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Presenting my LEGO Architecture interpretation of Caerphilly Castle; a commissioned model for Cadw with Little Big Art.
I’ve captured and replicated the architectural essence of Caerphilly Castle, such as the iconic leaning tower and the ruins across the landmark.
The structure is designed to provide a true-to-life colour and relative scale depiction adding an extra dimension and feel of authenticity to this detailed recreation of Wales’ biggest castle!
Highlights
-Blogged On BBC.co.uk:
www.bbc.co.uk/news/uk-wales-south-east-wales-37185546
-Blogged On ITV.com:
www.itv.com/news/wales/2016-08-25/how-you-can-help-caerph...
-Blogged On WalesOnline.co.uk:
www.walesonline.co.uk/news/wales-news/what-caerphilly-cas...
-LEGO Ideas:
“The Eye Moment photos by Nolan H. Rhodes”
“Theeyeofthemoment21@gmail.com”
“www.flickr.com/photos/the_eye_of_the_moment”
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws.”
Replicating a night owl in its intensity and ferocity. OK, maybe not the ferocity bit.
We're Here looks at Night Owls today.
A third of the way though this project. Summer is passing quickly.
A poorly morning at Thomas's, looking after one another. Watched the Don Mccullin episode of Imagine on demand, after enjoying the Vivian Maier episode. Truly inspiring, and made me wish I were from another era, and a little braver. Travelled home and went running with mum and the dogs in an attempt to clear the lothargic-ness, after a few days off. Dinner, then a cycle ride to a daisy field.
find me on instagram @belladayys
This image is the copyright of © Neil Holman. Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me for permission to use any of my photographs.
This is my attempt at replicating the Pagani Zonda Cinque in LEGO bricks. The Zonda is one of my top 5 favorite cars, so I had to include one in my LEGO collection. This is actually my third attempt at building the Zonda (see my previous versions here and here). With this version, I think I've improved the overall shape of the car by increasing the width at the rear of the car to 17 studs (the front of the car is 16 studs wide).
As you can see, this creation was inspired by Firas Abu-Jaber's own Zonda. I tried to replicate the Zonda's shape using different methods from Firas' Zonda, but in the end some areas, such as the front simply could not be made better (Firas' version is near perfect).
Also, if anyone has a set of Ferrari FXX rims and is willing to sell, please let me know (prices on Bricklink are so high for this piece)! Those rims would look a lot better on this car than these silver ones I have.
The original work is on the third floor.
Artist of the original work: Pablo Picasso
Title: The Studio (L'Atelier)
Date of original work: June 1934
For artist Pablo Picasso, who painted himself in the left, it was a cubist world. That is until it came to his model, muse and mistress, Marie-Thérèse Walter, who is at the center of his painting.
So let me ramble on for a moment: What does this all mean to me? This painting shows me that reality and life are difficult to represent, stylize and emphasize. Picasso intuitively realized in this painting that his cubism didn't do justice to the apple of his eye — the model that he was having an affair with. (I can guess what was on his mind when I look at his painting but I wonder what the true story was.)
My attempt at a photo shows Picasso's stylistic clash alongside an in-motion woman awaiting an elevator.
To the art scholars out there, I apologize for this. This painting probably represents something completely different to you than it does to my untrained eyes. To me, it tells me that no matter how masterful one gets, there are limitations and needed adaptations. If the master Picasso saw fit to follow his gut and adapted, then I have to follow mine. In my own rough stabs at photography, I've caught the exact moment in two dimensions but choices had to be made at what I wanted to convey. I've framed the painting and the woman a certain way. Her motion is blurred because of a slow shutter speed. The elevator buttons are slightly unfocused because it is just beyond the narrow depth of field that is focused on the painting — on the elevator door. I've saturated the colors, brightened the whites and darkened the blacks. Yet I still have not caught her or this scene clearly. But do I want her clearly? No. Her blurred back is exactly the point.
End of ramble.
Tried to replicate this. =) Meanwhile the no sleeping plan is going perfectly! My bats are blooming, people are afraid to leave their homes and world domination is just a Flaming Moe away.
Kidding. I have found ze secret. Bed time stories. So, who wants to come read for me tonight?
This is my attempt at replicating the Pagani Zonda Cinque in LEGO bricks. The Zonda is one of my top 5 favorite cars, so I had to include one in my LEGO collection. This is actually my third attempt at building the Zonda (see my previous versions here and here). With this version, I think I've improved the overall shape of the car by increasing the width at the rear of the car to 17 studs (the front of the car is 16 studs wide).
As you can see, this creation was inspired by Firas Abu-Jaber's own Zonda. I tried to replicate the Zonda's shape using different methods from Firas' Zonda, but in the end some areas, such as the front simply could not be made better (Firas' version is near perfect).
Also, if anyone has a set of Ferrari FXX rims and is willing to sell, please let me know (prices on Bricklink are so high for this piece)! Those rims would look a lot better on this car than these silver ones I have.
I try not to replicate what can be readily photographed on today’s roads, which is not also easy with contemporary trucks, so I’m taking a gamble with this DAF XF in the livery of Northern Ireland haulier McBurney Transport. Launched in 1997 the XF remains the flagship model in DAFs range. I believe this is the second generation, which has recently been succeeded by the New XF with a larger and more spacious cab. The personalised ‘MCB’ registration indicates that this unit is allocated to one of the company’s mainland UK depots (24-Feb-23).
All rights reserved. Not to be re-posted anywhere without prior written permission. Please follow the link below for additional information about my Flickr collection and the techniques used:
Ink and acrylic marker on paper 6.75" x 9.75" 7.2025. www.saatchiart.com/art/Drawing-Self-replicating-Surface-P...
