Baptism of Christ on the other side of the panel

provenance: St Elizabeth Cathedral in Košice

location: East Slovak Museum in Košice

for educational purpose only

please do not use without permission

Ogni venerdì santo, dal XIII secolo, lungo le vie di Gubbio sfila una processione pregna di sacralità. Alla luce di falò e fiaccole, al suono di un antichissimo canto in latino, il Miserere [ www.youtube.com/watch?v=3AEuEl7jYuI ], che si è tramandato per secoli oralmente, al ritmo delle preghiere e del suono cupo dei penitenti con le caratteristiche “battistrangole” e il rumore dei passi lenti sul selciato, si richiama alla penitenza, alla purificazione e alla redenzione.

La processione del venerdì santo di Gubbio rievoca i simboli della passione che sfilano portati da uomini in saio e incappucciati: sono il teschio che rappresenta il Golgota, l’uomo con la croce, altri uomini con croci, il calice, i 40 denari, la corda, la colonna, il gallo, i flagelli, la corona di spine, la scritta Inri, il velo della Veronica, il sudario, i chiodi, il martello, la spugna, la lancia, i vestiti di Gesù, i dadi, la scala, le tenaglie. Questi simboli sono proceduti dagli uomini della confraternita che recano in mano il battistrangole, uno strumento in ferro che, scosso, determina un suono lugubre e sordo e richiama la popolazione alla processione e alla sua sacralità.

Seguono le statue del Cristo Morto e della Madonna Addolorata, entrambe preziose statue lignee, la prima si presume cinquecentesca, la seconda ottocentesca. Sono trasportate da uomini che indossano saio bianco con cappa nera (statua del Cristo) e saio bianco con cappa blu (statua della Madonna). Tutti i luoghi più significativi della storia di Gubbio sono raggiunti dal corteo: dal “pietrone”, antichissima pietra sacrificale che indica le origini pre-romane di Gubbio, ai conventi cittadini, all’ospedale, attraversando le vie del centro storico. In piazza San Pietro, Via Dante e Largo San Marziale sono accesi i fuochi e i bracieri. L’attenzione, il coinvolgimento con cui viene seguita la processione dai presenti determina una forte solennità e suggestione.

[di Chiara Zirino]

www.medioevoinumbria.it/ita/folklore/miserere2.htm

Pieta, stone, c 1400, sculptor from Bratislava or Vienna

mourning angels, mid-18th century, ascribed to Ľudovít Gode

for educational purpose only

please do not use without permission

AMDG

location: St. Elizabeth Cathedral, Košice, Slovakia

panel paintings: unknown from Spiš county, dated 1516

wooden statues: unknown from Košice, Bratislava or Vienna, 1474-1477 or later

height of the statues in the shrine: 159 & 164 cm

for educational purpose only

please do not use without permission

AMDG

dôležitá informácia v Profile

Birth of St. John the Baptist

Fresco ; Wall painting sacral; Cycle ; Southern Tyrolia ;

1360 ; 1370 ; Bozen ; Italy ; Southern Tyrolia; St. Johann im Dorfe

In: Weingartner Josef: Die Kunstdenkmäler Südtirols, Bd. II Bozen, Innsbruck 1973, S. 57 ,

Paul Naredi-Rainer, Lukas Madersbacher, Kunst in Tirol, Innsbruck-Wien 2007, Bd. 1, S. 203f.

Image found at the "Institut für Realienkunde des Mittelalters und der frühen Neuzeit" on their Digital IMage Server via their search engine: www.imareal.oeaw.ac.at/realonline/

brocade, gold and silver threads

provenance: St Elizabeth Cathedral, Košice, Slovakia

location: East Slovak Museum, Košice

for educational purpose only

please do not use without permission

Monastery in Ląd; Greater Poland; Poland

Pieta, stone, c 1400, sculptor from Bratislava or Vienna

mourning angels, mid-18th century, ascribed to Ľudovít Gode

for educational purpose only

please do not use without permission

AMDG

a.k.a:

Master of the Historia Friderici et Maximiliani

Meister des Pulkauer Tafelbilder

Master of the Pulkau Altar

Historia-Meister

Meister der Historia Friderici et Maximiliani

On the reverse of this table painting is the scene of Finding the Grave of Saint Stephen the Protomartyr.

location: Slovak National Gallery

(please do not use without permission)

photographed against two sources of light

property of the Archdiocesan Museum in Krakow, Poland

provenance: Ludzmierz, Lesser Poland

for educational purpose only

please do not use without permission

AMDG

Death of Mary

Tempera painting wood ; Furniture sacral ; Winged Altar ;

by "Habsburgischer Hofmaler" ; Vienna ;

1370 ; 1372 ; Innsbruck ; Austria ; Tyrolia ; "Landesmuseum Ferdinandeum Leihgabe Stift Wilten" ; (donation) IN 1962

46x66 ; Merano ; Altar in Castle Tyrolia ;

In: Paul Naredi-Rainer, Lukas Madersbacher, Kunst in Tirol, Innsbruck-Wien 2007, Bd. 1, S. 332f

Image found at the "Institut für Realienkunde des Mittelalters und der frühen Neuzeit" on their Digital IMage Server via their search engine: www.imareal.oeaw.ac.at/realonline/

Parish church of the Holy Cross, Kežmarok, Spiš county, Slovakia

for educational purpose only

please do not use without permission

AMDG

Andy Hatcher, retired Sgt USMC, poses with Cody McCasland (8 years).

