Contact your creativity and ability to flow with the synergistic alchemy of Jasmine, Sandalwood, Rose, Neroli/Petitgrain & Rock Rose blended into Jojoba Oil. For greatest effect you can roll it across the base of spine, the top of the hips and along the low belly.

Apply when you want to feel the swirl of your creative energy. Allow your fluid, dynamic nature to ripple out and through you.

la magia e sacralità delle dita...

property of the Archdiocesan Museum in Krakow, Poland

provenance: Raclawice Olkuskie, Lesser Poland (Malopolska region)

for educational purpose only

please do not use without permission

AMDG

Aldo Rossi e Perugino

In uno dei capolavori di Perugino, l’”Annunciazione Ranieri”, il porticato rinascimentale fa da cornice alla scena sacrale con forte monumentalità. Si inserisce con lo stesso intento il cimitero di Modena di Aldo Rossi, che con la medesima proporzione di bucatura del porticato originale, ne riprende la volumetria e la prospettiva, fino a diventare muro perimetrale. Potente, aulico, metafisico.

In “San Bernardino risana Giovanni Antonio da Parma ferito con una pala”, invece, oltre la corte interna della scena principale, si intravede un impianto a cupola, quasi orientale: ora, sbuca il Bonnefanten Museum, opera ultima di Rossi, che con la sua copertura in acciaio ne riprende la forma.

Photos by Silvia P.

Roma, vicolo di S. Trifone / via della Barchetta

ROBOCOOP, 2015

Quadri originali:

casatoranieri.blog.tiscali.it/files/2008/03/uid_118f6750a...

www.culturaitalia.it/opencms/ThumbServlet?url=http%3A%2F%...

Architetture:

blog.fotoit.it/wp-content/uploads/2012/06/651-Franco-Zana...

www.geographic.org/photos/netherlands/bonnefanten_museum_...

property of the Archdiocesan Museum in Krakow, Poland

for educational purpose only

please do not use without permission

AMDG

Een merkwaardig bouwwerk in alle opzichten

Plaats: psychiatrisch centrum Sint-Norbertus te Duffel - Antwerpen België

Realisatiejaar: 2007

Ontwerp: Thierry De Cordier; Belgisch beeldend kunstenaar, schilder, beeldhouwer, tekenaar, graficus.

Voor de tuin van het psychiatrisch centrum Sint-Norbertus te Duffel ontwierp De Cordier in 2007 een Kapel van het niets.Het is in alle opzichten een merkwaardig bouwwerk.

Bedacht als een zwartbeschilderde betonnen doos met een ontsloten ruimtelijkheid via de witte binnenwanden en de 8 m hoge betonplaat met dramatisch binnenvallend licht. De binnenruimte is vrijwel leeg op een zitbank na en een smalle zwarte pijler als teken, frontaal geplaatst voor de witte hoge wand.

Deze sacrale ruimte opgevat als een stille ruimte voor de patiënten en de bezoekers van de instelling moet een plek van rust en meditatie worden. De vormentaal van De Cordier verwijst naar de Kaaba in Mekka, de Victory Boogie Woogie van Piet Mondriaan of de negatie van schilderkunst, het zwarte vierkant van Kazimir Malevitsj.

De muren werden volledig bekleed met Duo van De Boer.

A remarkable building

Plaats: Psychiatric centre Sint-Norbertus at Duffel- Antwerp, Belgium

Realisatiejaar: 2007

Ontwerp: Designed by: Thierry De Cordier: Belgian graphic artist, painter, sculptor and designer.

De Cordier designed this chapel, named Kapel van het niets”, for the garden of the psychiatric centre Sint-Norbertus in Duffel in 2007. It is by al means a peculiar construction.

Created as a black-coated concrete box with an opened up internal space by means of white walls and the 8-meter high concrete slab with dramatic, penetrating light. The interior space is almost empty with one bench and a narrow black column placed as a sign in front of the high, white wall.

This sacred space serves as a silent room for patients and visitors; it is a place of peace and quiet. With this shape De Cordier refers to the Kaaba in Mekka, the Victory Boogie Woogie of Piet Mondriaan or the negation of paint art: the black square of Kazimir Malevitsj.

De walls are covered with Duo from De Boer.