The Cloud Forest replicates the cool moist conditions found in tropical mountain regions between 1,000 metres (3,300 ft) and 3,000 metres (9,800 ft) above sea level, found in South-East Asia, Middle- and South America. It features a 42-metre (138 ft) "Cloud Mountain", accessible by an elevator, and visitors will be able to descend the mountain via a circular path where a 35-metre (115 ft) waterfall provides visitors with refreshing cool air.
The "cloud mountain" itself is an intricate structure completely clad in epiphytes such as orchids, ferns, peacock ferns, spike- and clubmosses, bromeliads and anthuriums. It consists of a number of levels, each with a different theme.
Our animated android named Rogg replicated a bottle of coco using the replicator behind him. Rogg misunderstands double meanings of words from Earth. He is a co-co-host of the talk show airing on television in 14 U.S. Cities/Markets with Star Trek news and Interviews. This segment was an animated portion shot to use Rogg in the Ambassadors quarters, while the live action talk show hosts are on the bridge.
A screenshot from the live action TV talk show "A Captain's Log" in the 16th episode. Designed in Winter 2022 by Ian H. Stewart.
Rather than replicate an original, I decided to do an homage to Xavier's style of portraiture. He has a very distinctive style of depicting self portraits and I hope I have reflected even a little of that uniqueness.
Happy Birthday Mr. and Mrs, X and hope your day is a good one. Your humour and expertise are inspirational, but mostly it is your artistic creativity that makes your work stand out. Bravo for that and long may it continue!
We're Here looks at The X Spot today.
In replicating this fifth-gen stealth fighter, I was aiming for:
– Smooth: nearly studless in form.
– Integrated: packing in a host of features.
– Fresh: incorporating new pieces and techniques.
and of course, purist! (at least, for now; I may experiment with designing some Marine Corps liveries on waterslide decals for mere aesthetic decoration that denotes the squadron affiliation…)
The 1:40 scale replica includes:
– Opening cockpit that holds pilot, control panel, and joystick
– Hidden weapon bays in fuselage for stealth missions
– Optional exterior loadout for air-to-ground attacks
– Retracting landing gear that supports the model
– Opening flaps, rotating fan blades, and tilting vector nozzle for VTOL
– Stable Technic display stand and brick-built name plaque.
This is the first MOC I’ve finished in about five years (during which I completed my university degree, got my full-time career job, moved out, got married, and a few other things), after working on it off-and-on for at least three years. [The real-life aircraft has suffered from its own extensive delays in design / production, so I guess it could be worse where my LEGO one is concerned. XD]
A big thank-you to everyone who has inspired me along the way, including special acknowledgements to AFOL friends like the Chiles family and Eli Willsea for helping rekindle my joy in the hobby; Brickmania, for showing me a few new hinge techniques that I incorporated during these last few months of the design process; and especially my lovely wife Natalie who, bless her heart, has allowed the dining room of our tiny apartment to serve as my building studio and encouraged me to use it more often as such!
Let me know what you guys think!
A former World War Two Air Raid Shelter and Gas Decontamination Centre, now known as ''Westbourne Library'' was built to the designs of the Borough Engineer E. McLauchlan and constructed by the Ministry of War in 1942. Initially it was used as a Public Air Raid Shelter but was redesignated in 1943 as an Air Raid Precaution (ARP) Gas Decontamination Centre for north-west Ipswich.
The Air Raid Precaution Act of 1937 presented a statutory duty on local authorities to provide Shelter and Anti-Gas Precautions for their community. The policy allowed for protection by Personal Gas Masks and Domestic Air Raid Shelters, most commonly Anderson Shelters. Large Bomb-Proof Underground Air Raid Shelters of the Trench Variety or Single-Storey Surface Shelters were constructed to provide refuge for school children, those living in narrow terrace housing, workers, or those caught away from home.
In addition to Shelters, local governments were also responsible for Siren Warnings, First Aid and Rescue Services, Firefighting, Gas Decontamination and Enforcement of Blackout Regulations by ARP Wardens and Civil Police. These provisions were served either by Adapted or Purpose-Built Structures. Fire, First Aid, Ambulance and Rescue Services used a variety of council and requisitioned civilian buildings.
Between 1946 and 1947 it was converted to a public library, which opened its doors on the 31st of January 1948 and has continued as such to the present day. It is believed that the Tower was once used as a look out, possibly when it was a Public Air Raid Shelter. However Gas Decontamination Centres typically had a water tank in a tower to serve the showers, eye douche and boiler room. The tower is now used by the library for storage. The windows in the north elevation have been reconfigured, perhaps at the time of the library conversion. The Air Raid Shelter was designed to replicate and compliment the Lido in a simple Moderne style.
Faithful replications of the Doge's Palace, the Bridge of Sighs , the Campanile Tower , and St. Mark's Square offer awe-inspiring sights and sounds true to the crown jewel of Europe. Don't miss the quarter-mile Grand Canal set in a frescoed sunset sky where gondoliers serenade their passengers on the romantic ride of a lifetime
Trying to replicate an image by Ryan Matthew Smith published in Modernist Cuisine: The Art and Science of Cooking.
STROBIST INFO: One SB-900 through an Apollo Micro softbox, pointed to the background, commanded by D90 pop-up flash. Manual at 1/16 power.
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What is the truth about Darwinian, progressive (microbes to human) evolution?
Although we are told it is an irrefutable, scientific fact .....
the real fact, as we will show later, is that there is no credible mechanism for such progressive evolution.
Classical Darwinism: Evolution by creeps.
What was the evolutionary idea that Darwin popularised?
Put simply ...
Darwin believed that there was unlimited variability in the gene pool of all living things, which would enable the gradual transformation of a first, self-replicating, living cell, through many years of natural selection, into every living thing, including humans.
However, the changes possible were well known by selective breeders to be strictly limited.
This is because the changes seen in selective breeding are due to the shuffling, deletion and emphasis, or duplication, of genetic information already existing in the gene pool (micro-evolution). There is no viable mechanism for creating new, beneficial, genetic information required to create entirely new body parts ... anatomical structures, biological systems, organs etc. (macro-evolution).