Hatcher is a war vet who lost his leg in the Iraqi War and races for Operation Rebound.

Cody was born with sacral agenesis, which resulted in both his legs being amputated.

property of the Archdiocesan Museum in Krakow, Poland

provenance: Czulice, Lesser Poland (Malopolska region)

IMHO the statue is a little older

for educational purpose only

please do not use without permission

AMDG

Contact your creativity and ability to flow with the synergistic alchemy of Jasmine, Sandalwood, Rose, Neroli/Petitgrain & Rock Rose blended into Jojoba Oil. For greatest effect you can roll it across the base of spine, the top of the hips and along the low belly.

Apply when you want to feel the swirl of your creative energy. Allow your fluid, dynamic nature to ripple out and through you.

la magia e sacralità delle dita...

property of the Archdiocesan Museum in Krakow, Poland

provenance: Raclawice Olkuskie, Lesser Poland (Malopolska region)

for educational purpose only

please do not use without permission

AMDG

Aldo Rossi e Perugino

In uno dei capolavori di Perugino, l’”Annunciazione Ranieri”, il porticato rinascimentale fa da cornice alla scena sacrale con forte monumentalità. Si inserisce con lo stesso intento il cimitero di Modena di Aldo Rossi, che con la medesima proporzione di bucatura del porticato originale, ne riprende la volumetria e la prospettiva, fino a diventare muro perimetrale. Potente, aulico, metafisico.

In “San Bernardino risana Giovanni Antonio da Parma ferito con una pala”, invece, oltre la corte interna della scena principale, si intravede un impianto a cupola, quasi orientale: ora, sbuca il Bonnefanten Museum, opera ultima di Rossi, che con la sua copertura in acciaio ne riprende la forma.

Photos by Silvia P.

Roma, vicolo di S. Trifone / via della Barchetta

ROBOCOOP, 2015

Quadri originali:

casatoranieri.blog.tiscali.it/files/2008/03/uid_118f6750a...

www.culturaitalia.it/opencms/ThumbServlet?url=http%3A%2F%...

Architetture:

blog.fotoit.it/wp-content/uploads/2012/06/651-Franco-Zana...

www.geographic.org/photos/netherlands/bonnefanten_museum_...

property of the Archdiocesan Museum in Krakow, Poland

for educational purpose only

please do not use without permission

AMDG

As demonstrated by my Biodynamic Cranial-Sacral Therapy teacher

Sito ufficiale: promix1.wix.com/promixtheonea>;

location: Central Slovak Museum, Banská Bystrica, Slovakia

provenance: Selce pri Banskej Bystrici

for educational purpose only

please do not use without permission

location: Šariš Museum in Bardejov

provenance: Church of the Assumption of the Virgin at Šášová, Bardejov district, north-eastern Slovakia

for educational purpose only

please do not use without permission

High altar of the Holy Cross: panel paintings and predella reliefs by anonymous master from 1450-1460, over life size crucifixion (one of the best in Slovakia) by Master Paul of Levoča from around 1510, Virgin Mary by an unknown Kežmarok carver from the beginning of the 16th century (headwear is a later addition), St John and Mary Magdalene are from 17th century.

for educational purpose only

please do not use without permission

AMDG

The monastery of the Benedictine Order at Pannonhalma was founded in 996 in Western Hungary and had a major role in the diffusion of Christianity in medieval Central Europe. The monastery shows a stratification of different architectural styles and various buildings.

Among these buildings: a school (the first ever school founded in the country), the monastic complex – home to the monks whose life is still based on St. Benedict’s Rule ‘Ora et labora’ -, the tourist welcome points and hospitality facilities, the Chapel of Our Lady, the Millennium Chapel and the botanical and herbal gardens.

www.comece.eu/christian-artworks-benedictine-archabbey-of...

