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Today is my spiritual birthday; I'm three.
I never could have imagined how much God has transformed my life in the last three years. Amazing.
"I have been crucified with Christ. It is no longer I who live, but Christ who lives in me. And the life I now live in the flesh I live by faith in the Son of God, who loved me and gave himself for me."
ToonLink Deckers on the 27 and 58
Tier 3 North East Restrictions Were Followed And Social Distance
58 is decekrs due to 3 of the Optare Versa CityLink being put into QuayCity
On Tuesday 25/5/2021, a 4 hour late running 3AS8 (Indian Pacific) is seen approaching Gallipoli road, Korunye (SA with the common duo of nr86-G530 in charge.
Chillin; I had work today from 12-5 then came home and we did our usually hanging out in our room on our bed texting,watching tv, and on the computer.
W111
Bonhams : the Zoute Sale
Estimated : 375.000 - 425.000
Unsold
Zoute Grand Prix 2019
Knokke - Zoute
België - Belgium
October 2019
"If you feel obligated to ask about the price you not only will never understand the car, you have branded yourself incapable of ever appreciating its virtues even if someone gave you one." – Car & Driver on the Mercedes-Benz 280SE 3.5.
The fact that the esteemed American motoring magazine felt compelled to remark on the 280SE's price is understandable when one considers that at $13,500 in 1970 it was not only $3,500 more than that of the equivalent Mercedes-Benz sedan but also more than double that of a Cadillac Deville Coupe!
The 3.5-litre version of the 280 SE typifies the resurgence of larger-engined Mercedes-Benz models that began in the late 1960s and early 1970s, when the progressive easing of fiscal constraints, which had dissuaded customers from buying cars with large capacity engines, encouraged the German manufacturer to offer bigger, more potent power units. Thus, the ultra-luxurious 280 SE Coupé/Cabriolet and 300 SEL saloon were the models chosen by Mercedes-Benz to launch its magnificent new 3.5-litre V8 engine in September 1969. An over-square design featuring a cast-iron block and aluminium-alloy cylinder heads, each equipped with a single overhead camshaft, this all-new, state-of-the-art power unit produced 200bhp courtesy of Bosch electronic fuel injection and transistorised ignition. The new V8 engine had particularly smooth-running characteristics and endowed the 280 SEs with performance superior to that of many out-and-out sports cars. Thus equipped, the Coupé/Cabriolet was good for 125mph (200km/h) with 60mph (97km/h) reachable in 9.5 seconds, a substantial improvement on the six-cylinder version's figures. As befitted top-of-the-range luxury models, the 280 SE 3.5 Coupé and Cabriolet came equipped with automatic transmission, air conditioning, power windows, and a stereo radio as standard.
Although the equivalent SEL saloon used the 'New Generation' bodyshell, the 280 SE Coupé and Cabriolet kept the elegant coachwork that had debuted back in 1959 on the 220 SE. Nevertheless, there had been some refinements made: the radiator shell was lower and wider, with a correspondingly flatter front end to the bonnet, a characteristic that has led to enthusiasts referring to these face-lifted cars as 'flat radiator' models, while the bumpers were now fitted with rubber strips. Significantly, the 280 SE 3.5 was to be the final model featuring this long-established and much-admired body style, and today these last-of-the-line classics are highly sought after by discerning Mercedes-Benz collectors.
One of 1,232 Cabriolets produced, this Mercedes-Benz 280 SE 3.5 has the desirable floor-shift gearbox. This car was delivered new to the Cremer family in Schwarzenfeld, Germany and was first registered on 6th July 1971. The car later changed hands officially but stayed in the family, moving to Dr Gottfried Cremer in 1982 while keeping the same registration, 'NAB-L403'.
Sold to a Mr Seekamp in Bremen in 1987, the Mercedes was purchased in 1999 by a Mr Wolfram Kruse, remaining in Germany. In 2007 the car was re-sprayed in a darker shade of blue and then in 2014 was sold to the current owner who returned it to its original and striking light blue colour scheme.
