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“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
The MakerBot Digitizer 3D-scanned Laser Cat model was used in this test of different layer thicknesses. The cat was scaled down to 50 mm in height and then 3D printed at the following layer heights:
- 0.40 mm (400 microns)
- 0.30 mm (300 microns)
- 0.20 mm (200 microns)
- 0.10 mm (100 microns) - Average width of a strand of human hair
- 0.05 mm (50 microns)
- 0.02 mm (20 microns)
All six cats where 3D printed on a MakerBot Replicator 2 with TRUE BLUE PLA plastic at 230 degrees C.
All layers where 3D printed with MakerWare's standard values as follows:
(400 microns) - 15% infill - perimeters 2 - speed 90 mm/s
(300 microns) - 15% infill - perimeters 2 - speed 90 mm/s
(200 microns) - 15% infill - perimeters 2 - speed 90 mm/s
(100 microns) - 15% infill - perimeters 2 - speed 90 mm/s
(50 microns) - 15% infill - perimeters 2 - speed 60 mm/s
(20 microns) - 15% infill - perimeters 2 - speed 40 mm/s
---
The 3D scanner: bit.ly/1a7y8hG
The 3D printer: makerbot.creativetools.se
The 3D model: www.thingiverse.com/thing:146265
#3DBenchy printed on a MakerBot Replicator Desktop 5th Generation 3D printer.
The 3D-model: 3dbenchy.com/download
The 3D-printer: www.creativetools.se/index.php?route=product/search&f...
#3DBenchy printed on a MakerBot Replicator Desktop 5th Generation 3D printer.
The 3D-model: 3dbenchy.com/download
The 3D-printer: www.creativetools.se/index.php?route=product/search&f...
#3DBenchy printed on a MakerBot Replicator Desktop 5th Generation 3D printer.
The 3D-model: 3dbenchy.com/download
The 3D-printer: www.creativetools.se/index.php?route=product/search&f...
3D model made by Swedish 3D artist Måns Larsson
- 3D-modell sliced with Skeinforge 50
- Printed with ReplicatorG on a standard MakerBot Replicator FDM 3D-printer
Concrete pillboxes built to replicate Nazi bunkers rest on an old cattle farm now an area of critical environmental concern managed by the BLM in southwest Oregon, Sept. 25, 2018. BLM photo: Matt Christenson
A quiet oak savanna in southwest Oregon has a World War II story to tell.
It was the summer of 1942 when thousands of young American troops started arriving in Oregon to prepare for battle.
Only months prior, immediately after the Japanese bombing of Pearl Harbor and America’s entry into WWII, the U.S. Army broke ground on Camp White, a massively ambitious training ground for troops north of Medford.
The national war effort was ramping up, and from the rationing at home to the drill sergeants yelling at new draftees, the task at hand was unified: Get America prepared for war as fast as possible.
At Camp White, in the heart of the Rogue River Valley, it got loud very quick.
Construction crews worked 24 hours a day until the base, consisting of 1,300 structures, was complete. Barracks, mess halls, a railroad, full electrical grid and sewer system were all built in six months.
And then the troops arrived.
The newly reinstated 91st Division went on 91-mile-long hikes.
They fired bazookas, mortars and tanks.
And they attacked concrete pillboxes built to replicate Nazi bunkers.
Despite creating what was then Oregon’s second most populous city at 40,000 people, there are now only a few lasting structures proving Camp White ever existed. Sadly, there are even fewer first-hand memories.
The pillboxes are still standing, though. They simultaneously represent a mostly forgotten military legacy and since 2013, an opportunity for historic preservation.
After decades of private cattle farming, Camp White’s pillboxes now rest on public land.
Read the full story about the Camp White pillboxes that rest on the northeast side of Upper Table Rock, an area of critical environmental concern for the BLM: www.facebook.com/notes/blm-oregon-washington/the-wwii-leg...
The 3D model: www.thingiverse.com/thing:69491
The 3D printer: makerbot.creativetools.se
For more information creative-tools.com
This is a 3D-printed bust (sculpture of Albert Einstein) from a 3D-scan from the Usher Gallery and The Collection in Lincoln.
