View allAll Photos Tagged reverse
Yosemite National Park
This is another version of Fire on Ice I posted few days ago. After shooting near the ice waterfall, I ran away from it quickly and took a pano to show the whole view of the reverse tunnel view.
Last night was one of those evenings where the sky looked better in the east than in the west.
Taken at Allegheny County's North Park Lake
Its in reverse but can it stop . I can't see no brakes in operation here on this steam hissing machine as its thunderous 20 ton mass is heading backwards towards that tree trunk shed pier . I didn't like the thought of it being pushed over by this machine and the whole roof coming down on us . Careful there you guys ..
Qld. Steam and Vintage Machinery Soc .
Old Petrie Town
Via Brisbane
Ilford Delta 100 reversed in PQ Universal and scanned with Plustek 7600i Ai.
Best enjoyed with Dark Ambient / RUREX
A couple weeks ago I shared a photo with the yellow flowers to the forefront and the purple ones in the background. Today I thought I would let the Irises have centre stage and the yellow lilies bring up the rear. It really doesn't matter which way you look at it, those colours are just meant to go together.
Reversing Explanations.
Писатель-экспрессионист убожество, обновитель языков, мгновенные впечатления, безответственный поэт, индивидуальное ткачество, скучные секреты, сопротивление, мир,
notoriété plaisanteries pièces liquidées climat intellectuel anarchisme pacifisme inconnus célèbres découvrir les formes hurlantes du théâtre chaînes importantes,
wiersze współczesne podniebne zapachy powierzchowne rozrywki spięte dni światło reflektorów siły wyobrażone znaczki tonące chwyty wielkie wizje,
gilototau y gellir eu dychmygu synau amwys geiriau byrion newid camau cylchoedd crwydro cynnwrf gweithwyr yn atseinio goruwchnaturiol nodiadau gyda'r nos,
pestilential arts mægtige munden oplever lig elendighed dødsfald dyrebare ejendele hurtige tiltag leveret mundende eksistenser berørte svimlende læsninger,
熱狂的な塊 過激な結果を求める 反対派を軽蔑する 贅沢なグリーン 不適切なスナッブ さまざまな階段の登り方.
Steve.D.Hammond.
“Nostalgia in reverse, the longing for yet another strange land, grew especially strong in spring.” ― Vladimir Nabokov
series
Mamiya RB67 Pro SD + Impossible Project's Instant Lab back (Rezivot) + Polaroid Originals i-Type
This is a recreation of my first ever shot. You can see it here on my Flickr if you scroll down far enough 😬. Tell me what you guys think!
On EXPLORE
#96
May 5, 2009
By the way.
Thank you so much for the heartwarming testimonials my friends!
Tata - you really knocked me off!
JMartinez - my longtime flickr buddy!
Peng Allan - my jampack ABE!
Ocean water flowing back from the river, when the tide comes in the water flows back up the river...incredible power!
Posted with Photerloo
“Nostalgia in reverse, the longing for yet another strange land, grew especially strong in spring.” ― Vladimir Nabokov
series
Mamiya RB67 Pro SD + Impossible Project's Instant Lab back (Rezivot) + Polaroid Originals i-Type
50021 Rodney reversing empty stock into Exeter St. Davids, possibly for a Waterloo train. 17 August 1984.
66030 runs down the Taff Bargoed line towards Trelewis in the reverse order as the Hope train had yet to run up to Cwmbargoed. 6C83 11:30 Cwmbargoed Opencast Colliery to Margam.
In an alternate dimension.
All 8 Dejarik monsters seen in Episodes 4 and 7 are represented here, from left to right: Grimtaash the Molator, the K'lor'slug, the Ghhhk, the Kintan Strider, the Mantellian Savrip, the Houjix, the Monnok, and the Ng'ok.
I began designing this halfway through September for The Brothers Brick's Falcon contest, and have been building it relentlessly for the last five days. My original contest idea was to do the original Colin Cantwell Falcon concept (which Ralph McQuarrie would include in some of his early conceptual paintings), but decided against it because it is essentially the Tantive IV with a different bridge section. I came up with this idea shortly after and liked it better.
I used Ep 4, 5, and 7 as reference for the interior (the Ep 7 interior has some differences, like the floor grid being a totally different pattern, and the wall "sconces" having circular edges rather than square ones). I also used stills and fan-made CGI recreations. Even though the cast of characters is turned upside down, the environment around them is unchanged from Episode 4. The floor patterns, some of the wall details, even down to the crates next to the booth are left as-is from how they are in the first film.
As for the creatures, choosing colors was hard. The holographic look of the game pieces messes with what the creature's real colors should be. Reference material is pretty limited, and can be inconsistent for both color and shape. Phil Tippett's interview with Tested about the redone Ep. 7 monsters was an invaluable resource to see up-close views of these creatures directly from the man who made them both times.