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Roof top views from the new Paramour bar in San Antonio, Texas. Amazing atmosphere!

 

DSC_8364

Scene from an instameet in De Rijp, a picturesque village in the Netherlands: a collection of colourful rooftops.

I can see this more clearly now in the winter with most of the leaves missing........ . . . . .for odc2,subject ,rooftops .

The rooftop gardens and pool at the Fairmont near Canada Place.

 

You are free to use this photo under its Creative Commons license. For the attribution, please link back to either my online learning website DIY Genius or my tour website Spirit Quest Adventures.

Glasgow rooftops. #rooftops #rooftopsofglasgow #glasgow #glasgowcity #glasgowcitycentre #insta_glasgow #glasgowphotographer #glasgowphotography

Dubrovnik, Croatia

2012

Rooftop, Singapore 2013

 

Nikon D800, NIKKOR 85mm f/1.4G

New York, USA. 01.05.2017.

Taken at Sapta Pesona Building Rooftop

Rooftop gardens in public housing at Punggol provide more green spaces while optimising land use.

 

HDB targets to develop 9ha of green roofs on the top deck of existing multi-storey carparks in the residential heartlands over the next three years.

 

To find out more about the other strategies that make up Singapore's Sustainable Development Blueprint, please visit www.sustainablesingapore.gov.sg

 

Flickr Lounge ~ Rooftops

 

Thank you to everyone who pauses long enough to look at my photo. All comments and Faves are very much appreciated

4x1 Panorama from my rooftop window

Across the rooftops, Chicago, USA.

Fireworks on bonfire night November 2015

I get off track sometimes and gave to put my ' stamp' on some photos.

Always have a what if I do this...or that...

''La badia Fiorentina'' tower

I'm kinda into panoramics this trip. Oh the rooftop of Chez Rodriguez.

This is the original orientation and composition of the shot. I previously posted a rotated version titled Parallel Universe.

Roof top scupture at The Casa Batlló in Barcelona

 

Casa Batlló (Catalan pronunciation: [ˈkazə bəʎˈʎo, bədˈʎo]), is a building restored by Antoni Gaudí and Josep Maria Jujol, built in the year 1877 and remodelled in the years 1904–1906; located at 43, Passeig de Gràcia (passeig is Catalan for promenade or avenue), part of the Illa de la Discòrdia in the Eixample district of Barcelona, Catalonia.

 

The local name for the building is Casa dels ossos (House of Bones), and indeed it does have a visceral, skeletal organic quality. It was originally designed for a middle-class family and situated in a prosperous district of Barcelona.

 

The building looks very remarkable — like everything Gaudí designed, only identifiable as Modernisme or Art Nouveau in the broadest sense. The ground floor, in particular, is rather astonishing with tracery, irregular oval windows and flowing sculpted stone work.

 

It seems that the goal of the designer was to avoid straight lines completely. Much of the façade is decorated with a mosaic made of broken ceramic tiles (trencadís) that starts in shades of golden orange moving into greenish blues. The roof is arched and was likened to the back of a dragon or dinosaur. A common theory about the building is that the rounded feature to the left of centre, terminating at the top in a turret and cross, represents the sword of Saint George (patron saint of Catalonia), which has been plunged into the back of the dragon.

Casa Batlló (Catalan pronunciation: [ˈkazə bəʎˈʎo, bədˈʎo]), is a building restored by Antoni Gaudí and Josep Maria Jujol, built in the year 1877 and remodelled in the years 1904–1906; located at 43, Passeig de Gràcia (passeig is Catalan for promenade or avenue), part of the Illa de la Discòrdia in the Eixample district of Barcelona, Catalonia.

 

The local name for the building is Casa dels ossos (House of Bones), and indeed it does have a visceral, skeletal organic quality. It was originally designed for a middle-class family and situated in a prosperous district of Barcelona.

 

The building looks very remarkable — like everything Gaudí designed, only identifiable as Modernisme or Art Nouveau in the broadest sense. The ground floor, in particular, is rather astonishing with tracery, irregular oval windows and flowing sculpted stone work.