Darwin rashly ignored the limits which were well known to breeders (even though he selectively bred pigeons himself, and should have known better). He simply extrapolated the strictly limited, minor changes observed in selective breeding to major, unlimited, progressive changes able to create new structures, organs etc. through natural selection, over an alleged, multi-million year timescale.
Of course, the length of time involved made no difference, the existing, genetic information could not increase of its own accord, no matter how long the timescale. Natural selection can only select from that which is already there, it cannot create any new information.
That was a gigantic flaw in Darwinism, and opponents of Darwin's ideas tried to argue that changes were limited, as selective breeding had demonstrated. But, because Darwinism had so quickly and widely acquired a status more akin to an ideology than objective science, belief in the Darwinian idea outweighed the verdict of observational and experimental science. Thus classical Darwinism became firmly established as scientific orthodoxy for nearly a century.
Opponents continued to argue all this time, that Darwinism could not be supported scientifically, and should not even merit the status of a scientific theory, but they were ostracised and dismissed as cranks, weirdoes or religious fanatics.
Finally however, it was discovered that the opponents of Darwin were perfectly correct - and that constructive, genetic changes (progressive, macro-evolution) would require the creation of new, genetic information.
This looked like the ignominious end of Darwinism, as there was no credible, natural mechanism able to create new, constructive, genetic information. And Darwinism should have been consigned to the dustbin of history,
However, rather than ditch the whole idea as unscientific nonsense, the vested interests in Darwinism had become so important, with numerous, lifelong careers and an ideological agenda which depended on the Darwinian belief system, a desperate attempt was made to rescue it from its justified demise.
A mechanism had to be invented to explain the origin of new, constructive information.
That mechanism was 'mutations'. Mutations are ... literally, genetic, copying MISTAKES.
Enter Neo-Darwinism: Evolution by freaks.
Because the majority of the public had already been convinced that classical Darwinism was a scientific fact, and that anyone who questioned it was undoubtedly a crank, all that had to be done, as far as the public was concerned, was to give the impression that the ‘theory’ had been refined and updated in the light of modern science.
The true fact that classical Darwinism had always been demonstrably wrong and was fatally flawed from the outset, was kept quiet. This meant that the opponents of Darwinism, who had been correct all along, and who were the real champions of science, continued to be ridiculed and vilified as cranks and scorned by the mass media and the establishment.
The new developments were portrayed simply as an updating of the ‘theory’. The impression was given that there was nothing wrong with Darwin’s original idea of progressive (macro) evolution, it had simply 'evolved' and 'improved' in the light of greater knowledge ....
A sort of progressive evolution of the whole idea of evolution.
This new, 'improved' Darwinism became known as Neo-Darwinism.
So, what is Neo-Darwinism? And did it really solve the fatal flaws of the Darwinian idea?
Neo Darwinism is progressive, macro evolution - as Darwin had proposed, but based on the (ludicrous) idea that random mutations (which are accidental, genetic, copying mistakes) selected by natural selection, can provide the constructive, genetic information capable of creating entirely new features, anatomical structures, organs, and biological systems. In other words, it is macro-evolution based on a belief in the progression from microbes to humans through billions of random, genetic, copying MISTAKES, accumulated over many millions of years.
However, there is no evidence for it, and it should be classed as unscientific nonsense, it defies logic, the laws of probability and Information Theory.
It is understandable that people can be confused, because they know that 'micro'-evolution is an observable fact, which everyone accepts. It is a disgrace that evolutionists cynically exploit that confusion by citing obvious examples of micro-evolution such as: the Peppered Moth, Darwin's finches, so-called superbugs etc., as evidence of macro-evolution.
Such examples are not evidence of macro-evolution at all. The public is being hoodwinked and lied to. There are no observable examples or evidence of macro-evolution, and no examples of a mutation, or a series of mutations, capable of creating new anatomical structures, organs etc. and that is a fact. It is no wonder that the distinguished entomologist, W R Thompson wrote in the preface to the 1959 centenary edition of Darwin's Origin of the Species, that ... “the success of Darwinism was accompanied by a decline in scientific integrity.”
Micro-evolution is just the small changes which take place, through natural selection or selective breeding, but only within the strict limits of the built-in variability of the existing gene pool. Any constructive changes, outside the extent of the existing gene pool, requires a credible mechanism for the creation of new, beneficial, constructive, genetic information. That is essential for ‘macro’ evolution. And that is a massive problem.
Micro evolution does not involve or require the creation of any new, genetic information. Therefore, micro evolution and macro evolution are entirely different. Apart from the idea that both require natural selection, there is no other connection, whatever evolutionists may claim.
Once people fully understand that the differences they see in various, dog breeds, for example, are just limited micro-evolution (selection of existing, genetic information) and nothing to do with progressive macro-evolution, they realise that they have been fed an incredible story.
A dog will always remain a dog, it can never be selectively bred into some other creature, the extent of variation is constrained by the limitations of the existing, genetic information in the gene pool of the dog genus, and fully, informed evolutionists know that is an irrefutable fact.
To explain further.... Neo-Darwinian, macro evolution is the incredible idea that everything in the genome of humans, and every living thing past and present (apart from the original genetic information in the very first living cell) , is purely the result of the accumulation of billions of genetic, copying mistakes..... mutations accrued upon previous mutations, and on - and on - and on.
Although evolutionists don’t like to state it this way, Neo-Darwinism actually proposes that the complete genome (every scrap of genetic information in the DNA) of every living thing that has ever lived was created by a long series of cumulative mistakes ... mistakes upon previous mistakes .... upon previous mistakes .... upon previous mistakes etc. etc. In other words, the complete genome of every living thing is made up of nothing more than an incredibly long chain of mistakes. That is the mind-boggling truth about the neo-Darwinian, evolution story. For obvious reasons, it is something evolutionists would prefer you not to think about too much.
