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Nikon D3400, Nikkor 70-300mm at about 70mm AF-P kit lens. The lens was held against the camera body. f22 ISO 3200 1/160
Reversing Explanations.
Писатель-экспрессионист убожество, обновитель языков, мгновенные впечатления, безответственный поэт, индивидуальное ткачество, скучные секреты, сопротивление, мир,
notoriété plaisanteries pièces liquidées climat intellectuel anarchisme pacifisme inconnus célèbres découvrir les formes hurlantes du théâtre chaînes importantes,
wiersze współczesne podniebne zapachy powierzchowne rozrywki spięte dni światło reflektorów siły wyobrażone znaczki tonące chwyty wielkie wizje,
gilototau y gellir eu dychmygu synau amwys geiriau byrion newid camau cylchoedd crwydro cynnwrf gweithwyr yn atseinio goruwchnaturiol nodiadau gyda'r nos,
pestilential arts mægtige munden oplever lig elendighed dødsfald dyrebare ejendele hurtige tiltag leveret mundende eksistenser berørte svimlende læsninger,
熱狂的な塊 過激な結果を求める 反対派を軽蔑する 贅沢なグリーン 不適切なスナッブ さまざまな階段の登り方.
Steve.D.Hammond.
A couple weeks ago I shared a photo with the yellow flowers to the forefront and the purple ones in the background. Today I thought I would let the Irises have centre stage and the yellow lilies bring up the rear. It really doesn't matter which way you look at it, those colours are just meant to go together.
Taken during a sunrise shoot at Burwood Beach, NSW, Australia. The sky was dominated by grey clouds so there was colour at sunrise but the moody tones were nice.
This beach is located about 800 metres south of Merewether Ocean Baths and is a nice quiet location with few if any people around.
As always, thanks for any comments, views or favorites, they are much appreciated!
Copyright © Paul Hollins. All my images are protected under international authors copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without my written explicit permission.
“Nostalgia in reverse, the longing for yet another strange land, grew especially strong in spring.” ― Vladimir Nabokov
series
Mamiya RB67 Pro SD + Impossible Project's Instant Lab back (Rezivot) + Polaroid Originals i-Type
On EXPLORE
#96
May 5, 2009
By the way.
Thank you so much for the heartwarming testimonials my friends!
Tata - you really knocked me off!
JMartinez - my longtime flickr buddy!
Peng Allan - my jampack ABE!
50021 Rodney reversing empty stock into Exeter St. Davids, possibly for a Waterloo train. 17 August 1984.
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“Nostalgia in reverse, the longing for yet another strange land, grew especially strong in spring.” ― Vladimir Nabokov
series
Mamiya RB67 Pro SD + Impossible Project's Instant Lab back (Rezivot) + Polaroid Originals i-Type
66030 runs down the Taff Bargoed line towards Trelewis in the reverse order as the Hope train had yet to run up to Cwmbargoed. 6C83 11:30 Cwmbargoed Opencast Colliery to Margam.
In an alternate dimension.
All 8 Dejarik monsters seen in Episodes 4 and 7 are represented here, from left to right: Grimtaash the Molator, the K'lor'slug, the Ghhhk, the Kintan Strider, the Mantellian Savrip, the Houjix, the Monnok, and the Ng'ok.
I began designing this halfway through September for The Brothers Brick's Falcon contest, and have been building it relentlessly for the last five days. My original contest idea was to do the original Colin Cantwell Falcon concept (which Ralph McQuarrie would include in some of his early conceptual paintings), but decided against it because it is essentially the Tantive IV with a different bridge section. I came up with this idea shortly after and liked it better.
I used Ep 4, 5, and 7 as reference for the interior (the Ep 7 interior has some differences, like the floor grid being a totally different pattern, and the wall "sconces" having circular edges rather than square ones). I also used stills and fan-made CGI recreations. Even though the cast of characters is turned upside down, the environment around them is unchanged from Episode 4. The floor patterns, some of the wall details, even down to the crates next to the booth are left as-is from how they are in the first film.
As for the creatures, choosing colors was hard. The holographic look of the game pieces messes with what the creature's real colors should be. Reference material is pretty limited, and can be inconsistent for both color and shape. Phil Tippett's interview with Tested about the redone Ep. 7 monsters was an invaluable resource to see up-close views of these creatures directly from the man who made them both times.
Artiste : Creyone 132
Festival de Street Art Rehab 2, organisé du 16 juin au 16 juillet 2017 à la Cité Internationale universitaire de Paris, 17 boulevard Jourdan dans le 14e.
Autres photos Street Art ici / other photos here : www.flickr.com/photos/140051458@N06/albums/72157666007720822
#974