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La caratteristica processione dei "Misteri" a Procida si è trasformata negli ultimi tempi in un orgia di fotocamere e cineprese e ha perso buona parte della originaria sacralità.
Nel trasferimento delle immagini sul PC si è verificato un errore che ha bruciato buona parte degli scatti, ho dovuo accontentarmi di quelli risparmiati.
© by Jean Claude Castor l 030mm - Photography
Berlin, Skyline, Dom, Panorama, 2015
Ich hab ne halbe Ewigkweit für dieses Bild gebraucht jetzt...seit 18 Uhr bin ich zu Hause, erst jetzt ist es fertig. Viele Bilder aus der Reihe waren verwackelt, habe schlampig gearbeitet :S Das Bild hier ist annähernd so geworden, wie ich es haben möchte. Die Perspektive ist wohlgemerkt echt tricky...Fisheye wäre hier angebracht. Mit Symmetrie haben die es beim Bau des Doms auch nicht gehabt Ich stand meines Erachtens nach so weit wie möglich mittig. Der Turm tat es daraufhin nicht mehr
Schönen Abend euch — hier: Berlin.
One of two organs built by Aquilino Amezua in years 1901 - 1903 to replace the previous organs destroyed by an earthquake in 1888.
Laos - Luang Prabang 2010
Please don't use this image on websites, blogs or other media without my explicit permission. ©2010 **Elle** - All rights reserved
La mia passione per i monaci é risaputa, credo :)
Non mi stancheró mai di fotografarli perché mi affascina la grande serenitá che pervade la loro vita, in ogni attimo e aspetto.
A spasso per Luang Prabang con la solita calma che ci fa rimanere anche ore in un tempio o nelle sue vicinanze. Eravamo sotto un albero per ripararci dal sole davvero molto forte, quando é arrivato un monaco e ci ha chiesto se volevamo visitare il tempio che era momentaneamente chiuso. Naturalmente abbiamo accettato con molto piacere. Ci ha spalancato un portone di un luogo colmo di lucette, di sacralitá, ma immerso nel buio.
Ci siamo seduti per terra, sul tappeto rosso e abbiamo guardato, assaportato l'atmosfera. Solo noi due e il monaco che ci ha aperto il portone.
Dopo un po' é arrivato questo novizio che si é messo prima a leggere un libro delle preghiere e poi a meditare davanti all'altare. Gli ho chiesto il permesso per fargli delle foto. Lui ha annuito con un sorriso.
Ho lasciato passare del tempo e poi, in punta di piedi, ho iniziato a scattare...
Una luce meravigliosa mi ha regalato immagini come piacciono a me e per giunta avvolte nel rosso :)
The Monastery at Lébény was established between 1199 and 1203, by a nobleman, for private worship. The complex was dedicated to the Apostle Saint James the Great. Though the existing charter for approving the donations and construction was signed by Andreas II (1208), one of the walls of the church had “1206” engraved in them, which may indicate that the church was already built at that time. It is also mentioned in the RegestrumVaradiense (an important language memorial), which was made in the late cathedral chapter of the present Oradea (Nagyvárad) in the 13th century. The monastery of Lébény was attacked and burnt down several times; the first by Mongols, then the second by King Ottokar I of Bohemia; and thereafter by the Turks, which was probably in 1529 and definitely in 1683. The monastery was taken back from the Turks by the arch-abbot of Pannonhalma in 1540. He named a new abbot, though the title only existed on paper for a little bit longer than two decades. In 1563 the monastery was burnt down again for the third time and was left devoured. Presently, the only part of the complex that is still standing is the iconic three-nave Romanesque church in the middle of Lébény village. This church is one of the most important Romanesque style buildings of Hungary, which was most probably restored in the 17th century by the Jesuits, and it was the first ever Hungarian monument that was restored in the second half of the 19th century. In addition, the Romanesque church is also operating as a parish of the village.
Church of St. John of Dukla and Monastery of Bernadine monks - the church with two towers was built between 1761 and 1764 in the late baroque style. The temple was extended from 1890 to 1902 when a chapel of St. John of Dukla was built and the main nave was enlarged. Also monastery building was added. The interior dates back to the turn of the 19th century. The paintings of Tadeusz Popiel present scenes from life of St. John of Dukla. There is a silver coffin with relics of St. John. Pope John Paul II came to Dukla on 9th of August, a day before the canonization event and he spent a night in the monastery
Esztergom was the capital of Hungary from the 10th till the mid-13th century when King Béla IV of Hungary moved the royal seat to Buda. During the same period, the castle of Esztergom was built on the site of ancient Roman castrum. It served not only as the royal residence until the 1241 (the Mongol invasion), but also as the center of the Hungarian state, religion, and Esztergom county.