 

It seems that the goal of the designer was to avoid straight lines completely. Much of the façade is decorated with a mosaic made of broken ceramic tiles (trencadís) that starts in shades of golden orange moving into greenish blues. The roof is arched and was likened to the back of a dragon or dinosaur. A common theory about the building is that the rounded feature to the left of centre, terminating at the top in a turret and cross, represents the sword of Saint George (patron saint of Catalonia), which has been plunged into the back of the dragon.

Casa Batlló (Catalan pronunciation: [ˈkazə bəʎˈʎo, bədˈʎo]), is a building restored by Antoni Gaudí and Josep Maria Jujol, built in the year 1877 and remodelled in the years 1904–1906; located at 43, Passeig de Gràcia (passeig is Catalan for promenade or avenue), part of the Illa de la Discòrdia in the Eixample district of Barcelona, Catalonia.

 

The local name for the building is Casa dels ossos (House of Bones), and indeed it does have a visceral, skeletal organic quality. It was originally designed for a middle-class family and situated in a prosperous district of Barcelona.

 

The building looks very remarkable — like everything Gaudí designed, only identifiable as Modernisme or Art Nouveau in the broadest sense. The ground floor, in particular, is rather astonishing with tracery, irregular oval windows and flowing sculpted stone work.

 

It seems that the goal of the designer was to avoid straight lines completely. Much of the façade is decorated with a mosaic made of broken ceramic tiles (trencadís) that starts in shades of golden orange moving into greenish blues. The roof is arched and was likened to the back of a dragon or dinosaur. A common theory about the building is that the rounded feature to the left of centre, terminating at the top in a turret and cross, represents the sword of Saint George (patron saint of Catalonia), which has been plunged into the back of the dragon.

Casa Batlló (Catalan pronunciation: [ˈkazə bəʎˈʎo, bədˈʎo]), is a building restored by Antoni Gaudí and Josep Maria Jujol, built in the year 1877 and remodelled in the years 1904–1906; located at 43, Passeig de Gràcia (passeig is Catalan for promenade or avenue), part of the Illa de la Discòrdia in the Eixample district of Barcelona, Catalonia.

 

The local name for the building is Casa dels ossos (House of Bones), and indeed it does have a visceral, skeletal organic quality. It was originally designed for a middle-class family and situated in a prosperous district of Barcelona.

 

The building looks very remarkable — like everything Gaudí designed, only identifiable as Modernisme or Art Nouveau in the broadest sense. The ground floor, in particular, is rather astonishing with tracery, irregular oval windows and flowing sculpted stone work.

 

It seems that the goal of the designer was to avoid straight lines completely. Much of the façade is decorated with a mosaic made of broken ceramic tiles (trencadís) that starts in shades of golden orange moving into greenish blues. The roof is arched and was likened to the back of a dragon or dinosaur. A common theory about the building is that the rounded feature to the left of centre, terminating at the top in a turret and cross, represents the sword of Saint George (patron saint of Catalonia), which has been plunged into the back of the dragon.

Casa Batlló (Catalan pronunciation: [ˈkazə bəʎˈʎo, bədˈʎo]), is a building restored by Antoni Gaudí and Josep Maria Jujol, built in the year 1877 and remodelled in the years 1904–1906; located at 43, Passeig de Gràcia (passeig is Catalan for promenade or avenue), part of the Illa de la Discòrdia in the Eixample district of Barcelona, Catalonia.

 

The local name for the building is Casa dels ossos (House of Bones), and indeed it does have a visceral, skeletal organic quality. It was originally designed for a middle-class family and situated in a prosperous district of Barcelona.

 

The building looks very remarkable — like everything Gaudí designed, only identifiable as Modernisme or Art Nouveau in the broadest sense. The ground floor, in particular, is rather astonishing with tracery, irregular oval windows and flowing sculpted stone work.

 

It seems that the goal of the designer was to avoid straight lines completely. Much of the façade is decorated with a mosaic made of broken ceramic tiles (trencadís) that starts in shades of golden orange moving into greenish blues. The roof is arched and was likened to the back of a dragon or dinosaur. A common theory about the building is that the rounded feature to the left of centre, terminating at the top in a turret and cross, represents the sword of Saint George (patron saint of Catalonia), which has been plunged into the back of the dragon.

