View allAll Photos Tagged reverse
My sister doing pashchima namaskarasana (reverse prayer pose) in the big rocks at Malibu Creek State Park. Shot with Sony a6000 and 35mm lens.
As I mentioned in one of my previous shots, I bought a reverse ring for mounting my Canon EF-S 18-55mm f/3.5-5.6 as a magnifying glass.
That's the first picture I took outside.
I chose f/8.
It's an European garden spider (Gartenkreuzspinne; Araneus diadematus), magnification ratio was about 2.5:1.
I hope you like it :)
Next step will be jumping spiders and stacking :D
I'm on facebook: Eileen Hafke Photography
Nikon D3400, Nikkor 70-300mm at about 70mm AF-P kit lens. The lens was held against the camera body. f22 ISO 3200 1/160
Yosemite National Park
This is another version of Fire on Ice I posted few days ago. After shooting near the ice waterfall, I ran away from it quickly and took a pano to show the whole view of the reverse tunnel view.
Last night was one of those evenings where the sky looked better in the east than in the west.
Taken at Allegheny County's North Park Lake
Its in reverse but can it stop . I can't see no brakes in operation here on this steam hissing machine as its thunderous 20 ton mass is heading backwards towards that tree trunk shed pier . I didn't like the thought of it being pushed over by this machine and the whole roof coming down on us . Careful there you guys ..
Qld. Steam and Vintage Machinery Soc .
Old Petrie Town
Via Brisbane
At Bryn station having 'sat down' while working 6M89 - 09.01 Middleton Towers to Ravenhead Sidings the previous evening , prepares to attempt to reverse its load back downhill to the Ince Moss chord. By the time this photo was taken the loco had been blocking the Wigan to Liverpool line for around 18 hours !!
A couple weeks ago I shared a photo with the yellow flowers to the forefront and the purple ones in the background. Today I thought I would let the Irises have centre stage and the yellow lilies bring up the rear. It really doesn't matter which way you look at it, those colours are just meant to go together.
66030 runs down the Taff Bargoed line towards Trelewis in the reverse order as the Hope train had yet to run up to Cwmbargoed. 6C83 11:30 Cwmbargoed Opencast Colliery to Margam.
“Nostalgia in reverse, the longing for yet another strange land, grew especially strong in spring.” ― Vladimir Nabokov
series
Mamiya RB67 Pro SD + Impossible Project's Instant Lab back (Rezivot) + Polaroid Originals i-Type
50021 Rodney reversing empty stock into Exeter St. Davids, possibly for a Waterloo train. 17 August 1984.
On EXPLORE
#96
May 5, 2009
By the way.
Thank you so much for the heartwarming testimonials my friends!
Tata - you really knocked me off!
JMartinez - my longtime flickr buddy!
Peng Allan - my jampack ABE!
“Nostalgia in reverse, the longing for yet another strange land, grew especially strong in spring.” ― Vladimir Nabokov
series
Mamiya RB67 Pro SD + Impossible Project's Instant Lab back (Rezivot) + Polaroid Originals i-Type
Another shot I took the other night when playing about with drip collisions.
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R2409. Chapelon SNCF [ex C de F du Nord] 231E Class Pacific 231E10 at Calais-Ville.
It was reversing from the motive power depot to Gare Calais-Maritime where a boat train would have been waiting.
Sunday, 13th June, 1965. Copyright © Ron Fisher 2025.
The 7-Yard/Hill with a cut of 60 cars loaded with Tilden chips/fines backs off Cooke's Branch toward Eagle Mills at Diamond Junction. LS&I used a hi-rail to pick up the conductor at West Wye to protect the shove.
In an alternate dimension.
All 8 Dejarik monsters seen in Episodes 4 and 7 are represented here, from left to right: Grimtaash the Molator, the K'lor'slug, the Ghhhk, the Kintan Strider, the Mantellian Savrip, the Houjix, the Monnok, and the Ng'ok.
I began designing this halfway through September for The Brothers Brick's Falcon contest, and have been building it relentlessly for the last five days. My original contest idea was to do the original Colin Cantwell Falcon concept (which Ralph McQuarrie would include in some of his early conceptual paintings), but decided against it because it is essentially the Tantive IV with a different bridge section. I came up with this idea shortly after and liked it better.
I used Ep 4, 5, and 7 as reference for the interior (the Ep 7 interior has some differences, like the floor grid being a totally different pattern, and the wall "sconces" having circular edges rather than square ones). I also used stills and fan-made CGI recreations. Even though the cast of characters is turned upside down, the environment around them is unchanged from Episode 4. The floor patterns, some of the wall details, even down to the crates next to the booth are left as-is from how they are in the first film.
As for the creatures, choosing colors was hard. The holographic look of the game pieces messes with what the creature's real colors should be. Reference material is pretty limited, and can be inconsistent for both color and shape. Phil Tippett's interview with Tested about the redone Ep. 7 monsters was an invaluable resource to see up-close views of these creatures directly from the man who made them both times.