After changing his residence to Budapest, Béla IV gave the palace and castle to the archbishop. Following these events, the castle was built and decorated by the bishops. The center of the king’s town, which was surrounded by walls, was still under royal authority. A number of different monasteries did return or settle in the religious center.
Meanwhile, the citizenry had been fighting to maintain and reclaim the rights of towns against the expansion of the church within the royal town. In the chaotic years after the fall of the House of Árpád, Esztergom suffered another calamity: in 1304, the forces of Wenceslaus II, the Czech king occupied and raided the castle. In the years to come, the castle was owned by several individuals: Róbert Károly and then Louis the Great patronized the town.
The Ottoman conquest of Mohács in 1526 brought a decline to the previously flourishing Esztergom as well. In the Battle of Mohács, the archbishop of Esztergom died. In the period between 1526 and 1543, when two rival kings reigned in Hungary, Esztergom was besieged six times. At times it was the forces of Ferdinand I or John Zápolya, at other times the Ottomans attacked. Finally, in 1530, Ferdinand I occupied the castle. He put foreign mercenaries in the castle, and sent the chapter and the bishopric to Nagyszombat and Pozsony.
However, in 1543 Sultan Suleiman I attacked the castle and took it. Esztergom became the centre of an Ottoman sanjak controlling several counties, and also a significant castle on the northwest border of the Ottoman Empire. In the 17th century Esztergom was besieged and conquered several times during the Ottoman-Habsburg Wars. Most of the buildings in the castle and the town that had been built in the Middle Ages were destroyed during this period, and there were only uninhabitable, smothered ruins to welcome the liberators.
In 1761 the bishopric regained control over the castle, where they started the preliminary processes of the reconstruction of the new religious center: the middle of the Várhegy (Castle Hill), the remains of Saint Stephen and Saint Adalbert churches were carried away to provide room for the new cathedral.
The pilgrimage church in Steinhausen, Biberach district, is one of the most important baroque churches in Germany.
Dominikus Zimmermann is both a master builder and plasterer, along with his brother, Johann Baptist Zimmermann, who is a fresco painter.
Both of them created a spatial work of art that is unparalleled.
In 1727, Abbot Didaktus Ströbele from Schussenried Monastery discussed the building plans with Dominikus Zimmermann for the first time. At the time, Zimmermann was busy building and furnishing the nearby monastery church in Siessen.
They reached an agreement and construction of the pilgrimage church began in 1728. It was consecrated in 1733. The church was submitted and approved with construction costs of 9,000 guilders. In the end, however, the new building cost 50,000 guilders. The shock of the immense construction costs was initially deep, but the monastery's financial situation was not affected by this. A pilgrimage also brings in Mammon.
Dominikus's high altar design was not carried out because it was considered too expensive. The idea was to have an altar based on the model of the monastery church in Rohr. At first altars by Gabriel Weiss were put up, but these were dismantled in 1750 and replaced by works by Joachim Früholz. The high altar painting was by Franz Martin Kuen.
The church in Ochtiná was formerly dedicated to St. Nicholas and is one of the oldest and most interesting landmarks of the Gemer countryside. The name of the village is most likely derived from the old German expression for the number eight: ocht, as an evidence of the area settled by German guests in the second half of the 13th century. According to historical sources, original eight German families established here a prosperous settlement founded on mining of iron ore located in the nearby Hrádok hill.
However, the layout of the church point to an older settlement which could have been destroyed during a Mongol invasion. This is indicated by a document from the king Belo IV, from 1243, by which he donates a large part of an area of the Slaná river valley for faithful services to Detrik and Filip Bubek. In 1318, Ochtiná was mentioned as a property of the Štítnik branch of the Bubek family, that certainly supported the construction of the local church and later its murals as well.
The Gothic church, built possibly on the site of a ruined Romanesque structure is a single-nave church with a polygonal-shaped chancel including a northern sacristy. Around the mid-14th century, the interiors were painted with figural wall paintings which were done by fresco technique. Research has shown that the tower had been built later, probably in second half of 15th century. Romanesque windows on the tower are secondarily used from other church in the area. At the beginning of the 16th century, the relatively small space of the church was extended with a northern side nave having a star-shaped vault.
In the first third of the 17th century, when the church was already Lutheran, medieval frescos were hidden under a white lime paint and, during the 18th century, the church was given a new Prussian vault over the nave.
Sofia, Bulgaria
The Church of St George in Sofia, behind the Sheraton Hotel. Built by the Romans in the 4th century red brick rotunda is the oldest building in Sofia.