When we do think about it, we soon realise that what is actually being proposed is that, apart from the original information in the first living cell (and evolutionists have yet to explain how that original information magically arose?) - every additional scrap of genetic information for all - biological features, anatomical structures, systems and processes that exist, or have ever existed in living things, such as:
skin, bones, bone joints, shells, flowers, leaves, wings, scales, muscles, fur, hair, teeth, claws, toe and finger nails, horns, beaks, nervous systems, blood, blood vessels, brains, lungs, hearts, digestive systems, vascular systems, liver, kidneys, pancreas, bowels, immune systems, senses, eyes, ears, sex organs, sexual reproduction, sperm, eggs, pollen, the process of metamorphosis, marsupial pouches, marsupial embryo migration, mammary glands, hormone production, melanin etc. .... have been created entirely from scratch, by an incredibly long series of small, accumulated mistakes ... mistake - upon mistake - upon mistake - upon mistake - over and over again, millions of times.
That is ... every body part, system and process of all living things are the result of literally billions of genetic MISTAKES of MISTAKES, accumulated over many millions of years.
Incredibly, what we are asked to believe is that something like a vascular system, reproductive organs, or something like the process of insect metamorphosis, developed in small, random, incremental steps, with every step being the result of a copying mistake, and with each step being able to provide a significant survival or reproductive advantage in order to be preserved and become dominant in the gene pool.
If you believe that ... you will believe anything.
Even worse, evolutionists have yet to cite a single example of a positive, beneficial, mutation which adds constructive information to the genome of any creature. Yet they expect us to believe that we have been converted from an original, single, living cell into humans by an incredibly, vast accumulation of these imaginary, beneficial mutations.
Conclusion:
Progressive, microbes-to-man evolution is impossible - there is no credible mechanism to produce all the new, genetic information which is essential for that to take place.
The evolution story is an obvious fairy tale presented as scientific fact.
However, nothing has changed - those who dare to question Neo-Darwinism are still portrayed as idiots, retards, cranks, weirdoes, anti-scientific ignoramuses or religious fanatics.
Want to join the club?
What about the fossil record?
The formation of fossils.
Books explaining how fossils are formed frequently give the impression that it takes many years of build up of layers of sediment to bury organic remains, which then become fossilised.
Therefore many people don't realise that this impression is erroneous, because it is a fact that all good, intact fossils require rapid burial in sufficient sediment to prevent decay or predatory destruction.
So it is evident that rock containing good, undamaged fossils was laid down rapidly, sometimes in catastrophic conditions.
The very existence of intact fossils is a testament to rapid burial and sedimentation.
You don't get fossils from slow burial. Organic remains don't just sit around on the sea bed, or elsewhere, waiting for sediment to cover them a millimetre at a time, over a long period.
Unless they are buried rapidly, they would soon be damaged or destroyed by predation and/or decay.
The fact that so many sedimentary rocks contain fossils, indicates that the sediment that created them was normally laid down within a short time.
Another important factor is that many large fossils (tree trunks, large fish, dinosaurs etc.) intersect several or many strata (sometimes called layers) which clearly indicates that multiple strata were formed simultaneously in a single event by grading/segregation of sedimentary particles into distinct layers, and not stratum by stratum over long periods of time or different geological eras, which is the evolutionist's, uniformitarian interpretation of the geological column.
In view of the fact that many large fossils required a substantial amount of sediment to bury them, and the fact that they intersect multiple strata (polystrate fossils), how can any sensible person claim that strata or, for that matter, any fossil bearing rock, could have taken millions of years to form?
What do laboratory experiments and field studies of recent, sedimentation events show? sedimentology.fr/
You don't even need to be a qualified sedimentologist or geologist to come to that conclusion, it is common sense.
Rapid formation of strata - some recent, field evidence:
www.flickr.com/photos/101536517@N06/sets/72157635944904973/
Evolution - multi-million year timescale debunked.
Rapid strata formation in soft sand (field evidence).
www.flickr.com/photos/truth-in-science/39554035561
All creatures and plants alive today, which are found as fossils, are the same in their fossil form as the living examples, in spite of the fact that the fossils are claimed to be millions of years old. So all living things today could be called 'living fossils' inasmuch as there is no evidence of any evolutionary changes in the alleged multi-million year timescale. The fossil record shows either extinct species or unchanged species, that is all.
When no evidence is cited as evidence:
www.flickr.com/photos/101536517@N06/15157133658
The Cambrian Explosion.
Trilobites and other many creatures appeared suddenly in some of the earliest rocks of the fossil record, with no intermediate ancestors. This sudden appearance of a great variety of advanced, fully developed creatures is called the Cambrian Explosion. Trilobites are especially interesting because they have complex eyes, which would need a lot of progressive evolution to develop such advanced features However, there is no evidence of any evolution leading up to the Cambrian Explosion, and that is a serious dilemma for evolutionists.
Trilobites are now thought to be extinct, although it is possible that similar creatures could still exist in unexplored parts of deep oceans.
See fossil of a crab unchanged after many millions of years:
www.flickr.com/photos/101536517@N06/12702046604/in/set-72...
Fossil museum: www.flickr.com/photos/101536517@N06/sets/72157641367196613/
What about all the claimed scientific evidence that evolutionists have found for evolution?
The evolutionist 'scientific' method has resulted in a serious decline in scientific integrity, and has given us such scientific abominations as:
Piltdown Man (a fake),
Nebraska Man (a pig),
South West Colorado Man (a horse),
Orce man (a donkey),
Embryonic Recapitulation (a fraud),
Archaeoraptor (a fake),
Java Man (a giant gibbon),
Peking Man (a monkey),
Montana Man (an extinct dog-like creature)
Nutcracker Man (an extinct type of ape - Australopithecus)
The Horse Series (unrelated species cobbled together),
Peppered Moth (faked photographs)
The Orgueil meteorite (faked evidence)
Etc. etc.