As demonstrated by my Biodynamic Cranial-Sacral Therapy teacher

Sito ufficiale: promix1.wix.com/promixtheonea>;

location: Central Slovak Museum, Banská Bystrica, Slovakia

provenance: Selce pri Banskej Bystrici

for educational purpose only

please do not use without permission

location: Šariš Museum in Bardejov

provenance: Church of the Assumption of the Virgin at Šášová, Bardejov district, north-eastern Slovakia

for educational purpose only

please do not use without permission

High altar of the Holy Cross: panel paintings and predella reliefs by anonymous master from 1450-1460, over life size crucifixion (one of the best in Slovakia) by Master Paul of Levoča from around 1510, Virgin Mary by an unknown Kežmarok carver from the beginning of the 16th century (headwear is a later addition), St John and Mary Magdalene are from 17th century.

for educational purpose only

please do not use without permission

AMDG

The monastery of the Benedictine Order at Pannonhalma was founded in 996 in Western Hungary and had a major role in the diffusion of Christianity in medieval Central Europe. The monastery shows a stratification of different architectural styles and various buildings.

Among these buildings: a school (the first ever school founded in the country), the monastic complex – home to the monks whose life is still based on St. Benedict’s Rule ‘Ora et labora’ -, the tourist welcome points and hospitality facilities, the Chapel of Our Lady, the Millennium Chapel and the botanical and herbal gardens.

www.comece.eu/christian-artworks-benedictine-archabbey-of...

High altar of the Holy Cross: panel paintings and predella reliefs by anonymous master from 1450-1460, over life size crucifixion (one of the best in Slovakia) by Master Paul of Levoča from around 1510, Virgin Mary by an unknown Kežmarok carver from the beginning of the 16th century (headwear is a later addition), St John and Mary Magdalene are from 17th century.

for educational purpose only

please do not use without permission

AMDG

Aldo Rossi e Perugino

In uno dei capolavori di Perugino, l’”Annunciazione Ranieri”, il porticato rinascimentale fa da cornice alla scena sacrale con forte monumentalità. Si inserisce con lo stesso intento il cimitero di Modena di Aldo Rossi, che con la medesima proporzione di bucatura del porticato originale, ne riprende la volumetria e la prospettiva, fino a diventare muro perimetrale. Potente, aulico, metafisico.

In “San Bernardino risana Giovanni Antonio da Parma ferito con una pala”, invece, oltre la corte interna della scena principale, si intravede un impianto a cupola, quasi orientale: ora, sbuca il Bonnefanten Museum, opera ultima di Rossi, che con la sua copertura in acciaio ne riprende la forma.

Photos by Silvia P.

Roma, vicolo di S. Trifone / via della Barchetta

ROBOCOOP, 2015

Quadri originali:

casatoranieri.blog.tiscali.it/files/2008/03/uid_118f6750a...

www.culturaitalia.it/opencms/ThumbServlet?url=http%3A%2F%...

Architetture:

blog.fotoit.it/wp-content/uploads/2012/06/651-Franco-Zana...

www.geographic.org/photos/netherlands/bonnefanten_museum_...

Wearing her custom built barbwire hat before a Sacral Nerves set at Jackie and Judy's.

Camera 360

location: St. Elizabeth Cathedral, Košice, Slovakia

panel paintings: unknown from Spiš county, dated 1516

wooden statues: unknown from Košice, Bratislava or Vienna, 1474-1477 or later

height of the statues in the shrine: 159 & 164 cm

for educational purpose only

please do not use without permission

AMDG

dôležitá informácia v Profile

provenance: Zlaté, Šariš county, north-east Slovakia

location: Šariš Museum Bardejov

for educational purpose only

please do not use without permission

location: Central Slovak Museum, Banská Bystrica, Slovakia

provenance: Selce pri Banskej Bystrici

height: c 120 cm

for educational purpose only

please do not use without permission

brocade, gold and silver threads

provenance: St Elizabeth Cathedral, Košice, Slovakia

location: East Slovak Museum, Košice

for educational purpose only

please do not use without permission

Update for Maria im G'fängnis.

Pieta, stone, c 1400, sculptor from Bratislava or Vienna

mourning angels, mid-18th century, ascribed to Ľudovít Gode

for educational purpose only

please do not use without permission

AMDG

location: St. Elizabeth Cathedral, Košice, Slovakia

panel paintings: unknown from Spiš county, dated 1516

wooden statues: unknown from Košice, Bratislava or Vienna, 1474-1477 or later

height of the statues in the shrine: 159 & 164 cm

for educational purpose only

please do not use without permission

AMDG

dôležitá informácia v Profile

property of the Archdiocesan Museum in Krakow, Poland

for educational purpose only

please do not use without permission

AMDG

The High altar of Saint Nicholas in the parish Church of Saint Nicholas in Prešov, eastern Slovakia, was erected already in late Gothic period (1490-1506, sculptor Ján Weiss). After the fire of 1673 the Gothic shrine with more than life-size carvings survived and was incorporated to the new Baroque altar construction of 1696 with statues by Jozef Hartmann, with the dominant Saint Sebastian. The prominent position of Saint Sebastian in the altar dedicated to Saint Nicholas can be explained by the intervention of the city mayor, donor of the altar, whose patron saint was Sebastian.