The 3D-printer: desktop.creativetools.se
The 3D-file: lincoln3dscans.co.uk/lowenthal-bust-one/
The entire roof, ceiling and plasterwork were replicated in their entirety to replace that lost in the fire. The new roof is an all-timber construction based on traditional mortise and tenon joints using queen post-trusses for its basic structure and finished with Blue-Bangor slates each measuring 600mm x 900mm. Below that, a barrel vault ceiling was also installed, constructed of timber and overlaid with riven chestnut lathes to which the base plaster was applied. Plastering was carried out by George O’Malley Plastering Ltd and the work supervised by master-plasterer George O’Malley, who has many years expertise in restoring and creating decorative plasterwork. Traditional methods using lime plaster mixed with goat-hair/horsehair to reproduce as far as possible the original designs as well as new moulds. There were also the 28 plaster angels originally produced by local plasterer Terence Farrell (1787-1876) for the sum of £150. All were damaged in the fire and 26 angels were recoverable which were restored by George O’Malley, the remaining two were reproduced. These were hung back in their original positions above the free-standing limestone columns.
This photo shows the northern part of the nave and above are semicircular Diocletian windows containing leaded stained glass by James Scanlon. Those opposite on the southern side have art-glass windows by Kim en Joong, a Dominican priest based in Paris.
St Mel’s of Longford town is the cathedral church for the diocese of Ardagh and Clonmacnoise. Ambitious plans for a fine church building in Longford began to take form after the Catholic Emancipation Act of 1829 and became a reality when sufficient funds had been collected. Construction began in 1840 with the laying of the foundation stone which was taken from the original cathedral of St. Mel at Ardagh, only a few miles from Longford. The main body of the new cathedral was completed in 1856 to a neo-classical design by the architect Joseph Benjamin Keane, work having been delayed during the period of the Great Famine (1846 and recommenced 1853). After Joseph’s death in 1849, work was continued after by his assistant John Bourke (d.1871) who was also responsible for the belfry tower completed in 1860, but with major alterations to its original design. The neo-classical portico was designed by George Coppinger Ashlin (1837-1921) and completed in 1889 with its pediment and sculpted tympanum depicting the enthronement of St. Mel as Bishop of Ardagh along with three statues above the pediment. By this time, the cathedral building has taken on its definitive form with no further major alterations until its refurbishment after the devastating fire of 2009.
On 25th December 2009, the entire building was gutted by a fire which accidently started within the boiler chimney flue at the rear and quickly spread. The alarm was raised just after 5am but fire-fighting attempts were hampered by frozen pipes as the country was in the grip of one of its worst and prolonged periods of freezing temperatures for decades. By daylight, the entire building had been reduced to a burnt-out shell with the loss of all its furnishing, fittings and diocesan museum. The museum contained many priceless artefacts that included the Crozier of Saint Mel and the book-shrine of St. Caillin (1536), the latter damaged beyond restoration but it may be possible to conserve some of the remnants. The 28 supporting columns were also damaged beyond repair and had to replaced anew. Very little was recoverable that survived the worst of the 1,000 deg.C fire and even these suffered some degree of fire damage such as The Bell of Fenagh which is undergoing conservation treatment at the National Museum of Ireland and the original baptismal font with its brass fittings and surrounding mosaic floor. But the most puzzling of all and described by many as nothing short of a miracle was the survival of the Holy Family painting in the northern transept and the undamaged Eucharistic Host still inside the fire damaged tabernacle. The Holy Family oil painting on a cotton-based canvas should have readily gone up in flames due to its highly combustible materials but somehow survived relatively unscathed despite the intense fire around it. This painting was of Italian origins by an unknown artist and is now back on display requiring little more than a cleaning!
After five years of work by many expert disciplines using traditional methods, the cathedral building has been totally refurbished and which included quarried blue-limestone for 28 columns with hand-carved capitals that support the roof. Both Harry Clarke Studio windows were salvaged from the transepts and restored to their former glory by Abbey Stained Glass Ltd of Dublin, a company with much experience in the restoration of stained glass windows. Other replacements such as the wooden pews, alter, stained glass, Stations of the Cross tablets, pipe-organ, fixtures and fitting were all made in a modern style to the best materials and craftsmanship available. It is also planned to open a diocesan museum in the cathedral’s new crypts. The total cost of refurbishment and fitting out came to around €30 million, funded mostly from the insurance cover and after five years of hard work the cathedral was reopened for services at Christmas 2014.
Photos taken Thursday 22nd January 2015.
