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When you try your best but you don't succeed
When you get what you want but not what you need
When you feel so tired but you can't sleep
Stuck in reverse.
When the tears come streaming down your face
When you lose something you can't replace
When you love someone but it goes to waste
Could it be worse?
*fix you by coldblay <<< I love that song =')
Shot taken by me
A dude in the street in paris =P
Edited by ηαseЯ ◦ ن .. tslam ymnak thaaank you man =D
لو سمحتوا علقوا بدون صوركم الاخيره..شكرا نقدر نشوفها في الكونتكات =)
stacked images with light painting the real moon and las vegas glowing in the distance. the luxor spotlight visible
to the left
1523.48
Back to Big Tree forest and a walk through the forest. While it is a pleasant and peaceful trek with birds singing, my eyes are not seeing any compositions. After reaching a point deep into the hike, it is time to turn a round.
But, it is now one hour later and the forest has taken on a very different look. The suns rays have moved, and some of what was lit is now in shadow. More importantly for a composition, some of what was in shadow, is now lit.
WRA001 and WRA002 put the foot to the floor through Leslie with empty Watco grain 6H34 from the port at Fishermans Island to Thallon.
Sunday 10th July 2022
With heartfelt and genuine thanks for your kind visit. Have a wonderful and beautiful day, be well, keep your eyes open, appreciate the beauty surrounding you, enjoy creating, stay safe and laugh often! ❤️❤️❤️
Located at Mahar Point, the northern point of a narrows separating Dennys Bay from Cobscook Bay in far eastern Maine. The narrows are subject to a reversal of current twice a day, owing to the area's unusually high tides.
Taken during a sunrise shoot yesterday at Bar Beach, NSW, Australia.
As always, thanks for any comments, views or favorites, they are much appreciated!
Copyright © Paul Hollins. All my images are protected under international authors copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without my explicit written permission.
This chap skated everywhere in reverse gear showing off his backward driving skills. Picture was taken on ‘Wheels Sunday’; the Sunday of the ‘Manchester Pride Week’.
Sometimes I like to turn upside down certain pictures, especially when some reflections are involved. Not sure why I do that, but it is all part of the fun.
The Reversing Falls is series of rapids on a narrow gap in the Saint John River near where the river empties into the Bay of Fundy. At high tides the force of the water from the tides can cause the rapids in the gap to reverse from their usual down stream flow. There is both a railway and vehicle bridge spanning the gap. The Irving pulp mill sits just north of the bridge. Saint John, New Brunswick
LTWI661 twists through the reverse curve just east of De Graf, Minnesota on the former Great Northern main, now BNSF Morris Subdivision. Acting as the de facto caboose is a scale test car seen on the left; something of a rarity in 2025 now. 661 was a Wilmar-Aberdeen local that took the GN main to Benson. From there, they would hop on GN's branch to Watertown, continuing west to Appleton where, they would hop on the former Milwaukee Road transcon for the rest of the trip to Aberdeen. BNSF has combined the Benson-Appleton part of the GN Watertown branch with the Milwaukee Appleton-Aberdeen main and this whole line is now known as the Appleton Subdivision. The well powered local will need every horse they can get to lug heavy stone loads up the eastern flank of the Coteau des Prairies; 13.5 miles of 1% grade starting near Twin Brooks at MP618.5 and ending east of Summit at MP632.
This was my first little taste of the Minnesota-Dakota tristate area. Back then I was fascinated by BNSF's Watertown local. At the time they were using sets of geeps and usually had large trains making 2 trips a week. So our initial goal was shooting them west of Appleton. However, a TCWR west end job with four CAT motors parked in town peaked our interest. We had heard they would have a 1500 crew to head west. But as the sun set lower to the horizon it was becoming more clear that would not be the case. Also concerning was that the Watertown local hadn't shown up yet.
Instead of waiting, we hightailed it to Willmar, finding the place in a meltdown mode that was typical of the oil-boom era. LTWI661 got kicked out first, so we chased them towards Benson before doubling back to shoot LTWI675, the Watertown job, until the sun set into developing tunderstorms. It wasn't what we wanted but at least we got some shots.
We still wanted those 4 CATs on the TCWR west end job. So we camped in our car by Appleton's water treatment plant while severe thunderstorms popped off to the north and south of us all night. It was a miserable muggy night "sleeping" in a puddle of sweat. I was awoken at 0330 the next morning by the sound of 4 CATs beginning their trek west to Milbank. This would occupy us the rest of the morning. I'm glad it worked out but that would be THE LAST time I would ever sleep in my car.
It's really funny looking back now with the perspective of hindsight. The 2731 was a neat geep with the large Wagon Wheel. But back in the day we thought the RV camper air conditioners looked ridiculous. Man...if only I knew what BNSF was capable of only 5 or 10 years later.
From a sunrise shoot at Chalky Beach, Swansea Heads, NSW, Australia.
I had hoped for some cloud cover, but as they say, "be careful what you wish for" because as it turned out there was no colour in the sunrise at all.
None the less, I hope you like these images from this location.
In this shot I tried to highlight the water flowing back.
Thanks for any views, comments or faves on these or any of my images.
Cliffs of Leura on the Grand Clifftop Walk. We did the walk west to east this time, so the light was different and the views looked fresh.
Union Pacific SD70ACe No. 8478 leads the ZDVSC 21 through back to back three degree curves at Castle Rock in Echo Canyon, Utah the afternoon of Oct. 21, 2021.
Move in closer please to see the reflection details , I just had to zoom in to capture this beautiful sun .
It`s totaly different tonight just wall to wall gray crud
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It is suggested that in order to generate depth in an image, a landscape photographer should lead the eye into an image by making the foreground dark, and the background lighter. That in fact our eyes will be lead into the image because they are attracted to the light. Sounds like a moth to the flame to me.
I however think there is more to it. Rather, the eye is drawn to a contrasting element and to illustrate my point, this image is the reverse of the accepted norm. Instead, the brightly lit trees are in the foreground and the darkest area a single tree, in the background. Do your eyes rest on the dark?
Please share your thoughts.