Anyone can call anything 'science' ... it doesn't make it so.
All these examples were trumpeted by evolutionists as scientific evidence for evolution.
Do we want to trust evolutionists claims about scientific evidence, when they have such an appalling record?
Just how good are peer reviews of scientific papers?
www.sciencemag.org/content/342/6154/60.full
Want to publish a science paper?
www.nature.com/nature/journal/v434/n7036/full/nature03653...
www.nature.com/news/publishers-withdraw-more-than-120-gib...
Piltdown Man and Nebraska Man were even used in the famous, Scopes Trial as positive evidence for evolution.
Piltdown Man reigned for over 40 years, as a supreme example of human evolution, before it was exposed as a crudely, fashioned fake.
Is that 'science'?
Punctuated Equilibrium: Evolution by Jerks.
The ludicrous Hopeful Monster Theory and so-called Punctuated Equilibrium (evolution in big jumps) were invented by evolutionists as a desperate attempt to explain away the lack of fossil evidence for evolution. They are proposed methods of evolution which, it is claimed, need no fossil evidence. They are actually an admission that the required fossil evidence does not exist.
Piltdown Man... it survived as alleged proof of evolution for over 40 years in evolution textbooks and was taught in schools and universities, it survived peer reviews etc. and was used as supposed irrefutable evidence for evolution at the famous Scopes Trial..
_____________________________________________
A pig, a horse and a donkey!
The pig ....
Nebraska Man, this was a single tooth of a peccary. it was trumpeted as scientific evidence for the evolution of humans. Highly imaginative artists impressions of an ape-like man appeared in newspapers magazines etc.
Having been 'discovered' 3 years prior to the Scopes Trial, it was resurrected, and given renewed publicity, shortly before the trial - presumably, in order to influence the trial and convince the public of the scientific evidence for evolution.. Such 'scientific' evidence is enough to make any genuine, respectable scientist weep.
The horse ....
South West Colorado Man, another tooth .... of a horse this time... also hailed as ‘scientific’ evidence for human evolution.
The donkey ....
Orce man, loudly proclaimed by evolutionists to be scientific evidence of an early hominid, based on the discovery of a tiny fragment of skullcap. This is now believed to have most likely come from a donkey, but even if it was human. such a tiny fragment is certainly not any evidence of human evolution, as it was claimed. A symposium which had been planned to discuss this alleged human 'missing link' had to be embarrassingly cancelled when it was identified as being very similar to a donkey skull.
_________________________________________
Embryonic Recapitulation, the evolutionist zealot Ernst Haeckel (who was a hero of Hitler) published fraudulent drawings of embryos and his theory was readily accepted by evolutionists as proof of evolution. Even after he was exposed as a fraudster, evolutionists still continued to use his fraudulent evidence in books and publications on evolution, including school textbooks, until very recently.
Archaeoraptor, A so-called feathered dinosaur from the Chinese fossil faking industry. It managed to fool credulous evolutionists, because it was exactly what they were looking for. The evidence fitted the wishful thinking.
Java Man, Dubois, the man who discovered Java Man and declared it a human ancestor ..... admitted much later that it was actually a giant gibbon, however, that spoilt the evolution story which had been built up around it, so evolutionists were reluctant to get rid of it, and still maintained it was a human ancestor. Dubois had also 'forgotten' to mention that he found the bones of modern humans at the same site.
Peking Man, made up from monkey skulls which were found in an ancient limestone burning industrial site where there were crushed monkey skulls and modern human bones. Drawings were made of Peking Man, but the original skull conveniently disappeared. So that allowed evolutionists to continue to use it as evidence without fear of it ever being debunked.
The Horse Series, unrelated species cobbled together, They were from different continents and were in no way a proper series of intermediates, They had different numbers of ribs etc. and the very first in the line, is similar to a creature alive today - the Hyrax.
Peppered Moth, moths were glued to trees to fake photographs for the peppered moth evidence. They don't normally rest on trees in daytime. In any case, the selection of a trait which is part of the variability of the existing gene pool, is not progressive evolution. It is just normal, natural selection within limits, which no-one disputes.
The Orgueil meteorite, organic material and even plant seeds were embedded and glued into the Orgueil meteorite and disguised with coal dust to make them look like part of the original meteorite, in a fraudulent attempt to fool the world into believing in the discredited idea of spontaneous generation of life, which is essential for progressive evolution to get started. The reasoning being that, if it could be shown that there was life in space, spontaneous generation must have happened there and could therefore be declared by evolutionists as being a scientific fact.
Is macro evolution even science? The answer to that has to be an emphatic - NO!
The usual definition of science is: that which can be demonstrated and observed and repeated. Evolution cannot be proved, or tested; it is claimed to have happened in the past, and, as such, it is not subject to the scientific method. It is merely a belief.
Of course, there is nothing wrong with having beliefs, especially if there is a wealth of evidence to support them, but they should not be presented as scientific fact. As we have shown, in the case of progressive evolution, there is a wealth of evidence against it. Nevertheless, we are told by evolutionist zealots that microbes to man evolution is a fact and likewise the spontaneous generation of life from sterile matter. They are deliberately misleading the public on both counts. Evolution is not only not a fact, it is not even proper science.
You don't need a degree in rocket science to understand that Darwinism has damaged and undermined science.
However, what does the world's, most famous, rocket scientist (the father of modern rocket science) have to say?
Wernher von Braun (1912 – 1977) PhD Aerospace Engineering
"In recent years, there has been a disturbing trend toward scientific dogmatism in some areas of science. Pronouncements by notable scientists and scientific organizations about "only one scientifically acceptable explanation" for events which are clearly outside the domain of science -- like all origins are -- can only destroy the curiosity of those who must carry on the future work of science. Humility, a seemingly natural product of studying nature, appears to have largely disappeared -- at least its visibility is clouded from the public's viewpoint.