References:
www.facebook.com/StMelsRestoration (St Mel’s Cathedral restoration – Facebook page).
www.rte.ie/news/special-reports/2014/1215/667007-longford... (RTE News article about TV program The Longford Phoenix).
www.longfordtourism.ie/event/st-mels-cathedral-rise-from-...
irishcatholic.ie/sites/default/files/styles/large/public/... (Sculptor Ken Thompson working on one of his Stations of the Cross panels).
en.wikipedia.org/wiki/St_Mel%27s_cathedral,_Longford
l7.alamy.com/zooms/5e9904767cdb4317b39e15ee189488c3/shrin... (Image of St. Caillin book shrine created in 1536 before it was damaged beyond repair in the 2009 fire at St. Mel’s cathedral).
www.alamy.com/stock-photo-st-mels-crozier-longford-cathed... (Image of the 10th century St. Mel’s Crozier and sadly, completely destroyed in the cathedral fire of 2009).
www.youtube.com/watch?v=PVb7TQy4QAM (Engineers Ireland presentation titled Recreating the Historical Roof of St. Mel's Cathedral).
This 3D printed part is made with a MakerBot standard Replicator (first version) FDM 3D printer. The layer height in ReplicatorG is set at 0.1 mm. The material is yellow PLA 1.75 mm plastic filament.
Download 3D-model for 3D print from www.thingiverse.com/thing:11882
The MakerBot Digitizer 3D-scanned Laser Cat model was used in this test of different layer thicknesses. The cat was scaled down to 50 mm in height and then 3D printed at the following layer heights:
- 0.40 mm (400 microns)
- 0.30 mm (300 microns)
- 0.20 mm (200 microns)
- 0.10 mm (100 microns) - Average width of a strand of human hair
- 0.05 mm (50 microns)
- 0.02 mm (20 microns)
All six cats where 3D printed on a MakerBot Replicator 2 with TRUE BLUE PLA plastic at 230 degrees C.
All layers where 3D printed with MakerWare's standard values as follows:
(400 microns) - 15% infill - perimeters 2 - speed 90 mm/s
(300 microns) - 15% infill - perimeters 2 - speed 90 mm/s
(200 microns) - 15% infill - perimeters 2 - speed 90 mm/s
(100 microns) - 15% infill - perimeters 2 - speed 90 mm/s
(50 microns) - 15% infill - perimeters 2 - speed 60 mm/s
(20 microns) - 15% infill - perimeters 2 - speed 40 mm/s
---
The 3D scanner: bit.ly/1a7y8hG
The 3D printer: makerbot.creativetools.se
The 3D model: www.thingiverse.com/thing:146265
The MakerBot Digitizer 3D-scanned Laser Cat model was used in this test of different layer thicknesses. The cat was scaled down to 50 mm in height and then 3D printed at the following layer heights:
- 0.40 mm (400 microns)
- 0.30 mm (300 microns)
- 0.20 mm (200 microns)
- 0.10 mm (100 microns) - Average width of a strand of human hair
- 0.05 mm (50 microns)
- 0.02 mm (20 microns)
All six cats where 3D printed on a MakerBot Replicator 2 with TRUE BLUE PLA plastic at 230 degrees C.
All layers where 3D printed with MakerWare's standard values as follows:
(400 microns) - 15% infill - perimeters 2 - speed 90 mm/s
(300 microns) - 15% infill - perimeters 2 - speed 90 mm/s
(200 microns) - 15% infill - perimeters 2 - speed 90 mm/s
(100 microns) - 15% infill - perimeters 2 - speed 90 mm/s
(50 microns) - 15% infill - perimeters 2 - speed 60 mm/s
(20 microns) - 15% infill - perimeters 2 - speed 40 mm/s
---
The 3D scanner: bit.ly/1a7y8hG
The 3D printer: makerbot.creativetools.se
The 3D model: www.thingiverse.com/thing:146265
3D printer filament spool holder for MakerBot Replicator
Made on a makerbot.creativetools.se
Download the file for free from: www.thingiverse.com/thing:72746
Replicated from this image in the JR James Collection: www.flickr.com/photos/jrjamesarchive/9496121190/in/photos...
This pipe’s design is replicated on both halves of the bowl and features a Maid of Erin harp beneath a Royal Crown along with sprays of shamrock. Both nationalist emblems of harp and shamrock were usually associated together within Ireland from the 18th to the early 20th centuries. The Maid of Erin on this pipe is not winged and shown subordinated to the Crown.
The use of shamrock in Ireland associated with St. Patrick (Ireland’s patron saint) originated in the 17th century and by the end of the 18th century it began to be adopted as a nationalist emblem. The use of the shamrock as a national emblem to show one’s patriotism became widely popular in the latter half of the 19th century along with the Maid of Erin harp.
The Maid of Erin harp is depicted with an allegorical female figure of Erin affixed to the outer body of the harp. The Maid of Erin is usually depicted as winged but sometimes without the wings. The earliest appearance of the Maid of Erin harp was on the Royal Standard of King James I of England (c.1603) and its first appearance on the Irish coinage was on the St. Patrick’s halfpenny (c.1674). Thereafter, the Maid of Erin was commonly used as an emblem of Ireland into the 20th century.
