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From "The Flash CW"
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I'm also going to make The Flash, I'm just waiting on me mum to deliver some dark red paint.
Sekiyado castle was reconstructed in the 90's and hosts a great exhibition about the area and the extensive river works during Edo period. Tokugawa Ieyasu san, the shogun who united Japan in the 17th century, ordered the taming of Tone river. This resulted in excellent flood control in stable rice cultivation in the area. Sekiyado became an important place for trade and industry.
Chiba, Japan
As I mentioned in one of my previous shots, I bought a reverse ring for mounting my Canon EF-S 18-55mm f/3.5-5.6 as a magnifying glass.
That's the first picture I took outside.
I chose f/8.
It's an European garden spider (Gartenkreuzspinne; Araneus diadematus), magnification ratio was about 2.5:1.
I hope you like it :)
Next step will be jumping spiders and stacking :D
I'm on facebook: Eileen Hafke Photography
"Go faster, I know. It's a means to an and and I'll tell you why. Because I have been stuck here, marooned here, in this place for 15 long years. The Flash and The Flash's speed, is the key to returning to my world and to my time and no one is going to prevent that from happening." ~ Eobard Thawne
Although I focused on Barry Allen this week, I decided that Eobard Thawne needed a bit of love as well :)
Dog rose red drop. Macro. Magnification ratio approximately 3.75 : 1 . Its tuny drops of water on one of the Dog Rose pitail.
Reversing 2 lenses method : Nikon D60 + Nikkor 105mm f2.5 + reversed Nikkor 28mm f2.8. Non croped. Extremely small DOF.
Yesterday evening, I had gone out to try some more shots on the picturesque Rylstone branch near Skipton. My hopes of catching the 18:20 Rylstone-Hull were dashed, as it was eventually cancelled. There was then a two-hour gap to wait for the inbound 6D67 17:57 empties from Hunslet, and I decided to use the same spot, wondering whether the light would work to my advantage in a 'going away' shot. This is the result, with 66771 'Amanda' leading her train as it winds slowly around the reverse curves near Rylstone. Taken on 1st June 2021.
Considering the weather conditions in my last but one post at the same location, I wonder if this helps to illustrate the point why we photographers re-visit the same location many, many times, in order to exploit the different weather and lighting conditions?
2021 represents a significant milestone in the history of the Phoenix Railway-Photographic Circle with the celebration of our 50th anniversary, by publishing a book to showcase some of the members' work, past and present, from 1971 to the present day..
The book contains 14 chapters and 144 pages of photographs depicting the work of over 50 accomplished railway photographers, with many differing styles and approaches. It takes an alternative view on photographing the railway scene over the last 50 years.
The book, called '50 Years of Phoenix' is available to buy now. Click on the link to order your copy:
www.mortonsbooks.co.uk/product/view/productCode/15554
For an alternative angle on railway photography, why not take a look at the Phoenix website:
Yosemite National Park
This is another version of Fire on Ice I posted few days ago. After shooting near the ice waterfall, I ran away from it quickly and took a pano to show the whole view of the reverse tunnel view.
Two daredevil riders coming down to land after been catapulted 182 feet into the air in this spinning ball.,This ride is also known as the slingshot or bungee rocket and is one of the attractions at Hull Fair.
“Nostalgia in reverse, the longing for yet another strange land, grew especially strong in spring.” ― Vladimir Nabokov
series
Mamiya RB67 Pro SD + Impossible Project's Instant Lab back (Rezivot) + Polaroid Originals i-Type
Nikon D3400, Nikkor 70-300mm at about 70mm AF-P kit lens. The lens was held against the camera body. f22 ISO 3200 1/160
A couple weeks ago I shared a photo with the yellow flowers to the forefront and the purple ones in the background. Today I thought I would let the Irises have centre stage and the yellow lilies bring up the rear. It really doesn't matter which way you look at it, those colours are just meant to go together.