Extrapolation backward in time until there are no physical artifacts of certainty that can be examined, requires sophisticated guessing which scientists prefer to refer to as "inference." Since hypotheses, a product of scientific inference, are virtually the stuff that comprises the cutting edge of scientific progress, inference must constantly be nurtured. However, the enthusiasm that encourages inference must be matched in degree with caution that clearly differentiates inference from what the public so readily accepts as "scientific fact." Failure to keep these two factors in balance can lead either to a sterile or a seduced science. 'Science but not Scientists' (2006) p.xi"
And the eminent scientist, William Robin Thompson (1887 - 1972) Entomologist and Director of the Commonwealth Institute of Biological Control, Ottawa, Canada, who was asked to write the introduction of the centenary edition of Darwin's 'Origin', wrote:
"The concept of organic Evolution is very highly prized by biologists, for many of whom it is an object of genuinely religious devotion, because they regard it as a supreme integrative principle. This is probably the reason why the severe methodological criticism employed in other departments of biology has not yet been brought to bear against evolutionary speculation." 'Science and Common Sense' (1937) p.229
“As we know, there is a great divergence of opinion among biologists … because the evidence is unsatisfactory and does not permit any certain conclusion. It is therefore right and proper to draw the attention of the non-scientific public to the disagreements about evolution. But some recent remarks of evolutionists show that they think this unreasonable ......
This situation, where scientific men rally to the defence of a doctrine they are unable to define scientifically, much less demonstrate with scientific rigor, attempting to maintain its credit with the public by the suppression of criticism and the elimination of difficulties, is abnormal and unwise in science.”
Prof. W. R. Thompson, F.R.S., introduction to the 1956 edition of Darwin's 'Origin of the Species'
"When I was asked to write an introduction replacing the one prepared a quarter of a century ago by the distinguished Darwinian, Sir Anthony Keith [one of the "discoverers" of Piltdown Man], I felt extremely hesitant to accept the invitation . . I am not satisfied that Darwin proved his point or that his influence in scientific and public thinking has been beneficial. If arguments fail to resist analysis, consent should be withheld and a wholesale conversion due to unsound argument must be regarded as deplorable. He fell back on speculative arguments."
"He merely showed, on the basis of certain facts and assumptions, how this might have happened, and as he had convinced himself he was able to convince others."
"But the facts and interpretations on which Darwin relied have now ceased to convince."
"This general tendency to eliminate, by means of unverifiable speculations, the limits of the categories Nature presents to us is the inheritance of biology from The Origin of Species. To establish the continuity required by the theory, historical arguments are invoked, even though historical evidence is lacking. Thus are engendered those fragile towers of hypothesis based on hypothesis, where fact and fiction intermingle in an inextricable confusion."—*W.R. Thompson, "Introduction," to Everyman’s Library issue of Charles Darwin, Origin of Species (1958 edition).
"The evolution theory can by no means be regarded as an innocuous natural philosophy, but rather is a serious obstruction to biological research. It obstructs—as has been repeatedly shown—the attainment of consistent results, even from uniform experimental material. For everything must ultimately be forced to fit this theory. An exact biology cannot, therefore, be built up."—*H. Neilsson, Synthetische Artbildng, 1954, p. 11
Berkeley University law professor, Philip Johnson, makes the following points: “(1) Evolution is grounded not on scientific fact, but on a philosophical belief called naturalism; (2) the belief that a large body of empirical evidence supports evolution is an illusion; (3) evolution is itself a religion; and, (4) if evolution were a scientific hypothesis based on rigorous study of the evidence, it would have been abandoned long ago.”
To end with a more jocular quote, it has been said that:
"If Classical Darwinism is evolution by creeps and punctuated equilibrium is evolution by jerks, then neo Darwinism is evolution by freaks".
The real theory of everything
www.flickr.com/photos/truth-in-science/34295660211
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More shots from Lancelin yesterday
more dune images can be seen at
Various images of mine are for sale on various finishes and sizes from Gloss and lustre, Metallic and Fuji Flex prints. Laminating and Mounting are available and framing service are available for local customers. Any enquires please contact me by email at kirkhille (@) westnet . com . au . For more information on my photographs you can visit my blog at kirkhille.wordpress.com/
All images are © Kirk Hille, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my express consent
On a walk around the city on a grey cold day in December 2022. Christchurch New Zealand.
In 1998, SCAPE Public Art began to revolutionise the open spaces of Ōtautahi Christchurch – and public arts practice in Aotearoa New Zealand. SCAPE Public Art installs free-to-view contemporary public art in Central Christchurch, engaging the community through exciting work that is celebrated around Aotearoa and the world.
www.scapepublicart.org.nz/about-scape-public-art/
Cognitive Reorientation:
Using the Danish television police drama Forbrydelsen (The Killing) as a jumping-off point, Clemens investigates the unseen labour involved in the spectacle of television, as well as the televisual clichés we have come to understand as representative of successful detective work. Focusing on a crime scene that occurs in the first episode of the first season, which shows a car being pulled from a river, Cognitive Reorientation is a deconstruction and reconstruction of the scene’s various elements in the centre of Christchurch, providing a glimpse behind the scenes into the often-clunky production of mass entertainment.
Sited in the basement of the former Price Waterhouse Coopers building, which housed a carpark, pool, and gym, Cognitive Reorientation relates to the imperfections and fallibility of memory. Like a great deal of the city that was destroyed or demolished following the 2010-11 earthquake sequence, the Price Waterhouse Coopers building was once a place of significance for many. The remnants of the building will eventually be removed, leaving no trace and forcing those who knew it to rely purely on their memories without visual cues.
