View allAll Photos Tagged reverse
“Nostalgia in reverse, the longing for yet another strange land, grew especially strong in spring.” ― Vladimir Nabokov
series
Mamiya RB67 Pro SD + Impossible Project's Instant Lab back (Rezivot) + Polaroid Originals i-Type
On EXPLORE
#96
May 5, 2009
By the way.
Thank you so much for the heartwarming testimonials my friends!
Tata - you really knocked me off!
JMartinez - my longtime flickr buddy!
Peng Allan - my jampack ABE!
Ocean water flowing back from the river, when the tide comes in the water flows back up the river...incredible power!
Posted with Photerloo
50021 Rodney reversing empty stock into Exeter St. Davids, possibly for a Waterloo train. 17 August 1984.
66030 runs down the Taff Bargoed line towards Trelewis in the reverse order as the Hope train had yet to run up to Cwmbargoed. 6C83 11:30 Cwmbargoed Opencast Colliery to Margam.
In an alternate dimension.
All 8 Dejarik monsters seen in Episodes 4 and 7 are represented here, from left to right: Grimtaash the Molator, the K'lor'slug, the Ghhhk, the Kintan Strider, the Mantellian Savrip, the Houjix, the Monnok, and the Ng'ok.
I began designing this halfway through September for The Brothers Brick's Falcon contest, and have been building it relentlessly for the last five days. My original contest idea was to do the original Colin Cantwell Falcon concept (which Ralph McQuarrie would include in some of his early conceptual paintings), but decided against it because it is essentially the Tantive IV with a different bridge section. I came up with this idea shortly after and liked it better.
I used Ep 4, 5, and 7 as reference for the interior (the Ep 7 interior has some differences, like the floor grid being a totally different pattern, and the wall "sconces" having circular edges rather than square ones). I also used stills and fan-made CGI recreations. Even though the cast of characters is turned upside down, the environment around them is unchanged from Episode 4. The floor patterns, some of the wall details, even down to the crates next to the booth are left as-is from how they are in the first film.
As for the creatures, choosing colors was hard. The holographic look of the game pieces messes with what the creature's real colors should be. Reference material is pretty limited, and can be inconsistent for both color and shape. Phil Tippett's interview with Tested about the redone Ep. 7 monsters was an invaluable resource to see up-close views of these creatures directly from the man who made them both times.
Artiste : Creyone 132
Festival de Street Art Rehab 2, organisé du 16 juin au 16 juillet 2017 à la Cité Internationale universitaire de Paris, 17 boulevard Jourdan dans le 14e.
Autres photos Street Art ici / other photos here : www.flickr.com/photos/140051458@N06/albums/72157666007720822
#974
Another shot I took the other night when playing about with drip collisions.
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New York. October 2015
First shot with the panasonic dmc-gx8
Bought the Leica-Panasonic 15mm 1.7 ... Again!
I regretted having sold it a few months ago. This time i'm keeping it for good :)
The other lenses i bought for the gx8 are the panasonic 12-35 f2.8 as well as the 45-175 3.5-5.6 which has the great advantage to Focus internally. And it's cheap too.
Snow and ice still coat cold surroundings as eastbound CSX empty coal train U090-26 snakes around curve after curve, reversing back and forth through the community of Fishertown, VA, on the morning of January 30, 2021.
Taken @ B sori
maps.secondlife.com/secondlife/B%20sori/101/82/22
Two sides to every story
One part that you left out
You gave me all your burdens
And all of your love to someone else
'Cause I found you low with your face in the dirt
And, darling, I swore I'd be there at your worst
Now you're moving on and the tables have turned
And I'm just as broken as you were at first
So when was the moment that the roles reversed?
The 7-Yard/Hill with a cut of 60 cars loaded with Tilden chips/fines backs off Cooke's Branch toward Eagle Mills at Diamond Junction. LS&I used a hi-rail to pick up the conductor at West Wye to protect the shove.