Casa Batlló (Catalan pronunciation: [ˈkazə bəʎˈʎo, bədˈʎo]), is a building restored by Antoni Gaudí and Josep Maria Jujol, built in the year 1877 and remodelled in the years 1904–1906; located at 43, Passeig de Gràcia (passeig is Catalan for promenade or avenue), part of the Illa de la Discòrdia in the Eixample district of Barcelona, Catalonia.

 

The local name for the building is Casa dels ossos (House of Bones), and indeed it does have a visceral, skeletal organic quality. It was originally designed for a middle-class family and situated in a prosperous district of Barcelona.

 

The building looks very remarkable — like everything Gaudí designed, only identifiable as Modernisme or Art Nouveau in the broadest sense. The ground floor, in particular, is rather astonishing with tracery, irregular oval windows and flowing sculpted stone work.

 

It seems that the goal of the designer was to avoid straight lines completely. Much of the façade is decorated with a mosaic made of broken ceramic tiles (trencadís) that starts in shades of golden orange moving into greenish blues. The roof is arched and was likened to the back of a dragon or dinosaur. A common theory about the building is that the rounded feature to the left of centre, terminating at the top in a turret and cross, represents the sword of Saint George (patron saint of Catalonia), which has been plunged into the back of the dragon.

Casa Batlló (Catalan pronunciation: [ˈkazə bəʎˈʎo, bədˈʎo]), is a building restored by Antoni Gaudí and Josep Maria Jujol, built in the year 1877 and remodelled in the years 1904–1906; located at 43, Passeig de Gràcia (passeig is Catalan for promenade or avenue), part of the Illa de la Discòrdia in the Eixample district of Barcelona, Catalonia.

 

The local name for the building is Casa dels ossos (House of Bones), and indeed it does have a visceral, skeletal organic quality. It was originally designed for a middle-class family and situated in a prosperous district of Barcelona.

 

The building looks very remarkable — like everything Gaudí designed, only identifiable as Modernisme or Art Nouveau in the broadest sense. The ground floor, in particular, is rather astonishing with tracery, irregular oval windows and flowing sculpted stone work.

 

It seems that the goal of the designer was to avoid straight lines completely. Much of the façade is decorated with a mosaic made of broken ceramic tiles (trencadís) that starts in shades of golden orange moving into greenish blues. The roof is arched and was likened to the back of a dragon or dinosaur. A common theory about the building is that the rounded feature to the left of centre, terminating at the top in a turret and cross, represents the sword of Saint George (patron saint of Catalonia), which has been plunged into the back of the dragon.

Casa Batlló (Catalan pronunciation: [ˈkazə bəʎˈʎo, bədˈʎo]), is a building restored by Antoni Gaudí and Josep Maria Jujol, built in the year 1877 and remodelled in the years 1904–1906; located at 43, Passeig de Gràcia (passeig is Catalan for promenade or avenue), part of the Illa de la Discòrdia in the Eixample district of Barcelona, Catalonia.

 

The local name for the building is Casa dels ossos (House of Bones), and indeed it does have a visceral, skeletal organic quality. It was originally designed for a middle-class family and situated in a prosperous district of Barcelona.

 

The building looks very remarkable — like everything Gaudí designed, only identifiable as Modernisme or Art Nouveau in the broadest sense. The ground floor, in particular, is rather astonishing with tracery, irregular oval windows and flowing sculpted stone work.

 

It seems that the goal of the designer was to avoid straight lines completely. Much of the façade is decorated with a mosaic made of broken ceramic tiles (trencadís) that starts in shades of golden orange moving into greenish blues. The roof is arched and was likened to the back of a dragon or dinosaur. A common theory about the building is that the rounded feature to the left of centre, terminating at the top in a turret and cross, represents the sword of Saint George (patron saint of Catalonia), which has been plunged into the back of the dragon.

A lovely splash of yellow on the roof of this vessel

Sometimes that beautiful light just strikes you. Had to run and get the camera for this one.

Rooftop View of West Register House (St George's Church), Charlotte Square, Edinburgh

View over the roofs of Heidenheim

Looking out over the roof of the stables and part of the house at Chatsworth. As seen from the vegetable garden.

 

View On Black

A shot from this past weekends rooftop skate event.

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