A great deal of Clemens’ previous work has engaged with the mechanics of cinema and television production, using original and recreated props and video clips from Terminator 2, Blade Runner, and Nightmare on Elm Street to produce complex installations that weave fiction and non-fiction together. There is reverence in these works, but also an implicit questioning. In Cognitive Reorientation, Clemens asks: Where does artistic fabrication begin and end? What is a clue? A sign? Proof? What is the status of evidence when our methods of replication have advanced so rapidly?
This is my attempt at replicating the Pagani Zonda Cinque in LEGO bricks. The Zonda is one of my top 5 favorite cars, so I had to include one in my LEGO collection. This is actually my third attempt at building the Zonda (see my previous versions here and here). With this version, I think I've improved the overall shape of the car by increasing the width at the rear of the car to 17 studs (the front of the car is 16 studs wide).
As you can see, this creation was inspired by Firas Abu-Jaber's own Zonda. I tried to replicate the Zonda's shape using different methods from Firas' Zonda, but in the end some areas, such as the front simply could not be made better (Firas' version is near perfect).
Also, if anyone has a set of Ferrari FXX rims and is willing to sell, please let me know (prices on Bricklink are so high for this piece)! Those rims would look a lot better on this car than these silver ones I have.
This is my attempt at replicating the Pagani Zonda Cinque in LEGO bricks. The Zonda is one of my top 5 favorite cars, so I had to include one in my LEGO collection. This is actually my third attempt at building the Zonda (see my previous versions here and here). With this version, I think I've improved the overall shape of the car by increasing the width at the rear of the car to 17 studs (the front of the car is 16 studs wide).
As you can see, this creation was inspired by Firas Abu-Jaber's own Zonda. I tried to replicate the Zonda's shape using different methods from Firas' Zonda, but in the end some areas, such as the front simply could not be made better (Firas' version is near perfect).
Also, if anyone has a set of Ferrari FXX rims and is willing to sell, please let me know (prices on Bricklink are so high for this piece)! Those rims would look a lot better on this car than these silver ones I have.
A tablecloth purchased from a trash and treasure market for $2 used to replicate a designer Ikat print dress retailing for $590
Using Collette Sorbetto pattern for top half of dress
blogged here
The Mosquito's wings have a very distinct shape, which I tried to replicate with stacked plates. This came in very handy in building the camouflage pattern.
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
Every Wednesday morning I have a web conference call with one of my customers to review status of their orders. The process involves me logging onto their vendor portal and then sharing my screen while we do the review so we both see the same thing at the same time. This morning when I shared my screen it began to replicate itself over and over and no matter what I did it would not stop. While my jaw was dropping I was grabbing my phone to get a picture. This is exactly as it was taken no photoshopping here:) oh yes in case you are wondering the only way I got it to stop was by logging off the web meeting. By the way no virus it was all caused by the web meeting connection.
I just got back from 3 days photographing the South West of Western Australia . The South West is an amazing place for photographers there is such diversity with the scenery from rolling vine yards , to farms , to rugged coast to sandy white beach's with crystal clear blue water .
Spent the three days camping down there and it was cold and wet got into the negatives (which is cold for WA ) but the Light was great so didn't mind .
This morning I woke up not knowing where to photograph . Drove the Boat ramp at Dunsbrough , having no clouds around I quickly made the decision to drive to Yallingup and was glad I did . Had pretty good light and even had a rainbow .
Read more at ... kirkhille.wordpress.com/
This was a 4 image manual blend in photoshop .
Taken with the Canon 5D MKII , 24 -70mm F2.8 Lens and Lee Soft grad .6 filter
My webiste is nearing completion as well so I have start a fan page which I will post specials deals and information on my photography
www.facebook.com/pages/Kirk-Hille-Photography/27572925343...
I have had a few requests for larger size image for the use as wallpapers computer . So over the next few weeks will resize and uplpad selected images to my blog: kirkhille.wordpress.com/ at the wallpaper page on (Link on the top right) which people will be able to use .
Blog: www.kirkhille.wordpress.com
website : www.kirkhillephotography.com
Face book : www.facebook.com/pages/Kirk-Hille-Photography/27572925343...
Twitter :http://twitter.com/Kirkhille
Various images of mine are for sale on various finishes and sizes from Gloss and lustre, Metallic and Fuji Flex prints. Laminating and Mounting are available and framing service are available for local customers. Any enquires please contact me by email at kirkhille (@) westnet . com . au . For more information on my photographs you can visit my blog at kirkhille.wordpress.com/
All images are © Kirk Hille, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my express consent
Real and reflected in a window, Electric Fountain, by British artists Tim Noble and Sue Webster. It is 35' high x 30' diameter and made entirely from LED bulbs. The design and sequencing replicates the movement of water. Rockefeller Center, New York, 2008.
I've been interested in replicating some of the techniques for body articulation and detail I've observed in Lego mechs by builders like Chubbybots and Moko on transformer designs. This render shows some of the first results of this practice.
I think it's pretty clear who these characters are, so I won't list their names until I upload pictures of the physical builds.
These MOCs are digital and still being worked on, but I do intend to build them in real life. All three have designs modelled off real cars.
In replicating this fifth-gen stealth fighter, I was aiming for:
– Smooth: nearly studless in form.
– Integrated: packing in a host of features.
– Fresh: incorporating new pieces and techniques.
and of course, purist! (at least, for now; I may experiment with designing some Marine Corps liveries on waterslide decals for mere aesthetic decoration that denotes the squadron affiliation…)
The 1:40 scale replica includes:
– Opening cockpit that holds pilot, control panel, and joystick
– Hidden weapon bays in fuselage for stealth missions
– Optional exterior loadout for air-to-ground attacks
– Retracting landing gear that supports the model
– Opening flaps, rotating fan blades, and tilting vector nozzle for VTOL
– Stable Technic display stand and brick-built name plaque.
