugs...so it's not going to be bugs...)
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molly, day 131