The Monastery at Lébény was established between 1199 and 1203, by a nobleman, for private worship. The complex was dedicated to the Apostle Saint James the Great. Though the existing charter for approving the donations and construction was signed by Andreas II (1208), one of the walls of the church had “1206” engraved in them, which may indicate that the church was already built at that time. It is also mentioned in the RegestrumVaradiense (an important language memorial), which was made in the late cathedral chapter of the present Oradea (Nagyvárad) in the 13th century. The monastery of Lébény was attacked and burnt down several times; the first by Mongols, then the second by King Ottokar I of Bohemia; and thereafter by the Turks, which was probably in 1529 and definitely in 1683. The monastery was taken back from the Turks by the arch-abbot of Pannonhalma in 1540. He named a new abbot, though the title only existed on paper for a little bit longer than two decades. In 1563 the monastery was burnt down again for the third time and was left devoured. Presently, the only part of the complex that is still standing is the iconic three-nave Romanesque church in the middle of Lébény village. This church is one of the most important Romanesque style buildings of Hungary, which was most probably restored in the 17th century by the Jesuits, and it was the first ever Hungarian monument that was restored in the second half of the 19th century. In addition, the Romanesque church is also operating as a parish of the village.
☆☆☆ EXPLORED 15-03-2018 ☆☆☆
The Temple of Athena in Paestum, Italy, was built around 500 BC. The architecture is partly in the Ionic style and partly early Doric. Three medieval Christian tombs in the floor show that the temple was used for some time as a Christian church.
Paestum was a major ancient Greek city on the coast of the Tyrrhenian Sea in southern Italy.
Since 1998 Paestum is listed as UNESCO World Heritage Site.
Many thanks for your visits / comments / faves!
14 387 big crosses there and about 41 000 small crosses (smaller than 0.5 meters).
Religious meaning
The Hill of Crosses, where people not only from Lithuania have put crosses for couple centuries, witnesses faithfulness and trust of a Christian community to Christ and his Cross. This is an expression of a spontaneous religiousness of the people, and is a symbol not of grief and death but of Faith, Love and Sacrifice. From here the Pope blessed all people of Lithuania and all of Christian Europe.
History
The crosses on the Hill were first mentioned in written chronicles in 1850, but it is believed that the first crosses were put by the relatives of the victims of the rebellion in 1831 as the tsarist government did not allow the families to honor their deads properly. Crosses of the kind became more numerous after the other rebellion in 1863.
In the beginning of the 20th century the Hill of Crosses was already widely known as a sacral place. In addition to many pilgrims visiting, it was also a place for Masses and devotions. The Hill of Crosses became of special importance during Soviet times – this was the place of anonymous but surprising persistence to the regime. The Soviet government considered the crosses and the hill a hostile and harmful symbol. In 1961 wooden crosses were broken and burnt, metal ones used as scrap metal and stone and concrete crosses were broken and buried. The hill itself was many times destroyed with bulldozers. During the 1973–1975 period about half a thousand crosses used to be demolished each year without even trying to do this secretly. Later the tactics became more subtle: crosses were demolished as having no artistic value, different “epidemics” were announced forbidding people to come into the region or the roads were blocked by police. The Hill was guarded by both the Soviet army and KGB. In 1978 and 1979 there were some attempts to flood the territory. Despite all these endeavors to stop people from visiting the Hill, crosses would reappear after each night.
After the political change in 1988 the status of the Hill of Crosses changed completely – it became both a Lithuanian and a world phenomenon. It gained a world wide fame after the visit of the Pope John Paul II on September 7, 1993. The Pope was extremely touched by the cross with the prayer for his health after the attempt upon his life in 1981. In his sermon during the Holy Mass his Eminence said: “Sons and daughters of your country have been carrying to this Hill crosses, akin to that of Golgotha, which saw our Saviour,s death. Thus people have declared their sincere belief that their deceased brothers and sisters “have found Eternity” (…). Cross is a symbol of eternal life in God”.
In 1997 the Church revived devotions on the Hill. They take place every year on the last but one Sunday of July. Nowadays the Hill of Crosses is under the patronage of Šiauliai diocese, established on the 28 th oh May, 1997, and its first bishop Eugenijus Bartulis.
Cross is a symbol of love
The Hill of Crosses is a sacred place in the Šiauliai region with especially vast spaces for meditations of faith and manifestations of one,s love to God. It is here that Lithuania has passed through Golgotha, its people have experienced so much pain and misfortunes. Namely here revives the sincerest belief in our Saviours sacrifice, love finds response in one,s heart, hopes become stronger. “For God so loved the world, that he gave his only Son, that whosoever believeth in him should not perish, but have eternal life” (Jn 3, 16). Cross is a symbol of such Love.
Eugenijus Bartulis
Bishop of Šiauliai
Place
The Hill of Crosses is situated in the middle of an arable land, sixteen kilometers from Šiauliai. It is seen from Šiauliai – Ryga highway. The hill is 60 meters long and 40-50 meters wide.
Number of crosses
It is hard to imagine so many crosses in one place. But all these crosses tell us about personal and public misfortunes and catastrophes. For example one cross was put after the wreck of the ferry “Estonia”.