The accompanying DEKRA inspection/taxation report of 2017 confirms the Cabriolet's excellent condition and makes the following observation: "The car seems to have been restored to a very high standard with a recent professional re-spray in the original colour scheme, seemingly to excellent standard. Paint is hard to fault with a very good finish, paint thickness shows uniform results."
The report found the interior to be "lovely presented, with beautifully patinated seats and new carpets. Original dashboard and revised/restored correct switch gear (in working order). The dark blue soft top is new."
The engine started and ran instantly with no heavy smoke, and the report's overall conclusion was that the Mercedes had been restored to the highest standards, was presented in excellent condition, and was ready to be used.
They sat there the same way
they had sat for the past 30 years
Talking small talk about crops,
About family and government,
Patiently waiting for the bus.
The buses became modern, sort of, the timetables changed,
but they still sat there, small-talking, waiting, and no one was wiser or noticed ...
I feel so good whenever I think of you...
Cause you are my sweet memories...
SMILE...SMILE..SMILE...SMILE...HAPPY...HAPPY....HAPPY ;-)!
Could you help me ;-)? Please don't tell my friends that I posted this ;-)!
I don't know how to explain about this funny shot. I know only it makes me laugh when I see it every time. Now I am laughing and smiling (again) ;-)!
***NO INVITES PLEASE***...Thanks so much for your visits and also for any comments and faves. I appreciate for all. All your words are nice awards for me. Thank you..thank you ;-)...
... same location as my previous image, now inside the small ruin.
Light from outside helps to illuminate the
window parts. Inside the ruin, it was complete dark ( exluded the windows parts ).
To give a contrast to the warm orange tones i lighted the walls with my flashlight and a blue gel, only the statue in front without gel.
This time, only one exposure.
Same Blouse, matching skirt.
Since the weather outside was cold and nasty, I decided to have a fashion show for my wife. She bought a number of "prettys" for me for Christmas.
As a child growing up in Corrington, Captain Brickleton would gaze out his bedroom window at Orion's Belt and the Big Dipper.
Now a grown man and leading the Corlander military contingent in Elizabethville, Brickleton would still gaze up at those same stars. On the return leg of his trip to the interior looking for a waterfall that rained gold, the captain encountered the medicine man of the Onondaga and invited him back to visit the military camp outside Fort di Legno. The medicine man told the captain some of the tribe's histories. He showed Captain Brickleton the stars he had always known, but explained them in a new way: Orion's Belt was the Goose Foot and the Bigger Dipper was the Wolf Brothers. Same stars, but different names.
A freebuild for Brethren of the Brick Seas on Eurobricks.
I hope Angela doesn't mind ... this was the first time we met. It was Angela who told me about Barbara's make up parlour, and we arranged to meet there. My record shows it was May 2002.
The dress I wore then is the same as I am wearing in today's picture. It is clearly very forgiving as not only am I fully padded but that is on top of 20 years accumulated padding! I would love to have those pins back ... LOL!
same but different.
shot by Diego Cupolo, found in the CC group.
www.flickr.com/photos/diegocupolo/3866006110/in/pool-8099...
textures by les Brumes and Jenny
thank you for sharing:)
This is Victoria in a tshirt she got from her big sister. She was about 2 in the picture on the left and 16 on the right.
This set mixes it up a bit with both a pretty blonde and brunette goddess! You can see them both modeling the Gold 45 Revolver swimsuits as well as a 45SURFER camera bracket mount for shooting stills & video at the same time.
Here's some epic video of the beautiful goddesses:(pretty closeups!)
Nikon D800 Photos of Brunette and Blonde Swimsuit Bikini Goddesses with Pretty Green Eyes and Pretty Blue Eyes shot with the Nikon D800E and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens!
Shot in both RAW & JPEG, but all these photos are RAWs finished in Lightroom 4 ! :)
All the Gold'N'Virtue swimsuits with the main equation to Moving Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:
herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!
Modeling both the the Gold 45 Revolver(TM) Gold'N'Virtue(TM) Black Bikini and the Red, White, an Blue American flag bikini!
