View allAll Photos Tagged reverse

Black-tailed Godwit (Limosa limosa) landing.

1107 and 1106 round the sweeping bends at Sodwalls, with a 12 hour late running 9865 empty ore train, bound for Blayney to load.

 

Climbing the Blue Mountains near Bell, 1108 suffered a collapsed axel, causing the train to be stopped and requiring immediate repairs. The bearings were subsequently held up with blocks of wood and the train was moved at 5km/h until Lithgow, where the locomotive was finally detached from the lead and put into a siding.

 

The 1100 class typically only leads with the cab facing forward, however on this occasion, with no turning facilities available, the train continued on "long end leading" at a top speed of 50km/h to Blayney.

 

Sunday 5th May 2019

Union Pacific SD70ACe No. 8478 leads the ZDVSC 21 through back to back three degree curves at Castle Rock in Echo Canyon, Utah the afternoon of Oct. 21, 2021.

Cliché ... sure

 

Nikon D3400, Nikkor 18-55mm AF-P kit lens. The lens was held against the camera body. f22 ISO 3200 1/160

Gascoyne Road, Hackney

(Smile) Just an intuitive direction

It is suggested that in order to generate depth in an image, a landscape photographer should lead the eye into an image by making the foreground dark, and the background lighter. That in fact our eyes will be lead into the image because they are attracted to the light. Sounds like a moth to the flame to me.

 

I however think there is more to it. Rather, the eye is drawn to a contrasting element and to illustrate my point, this image is the reverse of the accepted norm. Instead, the brightly lit trees are in the foreground and the darkest area a single tree, in the background. Do your eyes rest on the dark?

 

Please share your thoughts.

Broad-billed Hummingbird

DRS 37402 is now leading on the RHTT after standing on the up loop at Shenfield, after arriving from Southend Victoria it returns through platform one for Clacton with 37402 now on the rear.

“Nostalgia in reverse, the longing for yet another strange land, grew especially strong in spring.” ― Vladimir Nabokov

 

series

 

Mamiya RB67 Pro SD + Impossible Project's Instant Lab back (Rezivot) + Polaroid Originals i-Type

framing a parking lot..

L594 climbing after taking a spring switch at Brimson.

Costa Vicentina (Portugal)

 

Sony A99 + Carl Zeiss16-35mm + B+W ND8 + Lee Reverse GND8 filter

 

www.instagram.com/alonsodiazphotography/

“Nostalgia in reverse, the longing for yet another strange land, grew especially strong in spring.” ― Vladimir Nabokov

 

series

 

Mamiya RB67 Pro SD + Impossible Project's Instant Lab back (Rezivot) + Polaroid Originals i-Type

OLYMPUS DIGITAL CAMERA

The conductor on V&T caboose 23 provides eyes on a backup move.

 

A Lerro Productions charter.

“Nostalgia in reverse, the longing for yet another strange land, grew especially strong in spring.” ― Vladimir Nabokov

 

series

 

Mamiya RB67 Pro SD + Impossible Project's Instant Lab back (Rezivot) + Polaroid Originals i-Type

Kit lens.

 

I just washed my hair.

Cieszyn Main Square

Thank You all for your visits, faves and comments!

Yet another series of Sandhill cranes from the Bosque Del Apache National Wildlife refuge in New Mexico. December 2022. Every day was truly unique and different. The number of cranes, the light, the ice, the temperature.....all varied daily.

Gainesville Florida 3/11/25

Mill Bay, Folkestone.

 

No ball games. Why not though?

Rounding the iconic view at the south end of Rugeley Trent Valley, Cappagh 60028 and its new headlights lead 6M89 Middleton Towers to Ravenhead Sidings.

Netherland Pays -Bas 2016

A quick macro from the backyard this afternoon.

 

The weather has been a bit wonky today and has alternated between rain, fog and gray skies. It still hasn't quite made a hard decision on what to do even though the sun set a while ago.

 

Such is autumn in Ottawa.

 

Hope everyone has had a good day.

 

Click "L" for a larger view.

This is a view from Beecraigs country park visitor centre, looking east towards the bridges across the River Forth. Burntisland, Pettycur and Kinghorn can be seen beyond the bridges and these are my more usual locations for photographing the bridges.

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