(please do not use without permission)

The High altar of Saint Nicholas in the parish Church of Saint Nicholas in Prešov, eastern Slovakia, was erected already in late Gothic period (1490-1506, sculptor Ján Weiss). After the fire of 1673 the Gothic shrine with more than life-size carvings survived and was incorporated to the new Baroque altar construction of 1696 with statues by Jozef Hartmann, with the dominant Saint Sebastian. The prominent position of Saint Sebastian in the altar dedicated to Saint Nicholas can be explained by the intervention of the city mayor, donor of the altar, whose patron saint was Sebastian.

(please do not use without permission)

location: St. Elizabeth Cathedral, Košice, Slovakia

panel paintings: unknown from Spiš county, dated 1516

wooden statues: unknown from Košice, Bratislava or Vienna, 1474-1477 or later

height of the statues in the shrine: 159 & 164 cm

for educational purpose only

please do not use without permission

AMDG

dôležitá informácia v Profile

Baptism of Christ on the other side of the panel

provenance: St Elizabeth Cathedral in Košice

location: East Slovak Museum in Košice

for educational purpose only

please do not use without permission

Reportage.

Luogo: Cossoine.

Questa è la prima parte del reportage. A breve posterò le altre foto.

Le immagini che inserirò sono sconsigliate a chi è vegetariano e a chi ha lo stomaco debole.

L'uccisione del maiale è un rito antico, quasi sacrale, dove il rosso del sangue si mischia a quello del vino.

Eastern Poland

High altar of the Holy Cross: panel paintings and predella reliefs by anonymous master from 1450-1460, over life size crucifixion (one of the best in Slovakia) by Master Paul of Levoča from around 1510, Virgin Mary by an unknown Kežmarok carver from the beginning of the 16th century (headwear is a later addition), St John and Mary Magdalene are from 17th century.

for educational purpose only

please do not use without permission

AMDG

location: St. Elizabeth Cathedral, Košice, Slovakia

panel paintings: unknown from Spiš county, dated 1516

wooden statues: unknown from Košice, Bratislava or Vienna, 1474-1477 or later

height of the statues in the shrine: 159 & 164 cm

for educational purpose only

please do not use without permission

AMDG

dôležitá informácia v Profile

The High altar of Saint Nicholas in the parish Church of Saint Nicholas in Prešov, eastern Slovakia, was erected already in late Gothic period (1490-1506, sculptor Ján Weiss). After the fire of 1673 the Gothic shrine with more than life-size carvings survived and was incorporated to the new Baroque altar construction of 1696 with statues by Jozef Hartmann, with the dominant Saint Sebastian. The prominent position of Saint Sebastian in the altar dedicated to Saint Nicholas can be explained by the intervention of the city mayor, donor of the altar, whose patron saint was Sebastian.

(please do not use without permission)

property of the Archdiocesan Museum in Krakow, Poland

for educational purpose only

please do not use without permission

AMDG

from the altarpiece of Ľubica, Spiš county, north-east Slovakia

location: East Slovak Museum Košice

for educational purpose only

please do not use without permission

vista of the original Gothic Louvre palace behind St John Baptist

for educational purpose only

please do not use without permission

MUBE - museu brasileiro de esculturas/SP

property of the Slovak National Gallery Bratislava, Slovakia

height 150 cm

for educational purpose only

please do not use without permission

La sacralità della vita innocente.

author: Master Paul of Levoča

dating: c 1520

height: 71 cm

location: parish church of St Nicholas, Prešov, Šariš county, Slovakia

for educational purpose only

please do not use without permission

AMDG

Reportage.

Luogo: Cossoine.

Questa è la prima parte del reportage. A breve posterò le altre foto.

Le immagini che inserirò sono sconsigliate a chi è vegetariano e a chi ha lo stomaco debole.

L'uccisione del maiale è un rito antico, quasi sacrale, dove il rosso del sangue si mischia a quello del vino.

provenance: Richvald, Šariš county, north-east Slovakia

location: Šariš Museum Bardejov

for educational purpose only

please do not use without permission

from the altarpiece of Ľubica, Spiš county, north-east Slovakia

location: East Slovak Museum Košice

for educational purpose only

please do not use without permission

Mark’s running his fingertips around Velma’s upper back to sooth/tickle and distract from the pain. It’s something Velma likes in ordinary circumstances, but not necessarily a technique all women would enjoy during labor ; )

Photo by Genevieve Shiffrar.