High altar of the Holy Cross: panel paintings and predella reliefs by anonymous master from 1450-1460, over life size crucifixion (one of the best in Slovakia) by Master Paul of Levoča from around 1510, Virgin Mary by an unknown Kežmarok carver from the beginning of the 16th century (headwear is a later addition), St John and Mary Magdalene are from 17th century.

for educational purpose only

please do not use without permission

AMDG

Aldo Rossi e Perugino

In uno dei capolavori di Perugino, l’”Annunciazione Ranieri”, il porticato rinascimentale fa da cornice alla scena sacrale con forte monumentalità. Si inserisce con lo stesso intento il cimitero di Modena di Aldo Rossi, che con la medesima proporzione di bucatura del porticato originale, ne riprende la volumetria e la prospettiva, fino a diventare muro perimetrale. Potente, aulico, metafisico.

In “San Bernardino risana Giovanni Antonio da Parma ferito con una pala”, invece, oltre la corte interna della scena principale, si intravede un impianto a cupola, quasi orientale: ora, sbuca il Bonnefanten Museum, opera ultima di Rossi, che con la sua copertura in acciaio ne riprende la forma.

Photos by Silvia P.

Roma, vicolo di S. Trifone / via della Barchetta

ROBOCOOP, 2015

Quadri originali:

casatoranieri.blog.tiscali.it/files/2008/03/uid_118f6750a...

www.culturaitalia.it/opencms/ThumbServlet?url=http%3A%2F%...

Architetture:

blog.fotoit.it/wp-content/uploads/2012/06/651-Franco-Zana...

www.geographic.org/photos/netherlands/bonnefanten_museum_...

Wearing her custom built barbwire hat before a Sacral Nerves set at Jackie and Judy's.

Camera 360

location: St. Elizabeth Cathedral, Košice, Slovakia

panel paintings: unknown from Spiš county, dated 1516

wooden statues: unknown from Košice, Bratislava or Vienna, 1474-1477 or later

height of the statues in the shrine: 159 & 164 cm

for educational purpose only

please do not use without permission

AMDG

dôležitá informácia v Profile

location: Central Slovak Museum, Banská Bystrica, Slovakia

provenance: Selce pri Banskej Bystrici

height: c 120 cm

for educational purpose only

please do not use without permission

brocade, gold and silver threads

provenance: St Elizabeth Cathedral, Košice, Slovakia

location: East Slovak Museum, Košice

for educational purpose only

please do not use without permission

Update for Maria im G'fängnis.

Pieta, stone, c 1400, sculptor from Bratislava or Vienna

mourning angels, mid-18th century, ascribed to Ľudovít Gode

for educational purpose only

please do not use without permission

AMDG

location: St. Elizabeth Cathedral, Košice, Slovakia

panel paintings: unknown from Spiš county, dated 1516

wooden statues: unknown from Košice, Bratislava or Vienna, 1474-1477 or later

height of the statues in the shrine: 159 & 164 cm

for educational purpose only

please do not use without permission

AMDG

dôležitá informácia v Profile

property of the Archdiocesan Museum in Krakow, Poland

for educational purpose only

please do not use without permission

AMDG

The High altar of Saint Nicholas in the parish Church of Saint Nicholas in Prešov, eastern Slovakia, was erected already in late Gothic period (1490-1506, sculptor Ján Weiss). After the fire of 1673 the Gothic shrine with more than life-size carvings survived and was incorporated to the new Baroque altar construction of 1696 with statues by Jozef Hartmann, with the dominant Saint Sebastian. The prominent position of Saint Sebastian in the altar dedicated to Saint Nicholas can be explained by the intervention of the city mayor, donor of the altar, whose patron saint was Sebastian.

(please do not use without permission)

The High altar of Saint Nicholas in the parish Church of Saint Nicholas in Prešov, eastern Slovakia, was erected already in late Gothic period (1490-1506, sculptor Ján Weiss). After the fire of 1673 the Gothic shrine with more than life-size carvings survived and was incorporated to the new Baroque altar construction of 1696 with statues by Jozef Hartmann, with the dominant Saint Sebastian. The prominent position of Saint Sebastian in the altar dedicated to Saint Nicholas can be explained by the intervention of the city mayor, donor of the altar, whose patron saint was Sebastian.

(please do not use without permission)

location: St. Elizabeth Cathedral, Košice, Slovakia

panel paintings: unknown from Spiš county, dated 1516

wooden statues: unknown from Košice, Bratislava or Vienna, 1474-1477 or later

height of the statues in the shrine: 159 & 164 cm

for educational purpose only

please do not use without permission

AMDG

dôležitá informácia v Profile

Baptism of Christ on the other side of the panel

provenance: St Elizabeth Cathedral in Košice

location: East Slovak Museum in Košice

for educational purpose only

please do not use without permission

Reportage.

Luogo: Cossoine.

Questa è la prima parte del reportage. A breve posterò le altre foto.

Le immagini che inserirò sono sconsigliate a chi è vegetariano e a chi ha lo stomaco debole.

L'uccisione del maiale è un rito antico, quasi sacrale, dove il rosso del sangue si mischia a quello del vino.

Eastern Poland