May the HJM Goddesses guide, inspire, and exalt ye along yer heroic artistic journey! all the bets on your Heroic Journey from Johnny Ranger McCoy!
SAME " SAMETTO V " Power 25 Cv
Proprio vicino dove lavoro e alcuni secondi prima di entrare in fabbrica per il secondo turno ci stava questo scatto !
Right near where I work and a few seconds before entering the factory for the second round there was this shot!
Gardolo TRENTO ITALY
14.02.2011
Same Water Vole, taken from same position, same lens, same Denoise and sharpening settings, no crop, only difference one taken with my D7200 and one taken with the V1, this is just a comparison for the folks who like to be in the know, Mr Vole was very good to me sitting still while I changed camera bodies, The Kingfisher unfortunately wasn't so patient, so same bird same camera, different perches lol only 22 left now Neil :-)
Same plant with many of views.. Late afternoon, so the flash went off on the first two and natural light on the last two images.. I was standing under the plant and looking up...
When this installation was first on view, many have questioned what it was intended to mean. The words “Same but not equal” was painted in all caps on top of a collage of Thai newspaper “khaosod” on linen canvas. The panel was placed on top of two piles of Thai rice. Although the pile of rice appears the same, one pile of rice is ordinary rice and the other, apparently, is premium export-grade Thai jasmine rice.
To one art blog Blouin Art Info [1], it is a commentary about ABHK, where Art Basel Hong Kong, though featuring many of the same galleries seen Art Basel Switzerland and Art Basel Miami, is in many ways different than their counterparts given the type of art works being shown in comparison.
To me, it is a commentary on a larger issue where news media speak of the same kind of political news though their analysis and content is highly different.
Art is up to all kinds of interpretation. I have no idea if the artist created this piece specifically for ABHK, if so then perhaps that does have some validity. It is interesting nevertheless, though I would most certainly not pay 100-150k USD for it which is apparently the asking price for this work [2].
Rirkrit Tiravanija
Untitled (same but not equal), 2013
Newspaper on Linen, Rice
286 x 220 cm
# Rirkrit Tiravanija
b. 1961 Buenos Aires, Argentina
1980 Carleton University
1980-1984 Ontario College of Art, Toronto, Canada
1984 Banff Center School of Fine Arts
1984–86 School of the Art Institute of Chicago
1985-86 Whitney Independent Studies Program
1982 Moved to New York, NY
Rirkrit Tiravanija (Thai: ฤกษ์ฤทธิ์ ตีระวนิช, pronunciation: [rɯk-rit tira-wanit] or Tea-rah-vah-nit) is a contemporary artist residing in New York, Berlin, and Chiang Mai. He was born in Buenos Aires, Argentina in 1961. His installations often take the form of stages or rooms for sharing meals, cooking, reading or playing music; architecture or structures for living and socializing are a core element in his work.
en.wikipedia.org/wiki/Rirkrit_Tiravanija
# Shanghai Gallery of Art 沪申画廊
3F, No. 3, Zhong Shan Dong Yi Road
200002 Shanghai
China
# Notes
1. enjp.blouinartinfo.com/news/story/905969/same-but-not-equ...
2. artsy.net/artwork/rirkrit-tiravanija-untitled-same-but-no...
# SML Data
+ Date: 2013-05-23T17:45:10+0800
+ Dimensions: 5412 x 3619
+ Exposure: 1/40 sec at f/8.0
+ Focal Length: 29 mm
+ ISO: 640
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14129
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
Mixed media installation by Rirkrit Tiravanija (b. 1961): Untitled (same but not equal), 2013 (Newspaper on Linen, Rice) / 沪申画廊 Shanghai Gallery of Art / Art Basel Hong Kong 2013 / SML.20130523.6D.14129
/ #ABHK #Photojournalism #CreativeCommons #CCBY #SMLPhotography #SMLUniverse #SMLFineArt #SMLProjects
/ #中國 #中国 #China #香港 #HongKong #攝影 #摄影 #photography #Art #FineArt #ArtBasel #RirkritTiravanija #沪申画廊 #ShanghaiGalleryOfArt #installation #mixedmedia #rice #same #equal