.
References:
niarchive.org/CulturalFusions/portals/a1b3a25b-b7fe-4bef-...(WEB).pdf (Emblems of Ireland – covers both the shamrock and the Maid of Erin harp).
www.coinweek.com/wp-content/uploads/2011/03/st_pat_thumb.jpg (Image of a St. Patrick’s halfpenny (1670’s) which was the first Irish coin to depict the Maid of Erin harp).
en.wikipedia.org/wiki/Shamrock (The shamrock as an Irish emblem).
Coins & Tokens of Ireland by Seaby’s Numismatic Publishing Ltd, 1970.
.
Height: 2 1/8” (54mm)
Widest width: 1 1/8” (28mm)
Length: 1 7/8” including stem (47mm)
Inside diameter: ¾” (19mm)
Find location: Mullingar, County Westmeath.
LUGNuts' founder Lino Martins has graciously given me permission to replicate his series of automotive illustrations based on various mixed alcoholic drinks.
The next in this series is a Lego-model replication of 'Old Fashioned' - 1930 Bentley 8-Litre Mulliner Saloon.
.
In Lino's own words:
"Here is my eleventh installment of the “Happy Hour” series in which you suggested a mixed drink and I draw a vehicle somehow based on it. Rod Gillies suggested the Old Fashioned and since he is from Scotland I picked something from his part of the world, a 1930 Bentley Eight Litre. In doing this series I wanted each drawing to look vastly different from each other so this one took inspiration from Art Deco travel posters and used only a black and white color palette. I am quite pleased with how this one turned out so thank you, Rod for suggesting it. Stay tuned as I draw more of your suggestions and remember always drink responsibly and never drink and drive."
Concrete pillboxes built to replicate Nazi bunkers rest on an old cattle farm now an area of critical environmental concern managed by the BLM in southwest Oregon, Sept. 26, 2018. BLM photo: Matt Christenson
A quiet oak savanna in southwest Oregon has a World War II story to tell.
It was the summer of 1942 when thousands of young American troops started arriving in Oregon to prepare for battle.
Only months prior, immediately after the Japanese bombing of Pearl Harbor and America’s entry into WWII, the U.S. Army broke ground on Camp White, a massively ambitious training ground for troops north of Medford.
The national war effort was ramping up, and from the rationing at home to the drill sergeants yelling at new draftees, the task at hand was unified: Get America prepared for war as fast as possible.
At Camp White, in the heart of the Rogue River Valley, it got loud very quick.
Construction crews worked 24 hours a day until the base, consisting of 1,300 structures, was complete. Barracks, mess halls, a railroad, full electrical grid and sewer system were all built in six months.
And then the troops arrived.
The newly reinstated 91st Division went on 91-mile-long hikes.
They fired bazookas, mortars and tanks.
And they attacked concrete pillboxes built to replicate Nazi bunkers.
Despite creating what was then Oregon’s second most populous city at 40,000 people, there are now only a few lasting structures proving Camp White ever existed. Sadly, there are even fewer first-hand memories.
The pillboxes are still standing, though. They simultaneously represent a mostly forgotten military legacy and since 2013, an opportunity for historic preservation.
After decades of private cattle farming, Camp White’s pillboxes now rest on public land.
Read the full story about the Camp White pillboxes that rest on the northeast side of Upper Table Rock, an area of critical environmental concern for the BLM: www.facebook.com/notes/blm-oregon-washington/the-wwii-leg...
I think a lot of toy buyers at many of our big name stores could do well to replicate the ones working for Home Bargains. Their diecast selection may not be inspiring all year round but in the months leading up to Christmas they can really pull some goodies out of the bag and at prices no one else can or are willing to match! Over the last few years we have seen a heady selection of Majorette Premiums, basic Street Series and multi-packs, Matchbox Power Grabs and multi-packs, Mattel Fast & Furious plus of course various Hot Wheels stuff as well as some nice 1/43 models which sadly I dont collect.
This time last year they treated us to Matchbox Power Grabs and was rather hoping they would repeat it this year, at the time of writing it doesn't seem they have BUT....they are now stocking plenty of Matchbox Jurassic World singles with many castings I've not seen elsewhere and at just 99p each they are a bargain.
Admittedly this 1993 Ford Explorer can indeed still be found elsewhere but invariably at THREE TIMES the price!