This is the first MOC I’ve finished in about five years (during which I completed my university degree, got my full-time career job, moved out, got married, and a few other things), after working on it off-and-on for at least three years. [The real-life aircraft has suffered from its own extensive delays in design / production, so I guess it could be worse where my LEGO one is concerned. XD]
A big thank-you to everyone who has inspired me along the way, including special acknowledgements to AFOL friends like the Chiles family and Eli Willsea for helping rekindle my joy in the hobby; Brickmania, for showing me a few new hinge techniques that I incorporated during these last few months of the design process; and especially my lovely wife Natalie who, bless her heart, has allowed the dining room of our tiny apartment to serve as my building studio and encouraged me to use it more often as such!
Let me know what you guys think!
Virus replication
Viruses replicate only in living cells. The use of the term 'replicate' infers that the process of virus multiplication is different from that of micro-organisms and tissue cells which divide by binary fission with or without mitotic division of their genetic components. Whilst the mode of entering the host cell varies from virus to virus the mode of replication is considered to be similar for all and has been most completely worked out for bacteriophage. The viral nucleic acid upon entering the cell takes over control of the cellular metabolic processes and codes for the separate synthesis of viral nucleic acid and protein which later combine to form the mature virus particle. The virus yield from a cell infected with a single virus particle varies widely but often ranges from 10 to 100 particles.
The host cell must be capable of supporting this sequence of steps in viral replication. Many viruses have a single or limited host cell requirement; others may replicate in a range of different host cells but the quantity of virus produced in each cell type may differ widely.
Viruses may be propagated in susceptible animals, plants or micro-organisms, or in tissue cultures made from animal or plant tissues.
When using animals it is necessary to consider:
(1) their natural susceptibility to infection or immune status to the virus;
(2) the possibility of latent infection with the same or other virus (often the challenge of another virus stimulates a latent virus to become active, as occurs with herpes simplex in man, the cause of the common cold sore on the lips which often erupts when the patient is challenged by a common cold virus);
(3) the most suitable route of inoculation which is usually related to the affinity of the virus for particular tissues. Infection is recognized by characteristic signs and symptoms of disease.
VIRUS DISEASES OF VERTEBRATE ANIMALS
General considerations of virus infection
Unlike the majority of plant virus diseases most animal virus diseases cannot be diagnosed solely on their signs and symptoms. Viruses do not produce exotoxins and the diseases they cause are the direct result of their primary and secondary replication cycles within the various tissue cells of the animal body. An understanding of how this replication occurs in tissue cells provides an understanding of the disease processes taking place in the animal body as a whole. Replication is studied in in vitro systems of animal tissue cultures.
The replication of viruses in tissue cells leads to the biological malfunctioning of those cells and if large numbers of cells are involved malfunctioning of the organ generally follows. This may result in the death of the animal.
Some animal viruses replicate in a limited range of tissue cells, e.g., influenza virus replicates only in cells of the respiratory tract, while others replicate in a wide variety of tissue cells, e.g., smallpox virus in cells of the skin, lungs, and other internal tissues. The latter category of viruses can therefore spread to other susceptible tissues by blood-borne dissemination from a primary site of infection. The presence of virus in the blood stream is not necessarily an indication of wide tissue susceptibility since viruses with a limited tissue range may 'spill-over' into the blood stream following replication in the susceptible tissues.
As with other microbial diseases the severity of a virus disease depends upon the size of the infecting dose, the state of health of the animal, its age, sex, and degree of immunity. The various aspects of the epidemiology of animal virus diseases are considered elsewhere.
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Playing with some Lightroom film presets that replicates Fuji FP 100c with an image I took in Hoi An, Vietnam. I don't shoot this type of film, so I can't say if they've done a good job or not of replicating the look. Seeing as how I shot this at 3200 ISO, the grain structure is probably really out of whack.
ISO: 3200
Shutter: 1/250 second
Aperture: F/1.4
Camera: Olympus OM-D
Lens: Panasonic Lumix 25mm F/1.4
In replicating this fifth-gen stealth fighter, I was aiming for:
– Smooth: nearly studless in form.
– Integrated: packing in a host of features.
– Fresh: incorporating new pieces and techniques.
and of course, purist! (at least, for now; I may experiment with designing some Marine Corps liveries on waterslide decals for mere aesthetic decoration that denotes the squadron affiliation…)
The 1:40 scale replica includes:
– Opening cockpit that holds pilot, control panel, and joystick
– Hidden weapon bays in fuselage for stealth missions
– Optional exterior loadout for air-to-ground attacks
– Retracting landing gear that supports the model
– Opening flaps, rotating fan blades, and tilting vector nozzle for VTOL
– Stable Technic display stand and brick-built name plaque.
This is the first MOC I’ve finished in about five years (during which I completed my university degree, got my full-time career job, moved out, got married, and a few other things), after working on it off-and-on for at least three years. [The real-life aircraft has suffered from its own extensive delays in design / production, so I guess it could be worse where my LEGO one is concerned. XD]
A big thank-you to everyone who has inspired me along the way, including special acknowledgements to AFOL friends like the Chiles family and Eli Willsea for helping rekindle my joy in the hobby; Brickmania, for showing me a few new hinge techniques that I incorporated during these last few months of the design process; and especially my lovely wife Natalie who, bless her heart, has allowed the dining room of our tiny apartment to serve as my building studio and encouraged me to use it more often as such!
Let me know what you guys think!
As a photographer who does this gig full time when ever I find a good location I always go back to it again and again until I get the right light and composition that makes me happy to say "Yea I got the shot".
This is one of those mornings where the light fell right and there was cloud cover to make the sky interesting.
Shot on my Fuji GX617 on Velvia 50 slide film, 2 stop Lee ND soft grad.
Main site: www.mattlauder.com.au
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All images are © Matt Lauder Photography, All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my written consent.