The crosses were first counted by Ksywicki in 1900. In historical chronicles he wrote that there were 130 crosses on the hill. Two years later there were already 155 crosses. After the Word War I, in 1922 there were 50 crosses but in 1938 – already over 400. In 1961 the Soviet government demolished over 5000 crosses, by 1975 – 1200 crosses more.
After the political change the crosses were counted by enthusiasts from Šiauliai. They found 14 387 big crosses (1 112 from them were 3-4 meters high, 130 even higher) and about 41 000 small crosses (smaller than 0.5 meters).
Each visitor tries to leave a cross or a rosary. If he has not brought any, he makes one right on the hill, from pebbles, little branches or grass.
The monastery of the Hill of Crosses
In 1994 during his visit to a Franciscan monastery of the mount of Verna (Italy), the Pope John Paul II encouraged the brothers to build a monastery by the Hill of Crosses. A hermit of the Franciscan Brothers was consecrated on July 7, 2000. It is built 300 meters away from the Hill and has sixteen cells. It serves as a novitiate of the Lithuanian Franciscan province of St. Casimir, but the monastery is also open to the pilgrims who look for silence and peace.
The Monastery at Lébény was established between 1199 and 1203, by a nobleman, for private worship. The complex was dedicated to the Apostle Saint James the Great. Though the existing charter for approving the donations and construction was signed by Andreas II (1208), one of the walls of the church had “1206” engraved in them, which may indicate that the church was already built at that time. It is also mentioned in the RegestrumVaradiense (an important language memorial), which was made in the late cathedral chapter of the present Oradea (Nagyvárad) in the 13th century. The monastery of Lébény was attacked and burnt down several times; the first by Mongols, then the second by King Ottokar I of Bohemia; and thereafter by the Turks, which was probably in 1529 and definitely in 1683. The monastery was taken back from the Turks by the arch-abbot of Pannonhalma in 1540. He named a new abbot, though the title only existed on paper for a little bit longer than two decades. In 1563 the monastery was burnt down again for the third time and was left devoured. Presently, the only part of the complex that is still standing is the iconic three-nave Romanesque church in the middle of Lébény village. This church is one of the most important Romanesque style buildings of Hungary, which was most probably restored in the 17th century by the Jesuits, and it was the first ever Hungarian monument that was restored in the second half of the 19th century. In addition, the Romanesque church is also operating as a parish of the village.
Wolfegg is about 15 km from Weingarten. There you will find the parish church of St. Catherine, built by Johann Georg Fischer from Füssen between 1733 and 1736 as a representative building for the Wolfegg Canonry. The stucco was created by the Wessobrunner stucco artist Johannes Schütz. The large frescoes were painted by Franz Joseph Spiegler (who was also a fresco painter in Zwiefalten). Jacob Hör, a student of Gabler, made the organ. It is the only instrument of his that has survived.
The ceiling fresco, which stretches across the entire nave, is striking. It shows a secular theme, the duel between Antonio di Sanseverino and Count Johannes von Sonnenberg from 1487.
Ruins of a medieval fortified church are located above the village of Lúčka, situated at the border of the Slovenské rudohorie mountain range and the national park of Slovenský kras. The village had been known since 1409 as part of the Turňa Castle Estate donated to Pál Besen by King Sigismund.
According to the testimony provided by the local church, however, the village dates back to at least the half of the 13th century. The church itself was built as an early-Gothic church of the Gemer style. In the first half of the 15th century, it was surrounded by a defensive stone wall with a watchtower situated in the front. The small fortress was captured by Jan Jiskra’s troopsand is commonly called the Hussite church by the locals. Only the external walls of the church and the considerably lowered defensive wall with the tower that later on served as a belfry have been preserved up to the present. The quadratic tower used to have two floors in the past, with three windows on the first floor and three loopholes on the ground floor that served to watch the surroundings and to protect the fortress from three sides: the west, the south, and the east. The top of the slope upon which the church was built provided for the natural protection from the north.
The area where the church stands counts among the ecologically cleanest territories in Slovakia. It provides for exceptionally good conditions for recreationin a peaceful natural setting and for short walks in the basin of the Čremošná, to the lake of Lúčka, as well as to the surrounding beech and fir forests. Moreover, the unique natural reserve of Zádielska dolina is located in close distance, lined with plateaux where traces of fortified prehistoric settlements were confirmed by archaeological surveys.
The Church of St. Lawrence in Březina is originally a gothic sacral building standing in a cemetery on the outskirts of the village of Březina in the Mladá Boleslav region. The church is an important Gothic monument of the central Pojizera region. It is protected as a cultural monument of the Czech Republic.
The church dates from the turn of the 13th and 14th centuries, it was rebuilt in the Renaissance style in the 16th century and partly modernized.