I have seen all the Jurassic movies over the years including the latest yet its this particular vehicle which I will always associate with the franchise and the one which sticks in my mind. Its certainly no premium, it has the usual modern Matchbox cost cutting measures implemented into its construction but is still well cast with authentic Jurassic Park livery and a domed viewing roof. Does anyone know whether the Mercedes GLE Coupe was part of this series too?
Mint and boxed.
This is a robot mode only replica of Starscream's look in ROTF and DOTM.
I tried to replicate every single detail from the CGI model, which differs greatly from the actual figure. I added tons of parts on his chest, arms and legs, for that messy and sharpy Decepticon look.
I used parts from other transformers and from an actual F-22 Raptor model kit. Some decals were applied in the parts not covered by the tattoos.
All the wings from the toy were removed and replaced with the model kit wings, for a more streamlined and real look.
The original canopy section was removed, since it's not there in the movie version, leaving only the canopy itself (model kit part). The whole chest section was redone using mostly new parts to get the right look (much bulkier). The middle section was resculpted to be permanently open, with a few tiny mechanical parts and wires here and there. A few parts were added on his neck as well, which now sits at a higher position, giving Starscream a taller look.
I added several wires on his arms, instead of just paiting the sculpted ones, for a much more realistic look.
I also added articulated fingers, and a ball joint on his right hand. Each finger has a tiny spike added, just like the CGI model has.
I added the jet engines on his back, as well.
His lower legs were heavily modified, with tons of new parts added, to get that overlapping-transforming -panels look.
The paint job was done with several coats of different shades of gray and metallic enamels, for that not so shiny but still metallic look (like the actual F-22)
Starcream also comes with a removable circular saw blade and the barrel gun with "wings" added.
The final touch is on his head. I resculpted his eyes for a more accurate and meaner "look". Finally, each eye has its own LED now, and they're visible even in day light.
3D printer filament spool holder for MakerBot Replicator
Made on a makerbot.creativetools.se
Download the file for free from: www.thingiverse.com/thing:72746
3D printer filament spool holder for MakerBot Replicator
Made on a makerbot.creativetools.se
Download the file for free from: www.thingiverse.com/thing:72746
Replicating the scene taken the previous evening with a PCC, but this time with a Milano. June 8, 2017. © 2017 Peter Ehrlich
This wrench was 3D printed on a MakerBot Replicator 2 3D printer and made with PLA plastic. After the 3D-print two built-in support parts were broken away to free the wrench jaw and let it move.
The 3D printer: makerbot.creativetools.se
The 3D model: www.thingiverse.com/thing:139268
How Do You Replicate, How Do You Code Your Pattern(joe camel encryption)panels 1& 2, graphite on archival paper, each pannel 22inx15in, 2017
The 3D Replicator
The chaps found a 3D Printer during their visit to Newcastle's Maker Space this evening. Now they just have to decide what to print... More info. Ref: D1304-016
This video shows the removal of a 3D printed propeller from the build plate of a MakerBot Replicator 2X 3D printer and removal of support structures.
The 3D printer: makerbot.creativetools.se
The 3D model: www.thingiverse.com/thing:30284
Replicated from this image in the JR James Collection: www.flickr.com/photos/jrjamesarchive/9502223524
Replicating a quarry scene of times past, William Bagnall 0-4-0ST 'Peter' (works No.2067 built in 1917) couples up to skips at the Lime Kiln sidings as 'Wendy' (works No.2091 built in 1919) waits to enter the sidings. 'Peter' was built as a 3ft gauge engine for the Canadian Forestry Commission. However due to cessation of hostilities it was returned to the manufacturer and, after being re-gauged to 2ft, it was put to work at the Cliffe Hill Quarry Company. It entered preservation in the late 1960's and was moved to the Brockham Museum near Dorking in Surrey until its closure in 1982, when it was transferred to Amberley Museum. The locomotive had at this time just recently returned to service after a six-year restoration project.
© Gordon Edgar - All rights reserved. Please do not use my images without my explicit permission
A 3D-printed bottle made of PLA plastic filament. The print height is 150 mm (6 inches) which is the maximum build sizes in Z-axis for a MakerBot Replicator 2 desktop 3D printer.
The 3D-print settings where as follows:
- Layer height: 0.2 mm
- Perimeters/shells: 2
- Infill: 15%
- Print speed: 90 mm/s
Download the bottles 3D file from: www.thingiverse.com/thing:65922
The 3D printer: bit.ly/1nKeAom
From: creative-tools.com
Replicated from this image in the JR James Collection: www.flickr.com/photos/jrjamesarchive/9502072476
3D printer filament spool holder for MakerBot Replicator
Made on a makerbot.creativetools.se
Download the file for free from: www.thingiverse.com/thing:72746